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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 72.4 216.4 it is the complementary color RGB 212 182.6 38.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 72.4 216.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 72.4 216.4 shade: RGB 48 72.4 211.4, RGB 65 90.4 230.4, RGB 82 108.4 249.4, RGB 99 126.4 255 and RGB 116 144.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 72.4 216.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 72.4 216.4 shade: RGB 43 72.4 216.4, RGB 26 54.4 197.4, RGB 9 36.4 178.4, RGB 0 18.4 159.4 and RGB 0 0.40000000000001 140.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 72.4 216.4 shade: RGB 44 73 216, RGB 61 44 216, RGB 108 44 216, RGB 154 44 216 and RGB 201 44 216

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 72.4 216.4 shade: RGB 44 73 216 and RGB 44 44 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 72.4 216.4 shade matches the following richer shades: RGB 44 73 216 and RGB 24 60 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 72.4 216.4 shade: RGB 44 73 216, RGB 64 86 196, RGB 84 100 176, RGB 104 113 156 and RGB 125 127 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 72.4 216.4 shade: RGB 44 167 216, RGB 44 121 216, RGB 44 75 216, RGB 58 44 216 and RGB 104 44 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 72.4 216.4 shade: RGB 28 48 150, RGB 34 60 185, RGB 44 73 216, RGB 79 103 223 and RGB 114 133 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 72.4 216.4 shade: RGB 43 72.4 216.4, RGB 216 44 213 and RGB 144 216 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 72.4 216.4 shade: RGB 43 72.4 216.4, RGB 216 44 75 and RGB 75 216 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 72.4 216.4 shade: RGB 43 72.4 216.4, RGB 216 44 213, RGB 216 185 44 and RGB 44 216 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 72.4 216.4 shade: RGB 43 72.4 216.4, RGB 216 44 162, RGB 216 185 44 and RGB 44 216 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 67 / 0 / 15

HEX #2B48D8

RGB 43 72.4 216.4

HSL 229.83, 0.69%, 0.51%

LAB 38.16, 41.39, -76.2

 

Complementary color

CMYK 0 / 14 / 82 / 17

HEX #D4B626

RGB 212 182.6 38.6

HSL 49.83, 0.69%, 0.49%

LAB 74.73, -3.21, 70.01

 

CMYK 77 / 66 / 0 / 17

HEX #3048D3

RGB 48 72.4 211.4

HSL 231.04, 0.65%, 0.51%

LAB 37.91, 40.03, -73.72

 

CMYK 72 / 61 / 0 / 10

HEX #415AE6

RGB 65 90.4 230.4

HSL 230.79, 0.77%, 0.58%

LAB 44.57, 37.33, -73.62

 

CMYK 67 / 57 / 0 / 2

HEX #526CF9

RGB 82 108.4 249.4

HSL 230.54, 0.94%, 0.65%

LAB 51.23, 34.98, -73.39

 

CMYK 61 / 50 / 0 / 0

HEX #637EFF

RGB 99 126.4 255

HSL 229.46, 1%, 0.69%

LAB 56.97, 28.54, -67.15

 

CMYK 55 / 43 / 0 / 0

HEX #7490FF

RGB 116 144.4 255

HSL 227.74, 1%, 0.73%

LAB 62.51, 20.96, -58.22

 

CMYK 80 / 67 / 0 / 15

HEX #2B48D8

RGB 43 72.4 216.4

HSL 229.83, 0.69%, 0.51%

LAB 38.16, 41.39, -76.2

 

CMYK 87 / 72 / 0 / 23

HEX #1A36C5

RGB 26 54.4 197.4

HSL 230.06, 0.77%, 0.44%

LAB 31.68, 44.53, -75.88

 

CMYK 95 / 80 / 0 / 30

HEX #0924B2

RGB 9 36.4 178.4

HSL 230.3, 0.9%, 0.37%

LAB 25.49, 47.65, -74.92

 

CMYK 100 / 88 / 0 / 37

HEX #00129F

RGB 0 18.4 159.4

HSL 233.07, 1%, 0.31%

LAB 19.89, 49.92, -72.74

 

