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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 53 103 it is the complementary color RGB 211 202 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 53 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 44 53 103 shade: RGB 49 53 98, RGB 66 71 117, RGB 83 89 136, RGB 100 107 155 and RGB 117 125 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 53 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 44 53 103 shade: RGB 44 53 103, RGB 27 35 84, RGB 10 17 65, RGB 0 0 46 and RGB 0 0 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 44 53 103 shade: RGB 44 53 103, RGB 51 44 103, RGB 67 44 103, RGB 83 44 103 and RGB 99 44 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 44 53 103 shade: RGB 44 53 103 and RGB 44 44 103

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 44 53 103 shade matches the following richer shades: RGB 44 53 103, RGB 32 45 115, RGB 20 36 127 and RGB 8 28 139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 44 53 103 shade: RGB 44 53 103, RGB 56 61 91, RGB 68 70 79, RGB 80 78 67 and RGB 92 86 55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 44 53 103 shade: RGB 44 85 103, RGB 44 70 103, RGB 44 54 103, RGB 50 44 103 and RGB 66 44 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 44 53 103 shade: RGB 19 23 45, RGB 31 38 74, RGB 44 53 103, RGB 56 68 132 and RGB 69 83 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 44 53 103 shade: RGB 44 53 103, RGB 103 44 101 and RGB 77 103 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 44 53 103 shade: RGB 44 53 103, RGB 103 44 54 and RGB 54 103 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 44 53 103 shade: RGB 44 53 103, RGB 103 44 101, RGB 103 93 44 and RGB 44 103 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 44 53 103 shade: RGB 44 53 103, RGB 103 44 83, RGB 103 93 44 and RGB 44 103 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 49 / 0 / 60

HEX #2C3567

RGB 44 53 103

HSL 230.85, 0.4%, 0.29%

LAB 23.87, 12.44, -30.65

 

Complementary color

CMYK 0 / 4 / 28 / 17

HEX #D3CA98

RGB 211 202 152

HSL 50.85, 0.4%, 0.71%

LAB 80.94, -4.61, 26.15

 

CMYK 50 / 46 / 0 / 62

HEX #313562

RGB 49 53 98

HSL 235.1, 0.33%, 0.29%

LAB 23.94, 11.95, -27.28

 

CMYK 44 / 39 / 0 / 54

HEX #424775

RGB 66 71 117

HSL 234.12, 0.28%, 0.36%

LAB 31.69, 10.89, -27.06

 

CMYK 39 / 35 / 0 / 47

HEX #535988

RGB 83 89 136

HSL 233.21, 0.24%, 0.43%

LAB 39.18, 10.07, -26.94

 

CMYK 35 / 31 / 0 / 39

HEX #646B9B

RGB 100 107 155

HSL 232.36, 0.22%, 0.5%

LAB 46.43, 9.42, -26.91

 

CMYK 33 / 28 / 0 / 32

HEX #757DAE

RGB 117 125 174

HSL 231.58, 0.26%, 0.57%

LAB 53.5, 8.87, -26.93

 

CMYK 57 / 49 / 0 / 60

HEX #2C3567

RGB 44 53 103

HSL 230.85, 0.4%, 0.29%

LAB 23.87, 12.44, -30.65

 

CMYK 68 / 58 / 0 / 67

HEX #1B2354

RGB 27 35 84

HSL 231.58, 0.51%, 0.22%

LAB 15.88, 14.28, -31.01

 

CMYK 85 / 74 / 0 / 75

HEX #0A1141

RGB 10 17 65

HSL 232.36, 0.73%, 0.15%

LAB 7.65, 17, -31.3

 

CMYK 100 / 100 / 0 / 82

HEX #00002E

RGB 0 0 46

HSL 240, 1%, 0.09%

LAB 1.78, 12.52, -26.91

 

CMYK 100 / 100 / 0 / 89

HEX #00001B

RGB 0 0 27

HSL 240, 1%, 0.05%

LAB 0.71, 5.02, -13.64

 

