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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 53 21 it is the complementary color RGB 209 202 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 53 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 53 21 shade: RGB 51 53 16, RGB 68 71 35, RGB 85 89 54, RGB 102 107 73 and RGB 119 125 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 53 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 53 21 shade: RGB 46 53 21, RGB 29 35 2, RGB 12 17 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 53 21 shade: RGB 47 55 22, RGB 55 53 22, RGB 55 44 22, RGB 55 35 22 and RGB 55 26 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 53 21 shade: RGB 47 55 22, RGB 39 55 22, RGB 30 55 22, RGB 22 55 23 and RGB 22 55 32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 53 21 shade matches the following richer shades: RGB 47 55 22, RGB 51 61 16, RGB 54 67 9 and RGB 58 73 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 53 21 shade: RGB 47 55 22, RGB 44 49 28, RGB 41 42 34, RGB 37 36 40 and RGB 34 30 47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 53 21 shade: RGB 55 44 22, RGB 55 53 22, RGB 48 55 22, RGB 39 55 22 and RGB 30 55 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 53 21 shade: RGB 0 0 0, RGB 22 25 10, RGB 47 55 22, RGB 73 84 34 and RGB 99 114 45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 53 21 shade: RGB 46 53 21, RGB 22 55 36 and RGB 49 22 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 53 21 shade: RGB 46 53 21, RGB 22 48 55 and RGB 55 22 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 53 21 shade: RGB 46 53 21, RGB 22 55 36, RGB 29 22 55 and RGB 55 22 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 53 21 shade: RGB 46 53 21, RGB 22 55 45, RGB 29 22 55 and RGB 55 22 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 60 / 79

HEX #2E3515

RGB 46 53 21

HSL 73.13, 0.43%, 0.15%

LAB 20.76, -9.04, 18.99

 

Complementary color

CMYK 11 / 14 / 0 / 8

HEX #D1CAEA

RGB 209 202 234

HSL 253.13, 0.43%, 0.85%

LAB 82.77, 8.5, -14.92

 

CMYK 4 / 0 / 70 / 79

HEX #333510

RGB 51 53 16

HSL 63.24, 0.54%, 0.14%

LAB 21.16, -7.01, 22.46

 

CMYK 4 / 0 / 51 / 72

HEX #444723

RGB 68 71 35

HSL 65, 0.34%, 0.21%

LAB 29.05, -7.57, 21.13

 

CMYK 4 / 0 / 39 / 65

HEX #555936

RGB 85 89 54

HSL 66.86, 0.24%, 0.28%

LAB 36.64, -7.9, 19.74

 

CMYK 5 / 0 / 32 / 58

HEX #666B49

RGB 102 107 73

HSL 68.82, 0.19%, 0.35%

LAB 43.98, -8.1, 18.46

 

CMYK 5 / 0 / 26 / 51

HEX #777D5C

RGB 119 125 92

HSL 70.91, 0.15%, 0.43%

LAB 51.11, -8.25, 17.29

 

CMYK 13 / 0 / 60 / 79

HEX #2E3515

RGB 46 53 21

HSL 73.13, 0.43%, 0.15%

LAB 20.76, -9.04, 18.99

 

CMYK 17 / 0 / 94 / 86

HEX #1D2302

RGB 29 35 2

HSL 70.91, 0.89%, 0.07%

LAB 12.4, -8.68, 17.35

 

CMYK 29 / 0 / 100 / 93

HEX #0C1100

RGB 12 17 0

HSL 77.65, 1%, 0.03%

LAB 4.33, -4.23, 6.4

 

CMYK 15 / 0 / 60 / 78

HEX #2F3716

RGB 47 55 22

HSL 74.55, 0.43%, 0.15%

LAB 21.56, -9.65, 19.37

 

CMYK 0 / 4 / 60 / 78

HEX #373516

RGB 55 53 22

HSL 56.36, 0.43%, 0.15%

LAB 21.64, -4.34, 19.65

 

