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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 97 212 it is the complementary color RGB 212 158 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 97 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 97 212 shade: RGB 48 97 207, RGB 65 115 226, RGB 82 133 245, RGB 99 151 255 and RGB 116 169 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 97 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 97 212 shade: RGB 43 97 212, RGB 26 79 193, RGB 9 61 174, RGB 0 43 155 and RGB 0 25 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 97 212 shade: RGB 43 97 212, RGB 43 52 212, RGB 80 43 212, RGB 126 43 212 and RGB 171 43 212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 97 212 shade: RGB 43 97 212, RGB 43 52 212 and RGB 43 43 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 97 212 shade matches the following richer shades: RGB 43 97 212, RGB 23 90 232 and RGB 2 82 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 97 212 shade: RGB 43 97 212, RGB 64 105 191, RGB 85 112 170, RGB 105 119 150 and RGB 126 127 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 97 212 shade: RGB 43 189 212, RGB 43 144 212, RGB 43 99 212, RGB 43 55 212 and RGB 77 43 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 97 212 shade: RGB 29 66 143, RGB 36 81 177, RGB 43 97 212, RGB 78 123 219 and RGB 112 148 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 97 212 shade: RGB 43 97 212, RGB 189 43 212 and RGB 167 212 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 97 212 shade: RGB 43 97 212, RGB 212 43 99 and RGB 99 212 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 97 212 shade: RGB 43 97 212, RGB 189 43 212, RGB 212 156 43 and RGB 66 212 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 97 212 shade: RGB 43 97 212, RGB 212 43 184, RGB 212 156 43 and RGB 43 212 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 54 / 0 / 17

HEX #2B61D4

RGB 43 97 212

HSL 220.83, 0.66%, 0.5%

LAB 43.97, 24.08, -64.18

 

Complementary color

CMYK 0 / 25 / 80 / 17

HEX #D49E2B

RGB 212 158 43

HSL 40.83, 0.66%, 0.5%

LAB 68.48, 9.98, 63.15

 

CMYK 77 / 53 / 0 / 19

HEX #3061CF

RGB 48 97 207

HSL 221.51, 0.62%, 0.5%

LAB 43.77, 22.71, -61.62

 

CMYK 71 / 49 / 0 / 11

HEX #4173E2

RGB 65 115 226

HSL 221.37, 0.74%, 0.57%

LAB 50.54, 20.35, -61.46

 

CMYK 67 / 46 / 0 / 4

HEX #5285F5

RGB 82 133 245

HSL 221.23, 0.89%, 0.64%

LAB 57.23, 18.41, -61.26

 

CMYK 61 / 41 / 0 / 0

HEX #6397FF

RGB 99 151 255

HSL 220, 1%, 0.69%

LAB 63.35, 13.83, -56.94

 

CMYK 55 / 34 / 0 / 0

HEX #74A9FF

RGB 116 169 255

HSL 217.12, 1%, 0.73%

LAB 68.97, 6.67, -47.97

 

CMYK 80 / 54 / 0 / 17

HEX #2B61D4

RGB 43 97 212

HSL 220.83, 0.66%, 0.5%

LAB 43.97, 24.08, -64.18

 

CMYK 87 / 59 / 0 / 24

HEX #1A4FC1

RGB 26 79 193

HSL 220.96, 0.76%, 0.43%

LAB 37.23, 27.17, -64.2

 

CMYK 95 / 65 / 0 / 32

HEX #093DAE

RGB 9 61 174

HSL 221.09, 0.9%, 0.36%

LAB 30.52, 30.86, -63.97

 

CMYK 100 / 72 / 0 / 39

HEX #002B9B

RGB 0 43 155

HSL 223.35, 1%, 0.3%

LAB 23.98, 35.04, -63.26

 

CMYK 100 / 82 / 0 / 47

HEX #001988

RGB 0 25 136

HSL 228.97, 1%, 0.27%

LAB 17.8, 39.04, -61.73

 

