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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 226 127 it is the complementary color RGB 212 29 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 226 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 226 127 shade: RGB 48 226 122, RGB 65 244 141, RGB 82 255 160, RGB 99 255 179 and RGB 116 255 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 226 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 226 127 shade: RGB 43 226 127, RGB 26 208 108, RGB 9 190 89, RGB 0 172 70 and RGB 0 154 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 226 127 shade: RGB 44 226 128, RGB 44 226 79, RGB 59 226 44, RGB 108 226 44 and RGB 157 226 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 226 127 shade: RGB 44 226 128, RGB 44 226 177, RGB 44 226 226, RGB 44 177 226 and RGB 44 128 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 226 127 shade matches the following richer shades: RGB 44 226 128 and RGB 25 246 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 226 127 shade: RGB 44 226 128, RGB 63 207 129, RGB 83 187 131, RGB 102 168 132 and RGB 122 149 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 226 127 shade: RGB 59 226 44, RGB 44 226 77, RGB 44 226 126, RGB 44 226 175 and RGB 44 226 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 226 127 shade: RGB 23 165 88, RGB 27 202 107, RGB 44 226 128, RGB 80 231 150 and RGB 117 236 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 226 127 shade: RGB 43 226 127, RGB 44 108 226 and RGB 226 53 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 226 127 shade: RGB 43 226 127, RGB 126 44 226 and RGB 226 126 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 226 127 shade: RGB 43 226 127, RGB 44 108 226, RGB 226 44 144 and RGB 226 162 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 226 127 shade: RGB 43 226 127, RGB 44 53 226, RGB 226 44 144 and RGB 226 217 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 44 / 11

HEX #2BE27F

RGB 43 226 127

HSL 147.54, 0.76%, 0.53%

LAB 79.86, -65.28, 36.18

 

Complementary color

CMYK 0 / 86 / 40 / 17

HEX #D41D80

RGB 212 29 128

HSL 327.54, 0.76%, 0.47%

LAB 47.54, 72.09, -7.69

 

CMYK 79 / 0 / 46 / 11

HEX #30E27A

RGB 48 226 122

HSL 144.94, 0.75%, 0.54%

LAB 79.86, -65.6, 38.66

 

CMYK 73 / 0 / 42 / 4

HEX #41F48D

RGB 65 244 141

HSL 145.47, 0.89%, 0.61%

LAB 85.88, -66.52, 37.1

 

CMYK 68 / 0 / 37 / 0

HEX #52FFA0

RGB 82 255 160

HSL 147.05, 1%, 0.66%

LAB 89.79, -64.61, 32.88

 

CMYK 61 / 0 / 30 / 0

HEX #63FFB3

RGB 99 255 179

HSL 150.77, 1%, 0.69%

LAB 90.52, -58.1, 24.36

 

CMYK 55 / 0 / 22 / 0

HEX #74FFC6

RGB 116 255 198

HSL 155.4, 1%, 0.73%

LAB 91.37, -50.88, 15.92

 

CMYK 81 / 0 / 44 / 11

HEX #2BE27F

RGB 43 226 127

HSL 147.54, 0.76%, 0.53%

LAB 79.86, -65.28, 36.18

 

CMYK 88 / 0 / 48 / 18

HEX #1AD06C

RGB 26 208 108

HSL 147.03, 0.78%, 0.46%

LAB 73.81, -63.85, 37.86

 

CMYK 95 / 0 / 53 / 25

HEX #09BE59

RGB 9 190 89

HSL 146.52, 0.91%, 0.39%

LAB 67.73, -61.88, 39.62

 

CMYK 100 / 0 / 59 / 33

HEX #00AC46

RGB 0 172 70

HSL 144.42, 1%, 0.34%

LAB 61.61, -59.26, 41.4

 

CMYK 100 / 0 / 67 / 40

HEX #009A33

RGB 0 154 51

HSL 139.87, 1%, 0.3%

LAB 55.43, -56, 43.04

 

CMYK 81 / 0 / 43 / 11

HEX #2CE280

RGB 44 226 128

HSL 147.69, 0.76%, 0.53%

LAB 79.89, -65.01, 35.72

 

