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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 46.1 90.8 238 it is the complementary color RGB 208.9 164.2 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 46.1 90.8 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 46.1 90.8 238 shade: RGB 51.1 90.8 233, RGB 68.1 108.8 252, RGB 85.1 126.8 255, RGB 102.1 144.8 255 and RGB 119.1 162.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 46.1 90.8 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 46.1 90.8 238 shade: RGB 46.1 90.8 238, RGB 29.1 72.8 219, RGB 12.1 54.8 200, RGB 0 36.8 181 and RGB 0 18.8 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 46.1 90.8 238 shade: RGB 47 92 238, RGB 54 47 238, RGB 106 47 238, RGB 157 47 238 and RGB 209 47 238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 46.1 90.8 238 shade: RGB 47 92 238 and RGB 47 47 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 46.1 90.8 238 shade matches the following richer shades: RGB 47 92 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 46.1 90.8 238 shade: RGB 47 92 238, RGB 66 102 220, RGB 84 111 202, RGB 102 121 184 and RGB 120 131 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 46.1 90.8 238 shade: RGB 47 194 238, RGB 47 143 238, RGB 47 92 238, RGB 54 47 238 and RGB 105 47 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 46.1 90.8 238 shade: RGB 15 55 188, RGB 18 67 226, RGB 47 92 238, RGB 86 122 241 and RGB 124 152 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 46.1 90.8 238 shade: RGB 46.1 90.8 238, RGB 232 47 238 and RGB 168 238 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 46.1 90.8 238 shade: RGB 46.1 90.8 238, RGB 238 47 92 and RGB 92 238 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 46.1 90.8 238 shade: RGB 46.1 90.8 238, RGB 232 47 238, RGB 238 194 47 and RGB 54 238 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 46.1 90.8 238 shade: RGB 46.1 90.8 238, RGB 238 47 187, RGB 238 194 47 and RGB 47 238 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 62 / 0 / 7

HEX #2E5AEE

RGB 46.1 90.8 238

HSL 226.02, 0.85%, 0.56%

LAB 44.52, 37.93, -78.02

 

Complementary color

CMYK 0 / 21 / 92 / 18

HEX #D0A411

RGB 208.9 164.2 17

HSL 46.02, 0.85%, 0.44%

LAB 69.61, 4.66, 70.67

 

CMYK 78 / 61 / 0 / 9

HEX #335AE9

RGB 51.1 90.8 233

HSL 226.9, 0.81%, 0.56%

LAB 44.29, 36.55, -75.59

 

CMYK 73 / 57 / 0 / 1

HEX #446CFC

RGB 68.1 108.8 252

HSL 226.72, 0.97%, 0.63%

LAB 50.87, 33.87, -75.45

 

CMYK 67 / 50 / 0 / 0

HEX #557EFF

RGB 85.1 126.8 255

HSL 225.27, 1%, 0.67%

LAB 56.37, 26.09, -68.16

 

CMYK 60 / 43 / 0 / 0

HEX #6690FF

RGB 102.1 144.8 255

HSL 223.24, 1%, 0.7%

LAB 61.86, 18.06, -59.3

 

CMYK 53 / 36 / 0 / 0

HEX #77A2FF

RGB 119.1 162.8 255

HSL 220.71, 1%, 0.73%

LAB 67.48, 10.86, -50.32

 

CMYK 81 / 62 / 0 / 7

HEX #2E5AEE

RGB 46.1 90.8 238

HSL 226.02, 0.85%, 0.56%

LAB 44.52, 37.93, -78.02

 

CMYK 87 / 67 / 0 / 14

HEX #1D48DB

RGB 29.1 72.8 219

HSL 226.19, 0.77%, 0.49%

LAB 38.05, 41.16, -77.89

 

CMYK 94 / 73 / 0 / 22

HEX #0C36C8

RGB 12.1 54.8 200

HSL 226.37, 0.89%, 0.42%

LAB 31.72, 44.68, -77.35

 