CMYK 80 / 54 / 0 / 17

HEX #2B61D4

RGB 43 97 212

HSL 220.83, 0.66%, 0.5%

LAB 43.97, 24.08, -64.18

 

CMYK 80 / 75 / 0 / 17

HEX #2B34D4

RGB 43 52 212

HSL 236.8, 0.66%, 0.5%

LAB 33.4, 51.81, -81.52

 

CMYK 62 / 80 / 0 / 17

HEX #502BD4

RGB 80 43 212

HSL 253.14, 0.66%, 0.5%

LAB 34.37, 59.29, -79.83

 

CMYK 41 / 80 / 0 / 17

HEX #7E2BD4

RGB 126 43 212

HSL 269.47, 0.66%, 0.5%

LAB 39.44, 64.98, -71.31

 

CMYK 19 / 80 / 0 / 17

HEX #AB2BD4

RGB 171 43 212

HSL 285.44, 0.66%, 0.5%

LAB 45.82, 72.21, -60.64

 

CMYK 80 / 54 / 0 / 17

HEX #2B61D4

RGB 43 97 212

HSL 220.83, 0.66%, 0.5%

LAB 43.97, 24.08, -64.18

 

CMYK 80 / 75 / 0 / 17

HEX #2B34D4

RGB 43 52 212

HSL 236.8, 0.66%, 0.5%

LAB 33.4, 51.81, -81.52

 

CMYK 80 / 80 / 0 / 17

HEX #2B2BD4

RGB 43 43 212

HSL 240, 0.66%, 0.5%

LAB 31.8, 56.42, -84.17

 

CMYK 80 / 54 / 0 / 17

HEX #2B61D4

RGB 43 97 212

HSL 220.83, 0.66%, 0.5%

LAB 43.97, 24.08, -64.18

 

CMYK 90 / 61 / 0 / 9

HEX #175AE8

RGB 23 90 232

HSL 220.77, 0.82%, 0.5%

LAB 43.24, 34.8, -76.76

 

CMYK 99 / 68 / 0 / 1

HEX #0252FD

RGB 2 82 253

HSL 220.88, 0.98%, 0.5%

LAB 42.97, 46.98, -89.01

 

CMYK 80 / 54 / 0 / 17

HEX #2B61D4

RGB 43 97 212

HSL 220.83, 0.66%, 0.5%

LAB 43.97, 24.08, -64.18

 

CMYK 66 / 45 / 0 / 25

HEX #4069BF

RGB 64 105 191

HSL 220.63, 0.5%, 0.5%

LAB 45.57, 13.92, -49.47

 

CMYK 50 / 34 / 0 / 33

HEX #5570AA

RGB 85 112 170

HSL 220.94, 0.33%, 0.5%

LAB 47.52, 6.78, -34.09

 

CMYK 30 / 21 / 0 / 41

HEX #697796

RGB 105 119 150

HSL 221.33, 0.18%, 0.5%

LAB 49.98, 2.36, -18.47

 

CMYK 2 / 2 / 0 / 49

HEX #7E7F81

RGB 126 127 129

HSL 220, 0.01%, 0.5%

LAB 53.17, 0.03, -1.22

 

CMYK 80 / 11 / 0 / 17

HEX #2BBDD4

RGB 43 189 212

HSL 188.17, 0.66%, 0.5%

LAB 70.64, -28.98, -22.16

 

CMYK 80 / 32 / 0 / 17

HEX #2B90D4

RGB 43 144 212

HSL 204.14, 0.66%, 0.5%

LAB 57.28, -4.96, -42.87

 

CMYK 80 / 53 / 0 / 17

HEX #2B63D4

RGB 43 99 212

HSL 220.12, 0.66%, 0.5%

LAB 44.51, 22.79, -63.31

 

CMYK 80 / 74 / 0 / 17

HEX #2B37D4

RGB 43 55 212

HSL 235.74, 0.66%, 0.5%

LAB 33.98, 50.16, -80.55

 

CMYK 64 / 80 / 0 / 17

HEX #4D2BD4

RGB 77 43 212

HSL 252.07, 0.66%, 0.5%

LAB 34.11, 59, -80.28

 

