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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 44 31 141 it is the complementary color RGB 211 224 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 44 31 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 44 31 141 shade: RGB 49 31 136, RGB 66 49 155, RGB 83 67 174, RGB 100 85 193 and RGB 117 103 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 44 31 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 44 31 141 shade: RGB 44 31 141, RGB 27 13 122, RGB 10 0 103, RGB 0 0 84 and RGB 0 0 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 44 31 141 shade: RGB 44 31 142, RGB 74 31 142, RGB 104 31 142, RGB 134 31 142 and RGB 142 31 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 44 31 141 shade: RGB 44 31 142 and RGB 31 31 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 44 31 141 shade matches the following richer shades: RGB 44 31 142, RGB 33 17 156 and RGB 22 3 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 44 31 141 shade: RGB 44 31 142, RGB 55 45 128, RGB 65 59 114, RGB 76 73 100 and RGB 87 87 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 44 31 141 shade: RGB 31 77 142, RGB 31 47 142, RGB 44 31 142, RGB 73 31 142 and RGB 103 31 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 44 31 141 shade: RGB 23 16 74, RGB 33 23 108, RGB 44 31 142, RGB 54 38 176 and RGB 65 46 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 44 31 141 shade: RGB 44 31 141, RGB 142 31 107 and RGB 62 142 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 44 31 141 shade: RGB 44 31 141, RGB 142 44 31 and RGB 31 142 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 44 31 141 shade: RGB 44 31 141, RGB 142 31 107, RGB 129 142 31 and RGB 31 142 66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 44 31 141 shade: RGB 44 31 141, RGB 142 31 73, RGB 129 142 31 and RGB 31 142 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 78 / 0 / 45

HEX #2C1F8D

RGB 44 31 141

HSL 247.09, 0.64%, 0.34%

LAB 21.72, 40.15, -58.29

 

Complementary color

CMYK 6 / 0 / 49 / 12

HEX #D3E072

RGB 211 224 114

HSL 67.09, 0.64%, 0.66%

LAB 86.19, -19.94, 51.9

 

CMYK 64 / 77 / 0 / 47

HEX #311F88

RGB 49 31 136

HSL 250.29, 0.63%, 0.33%

LAB 21.62, 39.13, -55.32

 

CMYK 57 / 68 / 0 / 39

HEX #42319B

RGB 66 49 155

HSL 249.62, 0.52%, 0.4%

LAB 28.7, 37.42, -55.39

 

CMYK 52 / 61 / 0 / 32

HEX #5343AE

RGB 83 67 174

HSL 248.97, 0.44%, 0.47%

LAB 35.81, 35.71, -55.18

 

CMYK 48 / 56 / 0 / 24

HEX #6455C1

RGB 100 85 193

HSL 248.33, 0.47%, 0.55%

LAB 42.85, 34.16, -54.88

 

CMYK 45 / 51 / 0 / 17

HEX #7567D4

RGB 117 103 212

HSL 247.71, 0.56%, 0.62%

LAB 49.78, 32.8, -54.59

 

CMYK 69 / 78 / 0 / 45

HEX #2C1F8D

RGB 44 31 141

HSL 247.09, 0.64%, 0.34%

LAB 21.72, 40.15, -58.29

 

CMYK 78 / 89 / 0 / 52

HEX #1B0D7A

RGB 27 13 122

HSL 247.71, 0.81%, 0.26%

LAB 15.09, 41.45, -57.3

 

CMYK 90 / 100 / 0 / 60

HEX #0A0067

RGB 10 0 103

HSL 245.83, 1%, 0.2%

LAB 9.35, 40.87, -54.51

 

CMYK 100 / 100 / 0 / 67

HEX #000054

RGB 0 0 84

HSL 240, 1%, 0.16%

LAB 5.78, 34.26, -47.68

 

CMYK 100 / 100 / 0 / 75

HEX #000041

RGB 0 0 65

HSL 240, 1%, 0.13%

LAB 3.45, 24.03, -38.21

 

