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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 57 169 it is the complementary color RGB 209 198 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 57 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 46 57 169: RGB 51 57 164, RGB 68 75 183, RGB 85 93 202, RGB 102 111 221 and RGB 119 129 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 57 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 46 57 169: RGB 46 57 169, RGB 29 39 150, RGB 12 21 131, RGB 0 3 112 and RGB 0 0 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 66 / 0 / 34

HEX #2E39A9

RGB 46 57 169

HSL 234.63, 0.57%, 0.42%

LAB 30.33, 34.36, -61.24

 

Complementary color

CMYK 0 / 5 / 59 / 18

HEX #D1C656

RGB 209 198 86

HSL 54.63, 0.57%, 0.58%

LAB 78.82, -10.07, 56.2

 

CMYK 69 / 65 / 0 / 36

HEX #3339A4

RGB 51 57 164

HSL 236.81, 0.53%, 0.42%

LAB 30.18, 33.22, -58.46

 

CMYK 63 / 59 / 0 / 28

HEX #444BB7

RGB 68 75 183

HSL 236.35, 0.46%, 0.49%

LAB 37.26, 30.96, -58.2

 

CMYK 58 / 54 / 0 / 21

HEX #555DCA

RGB 85 93 202

HSL 235.9, 0.52%, 0.56%

LAB 44.27, 29.06, -57.86

 

CMYK 54 / 50 / 0 / 13

HEX #666FDD

RGB 102 111 221

HSL 235.46, 0.64%, 0.63%

LAB 51.17, 27.45, -57.53

 

CMYK 50 / 46 / 0 / 6

HEX #7781F0

RGB 119 129 240

HSL 235.04, 0.8%, 0.7%

LAB 57.96, 26.09, -57.22

 

CMYK 73 / 66 / 0 / 34

HEX #2E39A9

RGB 46 57 169

HSL 234.63, 0.57%, 0.42%

LAB 30.33, 34.36, -61.24

 

CMYK 81 / 74 / 0 / 41

HEX #1D2796

RGB 29 39 150

HSL 235.04, 0.68%, 0.35%

LAB 23.39, 37.16, -61.15

 

CMYK 91 / 84 / 0 / 49

HEX #0C1583

RGB 12 21 131

HSL 235.46, 0.83%, 0.28%

LAB 16.76, 39.88, -60.28

 

CMYK 100 / 97 / 0 / 56

HEX #000370

RGB 0 3 112

HSL 238.39, 1%, 0.22%

LAB 10.81, 41.69, -58

 

CMYK 100 / 100 / 0 / 64

HEX #00005D

RGB 0 0 93

HSL 240, 1%, 0.18%

LAB 7.14, 37.74, -51.54

 

CMYK 73 / 66 / 0 / 34

HEX #2E39A9

RGB 46 57 169

HSL 234.63, 0.57%, 0.42%

LAB 30.33, 34.36, -61.24

 

CMYK 68 / 73 / 0 / 34

HEX #362EA8

RGB 54 46 168

HSL 243.93, 0.57%, 0.42%

LAB 28.29, 41.68, -63.98

 

CMYK 56 / 73 / 0 / 34

HEX #4A2EA8

RGB 74 46 168

HSL 253.77, 0.57%, 0.42%

LAB 30, 44.4, -61.1

 

CMYK 44 / 73 / 0 / 34

HEX #5E2EA8

RGB 94 46 168

HSL 263.61, 0.57%, 0.42%

LAB 32.17, 47.73, -57.46

 

CMYK 32 / 73 / 0 / 34

HEX #732EA8

RGB 115 46 168

HSL 273.93, 0.57%, 0.42%

LAB 34.85, 51.69, -52.98

 

CMYK 73 / 66 / 0 / 34

HEX #2E39A9

RGB 46 57 169

HSL 234.63, 0.57%, 0.42%

LAB 30.33, 34.36, -61.24

 

CMYK 73 / 66 / 0 / 14

HEX #3C4ADC

RGB 60 74 220

HSL 234.75, 0.7%, 0.55%

LAB 39.62, 43.22, -75.83

 

CMYK 75 / 69 / 0 / 94

HEX #040510

RGB 4 5 16

HSL 235, 0.6%, 0.04%

LAB 1.55, 1.42, -4.66

 

CMYK 73 / 66 / 0 / 74

HEX #121743

RGB 18 23 67

HSL 233.88, 0.58%, 0.17%

LAB 10.16, 14.56, -28.6

 

CMYK 73 / 66 / 0 / 54

HEX #202876

RGB 32 40 118

HSL 234.42, 0.57%, 0.29%

LAB 20.57, 24.92, -45.69

 

CMYK 73 / 66 / 0 / 34

HEX #2E39A9

RGB 46 57 169

HSL 234.63, 0.57%, 0.42%

LAB 30.33, 34.36, -61.24

 

CMYK 0 / 73 / 8 / 34

HEX #A82E9B

RGB 168 46 155

HSL 306.39, 0.57%, 0.42%

LAB 42.22, 60.8, -32.91

 

CMYK 36 / 0 / 73 / 34

HEX #6BA82E

RGB 107 168 46

HSL 90, 0.57%, 0.42%

LAB 62.78, -39.44, 53.67

 

CMYK 73 / 66 / 0 / 34

HEX #2E39A9

RGB 46 57 169

HSL 234.63, 0.57%, 0.42%

LAB 30.33, 34.36, -61.24

 

CMYK 0 / 73 / 65 / 34

HEX #A82E3A

RGB 168 46 58

HSL 354.1, 0.57%, 0.42%

LAB 38.87, 50.03, 22.5

 

CMYK 65 / 0 / 73 / 34

HEX #3AA82E

RGB 58 168 46

HSL 114.1, 0.57%, 0.42%

LAB 60.87, -53.89, 51.12

 

CMYK 73 / 66 / 0 / 34

HEX #2E39A9

RGB 46 57 169

HSL 234.63, 0.57%, 0.42%

LAB 30.33, 34.36, -61.24

 

CMYK 0 / 73 / 8 / 34

HEX #A82E9B

RGB 168 46 155

HSL 306.39, 0.57%, 0.42%

LAB 42.22, 60.8, -32.91

 

CMYK 0 / 8 / 73 / 34

HEX #A89B2E

RGB 168 155 46

HSL 53.61, 0.57%, 0.42%

LAB 63.31, -7.75, 55.65

 

CMYK 73 / 0 / 65 / 34

HEX #2EA83A

RGB 46 168 58

HSL 125.9, 0.57%, 0.42%

LAB 60.69, -55.08, 45.94

 

CMYK 73 / 66 / 0 / 34

HEX #2E39A9

RGB 46 57 169

HSL 234.63, 0.57%, 0.42%

LAB 30.33, 34.36, -61.24

 

CMYK 0 / 73 / 29 / 34

HEX #A82E77

RGB 168 46 119

HSL 324.1, 0.57%, 0.42%

LAB 40.59, 55.71, -13.43

 

CMYK 0 / 8 / 73 / 34

HEX #A89B2E

RGB 168 155 46

HSL 53.61, 0.57%, 0.42%

LAB 63.31, -7.75, 55.65

 

CMYK 73 / 0 / 44 / 34

HEX #2EA85E

RGB 46 168 94

HSL 143.61, 0.57%, 0.42%

LAB 61.13, -49.91, 28.87

 

Description

Color code: RGB 46 57 169 | qconv.com Color code: RGB 46 57 169 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 57 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 57 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 66 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 66% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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