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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 80 120 it is the complementary color RGB 212 175 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 80 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 80 120 shade: RGB 48 80 115, RGB 65 98 134, RGB 82 116 153, RGB 99 134 172 and RGB 116 152 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 80 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 80 120 shade: RGB 43 80 120, RGB 26 62 101, RGB 9 44 82, RGB 0 26 63 and RGB 0 8 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 80 120 shade: RGB 43 80 120, RGB 43 59 120, RGB 48 43 120, RGB 68 43 120 and RGB 89 43 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 80 120 shade: RGB 43 80 120, RGB 43 59 120 and RGB 43 43 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 80 120 shade matches the following richer shades: RGB 43 80 120, RGB 30 80 133, RGB 17 79 146 and RGB 4 79 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 80 120 shade: RGB 43 80 120, RGB 56 81 107, RGB 70 81 94, RGB 83 82 80 and RGB 96 82 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 80 120 shade: RGB 43 120 119, RGB 43 101 120, RGB 43 80 120, RGB 43 60 120 and RGB 47 43 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 80 120 shade: RGB 21 40 59, RGB 32 60 90, RGB 43 80 120, RGB 54 100 150 and RGB 65 121 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 80 120 shade: RGB 43 80 120, RGB 98 43 120 and RGB 111 120 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 80 120 shade: RGB 43 80 120, RGB 120 43 80 and RGB 80 120 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 80 120 shade: RGB 43 80 120, RGB 98 43 120, RGB 120 83 43 and RGB 65 120 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 80 120 shade: RGB 43 80 120, RGB 120 43 119, RGB 120 83 43 and RGB 43 120 45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 33 / 0 / 53

HEX #2B5078

RGB 43 80 120

HSL 211.17, 0.47%, 0.32%

LAB 33.15, 0.24, -26.74

 

Complementary color

CMYK 0 / 17 / 36 / 17

HEX #D4AF87

RGB 212 175 135

HSL 31.17, 0.47%, 0.68%

LAB 73.81, 7.87, 25.56

 

CMYK 58 / 30 / 0 / 55

HEX #305073

RGB 48 80 115

HSL 211.34, 0.41%, 0.32%

LAB 33.14, -0.44, -23.61

 

CMYK 51 / 27 / 0 / 47

HEX #416286

RGB 65 98 134

HSL 211.3, 0.35%, 0.39%

LAB 40.54, -1.16, -23.69

 

CMYK 46 / 24 / 0 / 40

HEX #527499

RGB 82 116 153

HSL 211.27, 0.3%, 0.46%

LAB 47.73, -1.68, -23.81

 

CMYK 42 / 22 / 0 / 33

HEX #6386AC

RGB 99 134 172

HSL 211.23, 0.31%, 0.53%

LAB 54.74, -2.09, -23.96

 

CMYK 39 / 20 / 0 / 25

HEX #7498BF

RGB 116 152 191

HSL 211.2, 0.37%, 0.6%

LAB 61.59, -2.42, -24.13

 

CMYK 64 / 33 / 0 / 53

HEX #2B5078

RGB 43 80 120

HSL 211.17, 0.47%, 0.32%

LAB 33.15, 0.24, -26.74

 

CMYK 74 / 39 / 0 / 60

HEX #1A3E65

RGB 26 62 101

HSL 211.2, 0.59%, 0.25%

LAB 25.58, 1.64, -26.71

 

CMYK 89 / 46 / 0 / 68

HEX #092C52

RGB 9 44 82

HSL 211.23, 0.8%, 0.18%

LAB 17.78, 3.83, -26.65

 

CMYK 100 / 59 / 0 / 75

HEX #001A3F

RGB 0 26 63

HSL 215.24, 1%, 0.12%

LAB 9.78, 7.42, -26.44

 

CMYK 100 / 82 / 0 / 83

HEX #00082C

RGB 0 8 44

HSL 229.09, 1%, 0.09%

LAB 3.21, 8.34, -23.13

 