CMYK 100 / 100 / 0 / 45

HEX #00008C

RGB 0 0.40000000000001 140.4

HSL 239.83, 1%, 0.28%

LAB 15.03, 50.65, -69.11

 

CMYK 80 / 66 / 0 / 15

HEX #2C49D8

RGB 44 73 216

HSL 229.88, 0.69%, 0.51%

LAB 38.3, 40.95, -75.73

 

CMYK 72 / 80 / 0 / 15

HEX #3D2CD8

RGB 61 44 216

HSL 245.93, 0.69%, 0.51%

LAB 33.46, 58.33, -83.69

 

CMYK 50 / 80 / 0 / 15

HEX #6C2CD8

RGB 108 44 216

HSL 262.33, 0.69%, 0.51%

LAB 37.75, 63.12, -76.47

 

CMYK 29 / 80 / 0 / 15

HEX #9A2CD8

RGB 154 44 216

HSL 278.37, 0.69%, 0.51%

LAB 43.7, 69.83, -66.5

 

CMYK 7 / 80 / 0 / 15

HEX #C92CD8

RGB 201 44 216

HSL 294.77, 0.69%, 0.51%

LAB 50.89, 78, -54.52

 

CMYK 80 / 66 / 0 / 15

HEX #2C49D8

RGB 44 73 216

HSL 229.88, 0.69%, 0.51%

LAB 38.3, 40.95, -75.73

 

CMYK 80 / 80 / 0 / 15

HEX #2C2CD8

RGB 44 44 216

HSL 240, 0.69%, 0.51%

LAB 32.47, 57.23, -85.37

 

CMYK 80 / 66 / 0 / 15

HEX #2C49D8

RGB 44 73 216

HSL 229.88, 0.69%, 0.51%

LAB 38.3, 40.95, -75.73

 

CMYK 90 / 75 / 0 / 7

HEX #183CEC

RGB 24 60 236

HSL 229.81, 0.85%, 0.51%

LAB 36.9, 54.44, -89.48

 

CMYK 80 / 66 / 0 / 15

HEX #2C49D8

RGB 44 73 216

HSL 229.88, 0.69%, 0.51%

LAB 38.3, 40.95, -75.73

 

CMYK 67 / 56 / 0 / 23

HEX #4056C4

RGB 64 86 196

HSL 230, 0.53%, 0.51%

LAB 40.79, 27.85, -60.09

 

CMYK 52 / 43 / 0 / 31

HEX #5464B0

RGB 84 100 176

HSL 229.57, 0.37%, 0.51%

LAB 44.42, 15.91, -42.51

 

CMYK 33 / 28 / 0 / 39

HEX #68719C

RGB 104 113 156

HSL 229.62, 0.21%, 0.51%

LAB 48.45, 7.25, -24.34

 

CMYK 7 / 6 / 0 / 47

HEX #7D7F87

RGB 125 127 135

HSL 228, 0.04%, 0.51%

LAB 53.26, 0.91, -4.59

 

CMYK 80 / 23 / 0 / 15

HEX #2CA7D8

RGB 44 167 216

HSL 197.09, 0.69%, 0.51%

LAB 64.27, -16.27, -34.16

 

CMYK 80 / 44 / 0 / 15

HEX #2C79D8

RGB 44 121 216

HSL 213.14, 0.69%, 0.51%

LAB 50.88, 10.44, -55.3

 

CMYK 80 / 65 / 0 / 15

HEX #2C4BD8

RGB 44 75 216

HSL 229.19, 0.69%, 0.51%

LAB 38.77, 39.71, -74.97

 

CMYK 73 / 80 / 0 / 15

HEX #3A2CD8

RGB 58 44 216

HSL 244.88, 0.69%, 0.51%

LAB 33.26, 58.11, -84.03

 

CMYK 52 / 80 / 0 / 15

HEX #682CD8

RGB 104 44 216

HSL 260.93, 0.69%, 0.51%

LAB 37.3, 62.62, -77.22

 

