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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 45 212 122 it is the complementary color RGB 210 43 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 45 212 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 45 212 122: RGB 50 212 117, RGB 67 230 136, RGB 84 248 155, RGB 101 255 174 and RGB 118 255 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 45 212 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 45 212 122: RGB 45 212 122, RGB 28 194 103, RGB 11 176 84, RGB 0 158 65 and RGB 0 140 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 42 / 17

HEX #2DD47A

RGB 45 212 122

HSL 147.66, 0.66%, 0.5%

LAB 75.48, -61.08, 33.02

 

Complementary color

CMYK 0 / 80 / 37 / 18

HEX #D22B85

RGB 210 43 133

HSL 327.66, 0.66%, 0.5%

LAB 48.41, 69.01, -9.46

 

CMYK 76 / 0 / 45 / 17

HEX #32D475

RGB 50 212 117

HSL 144.81, 0.65%, 0.51%

LAB 75.48, -61.35, 35.56

 

CMYK 71 / 0 / 41 / 10

HEX #43E688

RGB 67 230 136

HSL 145.4, 0.77%, 0.58%

LAB 81.6, -62.12, 34.01

 

CMYK 66 / 0 / 38 / 3

HEX #54F89B

RGB 84 248 155

HSL 145.98, 0.92%, 0.65%

LAB 87.67, -62.61, 32.56

 

CMYK 60 / 0 / 32 / 0

HEX #65FFAE

RGB 101 255 174

HSL 148.44, 1%, 0.7%

LAB 90.48, -58.68, 26.85

 

CMYK 54 / 0 / 24 / 0

HEX #76FFC1

RGB 118 255 193

HSL 152.85, 1%, 0.73%

LAB 91.33, -51.48, 18.44

 

CMYK 79 / 0 / 42 / 17

HEX #2DD47A

RGB 45 212 122

HSL 147.66, 0.66%, 0.5%

LAB 75.48, -61.08, 33.02

 

CMYK 86 / 0 / 47 / 24

HEX #1CC267

RGB 28 194 103

HSL 147.11, 0.75%, 0.44%

LAB 69.33, -59.81, 34.69

 

CMYK 94 / 0 / 52 / 31

HEX #0BB054

RGB 11 176 84

HSL 146.55, 0.88%, 0.37%

LAB 63.15, -57.98, 36.46

 

CMYK 100 / 0 / 59 / 38

HEX #009E41

RGB 0 158 65

HSL 144.68, 1%, 0.31%

LAB 56.91, -55.48, 38.27

 

CMYK 100 / 0 / 67 / 45

HEX #008C2E

RGB 0 140 46

HSL 139.71, 1%, 0.27%

LAB 50.63, -52.18, 39.97

 

CMYK 79 / 0 / 42 / 17

HEX #2DD47A

RGB 45 212 122

HSL 147.66, 0.66%, 0.5%

LAB 75.48, -61.08, 33.02

 

CMYK 80 / 0 / 30 / 17

HEX #2BD393

RGB 43 211 147

HSL 157.14, 0.66%, 0.5%

LAB 75.58, -56, 20.19

 

CMYK 80 / 0 / 17 / 17

HEX #2BD3AF

RGB 43 211 175

HSL 167.14, 0.66%, 0.5%

LAB 76.19, -49.43, 6.15

 

CMYK 80 / 0 / 4 / 17

HEX #2BD3CB

RGB 43 211 203

HSL 177.14, 0.66%, 0.5%

LAB 76.93, -41.94, -7.81

 

CMYK 80 / 9 / 0 / 17

HEX #2BC0D3

RGB 43 192 211

HSL 186.79, 0.66%, 0.5%

LAB 71.5, -30.75, -20.3

 

CMYK 79 / 0 / 42 / 17

HEX #2DD47A

RGB 45 212 122

HSL 147.66, 0.66%, 0.5%

LAB 75.48, -61.08, 33.02

 

CMYK 75 / 0 / 37 / 97

HEX #020805

RGB 2 8 5

HSL 150, 0.6%, 0.02%

LAB 1.78, -1.99, 0.58

 

CMYK 78 / 0 / 42 / 77

HEX #0D3B22

RGB 13 59 34

HSL 147.39, 0.64%, 0.14%

LAB 21.32, -22.38, 11.14

 

CMYK 79 / 0 / 43 / 57

HEX #176E3F

RGB 23 110 63

HSL 147.59, 0.65%, 0.26%

LAB 40.72, -36.66, 19.24

 

CMYK 79 / 0 / 42 / 37

HEX #22A15D

RGB 34 161 93

HSL 147.87, 0.65%, 0.38%

LAB 58.62, -49.18, 26.09

 

CMYK 79 / 0 / 42 / 17

HEX #2DD47A

RGB 45 212 122

HSL 147.66, 0.66%, 0.5%

LAB 75.48, -61.08, 33.02

 

CMYK 80 / 52 / 0 / 17

HEX #2B66D3

RGB 43 102 211

HSL 218.93, 0.66%, 0.5%

LAB 45.25, 20.48, -61.54

 

CMYK 0 / 76 / 80 / 17

HEX #D3332B

RGB 211 51 43

HSL 2.86, 0.66%, 0.5%

LAB 47.48, 60.96, 43.26

 

CMYK 79 / 0 / 42 / 17

HEX #2DD47A

RGB 45 212 122

HSL 147.66, 0.66%, 0.5%

LAB 75.48, -61.08, 33.02

 

CMYK 44 / 80 / 0 / 17

HEX #772BD3

RGB 119 43 211

HSL 267.14, 0.66%, 0.5%

LAB 38.47, 63.75, -72.36

 

CMYK 0 / 44 / 80 / 17

HEX #D3772B

RGB 211 119 43

HSL 27.14, 0.66%, 0.5%

LAB 59.17, 30.55, 54.57

 

CMYK 79 / 0 / 42 / 17

HEX #2DD47A

RGB 45 212 122

HSL 147.66, 0.66%, 0.5%

LAB 75.48, -61.08, 33.02

 

CMYK 80 / 52 / 0 / 17

HEX #2B66D3

RGB 43 102 211

HSL 218.93, 0.66%, 0.5%

LAB 45.25, 20.48, -61.54

 

CMYK 0 / 80 / 36 / 17

HEX #D32B87

RGB 211 43 135

HSL 327.14, 0.66%, 0.5%

LAB 48.67, 69.46, -10.27

 

CMYK 0 / 28 / 80 / 17

HEX #D3982B

RGB 211 152 43

HSL 38.93, 0.66%, 0.5%

LAB 66.88, 12.78, 61.67

 

CMYK 79 / 0 / 42 / 17

HEX #2DD47A

RGB 45 212 122

HSL 147.66, 0.66%, 0.5%

LAB 75.48, -61.08, 33.02

 

CMYK 80 / 76 / 0 / 17

HEX #2B33D3

RGB 43 51 211

HSL 237.14, 0.66%, 0.5%

LAB 33.1, 52.02, -81.43

 

CMYK 0 / 80 / 36 / 17

HEX #D32B87

RGB 211 43 135

HSL 327.14, 0.66%, 0.5%

LAB 48.67, 69.46, -10.27

 

CMYK 0 / 4 / 80 / 17

HEX #D3CB2B

RGB 211 203 43

HSL 57.14, 0.66%, 0.5%

LAB 80.03, -13.95, 73.36

 

Description

Color code: RGB 45 212 122 | qconv.com Color code: RGB 45 212 122 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 212 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 212 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 42 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 42% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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