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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 176 70 it is the complementary color RGB 208 79 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 176 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 176 70 shade: RGB 52 176 65, RGB 69 194 84, RGB 86 212 103, RGB 103 230 122 and RGB 120 248 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 176 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 176 70 shade: RGB 47 176 70, RGB 30 158 51, RGB 13 140 32, RGB 0 122 13 and RGB 0 104 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 176 70 shade: RGB 47 177 70, RGB 59 177 47, RGB 94 177 47, RGB 129 177 47 and RGB 164 177 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 176 70 shade: RGB 47 177 70, RGB 47 177 105, RGB 47 177 141, RGB 47 177 176 and RGB 47 144 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 176 70 shade matches the following richer shades: RGB 47 177 70, RGB 29 195 59 and RGB 11 214 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 176 70 shade: RGB 47 177 70, RGB 65 159 82, RGB 83 141 94, RGB 102 123 105 and RGB 120 105 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 176 70 shade: RGB 95 177 47, RGB 60 177 47, RGB 47 177 69, RGB 47 177 104 and RGB 47 177 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 176 70 shade: RGB 30 112 44, RGB 38 145 57, RGB 47 177 70, RGB 62 204 87 and RGB 95 212 116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 176 70 shade: RGB 47 176 70, RGB 47 130 177 and RGB 177 47 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 176 70 shade: RGB 47 176 70, RGB 69 47 177 and RGB 177 69 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 176 70 shade: RGB 47 176 70, RGB 47 130 177, RGB 177 47 156 and RGB 177 95 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 176 70 shade: RGB 47 176 70, RGB 47 91 177, RGB 177 47 156 and RGB 177 134 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 60 / 31

HEX #2FB046

RGB 47 176 70

HSL 130.7, 0.58%, 0.44%

LAB 63.42, -56.26, 43.64

 

Complementary color

CMYK 0 / 62 / 11 / 18

HEX #D04FB9

RGB 208 79 185

HSL 310.7, 0.58%, 0.56%

LAB 54.56, 62.8, -30.84

 

CMYK 70 / 0 / 63 / 31

HEX #34B041

RGB 52 176 65

HSL 126.29, 0.54%, 0.45%

LAB 63.48, -56, 46

 

CMYK 64 / 0 / 57 / 24

HEX #45C254

RGB 69 194 84

HSL 127.2, 0.51%, 0.52%

LAB 69.82, -56.76, 44.73

 

CMYK 59 / 0 / 51 / 17

HEX #56D467

RGB 86 212 103

HSL 128.1, 0.59%, 0.58%

LAB 76.1, -57.18, 43.38

 

CMYK 55 / 0 / 47 / 10

HEX #67E67A

RGB 103 230 122

HSL 128.98, 0.72%, 0.65%

LAB 82.32, -57.37, 42.04

 

CMYK 52 / 0 / 43 / 3

HEX #78F88D

RGB 120 248 141

HSL 129.84, 0.9%, 0.72%

LAB 88.47, -57.4, 40.72

 

CMYK 73 / 0 / 60 / 31

HEX #2FB046

RGB 47 176 70

HSL 130.7, 0.58%, 0.44%

LAB 63.42, -56.26, 43.64

 

CMYK 81 / 0 / 68 / 38

HEX #1E9E33

RGB 30 158 51

HSL 129.84, 0.68%, 0.37%

LAB 57.04, -54.88, 44.89

 

CMYK 91 / 0 / 77 / 45

HEX #0D8C20

RGB 13 140 32

HSL 128.98, 0.83%, 0.3%

LAB 50.62, -52.68, 45.69

 

CMYK 100 / 0 / 89 / 52

HEX #007A0D

RGB 0 122 13

HSL 126.39, 1%, 0.24%

LAB 44.16, -49.4, 45.38

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 73 / 0 / 60 / 31

HEX #2FB146

RGB 47 177 70

HSL 130.62, 0.58%, 0.44%

LAB 63.75, -56.6, 44.02

 