CMYK 100 / 80 / 0 / 29

HEX #0024B5

RGB 0 36.8 181

HSL 227.8, 1%, 0.35%

LAB 25.7, 48.1, -76.12

 

CMYK 100 / 88 / 0 / 36

HEX #0012A2

RGB 0 18.8 162

HSL 233.04, 1%, 0.32%

LAB 20.31, 50.55, -73.63

 

CMYK 80 / 61 / 0 / 7

HEX #2F5CEE

RGB 47 92 238

HSL 225.86, 0.85%, 0.56%

LAB 44.85, 37.26, -77.5

 

CMYK 77 / 80 / 0 / 7

HEX #362FEE

RGB 54 47 238

HSL 242.2, 0.85%, 0.56%

LAB 35.97, 62.98, -92.13

 

CMYK 55 / 80 / 0 / 7

HEX #6A2FEE

RGB 106 47 238

HSL 258.53, 0.85%, 0.56%

LAB 40.03, 67.3, -85.27

 

CMYK 34 / 80 / 0 / 7

HEX #9D2FEE

RGB 157 47 238

HSL 274.55, 0.85%, 0.56%

LAB 46.14, 73.91, -75.01

 

CMYK 12 / 80 / 0 / 7

HEX #D12FEE

RGB 209 47 238

HSL 290.89, 0.85%, 0.56%

LAB 53.77, 82.33, -62.28

 

CMYK 80 / 61 / 0 / 7

HEX #2F5CEE

RGB 47 92 238

HSL 225.86, 0.85%, 0.56%

LAB 44.85, 37.26, -77.5

 

CMYK 80 / 80 / 0 / 7

HEX #2F2FEE

RGB 47 47 238

HSL 240, 0.85%, 0.56%

LAB 35.62, 62.62, -92.72

 

CMYK 80 / 61 / 0 / 7

HEX #2F5CEE

RGB 47 92 238

HSL 225.86, 0.85%, 0.56%

LAB 44.85, 37.26, -77.5

 

CMYK 80 / 61 / 0 / 7

HEX #2F5CEE

RGB 47 92 238

HSL 225.86, 0.85%, 0.56%

LAB 44.85, 37.26, -77.5

 

CMYK 70 / 54 / 0 / 14

HEX #4266DC

RGB 66 102 220

HSL 225.97, 0.69%, 0.56%

LAB 46.75, 26.51, -64.19

 

CMYK 58 / 45 / 0 / 21

HEX #546FCA

RGB 84 111 202

HSL 226.27, 0.53%, 0.56%

LAB 48.91, 17.63, -50.41

 

CMYK 45 / 34 / 0 / 28

HEX #6679B8

RGB 102 121 184

HSL 226.1, 0.37%, 0.56%

LAB 51.79, 9.91, -35.43

 

CMYK 28 / 21 / 0 / 35

HEX #7883A6

RGB 120 131 166

HSL 225.65, 0.21%, 0.56%

LAB 55.05, 4.17, -19.91

 

CMYK 80 / 18 / 0 / 7

HEX #2FC2EE

RGB 47 194 238

HSL 193.82, 0.85%, 0.56%

LAB 73.13, -22.76, -32.45

 

CMYK 80 / 40 / 0 / 7

HEX #2F8FEE

RGB 47 143 238

HSL 209.84, 0.85%, 0.56%

LAB 58.44, 5.5, -55.53

 

CMYK 80 / 61 / 0 / 7

HEX #2F5CEE

RGB 47 92 238

HSL 225.86, 0.85%, 0.56%

LAB 44.85, 37.26, -77.5

 

CMYK 77 / 80 / 0 / 7

HEX #362FEE

RGB 54 47 238

HSL 242.2, 0.85%, 0.56%

LAB 35.97, 62.98, -92.13

 

CMYK 56 / 80 / 0 / 7

HEX #692FEE

RGB 105 47 238

HSL 258.22, 0.85%, 0.56%

LAB 39.93, 67.19, -85.44

 

