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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46 53 151 it is the complementary color RGB 209 202 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46 53 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46 53 151 shade: RGB 51 53 146, RGB 68 71 165, RGB 85 89 184, RGB 102 107 203 and RGB 119 125 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46 53 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46 53 151 shade: RGB 46 53 151, RGB 29 35 132, RGB 12 17 113, RGB 0 0 94 and RGB 0 0 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46 53 151 shade: RGB 47 54 152, RGB 68 47 152, RGB 97 47 152, RGB 125 47 152 and RGB 152 47 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46 53 151 shade: RGB 47 54 152 and RGB 47 47 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46 53 151 shade matches the following richer shades: RGB 47 54 152, RGB 31 40 168 and RGB 15 26 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46 53 151 shade: RGB 47 54 152, RGB 63 68 136, RGB 79 82 120, RGB 95 96 104 and RGB 111 110 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46 53 151 shade: RGB 47 110 152, RGB 47 82 152, RGB 47 54 152, RGB 68 47 152 and RGB 96 47 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46 53 151 shade: RGB 27 31 89, RGB 37 43 121, RGB 47 54 152, RGB 56 65 184 and RGB 80 88 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46 53 151 shade: RGB 46 53 151, RGB 152 47 138 and RGB 96 152 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46 53 151 shade: RGB 46 53 151, RGB 152 47 54 and RGB 54 152 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46 53 151 shade: RGB 46 53 151, RGB 152 47 138, RGB 152 145 47 and RGB 47 152 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46 53 151 shade: RGB 46 53 151, RGB 152 47 106, RGB 152 145 47 and RGB 47 152 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 65 / 0 / 41

HEX #2E3597

RGB 46 53 151

HSL 236, 0.53%, 0.39%

LAB 27.74, 30.46, -54.57

 

Complementary color

CMYK 0 / 3 / 50 / 18

HEX #D1CA68

RGB 209 202 104

HSL 56, 0.53%, 0.61%

LAB 80.06, -10.68, 49.29

 

CMYK 65 / 64 / 0 / 43

HEX #333592

RGB 51 53 146

HSL 238.74, 0.48%, 0.39%

LAB 27.64, 29.42, -51.65

 

CMYK 59 / 57 / 0 / 35

HEX #4447A5

RGB 68 71 165

HSL 238.14, 0.42%, 0.46%

LAB 34.91, 27.36, -51.32

 

CMYK 54 / 52 / 0 / 28

HEX #5559B8

RGB 85 89 184

HSL 237.58, 0.41%, 0.53%

LAB 42.06, 25.66, -50.97

 

CMYK 50 / 47 / 0 / 20

HEX #666BCB

RGB 102 107 203

HSL 237.03, 0.49%, 0.6%

LAB 49.07, 24.25, -50.65

 

CMYK 46 / 44 / 0 / 13

HEX #777DDE

RGB 119 125 222

HSL 236.5, 0.61%, 0.67%

LAB 55.95, 23.06, -50.38

 

CMYK 70 / 65 / 0 / 41

HEX #2E3597

RGB 46 53 151

HSL 236, 0.53%, 0.39%

LAB 27.74, 30.46, -54.57

 

CMYK 78 / 73 / 0 / 48

HEX #1D2384

RGB 29 35 132

HSL 236.5, 0.64%, 0.32%

LAB 20.55, 33.13, -54.61

 

CMYK 89 / 85 / 0 / 56

HEX #0C1171

RGB 12 17 113

HSL 237.03, 0.81%, 0.25%

LAB 13.66, 35.82, -53.9

 

CMYK 100 / 100 / 0 / 63

HEX #00005E

RGB 0 0 94

HSL 240, 1%, 0.18%

LAB 7.3, 38.07, -51.95

 

CMYK 100 / 100 / 0 / 71

HEX #00004B

RGB 0 0 75

HSL 240, 1%, 0.15%

LAB 4.59, 29.9, -43.41

 