CMYK 69 / 78 / 0 / 44

HEX #2C1F8E

RGB 44 31 142

HSL 247.03, 0.64%, 0.34%

LAB 21.83, 40.47, -58.73

 

CMYK 48 / 78 / 0 / 44

HEX #4A1F8E

RGB 74 31 142

HSL 263.24, 0.64%, 0.34%

LAB 24.92, 44.53, -53.54

 

CMYK 27 / 78 / 0 / 44

HEX #681F8E

RGB 104 31 142

HSL 279.46, 0.64%, 0.34%

LAB 29.1, 49.88, -46.55

 

CMYK 6 / 78 / 0 / 44

HEX #861F8E

RGB 134 31 142

HSL 295.68, 0.64%, 0.34%

LAB 33.99, 55.97, -38.43

 

CMYK 0 / 78 / 15 / 44

HEX #8E1F78

RGB 142 31 120

HSL 311.89, 0.64%, 0.34%

LAB 34.16, 54.19, -24.36

 

CMYK 69 / 78 / 0 / 44

HEX #2C1F8E

RGB 44 31 142

HSL 247.03, 0.64%, 0.34%

LAB 21.83, 40.47, -58.73

 

CMYK 78 / 78 / 0 / 44

HEX #1F1F8E

RGB 31 31 142

HSL 240, 0.64%, 0.34%

LAB 20.92, 39.25, -60.27

 

CMYK 69 / 78 / 0 / 44

HEX #2C1F8E

RGB 44 31 142

HSL 247.03, 0.64%, 0.34%

LAB 21.83, 40.47, -58.73

 

CMYK 79 / 89 / 0 / 39

HEX #21119C

RGB 33 17 156

HSL 246.91, 0.8%, 0.34%

LAB 20.54, 50.37, -69.56

 

CMYK 87 / 98 / 0 / 33

HEX #1603AA

RGB 22 3 170

HSL 246.83, 0.97%, 0.34%

LAB 20.59, 57.88, -78.02

 

CMYK 69 / 78 / 0 / 44

HEX #2C1F8E

RGB 44 31 142

HSL 247.03, 0.64%, 0.34%

LAB 21.83, 40.47, -58.73

 

CMYK 57 / 65 / 0 / 50

HEX #372D80

RGB 55 45 128

HSL 247.23, 0.48%, 0.34%

LAB 24.47, 29.07, -45.6

 

CMYK 43 / 48 / 0 / 55

HEX #413B72

RGB 65 59 114

HSL 246.55, 0.32%, 0.34%

LAB 28.02, 17.61, -30.98

 

CMYK 24 / 27 / 0 / 61

HEX #4C4964

RGB 76 73 100

HSL 246.67, 0.16%, 0.34%

LAB 32.31, 7.79, -15.31

 

CMYK 0 / 0 / 1 / 66

HEX #575756

RGB 87 87 86

HSL 60, 0.01%, 0.34%

LAB 36.96, -0.21, 0.57

 

CMYK 78 / 46 / 0 / 44

HEX #1F4D8E

RGB 31 77 142

HSL 215.14, 0.64%, 0.34%

LAB 33.03, 8.7, -40.52

 

CMYK 78 / 67 / 0 / 44

HEX #1F2F8E

RGB 31 47 142

HSL 231.35, 0.64%, 0.34%

LAB 24.57, 29.23, -54.26

 

CMYK 69 / 78 / 0 / 44

HEX #2C1F8E

RGB 44 31 142

HSL 247.03, 0.64%, 0.34%

LAB 21.83, 40.47, -58.73

 

CMYK 49 / 78 / 0 / 44

HEX #491F8E

RGB 73 31 142

HSL 262.7, 0.64%, 0.34%

LAB 24.79, 44.38, -53.75

 

CMYK 27 / 78 / 0 / 44

HEX #671F8E

RGB 103 31 142

HSL 278.92, 0.64%, 0.34%

LAB 28.94, 49.68, -46.8

 

