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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47.3 198.4 118 it is the complementary color RGB 207.7 56.6 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47.3 198.4 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47.3 198.4 118 shade: RGB 52.3 198.4 113, RGB 69.3 216.4 132, RGB 86.3 234.4 151, RGB 103.3 252.4 170 and RGB 120.3 255 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47.3 198.4 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47.3 198.4 118 shade: RGB 47.3 198.4 118, RGB 30.3 180.4 99, RGB 13.3 162.4 80, RGB 0 144.4 61 and RGB 0 126.4 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47.3 198.4 118 shade: RGB 48 197 118, RGB 48 197 77, RGB 58 197 48, RGB 99 197 48 and RGB 139 197 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47.3 198.4 118 shade: RGB 48 197 118, RGB 48 197 158, RGB 48 196 197, RGB 48 156 197 and RGB 48 115 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47.3 198.4 118 shade matches the following richer shades: RGB 48 197 118, RGB 28 217 116 and RGB 8 237 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47.3 198.4 118 shade: RGB 48 197 118, RGB 68 177 119, RGB 87 157 120, RGB 107 138 121 and RGB 127 118 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47.3 198.4 118 shade: RGB 58 197 48, RGB 48 197 78, RGB 48 197 117, RGB 48 197 157 and RGB 48 197 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47.3 198.4 118 shade: RGB 32 131 78, RGB 40 164 98, RGB 48 197 118, RGB 75 211 139 and RGB 108 219 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47.3 198.4 118 shade: RGB 47.3 198.4 118, RGB 48 98 197 and RGB 197 58 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47.3 198.4 118 shade: RGB 47.3 198.4 118, RGB 117 48 197 and RGB 197 117 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47.3 198.4 118 shade: RGB 47.3 198.4 118, RGB 48 98 197, RGB 197 48 127 and RGB 197 147 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47.3 198.4 118 shade: RGB 47.3 198.4 118, RGB 48 53 197, RGB 197 48 127 and RGB 197 192 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 41 / 22

HEX #2FC676

RGB 47.3 198.4 118

HSL 148.07, 0.61%, 0.48%

LAB 71.21, -56.64, 29.48

 

Complementary color

CMYK 0 / 73 / 34 / 19

HEX #CF3889

RGB 207.7 56.6 137

HSL 328.07, 0.61%, 0.52%

LAB 49.57, 64.8, -10.19

 

CMYK 74 / 0 / 43 / 22

HEX #34C671

RGB 52.3 198.4 113

HSL 144.93, 0.58%, 0.49%

LAB 71.22, -56.86, 32.09

 

CMYK 68 / 0 / 39 / 15

HEX #45D884

RGB 69.3 216.4 132

HSL 145.57, 0.66%, 0.56%

LAB 77.44, -57.46, 30.57

 

CMYK 63 / 0 / 36 / 8

HEX #56EA97

RGB 86.3 234.4 151

HSL 146.21, 0.78%, 0.63%

LAB 83.6, -57.8, 29.15

 

CMYK 59 / 0 / 33 / 1

HEX #67FCAA

RGB 103.3 252.4 170

HSL 146.84, 0.97%, 0.7%

LAB 89.71, -57.97, 27.84

 

CMYK 53 / 0 / 26 / 0

HEX #78FFBD

RGB 120.3 255 189

HSL 150.6, 1%, 0.74%

LAB 91.33, -51.77, 20.49

 

CMYK 76 / 0 / 41 / 22

HEX #2FC676

RGB 47.3 198.4 118

HSL 148.07, 0.61%, 0.48%

LAB 71.21, -56.64, 29.48

 

CMYK 83 / 0 / 45 / 29

HEX #1EB463

RGB 30.3 180.4 99

HSL 147.46, 0.71%, 0.41%

LAB 64.95, -55.56, 31.14

 

CMYK 92 / 0 / 51 / 36

HEX #0DA250

RGB 13.3 162.4 80

HSL 146.84, 0.85%, 0.34%

LAB 58.65, -53.92, 32.91

 

CMYK 100 / 0 / 58 / 43

HEX #00903D

RGB 0 144.4 61

HSL 145.35, 1%, 0.28%

LAB 52.29, -51.62, 34.75

 