CMYK 67 / 0 / 73 / 31

HEX #3BB12F

RGB 59 177 47

HSL 114.46, 0.58%, 0.44%

LAB 63.82, -56.71, 53.76

 

CMYK 47 / 0 / 73 / 31

HEX #5EB12F

RGB 94 177 47

HSL 98.31, 0.58%, 0.44%

LAB 64.99, -47.52, 55.31

 

CMYK 27 / 0 / 73 / 31

HEX #81B12F

RGB 129 177 47

HSL 82.15, 0.58%, 0.44%

LAB 66.76, -35.14, 57.67

 

CMYK 7 / 0 / 73 / 31

HEX #A4B12F

RGB 164 177 47

HSL 66, 0.58%, 0.44%

LAB 69.14, -20.81, 60.79

 

CMYK 73 / 0 / 60 / 31

HEX #2FB146

RGB 47 177 70

HSL 130.62, 0.58%, 0.44%

LAB 63.75, -56.6, 44.02

 

CMYK 73 / 0 / 41 / 31

HEX #2FB169

RGB 47 177 105

HSL 146.77, 0.58%, 0.44%

LAB 64.22, -51.15, 27.09

 

CMYK 73 / 0 / 20 / 31

HEX #2FB18D

RGB 47 177 141

HSL 163.38, 0.58%, 0.44%

LAB 64.94, -43.28, 8.53

 

CMYK 73 / 0 / 1 / 31

HEX #2FB1B0

RGB 47 177 176

HSL 179.54, 0.58%, 0.44%

LAB 65.89, -33.77, -9.49

 

CMYK 73 / 19 / 0 / 31

HEX #2F90B1

RGB 47 144 177

HSL 195.23, 0.58%, 0.44%

LAB 55.81, -16.76, -25.35

 

CMYK 73 / 0 / 60 / 31

HEX #2FB146

RGB 47 177 70

HSL 130.62, 0.58%, 0.44%

LAB 63.75, -56.6, 44.02

 

CMYK 85 / 0 / 70 / 24

HEX #1DC33B

RGB 29 195 59

HSL 130.84, 0.74%, 0.44%

LAB 69.19, -65.83, 54.62

 

CMYK 95 / 0 / 78 / 16

HEX #0BD62F

RGB 11 214 47

HSL 130.64, 0.9%, 0.44%

LAB 75.06, -73.43, 64.63

 

CMYK 73 / 0 / 60 / 31

HEX #2FB146

RGB 47 177 70

HSL 130.62, 0.58%, 0.44%

LAB 63.75, -56.6, 44.02

 

CMYK 59 / 0 / 48 / 38

HEX #419F52

RGB 65 159 82

HSL 130.85, 0.42%, 0.44%

LAB 58.54, -44.62, 31.95

 

CMYK 41 / 0 / 33 / 45

HEX #538D5E

RGB 83 141 94

HSL 131.38, 0.26%, 0.44%

LAB 53.7, -29.57, 19.28

 

CMYK 17 / 0 / 15 / 52

HEX #667B69

RGB 102 123 105

HSL 128.57, 0.09%, 0.44%

LAB 49.51, -11.49, 7.31

 

CMYK 0 / 13 / 3 / 53

HEX #786975

RGB 120 105 117

HSL 312, 0.07%, 0.44%

LAB 46.15, 8.23, -4.52

 

CMYK 46 / 0 / 73 / 31

HEX #5FB12F

RGB 95 177 47

HSL 97.85, 0.58%, 0.44%

LAB 65.03, -47.21, 55.37

 

CMYK 66 / 0 / 73 / 31

HEX #3CB12F

RGB 60 177 47

HSL 114, 0.58%, 0.44%

LAB 63.84, -56.5, 53.79

 

CMYK 73 / 0 / 61 / 31

HEX #2FB145

RGB 47 177 69

HSL 130.15, 0.58%, 0.44%

LAB 63.74, -56.73, 44.46

 

CMYK 73 / 0 / 41 / 31

HEX #2FB168

RGB 47 177 104

HSL 146.31, 0.58%, 0.44%

LAB 64.2, -51.33, 27.6

 