CMYK 92 / 71 / 0 / 26

HEX #0F37BC

RGB 15 55 188

HSL 226.13, 0.85%, 0.4%

LAB 30.56, 40.3, -72.22

 

CMYK 92 / 70 / 0 / 11

HEX #1243E2

RGB 18 67 226

HSL 225.87, 0.85%, 0.48%

LAB 37.18, 46.77, -83.34

 

CMYK 80 / 61 / 0 / 7

HEX #2F5CEE

RGB 47 92 238

HSL 225.86, 0.85%, 0.56%

LAB 44.85, 37.26, -77.5

 

CMYK 64 / 49 / 0 / 5

HEX #567AF1

RGB 86 122 241

HSL 226.06, 0.85%, 0.64%

LAB 54.29, 24.39, -63.76

 

CMYK 49 / 38 / 0 / 4

HEX #7C98F4

RGB 124 152 244

HSL 226, 0.85%, 0.72%

LAB 64.38, 14.85, -49.19

 

CMYK 81 / 62 / 0 / 7

HEX #2E5AEE

RGB 46.1 90.8 238

HSL 226.02, 0.85%, 0.56%

LAB 44.52, 37.93, -78.02

 

CMYK 3 / 80 / 0 / 7

HEX #E82FEE

RGB 232 47 238

HSL 298.12, 0.85%, 0.56%

LAB 57.43, 86.4, -56.22

 

CMYK 29 / 0 / 80 / 7

HEX #A8EE2F

RGB 168 238 47

HSL 81.99, 0.85%, 0.56%

LAB 86.84, -47.22, 77.21

 

CMYK 81 / 62 / 0 / 7

HEX #2E5AEE

RGB 46.1 90.8 238

HSL 226.02, 0.85%, 0.56%

LAB 44.52, 37.93, -78.02

 

CMYK 0 / 80 / 61 / 7

HEX #EE2F5C

RGB 238 47 92

HSL 345.86, 0.85%, 0.56%

LAB 52.93, 71.9, 22.53

 

CMYK 61 / 0 / 80 / 7

HEX #5CEE2F

RGB 92 238 47

HSL 105.86, 0.85%, 0.56%

LAB 83.77, -69.97, 73.29

 

CMYK 81 / 62 / 0 / 7

HEX #2E5AEE

RGB 46.1 90.8 238

HSL 226.02, 0.85%, 0.56%

LAB 44.52, 37.93, -78.02

 

CMYK 3 / 80 / 0 / 7

HEX #E82FEE

RGB 232 47 238

HSL 298.12, 0.85%, 0.56%

LAB 57.43, 86.4, -56.22

 

CMYK 0 / 18 / 80 / 7

HEX #EEC22F

RGB 238 194 47

HSL 46.18, 0.85%, 0.56%

LAB 80.16, 2.34, 73.26

 

CMYK 77 / 0 / 80 / 7

HEX #36EE2F

RGB 54 238 47

HSL 117.8, 0.85%, 0.56%

LAB 82.99, -76.64, 72.27

 

CMYK 81 / 62 / 0 / 7

HEX #2E5AEE

RGB 46.1 90.8 238

HSL 226.02, 0.85%, 0.56%

LAB 44.52, 37.93, -78.02

 

CMYK 0 / 80 / 21 / 7

HEX #EE2FBB

RGB 238 47 187

HSL 316.02, 0.85%, 0.56%

LAB 55.89, 80.56, -29.56

 

CMYK 0 / 18 / 80 / 7

HEX #EEC22F

RGB 238 194 47

HSL 46.18, 0.85%, 0.56%

LAB 80.16, 2.34, 73.26

 

CMYK 80 / 0 / 59 / 7

HEX #2FEE62

RGB 47 238 98

HSL 136.02, 0.85%, 0.56%

LAB 83.25, -73.04, 54.02

 

Description

Color code: RGB 46.1 90.8 238 | qconv.com Color code: RGB 46.1 90.8 238 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46.1 red, 90.8 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46.1 90.8 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 62 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 62% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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