CMYK 0 / 20 / 60 / 78

HEX #372C16

RGB 55 44 22

HSL 40, 0.43%, 0.15%

LAB 18.68, 1.59, 16.08

 

CMYK 0 / 36 / 60 / 78

HEX #372316

RGB 55 35 22

HSL 23.64, 0.43%, 0.15%

LAB 15.86, 7.73, 12.54

 

CMYK 0 / 53 / 60 / 78

HEX #371A16

RGB 55 26 22

HSL 7.27, 0.43%, 0.15%

LAB 13.28, 13.85, 9.18

 

CMYK 15 / 0 / 60 / 78

HEX #2F3716

RGB 47 55 22

HSL 74.55, 0.43%, 0.15%

LAB 21.56, -9.65, 19.37

 

CMYK 29 / 0 / 60 / 78

HEX #273716

RGB 39 55 22

HSL 89.09, 0.43%, 0.15%

LAB 20.91, -13.48, 18.44

 

CMYK 45 / 0 / 60 / 78

HEX #1E3716

RGB 30 55 22

HSL 105.45, 0.43%, 0.15%

LAB 20.31, -17.4, 17.57

 

CMYK 60 / 0 / 58 / 78

HEX #163717

RGB 22 55 23

HSL 121.82, 0.43%, 0.15%

LAB 19.9, -20.21, 16.36

 

CMYK 60 / 0 / 42 / 78

HEX #163720

RGB 22 55 32

HSL 138.18, 0.43%, 0.15%

LAB 20.07, -18.43, 10.84

 

CMYK 15 / 0 / 60 / 78

HEX #2F3716

RGB 47 55 22

HSL 74.55, 0.43%, 0.15%

LAB 21.56, -9.65, 19.37

 

CMYK 16 / 0 / 74 / 76

HEX #333D10

RGB 51 61 16

HSL 73.33, 0.58%, 0.15%

LAB 23.93, -11.89, 25.44

 

CMYK 19 / 0 / 87 / 74

HEX #364309

RGB 54 67 9

HSL 73.45, 0.76%, 0.15%

LAB 26.21, -14.37, 30.89

 

CMYK 21 / 0 / 96 / 71

HEX #3A4903

RGB 58 73 3

HSL 72.86, 0.92%, 0.15%

LAB 28.57, -16.12, 35.49

 

CMYK 15 / 0 / 60 / 78

HEX #2F3716

RGB 47 55 22

HSL 74.55, 0.43%, 0.15%

LAB 21.56, -9.65, 19.37

 

CMYK 10 / 0 / 43 / 81

HEX #2C311C

RGB 44 49 28

HSL 74.29, 0.27%, 0.15%

LAB 19.29, -6.52, 12.71

 

CMYK 2 / 0 / 19 / 84

HEX #292A22

RGB 41 42 34

HSL 67.5, 0.11%, 0.15%

LAB 16.71, -2.25, 5.09

 

CMYK 7 / 10 / 0 / 84

HEX #252428

RGB 37 36 40

HSL 255, 0.05%, 0.15%

LAB 14.45, 1.46, -2.49

 

CMYK 28 / 36 / 0 / 82

HEX #221E2F

RGB 34 30 47

HSL 254.12, 0.22%, 0.15%

LAB 12.44, 6.54, -10.61

 

CMYK 0 / 20 / 60 / 78

HEX #372C16

RGB 55 44 22

HSL 40, 0.43%, 0.15%

LAB 18.68, 1.59, 16.08

 

CMYK 0 / 4 / 60 / 78

HEX #373516

RGB 55 53 22

HSL 56.36, 0.43%, 0.15%

LAB 21.64, -4.34, 19.65

 

CMYK 13 / 0 / 60 / 78

HEX #303716

RGB 48 55 22

HSL 72.73, 0.43%, 0.15%

LAB 21.65, -9.15, 19.49

 