CMYK 57 / 49 / 0 / 60

HEX #2C3567

RGB 44 53 103

HSL 230.85, 0.4%, 0.29%

LAB 23.87, 12.44, -30.65

 

CMYK 50 / 57 / 0 / 60

HEX #332C67

RGB 51 44 103

HSL 247.12, 0.4%, 0.29%

LAB 21.89, 20.4, -33.8

 

CMYK 35 / 57 / 0 / 60

HEX #432C67

RGB 67 44 103

HSL 263.39, 0.4%, 0.29%

LAB 23.59, 24.67, -30.99

 

CMYK 19 / 57 / 0 / 60

HEX #532C67

RGB 83 44 103

HSL 279.66, 0.4%, 0.29%

LAB 25.62, 29.34, -27.62

 

CMYK 4 / 57 / 0 / 60

HEX #632C67

RGB 99 44 103

HSL 295.93, 0.4%, 0.29%

LAB 27.94, 34.17, -23.81

 

CMYK 57 / 49 / 0 / 60

HEX #2C3567

RGB 44 53 103

HSL 230.85, 0.4%, 0.29%

LAB 23.87, 12.44, -30.65

 

CMYK 57 / 57 / 0 / 60

HEX #2C2C67

RGB 44 44 103

HSL 240, 0.4%, 0.29%

LAB 21.27, 18.73, -34.83

 

CMYK 57 / 49 / 0 / 60

HEX #2C3567

RGB 44 53 103

HSL 230.85, 0.4%, 0.29%

LAB 23.87, 12.44, -30.65

 

CMYK 72 / 61 / 0 / 55

HEX #202D73

RGB 32 45 115

HSL 230.6, 0.56%, 0.29%

LAB 21.66, 20.26, -41.99

 

CMYK 84 / 72 / 0 / 50

HEX #14247F

RGB 20 36 127

HSL 231.03, 0.73%, 0.29%

LAB 19.81, 29.81, -52.69

 

CMYK 94 / 80 / 0 / 45

HEX #081C8B

RGB 8 28 139

HSL 230.84, 0.89%, 0.29%

LAB 19, 38.66, -61.61

 

CMYK 57 / 49 / 0 / 60

HEX #2C3567

RGB 44 53 103

HSL 230.85, 0.4%, 0.29%

LAB 23.87, 12.44, -30.65

 

CMYK 38 / 33 / 0 / 64

HEX #383D5B

RGB 56 61 91

HSL 231.43, 0.24%, 0.29%

LAB 26.54, 6.28, -18.58

 

CMYK 14 / 11 / 0 / 69

HEX #44464F

RGB 68 70 79

HSL 229.09, 0.07%, 0.29%

LAB 29.85, 1.31, -5.66

 

CMYK 0 / 2 / 16 / 69

HEX #504E43

RGB 80 78 67

HSL 50.77, 0.09%, 0.29%

LAB 33.05, -1.38, 6.81

 

CMYK 0 / 7 / 40 / 64

HEX #5C5637

RGB 92 86 55

HSL 50.27, 0.25%, 0.29%

LAB 36.38, -2.78, 18.94

 

CMYK 57 / 17 / 0 / 60

HEX #2C5567

RGB 44 85 103

HSL 198.31, 0.4%, 0.29%

LAB 34.01, -8.64, -14.78

 

CMYK 57 / 32 / 0 / 60

HEX #2C4667

RGB 44 70 103

HSL 213.56, 0.4%, 0.29%

LAB 29.15, 0.85, -22.31

 

CMYK 57 / 48 / 0 / 60

HEX #2C3667

RGB 44 54 103

HSL 229.83, 0.4%, 0.29%

LAB 24.17, 11.74, -30.17

 

CMYK 51 / 57 / 0 / 60

HEX #322C67

RGB 50 44 103

HSL 246.1, 0.4%, 0.29%

LAB 21.79, 20.15, -33.96

 