CMYK 64 / 33 / 0 / 53

HEX #2B5078

RGB 43 80 120

HSL 211.17, 0.47%, 0.32%

LAB 33.15, 0.24, -26.74

 

CMYK 64 / 51 / 0 / 53

HEX #2B3B78

RGB 43 59 120

HSL 227.53, 0.47%, 0.32%

LAB 26.73, 14.36, -36.94

 

CMYK 60 / 64 / 0 / 53

HEX #302B78

RGB 48 43 120

HSL 243.9, 0.47%, 0.32%

LAB 22.7, 26.28, -43.45

 

CMYK 43 / 64 / 0 / 53

HEX #442B78

RGB 68 43 120

HSL 259.48, 0.47%, 0.32%

LAB 24.68, 30.56, -40.14

 

CMYK 26 / 64 / 0 / 53

HEX #592B78

RGB 89 43 120

HSL 275.84, 0.47%, 0.32%

LAB 27.32, 35.77, -35.75

 

CMYK 64 / 33 / 0 / 53

HEX #2B5078

RGB 43 80 120

HSL 211.17, 0.47%, 0.32%

LAB 33.15, 0.24, -26.74

 

CMYK 64 / 51 / 0 / 53

HEX #2B3B78

RGB 43 59 120

HSL 227.53, 0.47%, 0.32%

LAB 26.73, 14.36, -36.94

 

CMYK 64 / 64 / 0 / 53

HEX #2B2B78

RGB 43 43 120

HSL 240, 0.47%, 0.32%

LAB 22.29, 25.37, -44.12

 

CMYK 64 / 33 / 0 / 53

HEX #2B5078

RGB 43 80 120

HSL 211.17, 0.47%, 0.32%

LAB 33.15, 0.24, -26.74

 

CMYK 77 / 40 / 0 / 48

HEX #1E5085

RGB 30 80 133

HSL 210.87, 0.63%, 0.32%

LAB 33.36, 2.99, -34.47

 

CMYK 88 / 46 / 0 / 43

HEX #114F92

RGB 17 79 146

HSL 211.16, 0.79%, 0.32%

LAB 33.53, 7.56, -42.18

 

CMYK 98 / 51 / 0 / 37

HEX #044FA0

RGB 4 79 160

HSL 211.15, 0.95%, 0.32%

LAB 34.31, 12.67, -49.41

 

CMYK 64 / 33 / 0 / 53

HEX #2B5078

RGB 43 80 120

HSL 211.17, 0.47%, 0.32%

LAB 33.15, 0.24, -26.74

 

CMYK 48 / 24 / 0 / 58

HEX #38516B

RGB 56 81 107

HSL 210.59, 0.31%, 0.32%

LAB 33.54, -1.69, -17.96

 

CMYK 26 / 14 / 0 / 63

HEX #46515E

RGB 70 81 94

HSL 212.5, 0.15%, 0.32%

LAB 33.97, -1.05, -9.03

 

CMYK 0 / 1 / 4 / 67

HEX #535250

RGB 83 82 80

HSL 40, 0.02%, 0.32%

LAB 34.91, -0.01, 1.31

 

CMYK 0 / 15 / 30 / 62

HEX #605243

RGB 96 82 67

HSL 31.03, 0.18%, 0.32%

LAB 35.84, 3.2, 10.95

 

CMYK 64 / 0 / 1 / 53

HEX #2B7877

RGB 43 120 119

HSL 179.22, 0.47%, 0.32%

LAB 46.01, -23.32, -6.43

 

CMYK 64 / 16 / 0 / 53

HEX #2B6578

RGB 43 101 120

HSL 194.81, 0.47%, 0.32%

LAB 39.88, -12.61, -16.3

 

CMYK 64 / 33 / 0 / 53

HEX #2B5078

RGB 43 80 120

HSL 211.17, 0.47%, 0.32%

LAB 33.15, 0.24, -26.74

 

CMYK 64 / 50 / 0 / 53

HEX #2B3C78

RGB 43 60 120

HSL 226.75, 0.47%, 0.32%

LAB 27.02, 13.67, -36.47

 