CMYK 81 / 0 / 65 / 11

HEX #2CE24F

RGB 44 226 79

HSL 131.54, 0.76%, 0.53%

LAB 79.32, -71.79, 57.63

 

CMYK 74 / 0 / 81 / 11

HEX #3BE22C

RGB 59 226 44

HSL 115.05, 0.76%, 0.53%

LAB 79.33, -72.55, 69.7

 

CMYK 52 / 0 / 81 / 11

HEX #6CE22C

RGB 108 226 44

HSL 98.9, 0.76%, 0.53%

LAB 80.61, -62.05, 71.35

 

CMYK 31 / 0 / 81 / 11

HEX #9DE22C

RGB 157 226 44

HSL 82.75, 0.76%, 0.53%

LAB 82.78, -46.27, 74.12

 

CMYK 81 / 0 / 43 / 11

HEX #2CE280

RGB 44 226 128

HSL 147.69, 0.76%, 0.53%

LAB 79.89, -65.01, 35.72

 

CMYK 81 / 0 / 22 / 11

HEX #2CE2B1

RGB 44 226 177

HSL 163.85, 0.76%, 0.53%

LAB 80.8, -54.89, 11.67

 

CMYK 81 / 0 / 0 / 11

HEX #2CE2E2

RGB 44 226 226

HSL 180, 0.76%, 0.53%

LAB 82.07, -41.97, -12.44

 

CMYK 81 / 22 / 0 / 11

HEX #2CB1E2

RGB 44 177 226

HSL 196.15, 0.76%, 0.53%

LAB 67.63, -18.2, -34.44

 

CMYK 81 / 43 / 0 / 11

HEX #2C80E2

RGB 44 128 226

HSL 212.31, 0.76%, 0.53%

LAB 53.45, 9.86, -56.81

 

CMYK 81 / 0 / 43 / 11

HEX #2CE280

RGB 44 226 128

HSL 147.69, 0.76%, 0.53%

LAB 79.89, -65.01, 35.72

 

CMYK 90 / 0 / 49 / 4

HEX #19F67E

RGB 25 246 126

HSL 147.42, 0.92%, 0.53%

LAB 85.82, -73.39, 44.21

 

CMYK 81 / 0 / 43 / 11

HEX #2CE280

RGB 44 226 128

HSL 147.69, 0.76%, 0.53%

LAB 79.89, -65.01, 35.72

 

CMYK 70 / 0 / 38 / 19

HEX #3FCF81

RGB 63 207 129

HSL 147.5, 0.6%, 0.53%

LAB 74.36, -55.51, 28.01

 

CMYK 56 / 0 / 30 / 27

HEX #53BB83

RGB 83 187 131

HSL 147.69, 0.43%, 0.53%

LAB 68.76, -43.16, 19.47

 

CMYK 39 / 0 / 21 / 34

HEX #66A884

RGB 102 168 132

HSL 147.27, 0.28%, 0.53%

LAB 63.75, -29.28, 12.07

 

CMYK 18 / 0 / 10 / 42

HEX #7A9586

RGB 122 149 134

HSL 146.67, 0.11%, 0.53%

LAB 59.3, -12.65, 4.77

 

CMYK 74 / 0 / 81 / 11

HEX #3BE22C

RGB 59 226 44

HSL 115.05, 0.76%, 0.53%

LAB 79.33, -72.55, 69.7

 

CMYK 81 / 0 / 66 / 11

HEX #2CE24D

RGB 44 226 77

HSL 130.88, 0.76%, 0.53%

LAB 79.31, -71.99, 58.42

 

CMYK 81 / 0 / 44 / 11

HEX #2CE27E

RGB 44 226 126

HSL 147.03, 0.76%, 0.53%

LAB 79.86, -65.35, 36.68

 

CMYK 81 / 0 / 23 / 11

HEX #2CE2AF

RGB 44 226 175

HSL 163.19, 0.76%, 0.53%

LAB 80.75, -55.36, 12.66

 