CMYK 36 / 57 / 0 / 60

HEX #422C67

RGB 66 44 103

HSL 262.37, 0.4%, 0.29%

LAB 23.47, 24.39, -31.18

 

CMYK 58 / 49 / 0 / 82

HEX #13172D

RGB 19 23 45

HSL 230.77, 0.41%, 0.13%

LAB 8.49, 5.76, -15.44

 

CMYK 58 / 49 / 0 / 71

HEX #1F264A

RGB 31 38 74

HSL 230.23, 0.41%, 0.21%

LAB 16.36, 9.08, -23.42

 

CMYK 57 / 49 / 0 / 60

HEX #2C3567

RGB 44 53 103

HSL 230.85, 0.4%, 0.29%

LAB 23.87, 12.44, -30.65

 

CMYK 58 / 48 / 0 / 48

HEX #384484

RGB 56 68 132

HSL 230.53, 0.4%, 0.37%

LAB 30.98, 15.38, -37.59

 

CMYK 57 / 48 / 0 / 37

HEX #4553A1

RGB 69 83 161

HSL 230.87, 0.4%, 0.45%

LAB 37.89, 18.42, -44.12

 

CMYK 57 / 49 / 0 / 60

HEX #2C3567

RGB 44 53 103

HSL 230.85, 0.4%, 0.29%

LAB 23.87, 12.44, -30.65

 

CMYK 0 / 57 / 2 / 60

HEX #672C65

RGB 103 44 101

HSL 302.03, 0.4%, 0.29%

LAB 28.44, 34.99, -21.68

 

CMYK 25 / 0 / 57 / 60

HEX #4D672C

RGB 77 103 44

HSL 86.44, 0.4%, 0.29%

LAB 40.34, -20.46, 29.82

 

CMYK 57 / 49 / 0 / 60

HEX #2C3567

RGB 44 53 103

HSL 230.85, 0.4%, 0.29%

LAB 23.87, 12.44, -30.65

 

CMYK 0 / 57 / 48 / 60

HEX #672C36

RGB 103 44 54

HSL 349.83, 0.4%, 0.29%

LAB 26.6, 27.57, 6.58

 

CMYK 48 / 0 / 57 / 60

HEX #36672C

RGB 54 103 44

HSL 109.83, 0.4%, 0.29%

LAB 39.01, -29.29, 27.91

 

CMYK 57 / 49 / 0 / 60

HEX #2C3567

RGB 44 53 103

HSL 230.85, 0.4%, 0.29%

LAB 23.87, 12.44, -30.65

 

CMYK 0 / 57 / 2 / 60

HEX #672C65

RGB 103 44 101

HSL 302.03, 0.4%, 0.29%

LAB 28.44, 34.99, -21.68

 

CMYK 0 / 10 / 57 / 60

HEX #675D2C

RGB 103 93 44

HSL 49.83, 0.4%, 0.29%

LAB 39.4, -3.05, 29.25

 

CMYK 57 / 0 / 55 / 60

HEX #2C672E

RGB 44 103 46

HSL 122.03, 0.4%, 0.29%

LAB 38.61, -32.16, 26.25

 

CMYK 57 / 49 / 0 / 60

HEX #2C3567

RGB 44 53 103

HSL 230.85, 0.4%, 0.29%

LAB 23.87, 12.44, -30.65

 

CMYK 0 / 57 / 19 / 60

HEX #672C53

RGB 103 44 83

HSL 320.34, 0.4%, 0.29%

LAB 27.6, 31.7, -11.25

 

CMYK 0 / 10 / 57 / 60

HEX #675D2C

RGB 103 93 44

HSL 49.83, 0.4%, 0.29%

LAB 39.4, -3.05, 29.25

 

CMYK 57 / 0 / 38 / 60

HEX #2C6740

RGB 44 103 64

HSL 140.34, 0.4%, 0.29%

LAB 38.91, -28.96, 16.35

 

Description

Color code: RGB 44 53 103 | qconv.com Color code: RGB 44 53 103 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 53 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 53 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 49 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 49% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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