CMYK 69 / 78 / 0 / 71

HEX #17104A

RGB 23 16 74

HSL 247.24, 0.64%, 0.18%

LAB 9.38, 23.26, -34.76

 

CMYK 69 / 79 / 0 / 58

HEX #21176C

RGB 33 23 108

HSL 247.06, 0.65%, 0.26%

LAB 15.59, 32.4, -47.4

 

CMYK 69 / 78 / 0 / 44

HEX #2C1F8E

RGB 44 31 142

HSL 247.03, 0.64%, 0.34%

LAB 21.83, 40.47, -58.73

 

CMYK 69 / 78 / 0 / 31

HEX #3626B0

RGB 54 38 176

HSL 246.96, 0.64%, 0.42%

LAB 27.59, 48.57, -69.94

 

CMYK 69 / 78 / 0 / 18

HEX #412ED1

RGB 65 46 209

HSL 246.99, 0.64%, 0.5%

LAB 33.31, 55.64, -79.89

 

CMYK 69 / 78 / 0 / 45

HEX #2C1F8D

RGB 44 31 141

HSL 247.09, 0.64%, 0.34%

LAB 21.72, 40.15, -58.29

 

CMYK 0 / 78 / 25 / 44

HEX #8E1F6B

RGB 142 31 107

HSL 318.92, 0.64%, 0.34%

LAB 33.55, 52.36, -17.08

 

CMYK 56 / 0 / 78 / 44

HEX #3E8E1F

RGB 62 142 31

HSL 103.24, 0.64%, 0.34%

LAB 52.36, -44.49, 48.11

 

CMYK 69 / 78 / 0 / 45

HEX #2C1F8D

RGB 44 31 141

HSL 247.09, 0.64%, 0.34%

LAB 21.72, 40.15, -58.29

 

CMYK 0 / 69 / 78 / 44

HEX #8E2C1F

RGB 142 44 31

HSL 7.03, 0.64%, 0.34%

LAB 33.25, 40.66, 31.06

 

CMYK 78 / 0 / 69 / 44

HEX #1F8E2C

RGB 31 142 44

HSL 127.03, 0.64%, 0.34%

LAB 51.63, -50.15, 42.03

 

CMYK 69 / 78 / 0 / 45

HEX #2C1F8D

RGB 44 31 141

HSL 247.09, 0.64%, 0.34%

LAB 21.72, 40.15, -58.29

 

CMYK 0 / 78 / 25 / 44

HEX #8E1F6B

RGB 142 31 107

HSL 318.92, 0.64%, 0.34%

LAB 33.55, 52.36, -17.08

 

CMYK 9 / 0 / 78 / 44

HEX #818E1F

RGB 129 142 31

HSL 67.03, 0.64%, 0.34%

LAB 56.2, -18.99, 53.1

 

CMYK 78 / 0 / 54 / 44

HEX #1F8E42

RGB 31 142 66

HSL 138.92, 0.64%, 0.34%

LAB 51.87, -47.26, 31.78

 

CMYK 69 / 78 / 0 / 45

HEX #2C1F8D

RGB 44 31 141

HSL 247.09, 0.64%, 0.34%

LAB 21.72, 40.15, -58.29

 

CMYK 0 / 78 / 49 / 44

HEX #8E1F49

RGB 142 31 73

HSL 337.3, 0.64%, 0.34%

LAB 32.28, 48.48, 3.06

 

CMYK 9 / 0 / 78 / 44

HEX #818E1F

RGB 129 142 31

HSL 67.03, 0.64%, 0.34%

LAB 56.2, -18.99, 53.1

 

CMYK 78 / 0 / 30 / 44

HEX #1F8E63

RGB 31 142 99

HSL 156.76, 0.64%, 0.34%

LAB 52.44, -40.8, 14.45

 

Description

Color code: RGB 44 31 141 | qconv.com Color code: RGB 44 31 141 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 31 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 31 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 78 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 78% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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