CMYK 73 / 0 / 22 / 31

HEX #2FB18A

RGB 47 177 138

HSL 162, 0.58%, 0.44%

LAB 64.87, -44.01, 10.09

 

CMYK 73 / 0 / 61 / 56

HEX #1E702C

RGB 30 112 44

HSL 130.24, 0.58%, 0.28%

LAB 41.29, -39.53, 30.4

 

CMYK 74 / 0 / 61 / 43

HEX #269139

RGB 38 145 57

HSL 130.65, 0.58%, 0.36%

LAB 52.9, -48.54, 37.55

 

CMYK 73 / 0 / 60 / 31

HEX #2FB146

RGB 47 177 70

HSL 130.62, 0.58%, 0.44%

LAB 63.75, -56.6, 44.02

 

CMYK 70 / 0 / 57 / 20

HEX #3ECC57

RGB 62 204 87

HSL 130.56, 0.58%, 0.52%

LAB 72.82, -61.23, 46.84

 

CMYK 55 / 0 / 45 / 17

HEX #5FD474

RGB 95 212 116

HSL 130.77, 0.58%, 0.6%

LAB 76.55, -53.2, 37.64

 

CMYK 73 / 0 / 60 / 31

HEX #2FB046

RGB 47 176 70

HSL 130.7, 0.58%, 0.44%

LAB 63.42, -56.26, 43.64

 

CMYK 73 / 27 / 0 / 31

HEX #2F82B1

RGB 47 130 177

HSL 201.69, 0.58%, 0.44%

LAB 51.55, -8.94, -31.97

 

CMYK 0 / 73 / 56 / 31

HEX #B12F4D

RGB 177 47 77

HSL 346.15, 0.58%, 0.44%

LAB 41.08, 53.75, 13.82

 

CMYK 73 / 0 / 60 / 31

HEX #2FB046

RGB 47 176 70

HSL 130.7, 0.58%, 0.44%

LAB 63.42, -56.26, 43.64

 

CMYK 61 / 73 / 0 / 31

HEX #452FB1

RGB 69 47 177

HSL 250.15, 0.58%, 0.44%

LAB 30.57, 45.87, -65.57

 

CMYK 0 / 61 / 73 / 31

HEX #B1452F

RGB 177 69 47

HSL 10.15, 0.58%, 0.44%

LAB 43.96, 42.74, 35.48

 

CMYK 73 / 0 / 60 / 31

HEX #2FB046

RGB 47 176 70

HSL 130.7, 0.58%, 0.44%

LAB 63.42, -56.26, 43.64

 

CMYK 73 / 27 / 0 / 31

HEX #2F82B1

RGB 47 130 177

HSL 201.69, 0.58%, 0.44%

LAB 51.55, -8.94, -31.97

 

CMYK 0 / 73 / 12 / 31

HEX #B12F9C

RGB 177 47 156

HSL 309.69, 0.58%, 0.44%

LAB 43.92, 62.73, -30.75

 

CMYK 0 / 46 / 73 / 31

HEX #B15F2F

RGB 177 95 47

HSL 22.15, 0.58%, 0.44%

LAB 49.18, 29.46, 41.16

 

CMYK 73 / 0 / 60 / 31

HEX #2FB046

RGB 47 176 70

HSL 130.7, 0.58%, 0.44%

LAB 63.42, -56.26, 43.64

 

CMYK 73 / 49 / 0 / 31

HEX #2F5BB1

RGB 47 91 177

HSL 219.69, 0.58%, 0.44%

LAB 40.02, 15.17, -50.26

 

CMYK 0 / 73 / 12 / 31

HEX #B12F9C

RGB 177 47 156

HSL 309.69, 0.58%, 0.44%

LAB 43.92, 62.73, -30.75

 

CMYK 0 / 24 / 73 / 31

HEX #B1862F

RGB 177 134 47

HSL 40.15, 0.58%, 0.44%

LAB 58.6, 7.8, 50.9

 

Description

Color code: RGB 47 176 70 | qconv.com Color code: RGB 47 176 70 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 176 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 176 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 60 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 60% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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