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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 195 66 it is the complementary color RGB 212 60 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 195 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 43 195 66: RGB 48 195 61, RGB 65 213 80, RGB 82 231 99, RGB 99 249 118 and RGB 116 255 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 195 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 43 195 66: RGB 43 195 66, RGB 26 177 47, RGB 9 159 28, RGB 0 141 9 and RGB 0 123 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 66 / 24

HEX #2BC342

RGB 43 195 66

HSL 129.08, 0.64%, 0.47%

LAB 69.42, -63.58, 52.12

 

Complementary color

CMYK 0 / 72 / 11 / 17

HEX #D43CBD

RGB 212 60 189

HSL 309.08, 0.64%, 0.53%

LAB 52.84, 71.45, -35.79

 

CMYK 75 / 0 / 69 / 24

HEX #30C33D

RGB 48 195 61

HSL 125.31, 0.6%, 0.48%

LAB 69.47, -63.38, 54.21

 

CMYK 69 / 0 / 62 / 16

HEX #41D550

RGB 65 213 80

HSL 126.08, 0.64%, 0.55%

LAB 75.63, -64.58, 53.2

 

CMYK 65 / 0 / 57 / 9

HEX #52E763

RGB 82 231 99

HSL 126.85, 0.76%, 0.61%

LAB 81.75, -65.35, 51.99

 

CMYK 60 / 0 / 53 / 2

HEX #63F976

RGB 99 249 118

HSL 127.6, 0.93%, 0.68%

LAB 87.83, -65.83, 50.7

 

CMYK 55 / 0 / 46 / 0

HEX #74FF89

RGB 116 255 137

HSL 129.06, 1%, 0.73%

LAB 90.34, -61.64, 45

 

CMYK 78 / 0 / 66 / 24

HEX #2BC342

RGB 43 195 66

HSL 129.08, 0.64%, 0.47%

LAB 69.42, -63.58, 52.12

 

CMYK 85 / 0 / 73 / 31

HEX #1AB12F

RGB 26 177 47

HSL 128.34, 0.74%, 0.4%

LAB 63.23, -61.7, 52.98

 

CMYK 94 / 0 / 82 / 38

HEX #099F1C

RGB 9 159 28

HSL 127.6, 0.89%, 0.33%

LAB 57.02, -58.97, 53.13

 

CMYK 100 / 0 / 94 / 45

HEX #008D09

RGB 0 141 9

HSL 123.83, 1%, 0.28%

LAB 50.77, -55.15, 51.92

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 78 / 0 / 66 / 24

HEX #2BC342

RGB 43 195 66

HSL 129.08, 0.64%, 0.47%

LAB 69.42, -63.58, 52.12

 

CMYK 78 / 0 / 54 / 23

HEX #2BC45B

RGB 43 196 91

HSL 138.82, 0.64%, 0.47%

LAB 70, -60.81, 41.5

 

CMYK 78 / 0 / 40 / 23

HEX #2BC475

RGB 43 196 117

HSL 149.02, 0.64%, 0.47%

LAB 70.37, -56.49, 28.89

 

CMYK 78 / 0 / 28 / 23

HEX #2BC48E

RGB 43 196 142

HSL 158.82, 0.64%, 0.47%

LAB 70.83, -51.3, 16.28

 

CMYK 78 / 0 / 14 / 23

HEX #2BC4A8

RGB 43 196 168

HSL 169.02, 0.64%, 0.47%

LAB 71.43, -44.95, 3.06

 

CMYK 78 / 0 / 66 / 24

HEX #2BC342

RGB 43 195 66

HSL 129.08, 0.64%, 0.47%

LAB 69.42, -63.58, 52.12

 

CMYK 78 / 0 / 66 / 4

HEX #36F653

RGB 54 246 83

HSL 129.06, 0.91%, 0.59%

LAB 85.67, -76.32, 62.98

 

CMYK 79 / 0 / 67 / 84

HEX #092A0E

RGB 9 42 14

HSL 129.09, 0.65%, 0.1%

LAB 14.09, -19.42, 14.3

 

CMYK 77 / 0 / 67 / 64

HEX #155D1F

RGB 21 93 31

HSL 128.33, 0.63%, 0.22%

LAB 34.16, -35.73, 28.74

 

CMYK 78 / 0 / 66 / 44

HEX #209031

RGB 32 144 49

HSL 129.11, 0.64%, 0.35%

LAB 52.37, -50.13, 40.64

 

CMYK 78 / 0 / 66 / 24

HEX #2BC342

RGB 43 195 66

HSL 129.08, 0.64%, 0.47%

LAB 69.42, -63.58, 52.12

 

CMYK 78 / 28 / 0 / 23

HEX #2B8EC4

RGB 43 142 196

HSL 201.18, 0.64%, 0.47%

LAB 55.93, -9.55, -35.97

 

CMYK 0 / 78 / 59 / 23

HEX #C42B51

RGB 196 43 81

HSL 345.1, 0.64%, 0.47%

LAB 44.32, 60.87, 16.31

 

CMYK 78 / 0 / 66 / 24

HEX #2BC342

RGB 43 195 66

HSL 129.08, 0.64%, 0.47%

LAB 69.42, -63.58, 52.12

 

CMYK 66 / 78 / 0 / 23

HEX #422BC4

RGB 66 43 196

HSL 249.02, 0.64%, 0.47%

LAB 31.51, 53.31, -75.27

 

CMYK 0 / 66 / 78 / 23

HEX #C4422B

RGB 196 66 43

HSL 9.02, 0.64%, 0.47%

LAB 46.72, 50.65, 41.59

 

CMYK 78 / 0 / 66 / 24

HEX #2BC342

RGB 43 195 66

HSL 129.08, 0.64%, 0.47%

LAB 69.42, -63.58, 52.12

 

CMYK 78 / 28 / 0 / 23

HEX #2B8EC4

RGB 43 142 196

HSL 201.18, 0.64%, 0.47%

LAB 55.93, -9.55, -35.97

 

CMYK 0 / 78 / 12 / 23

HEX #C42BAD

RGB 196 43 173

HSL 309.02, 0.64%, 0.47%

LAB 47.6, 70.67, -34.86

 

CMYK 0 / 51 / 78 / 23

HEX #C4602B

RGB 196 96 43

HSL 20.78, 0.64%, 0.47%

LAB 52.15, 36.49, 47.06

 

CMYK 78 / 0 / 66 / 24

HEX #2BC342

RGB 43 195 66

HSL 129.08, 0.64%, 0.47%

LAB 69.42, -63.58, 52.12

 

CMYK 78 / 51 / 0 / 23

HEX #2B60C4

RGB 43 96 196

HSL 219.22, 0.64%, 0.47%

LAB 42.56, 18.65, -57.26

 

CMYK 0 / 78 / 12 / 23

HEX #C42BAD

RGB 196 43 173

HSL 309.02, 0.64%, 0.47%

LAB 47.6, 70.67, -34.86

 

CMYK 0 / 28 / 78 / 23

HEX #C48E2B

RGB 196 142 43

HSL 38.82, 0.64%, 0.47%

LAB 62.72, 11.65, 57.22

 

Description

Color code: RGB 43 195 66 | qconv.com Color code: RGB 43 195 66 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 195 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 195 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 66 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 66% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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