CMYK 61 / 64 / 0 / 53

HEX #2F2B78

RGB 47 43 120

HSL 243.12, 0.47%, 0.32%

LAB 22.61, 26.09, -43.59

 

CMYK 64 / 32 / 0 / 77

HEX #15283B

RGB 21 40 59

HSL 210, 0.48%, 0.16%

LAB 15.45, -0.88, -14.54

 

CMYK 64 / 33 / 0 / 65

HEX #203C5A

RGB 32 60 90

HSL 211.03, 0.48%, 0.24%

LAB 24.57, -0.12, -21.14

 

CMYK 64 / 33 / 0 / 53

HEX #2B5078

RGB 43 80 120

HSL 211.17, 0.47%, 0.32%

LAB 33.15, 0.24, -26.74

 

CMYK 64 / 33 / 0 / 41

HEX #366496

RGB 54 100 150

HSL 211.25, 0.47%, 0.4%

LAB 41.38, 0.59, -32.05

 

CMYK 64 / 33 / 0 / 29

HEX #4179B5

RGB 65 121 181

HSL 211.03, 0.47%, 0.48%

LAB 49.66, 0.66, -37.19

 

CMYK 64 / 33 / 0 / 53

HEX #2B5078

RGB 43 80 120

HSL 211.17, 0.47%, 0.32%

LAB 33.15, 0.24, -26.74

 

CMYK 18 / 64 / 0 / 53

HEX #622B78

RGB 98 43 120

HSL 282.86, 0.47%, 0.32%

LAB 28.59, 38.12, -33.64

 

CMYK 8 / 0 / 64 / 53

HEX #6F782B

RGB 111 120 43

HSL 67.01, 0.47%, 0.32%

LAB 48.24, -14.7, 39.91

 

CMYK 64 / 33 / 0 / 53

HEX #2B5078

RGB 43 80 120

HSL 211.17, 0.47%, 0.32%

LAB 33.15, 0.24, -26.74

 

CMYK 0 / 64 / 33 / 53

HEX #782B50

RGB 120 43 80

HSL 331.17, 0.47%, 0.32%

LAB 30.16, 37.54, -5.14

 

CMYK 33 / 0 / 64 / 53

HEX #50782B

RGB 80 120 43

HSL 91.17, 0.47%, 0.32%

LAB 46.06, -27.88, 36.89

 

CMYK 64 / 33 / 0 / 53

HEX #2B5078

RGB 43 80 120

HSL 211.17, 0.47%, 0.32%

LAB 33.15, 0.24, -26.74

 

CMYK 18 / 64 / 0 / 53

HEX #622B78

RGB 98 43 120

HSL 282.86, 0.47%, 0.32%

LAB 28.59, 38.12, -33.64

 

CMYK 0 / 31 / 64 / 53

HEX #78532B

RGB 120 83 43

HSL 31.17, 0.47%, 0.32%

LAB 38.47, 10.89, 29.19

 

CMYK 46 / 0 / 64 / 53

HEX #41782B

RGB 65 120 43

HSL 102.86, 0.47%, 0.32%

LAB 45.26, -33.4, 35.78

 

CMYK 64 / 33 / 0 / 53

HEX #2B5078

RGB 43 80 120

HSL 211.17, 0.47%, 0.32%

LAB 33.15, 0.24, -26.74

 

CMYK 0 / 64 / 1 / 53

HEX #782B77

RGB 120 43 119

HSL 300.78, 0.47%, 0.32%

LAB 31.93, 43.83, -27.51

 

CMYK 0 / 31 / 64 / 53

HEX #78532B

RGB 120 83 43

HSL 31.17, 0.47%, 0.32%

LAB 38.47, 10.89, 29.19

 

CMYK 64 / 0 / 63 / 53

HEX #2B782D

RGB 43 120 45

HSL 121.56, 0.47%, 0.32%

LAB 44.43, -39.65, 33.63

 

Description

Color code: RGB 43 80 120 | qconv.com Color code: RGB 43 80 120 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 80 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 80 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 33 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 33% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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