CMYK 81 / 68 / 0 / 41

HEX #1C3096

RGB 28 48 150

HSL 230.16, 0.69%, 0.35%

LAB 25.45, 31.32, -57.75

 

CMYK 82 / 68 / 0 / 27

HEX #223CB9

RGB 34 60 185

HSL 229.67, 0.69%, 0.43%

LAB 31.98, 37.11, -68.09

 

CMYK 80 / 66 / 0 / 15

HEX #2C49D8

RGB 44 73 216

HSL 229.88, 0.69%, 0.51%

LAB 38.3, 40.95, -75.73

 

CMYK 65 / 54 / 0 / 13

HEX #4F67DF

RGB 79 103 223

HSL 230, 0.69%, 0.59%

LAB 47.87, 28.86, -64.05

 

CMYK 50 / 42 / 0 / 10

HEX #7285E5

RGB 114 133 229

HSL 230.09, 0.69%, 0.67%

LAB 58.05, 19.25, -50.98

 

CMYK 80 / 67 / 0 / 15

HEX #2B48D8

RGB 43 72.4 216.4

HSL 229.83, 0.69%, 0.51%

LAB 38.16, 41.39, -76.2

 

CMYK 0 / 80 / 1 / 15

HEX #D82CD5

RGB 216 44 213

HSL 301.05, 0.69%, 0.51%

LAB 53.17, 80.34, -49.03

 

CMYK 33 / 0 / 80 / 15

HEX #90D82C

RGB 144 216 44

HSL 85.12, 0.69%, 0.51%

LAB 79.17, -46.74, 70.61

 

CMYK 80 / 67 / 0 / 15

HEX #2B48D8

RGB 43 72.4 216.4

HSL 229.83, 0.69%, 0.51%

LAB 38.16, 41.39, -76.2

 

CMYK 0 / 80 / 65 / 15

HEX #D82C4B

RGB 216 44 75

HSL 349.19, 0.69%, 0.51%

LAB 48.14, 65.79, 25.75

 

CMYK 65 / 0 / 80 / 15

HEX #4BD82C

RGB 75 216 44

HSL 109.19, 0.69%, 0.51%

LAB 76.55, -66.58, 67.23

 

CMYK 80 / 67 / 0 / 15

HEX #2B48D8

RGB 43 72.4 216.4

HSL 229.83, 0.69%, 0.51%

LAB 38.16, 41.39, -76.2

 

CMYK 0 / 80 / 1 / 15

HEX #D82CD5

RGB 216 44 213

HSL 301.05, 0.69%, 0.51%

LAB 53.17, 80.34, -49.03

 

CMYK 0 / 14 / 80 / 15

HEX #D8B92C

RGB 216 185 44

HSL 49.19, 0.69%, 0.51%

LAB 75.75, -2.55, 69.47

 

CMYK 80 / 0 / 78 / 15

HEX #2CD82F

RGB 44 216 47

HSL 121.05, 0.69%, 0.51%

LAB 75.98, -71.44, 65.62

 

CMYK 80 / 67 / 0 / 15

HEX #2B48D8

RGB 43 72.4 216.4

HSL 229.83, 0.69%, 0.51%

LAB 38.16, 41.39, -76.2

 

CMYK 0 / 80 / 25 / 15

HEX #D82CA2

RGB 216 44 162

HSL 318.84, 0.69%, 0.51%

LAB 50.7, 73.4, -23.26

 

CMYK 0 / 14 / 80 / 15

HEX #D8B92C

RGB 216 185 44

HSL 49.19, 0.69%, 0.51%

LAB 75.75, -2.55, 69.47

 

CMYK 80 / 0 / 55 / 15

HEX #2CD862

RGB 44 216 98

HSL 138.84, 0.69%, 0.51%

LAB 76.39, -66.35, 45.91

 

Description

Color code: RGB 43 72.4 216.4 | qconv.com Color code: RGB 43 72.4 216.4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 72.4 green and 216.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 72.4 216.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 67 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 67% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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