CMYK 69 / 64 / 0 / 40

HEX #2F3698

RGB 47 54 152

HSL 236, 0.53%, 0.39%

LAB 28.14, 30.31, -54.53

 

CMYK 55 / 69 / 0 / 40

HEX #442F98

RGB 68 47 152

HSL 252, 0.53%, 0.39%

LAB 28.19, 37.99, -54.37

 

CMYK 36 / 69 / 0 / 40

HEX #612F98

RGB 97 47 152

HSL 268.57, 0.53%, 0.39%

LAB 31.44, 43.62, -48.94

 

CMYK 18 / 69 / 0 / 40

HEX #7D2F98

RGB 125 47 152

HSL 284.57, 0.53%, 0.39%

LAB 35.32, 49.84, -42.49

 

CMYK 0 / 69 / 1 / 40

HEX #982F97

RGB 152 47 151

HSL 300.57, 0.53%, 0.39%

LAB 39.48, 56, -35

 

CMYK 69 / 64 / 0 / 40

HEX #2F3698

RGB 47 54 152

HSL 236, 0.53%, 0.39%

LAB 28.14, 30.31, -54.53

 

CMYK 69 / 69 / 0 / 40

HEX #2F2F98

RGB 47 47 152

HSL 240, 0.53%, 0.39%

LAB 26.46, 34.78, -57.28

 

CMYK 69 / 64 / 0 / 40

HEX #2F3698

RGB 47 54 152

HSL 236, 0.53%, 0.39%

LAB 28.14, 30.31, -54.53

 

CMYK 82 / 76 / 0 / 34

HEX #1F28A8

RGB 31 40 168

HSL 236.06, 0.69%, 0.39%

LAB 25.67, 43.02, -68.34

 

CMYK 92 / 86 / 0 / 28

HEX #0F1AB8

RGB 15 26 184

HSL 236.09, 0.85%, 0.39%

LAB 24.64, 54.54, -79.66

 

CMYK 69 / 64 / 0 / 40

HEX #2F3698

RGB 47 54 152

HSL 236, 0.53%, 0.39%

LAB 28.14, 30.31, -54.53

 

CMYK 54 / 50 / 0 / 47

HEX #3F4488

RGB 63 68 136

HSL 235.89, 0.37%, 0.39%

LAB 31.74, 18.37, -38.82

 

CMYK 34 / 32 / 0 / 53

HEX #4F5278

RGB 79 82 120

HSL 235.61, 0.21%, 0.39%

LAB 36.09, 8.6, -21.98

 

CMYK 9 / 8 / 0 / 59

HEX #5F6068

RGB 95 96 104

HSL 233.33, 0.05%, 0.39%

LAB 40.89, 1.36, -4.68

 

CMYK 0 / 1 / 21 / 56

HEX #6F6E58

RGB 111 110 88

HSL 57.39, 0.12%, 0.39%

LAB 45.96, -3.67, 12.44

 

CMYK 69 / 28 / 0 / 40

HEX #2F6E98

RGB 47 110 152

HSL 204, 0.53%, 0.39%

LAB 44.27, -6.07, -28.73

 

CMYK 69 / 46 / 0 / 40

HEX #2F5298

RGB 47 82 152

HSL 220, 0.53%, 0.39%

LAB 35.8, 11.63, -42.12

 

CMYK 69 / 64 / 0 / 40

HEX #2F3698

RGB 47 54 152

HSL 236, 0.53%, 0.39%

LAB 28.14, 30.31, -54.53

 

CMYK 55 / 69 / 0 / 40

HEX #442F98

RGB 68 47 152

HSL 252, 0.53%, 0.39%

LAB 28.19, 37.99, -54.37

 

CMYK 37 / 69 / 0 / 40

HEX #602F98

RGB 96 47 152

HSL 268, 0.53%, 0.39%

LAB 31.32, 43.41, -49.15

 