CMYK 81 / 0 / 1 / 11

HEX #2CE2DF

RGB 44 226 223

HSL 179.01, 0.76%, 0.53%

LAB 81.98, -42.83, -10.98

 

CMYK 86 / 0 / 47 / 35

HEX #17A558

RGB 23 165 88

HSL 147.46, 0.76%, 0.37%

LAB 59.7, -52.73, 30.12

 

CMYK 87 / 0 / 47 / 21

HEX #1BCA6B

RGB 27 202 107

HSL 147.43, 0.76%, 0.45%

LAB 71.92, -61.93, 35.96

 

CMYK 81 / 0 / 43 / 11

HEX #2CE280

RGB 44 226 128

HSL 147.69, 0.76%, 0.53%

LAB 79.89, -65.01, 35.72

 

CMYK 65 / 0 / 35 / 9

HEX #50E796

RGB 80 231 150

HSL 147.81, 0.76%, 0.61%

LAB 82.41, -57.83, 28.04

 

CMYK 50 / 0 / 27 / 7

HEX #75ECAC

RGB 117 236 172

HSL 147.73, 0.76%, 0.69%

LAB 85.38, -47.92, 20.95

 

CMYK 81 / 0 / 44 / 11

HEX #2BE27F

RGB 43 226 127

HSL 147.54, 0.76%, 0.53%

LAB 79.86, -65.28, 36.18

 

CMYK 81 / 52 / 0 / 11

HEX #2C6CE2

RGB 44 108 226

HSL 218.9, 0.76%, 0.53%

LAB 47.95, 22.4, -65.69

 

CMYK 0 / 77 / 81 / 11

HEX #E2352C

RGB 226 53 44

HSL 2.97, 0.76%, 0.53%

LAB 50.57, 64.82, 46.73

 

CMYK 81 / 0 / 44 / 11

HEX #2BE27F

RGB 43 226 127

HSL 147.54, 0.76%, 0.53%

LAB 79.86, -65.28, 36.18

 

CMYK 44 / 81 / 0 / 11

HEX #7E2CE2

RGB 126 44 226

HSL 267.03, 0.76%, 0.53%

LAB 40.78, 67.88, -77.14

 

CMYK 0 / 44 / 81 / 11

HEX #E27E2C

RGB 226 126 44

HSL 27.03, 0.76%, 0.53%

LAB 62.74, 33.05, 58.2

 

CMYK 81 / 0 / 44 / 11

HEX #2BE27F

RGB 43 226 127

HSL 147.54, 0.76%, 0.53%

LAB 79.86, -65.28, 36.18

 

CMYK 81 / 52 / 0 / 11

HEX #2C6CE2

RGB 44 108 226

HSL 218.9, 0.76%, 0.53%

LAB 47.95, 22.4, -65.69

 

CMYK 0 / 81 / 36 / 11

HEX #E22C90

RGB 226 44 144

HSL 327.03, 0.76%, 0.53%

LAB 51.82, 73.74, -10.67

 

CMYK 0 / 28 / 81 / 11

HEX #E2A22C

RGB 226 162 44

HSL 38.9, 0.76%, 0.53%

LAB 71, 13.93, 65.65

 

CMYK 81 / 0 / 44 / 11

HEX #2BE27F

RGB 43 226 127

HSL 147.54, 0.76%, 0.53%

LAB 79.86, -65.28, 36.18

 

CMYK 81 / 77 / 0 / 11

HEX #2C35E2

RGB 44 53 226

HSL 237.03, 0.76%, 0.53%

LAB 35.15, 55.84, -86.67

 

CMYK 0 / 81 / 36 / 11

HEX #E22C90

RGB 226 44 144

HSL 327.03, 0.76%, 0.53%

LAB 51.82, 73.74, -10.67

 

CMYK 0 / 4 / 81 / 11

HEX #E2D92C

RGB 226 217 44

HSL 57.03, 0.76%, 0.53%

LAB 84.98, -14.54, 77.87

 

Description

Color code: RGB 43 226 127 | qconv.com Color code: RGB 43 226 127 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 226 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 226 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 44 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 44% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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