CMYK 100 / 0 / 67 / 50

HEX #007E2A

RGB 0 126.4 42

HSL 139.94, 1%, 0.25%

LAB 45.9, -48.31, 36.53

 

CMYK 76 / 0 / 40 / 23

HEX #30C576

RGB 48 197 118

HSL 148.19, 0.61%, 0.48%

LAB 70.78, -56.04, 28.92

 

CMYK 76 / 0 / 61 / 23

HEX #30C54D

RGB 48 197 77

HSL 131.68, 0.61%, 0.48%

LAB 70.24, -62.32, 48.32

 

CMYK 71 / 0 / 76 / 23

HEX #3AC530

RGB 58 197 48

HSL 115.97, 0.61%, 0.48%

LAB 70.21, -63.46, 59.78

 

CMYK 50 / 0 / 76 / 23

HEX #63C530

RGB 99 197 48

HSL 99.46, 0.61%, 0.48%

LAB 71.42, -53.71, 61.38

 

CMYK 29 / 0 / 76 / 23

HEX #8BC530

RGB 139 197 48

HSL 83.36, 0.61%, 0.48%

LAB 73.31, -40.23, 63.86

 

CMYK 76 / 0 / 40 / 23

HEX #30C576

RGB 48 197 118

HSL 148.19, 0.61%, 0.48%

LAB 70.78, -56.04, 28.92

 

CMYK 76 / 0 / 20 / 23

HEX #30C59E

RGB 48 197 158

HSL 164.3, 0.61%, 0.48%

LAB 71.57, -47.35, 8.7

 

CMYK 76 / 1 / 0 / 23

HEX #30C4C5

RGB 48 196 197

HSL 180.4, 0.61%, 0.48%

LAB 72.32, -36.39, -11.42

 

CMYK 76 / 21 / 0 / 23

HEX #309CC5

RGB 48 156 197

HSL 196.51, 0.61%, 0.48%

LAB 60.28, -16.38, -29.75

 

CMYK 76 / 42 / 0 / 23

HEX #3073C5

RGB 48 115 197

HSL 213.02, 0.61%, 0.48%

LAB 48.16, 7.5, -48.82

 

CMYK 76 / 0 / 40 / 23

HEX #30C576

RGB 48 197 118

HSL 148.19, 0.61%, 0.48%

LAB 70.78, -56.04, 28.92

 

CMYK 87 / 0 / 47 / 15

HEX #1CD974

RGB 28 217 116

HSL 147.94, 0.77%, 0.48%

LAB 76.76, -65.38, 37.64

 

CMYK 97 / 0 / 51 / 7

HEX #08ED73

RGB 8 237 115

HSL 148.03, 0.93%, 0.48%

LAB 82.84, -72.91, 45.71

 

CMYK 76 / 0 / 40 / 23

HEX #30C576

RGB 48 197 118

HSL 148.19, 0.61%, 0.48%

LAB 70.78, -56.04, 28.92

 

CMYK 62 / 0 / 33 / 31

HEX #44B177

RGB 68 177 119

HSL 148.07, 0.44%, 0.48%

LAB 64.97, -44.65, 20.68

 

CMYK 45 / 0 / 24 / 38

HEX #579D78

RGB 87 157 120

HSL 148.29, 0.29%, 0.48%

LAB 59.43, -30.86, 12.6

 

CMYK 22 / 0 / 12 / 46

HEX #6B8A79

RGB 107 138 121

HSL 147.1, 0.13%, 0.48%

LAB 54.74, -14.63, 5.53

 

CMYK 0 / 7 / 3 / 50

HEX #7F767B

RGB 127 118 123

HSL 326.67, 0.04%, 0.48%

LAB 50.57, 4.42, -1.5

 

CMYK 71 / 0 / 76 / 23

HEX #3AC530

RGB 58 197 48

HSL 115.97, 0.61%, 0.48%

LAB 70.21, -63.46, 59.78

 

CMYK 76 / 0 / 60 / 23

HEX #30C54E

RGB 48 197 78

HSL 132.08, 0.61%, 0.48%

LAB 70.25, -62.2, 47.88

 

CMYK 76 / 0 / 41 / 23

HEX #30C575

RGB 48 197 117

HSL 147.79, 0.61%, 0.48%

LAB 70.76, -56.22, 29.42

 