CMYK 80 / 54 / 0 / 44

HEX #1D428F

RGB 29 66 143

HSL 220.53, 0.66%, 0.34%

LAB 29.76, 16.36, -46.41

 

CMYK 80 / 54 / 0 / 31

HEX #2451B1

RGB 36 81 177

HSL 220.85, 0.66%, 0.42%

LAB 36.81, 20.44, -55.46

 

CMYK 80 / 54 / 0 / 17

HEX #2B61D4

RGB 43 97 212

HSL 220.83, 0.66%, 0.5%

LAB 43.97, 24.08, -64.18

 

CMYK 64 / 44 / 0 / 14

HEX #4E7BDB

RGB 78 123 219

HSL 220.85, 0.66%, 0.58%

LAB 52.84, 14.9, -53.79

 

CMYK 50 / 35 / 0 / 11

HEX #7094E2

RGB 112 148 226

HSL 221.05, 0.66%, 0.66%

LAB 61.75, 9.03, -43.45

 

CMYK 80 / 54 / 0 / 17

HEX #2B61D4

RGB 43 97 212

HSL 220.83, 0.66%, 0.5%

LAB 43.97, 24.08, -64.18

 

CMYK 11 / 80 / 0 / 17

HEX #BD2BD4

RGB 189 43 212

HSL 291.83, 0.66%, 0.5%

LAB 48.64, 75.4, -55.96

 

CMYK 21 / 0 / 80 / 17

HEX #A7D42B

RGB 167 212 43

HSL 75.98, 0.66%, 0.5%

LAB 79.32, -36.41, 71.5

 

CMYK 80 / 54 / 0 / 17

HEX #2B61D4

RGB 43 97 212

HSL 220.83, 0.66%, 0.5%

LAB 43.97, 24.08, -64.18

 

CMYK 0 / 80 / 53 / 17

HEX #D42B63

RGB 212 43 99

HSL 340.12, 0.66%, 0.5%

LAB 47.78, 66.51, 10.45

 

CMYK 53 / 0 / 80 / 17

HEX #63D42B

RGB 99 212 43

HSL 100.12, 0.66%, 0.5%

LAB 76.02, -59.53, 67.27

 

CMYK 80 / 54 / 0 / 17

HEX #2B61D4

RGB 43 97 212

HSL 220.83, 0.66%, 0.5%

LAB 43.97, 24.08, -64.18

 

CMYK 11 / 80 / 0 / 17

HEX #BD2BD4

RGB 189 43 212

HSL 291.83, 0.66%, 0.5%

LAB 48.64, 75.4, -55.96

 

CMYK 0 / 26 / 80 / 17

HEX #D49C2B

RGB 212 156 43

HSL 40.12, 0.66%, 0.5%

LAB 67.98, 11.06, 62.71

 

CMYK 69 / 0 / 80 / 17

HEX #42D42B

RGB 66 212 43

HSL 111.83, 0.66%, 0.5%

LAB 75.09, -67.11, 66.07

 

CMYK 80 / 54 / 0 / 17

HEX #2B61D4

RGB 43 97 212

HSL 220.83, 0.66%, 0.5%

LAB 43.97, 24.08, -64.18

 

CMYK 0 / 80 / 13 / 17

HEX #D42BB8

RGB 212 43 184

HSL 309.94, 0.66%, 0.5%

LAB 50.9, 75.61, -35.93

 

CMYK 0 / 26 / 80 / 17

HEX #D49C2B

RGB 212 156 43

HSL 40.12, 0.66%, 0.5%

LAB 67.98, 11.06, 62.71

 

CMYK 80 / 0 / 67 / 17

HEX #2BD447

RGB 43 212 71

HSL 129.94, 0.66%, 0.5%

LAB 74.86, -68.41, 55.99

 

Description

Color code: RGB 43 97 212 | qconv.com Color code: RGB 43 97 212 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 97 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 97 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 54 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 54% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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