CMYK 70 / 65 / 0 / 65

HEX #1B1F59

RGB 27 31 89

HSL 236.13, 0.53%, 0.23%

LAB 15.14, 19.19, -35.58

 

CMYK 69 / 64 / 0 / 53

HEX #252B79

RGB 37 43 121

HSL 235.71, 0.53%, 0.31%

LAB 21.95, 24.74, -45.34

 

CMYK 69 / 64 / 0 / 40

HEX #2F3698

RGB 47 54 152

HSL 236, 0.53%, 0.39%

LAB 28.14, 30.31, -54.53

 

CMYK 70 / 65 / 0 / 28

HEX #3841B8

RGB 56 65 184

HSL 235.78, 0.53%, 0.47%

LAB 34.15, 35.85, -63.89

 

CMYK 60 / 56 / 0 / 21

HEX #5058C9

RGB 80 88 201

HSL 236.03, 0.53%, 0.55%

LAB 42.62, 30.93, -59.97

 

CMYK 70 / 65 / 0 / 41

HEX #2E3597

RGB 46 53 151

HSL 236, 0.53%, 0.39%

LAB 27.74, 30.46, -54.57

 

CMYK 0 / 69 / 9 / 40

HEX #982F8A

RGB 152 47 138

HSL 308, 0.53%, 0.39%

LAB 38.8, 53.83, -28.15

 

CMYK 37 / 0 / 69 / 40

HEX #60982F

RGB 96 152 47

HSL 92, 0.53%, 0.39%

LAB 57.22, -36.31, 47.4

 

CMYK 70 / 65 / 0 / 41

HEX #2E3597

RGB 46 53 151

HSL 236, 0.53%, 0.39%

LAB 27.74, 30.46, -54.57

 

CMYK 0 / 69 / 64 / 40

HEX #982F36

RGB 152 47 54

HSL 356, 0.53%, 0.39%

LAB 35.94, 44.11, 20.65

 

CMYK 64 / 0 / 69 / 40

HEX #36982F

RGB 54 152 47

HSL 116, 0.53%, 0.39%

LAB 55.53, -48.98, 45.1

 

CMYK 70 / 65 / 0 / 41

HEX #2E3597

RGB 46 53 151

HSL 236, 0.53%, 0.39%

LAB 27.74, 30.46, -54.57

 

CMYK 0 / 69 / 9 / 40

HEX #982F8A

RGB 152 47 138

HSL 308, 0.53%, 0.39%

LAB 38.8, 53.83, -28.15

 

CMYK 0 / 5 / 69 / 40

HEX #98912F

RGB 152 145 47

HSL 56, 0.53%, 0.39%

LAB 59.1, -9.48, 50.58

 

CMYK 69 / 0 / 60 / 40

HEX #2F983D

RGB 47 152 61

HSL 128, 0.53%, 0.39%

LAB 55.48, -48.89, 38.67

 

CMYK 70 / 65 / 0 / 41

HEX #2E3597

RGB 46 53 151

HSL 236, 0.53%, 0.39%

LAB 27.74, 30.46, -54.57

 

CMYK 0 / 69 / 30 / 40

HEX #982F6A

RGB 152 47 106

HSL 326.29, 0.53%, 0.39%

LAB 37.39, 49.18, -10.42

 

CMYK 0 / 5 / 69 / 40

HEX #98912F

RGB 152 145 47

HSL 56, 0.53%, 0.39%

LAB 59.1, -9.48, 50.58

 

CMYK 69 / 0 / 39 / 40

HEX #2F985C

RGB 47 152 92

HSL 145.71, 0.53%, 0.39%

LAB 55.92, -43.87, 23.13

 

Description

Color code: RGB 46 53 151 | qconv.com Color code: RGB 46 53 151 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 53 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 53 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 65 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 65% 0% 41% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - NIVEA PREMIUM BODY プ...
Link: http://www.nivea.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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