CMYK 76 / 0 / 20 / 23

HEX #30C59D

RGB 48 197 157

HSL 163.89, 0.61%, 0.48%

LAB 71.55, -47.6, 9.21

 

CMYK 76 / 0 / 0 / 23

HEX #30C5C5

RGB 48 197 197

HSL 180, 0.61%, 0.48%

LAB 72.62, -36.85, -10.97

 

CMYK 76 / 0 / 40 / 49

HEX #20834E

RGB 32 131 78

HSL 147.88, 0.61%, 0.32%

LAB 48.37, -40.74, 20.83

 

CMYK 76 / 0 / 40 / 36

HEX #28A462

RGB 40 164 98

HSL 148.06, 0.61%, 0.4%

LAB 59.78, -48.55, 24.96

 

CMYK 76 / 0 / 40 / 23

HEX #30C576

RGB 48 197 118

HSL 148.19, 0.61%, 0.48%

LAB 70.78, -56.04, 28.92

 

CMYK 64 / 0 / 34 / 17

HEX #4BD38B

RGB 75 211 139

HSL 148.24, 0.61%, 0.56%

LAB 76.04, -53.07, 25.11

 

CMYK 51 / 0 / 27 / 14

HEX #6CDBA0

RGB 108 219 160

HSL 148.11, 0.61%, 0.64%

LAB 79.83, -45.19, 19.48

 

CMYK 76 / 0 / 41 / 22

HEX #2FC676

RGB 47.3 198.4 118

HSL 148.07, 0.61%, 0.48%

LAB 71.21, -56.64, 29.48

 

CMYK 76 / 50 / 0 / 23

HEX #3062C5

RGB 48 98 197

HSL 219.87, 0.61%, 0.48%

LAB 43.35, 18.31, -56.55

 

CMYK 0 / 71 / 76 / 23

HEX #C53A30

RGB 197 58 48

HSL 4.03, 0.61%, 0.48%

LAB 45.78, 54.36, 37.94

 

CMYK 76 / 0 / 41 / 22

HEX #2FC676

RGB 47.3 198.4 118

HSL 148.07, 0.61%, 0.48%

LAB 71.21, -56.64, 29.48

 

CMYK 41 / 76 / 0 / 23

HEX #7530C5

RGB 117 48 197

HSL 267.79, 0.61%, 0.48%

LAB 37.71, 58.1, -65.48

 

CMYK 0 / 41 / 76 / 23

HEX #C57530

RGB 197 117 48

HSL 27.79, 0.61%, 0.48%

LAB 56.89, 25.97, 49.53

 

CMYK 76 / 0 / 41 / 22

HEX #2FC676

RGB 47.3 198.4 118

HSL 148.07, 0.61%, 0.48%

LAB 71.21, -56.64, 29.48

 

CMYK 76 / 50 / 0 / 23

HEX #3062C5

RGB 48 98 197

HSL 219.87, 0.61%, 0.48%

LAB 43.35, 18.31, -56.55

 

CMYK 0 / 76 / 36 / 23

HEX #C5307F

RGB 197 48 127

HSL 328.19, 0.61%, 0.48%

LAB 46.33, 63.67, -9.18

 

CMYK 0 / 25 / 76 / 23

HEX #C59330

RGB 197 147 48

HSL 39.87, 0.61%, 0.48%

LAB 64.12, 9.56, 56.65

 

CMYK 76 / 0 / 41 / 22

HEX #2FC676

RGB 47.3 198.4 118

HSL 148.07, 0.61%, 0.48%

LAB 71.21, -56.64, 29.48

 

CMYK 76 / 73 / 0 / 23

HEX #3035C5

RGB 48 53 197

HSL 237.99, 0.61%, 0.48%

LAB 32.27, 46.68, -74.64

 

CMYK 0 / 76 / 36 / 23

HEX #C5307F

RGB 197 48 127

HSL 328.19, 0.61%, 0.48%

LAB 46.33, 63.67, -9.18

 

CMYK 0 / 3 / 76 / 23

HEX #C5C030

RGB 197 192 48

HSL 57.99, 0.61%, 0.48%

LAB 75.94, -14.2, 67.77

 

Description

Color code: RGB 47.3 198.4 118 | qconv.com Color code: RGB 47.3 198.4 118 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47.3 red, 198.4 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47.3 198.4 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 41 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 41% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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