CMYK 29 / 0 / 60 / 78

HEX #273716

RGB 39 55 22

HSL 89.09, 0.43%, 0.15%

LAB 20.91, -13.48, 18.44

 

CMYK 45 / 0 / 60 / 78

HEX #1E3716

RGB 30 55 22

HSL 105.45, 0.43%, 0.15%

LAB 20.31, -17.4, 17.57

 

CMYK 12 / 0 / 60 / 90

HEX #16190A

RGB 22 25 10

HSL 72, 0.43%, 0.07%

LAB 8.02, -4.53, 7.82

 

CMYK 15 / 0 / 60 / 78

HEX #2F3716

RGB 47 55 22

HSL 74.55, 0.43%, 0.15%

LAB 21.56, -9.65, 19.37

 

CMYK 13 / 0 / 60 / 67

HEX #495422

RGB 73 84 34

HSL 73.2, 0.42%, 0.23%

LAB 33.72, -12.95, 27.35

 

CMYK 13 / 0 / 61 / 55

HEX #63722D

RGB 99 114 45

HSL 73.04, 0.43%, 0.31%

LAB 45.46, -16.66, 35.61

 

CMYK 13 / 0 / 60 / 79

HEX #2E3515

RGB 46 53 21

HSL 73.13, 0.43%, 0.15%

LAB 20.76, -9.04, 18.99

 

CMYK 60 / 0 / 35 / 78

HEX #163724

RGB 22 55 36

HSL 145.45, 0.43%, 0.15%

LAB 20.16, -17.49, 8.31

 

CMYK 11 / 60 / 0 / 78

HEX #311637

RGB 49 22 55

HSL 289.09, 0.43%, 0.15%

LAB 12.62, 20.04, -15.93

 

CMYK 13 / 0 / 60 / 79

HEX #2E3515

RGB 46 53 21

HSL 73.13, 0.43%, 0.15%

LAB 20.76, -9.04, 18.99

 

CMYK 60 / 13 / 0 / 78

HEX #163037

RGB 22 48 55

HSL 192.73, 0.43%, 0.15%

LAB 18.19, -7.57, -7.53

 

CMYK 0 / 60 / 13 / 78

HEX #371630

RGB 55 22 48

HSL 312.73, 0.43%, 0.15%

LAB 13.23, 20.63, -9.87

 

CMYK 13 / 0 / 60 / 79

HEX #2E3515

RGB 46 53 21

HSL 73.13, 0.43%, 0.15%

LAB 20.76, -9.04, 18.99

 

CMYK 60 / 0 / 35 / 78

HEX #163724

RGB 22 55 36

HSL 145.45, 0.43%, 0.15%

LAB 20.16, -17.49, 8.31

 

CMYK 47 / 60 / 0 / 78

HEX #1D1637

RGB 29 22 55

HSL 252.73, 0.43%, 0.15%

LAB 9.88, 13.38, -20.45

 

CMYK 0 / 60 / 25 / 78

HEX #371629

RGB 55 22 41

HSL 325.45, 0.43%, 0.15%

LAB 12.9, 19.27, -5.28

 

CMYK 13 / 0 / 60 / 79

HEX #2E3515

RGB 46 53 21

HSL 73.13, 0.43%, 0.15%

LAB 20.76, -9.04, 18.99

 

CMYK 60 / 0 / 18 / 78

HEX #16372D

RGB 22 55 45

HSL 161.82, 0.43%, 0.15%

LAB 20.41, -15.08, 2.6

 

CMYK 47 / 60 / 0 / 78

HEX #1D1637

RGB 29 22 55

HSL 252.73, 0.43%, 0.15%

LAB 9.88, 13.38, -20.45

 

CMYK 0 / 60 / 44 / 78

HEX #37161F

RGB 55 22 31

HSL 343.64, 0.43%, 0.15%

LAB 12.51, 17.62, 1.52

 

Description

Color code: RGB 46 53 21 | qconv.com Color code: RGB 46 53 21 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 53 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 53 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 60 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 60% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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