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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 182.2 233.6 it is the complementary color RGB 212 72.8 21.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 182.2 233.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 182.2 233.6 shade: RGB 48 182.2 228.6, RGB 65 200.2 247.6, RGB 82 218.2 255, RGB 99 236.2 255 and RGB 116 254.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 182.2 233.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 182.2 233.6 shade: RGB 43 182.2 233.6, RGB 26 164.2 214.6, RGB 9 146.2 195.6, RGB 0 128.2 176.6 and RGB 0 110.2 157.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 182.2 233.6 shade: RGB 42 182 234, RGB 42 130 234, RGB 42 78 234, RGB 57 42 234 and RGB 109 42 234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 182.2 233.6 shade: RGB 42 182 234, RGB 42 130 234, RGB 42 78 234 and RGB 42 42 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 182.2 233.6 shade matches the following richer shades: RGB 42 182 234 and RGB 23 191 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 182.2 233.6 shade: RGB 42 182 234, RGB 60 173 215, RGB 79 165 196, RGB 98 156 177 and RGB 117 147 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 182.2 233.6 shade: RGB 42 234 183, RGB 42 234 234, RGB 42 183 234, RGB 42 131 234 and RGB 42 80 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 182.2 233.6 shade: RGB 17 133 176, RGB 21 161 213, RGB 42 182 234, RGB 79 195 238 and RGB 117 208 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 182.2 233.6 shade: RGB 43 182.2 233.6, RGB 131 42 234 and RGB 234 208 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 182.2 233.6 shade: RGB 43 182.2 233.6, RGB 234 42 183 and RGB 183 234 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 182.2 233.6 shade: RGB 43 182.2 233.6, RGB 131 42 234, RGB 234 93 42 and RGB 144 234 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 182.2 233.6 shade: RGB 43 182.2 233.6, RGB 189 42 234, RGB 234 93 42 and RGB 86 234 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 22 / 0 / 8

HEX #2BB6E9

RGB 43 182.2 233.6

HSL 196.18, 0.82%, 0.54%

LAB 69.45, -18.46, -35.77

 

Complementary color

CMYK 0 / 66 / 90 / 17

HEX #D44815

RGB 212 72.8 21.4

HSL 16.18, 0.82%, 0.46%

LAB 50.44, 52.75, 55.57

 

CMYK 79 / 20 / 0 / 10

HEX #30B6E4

RGB 48 182.2 228.6

HSL 195.42, 0.77%, 0.54%

LAB 69.33, -19.68, -33.22

 

CMYK 74 / 19 / 0 / 3

HEX #41C8F7

RGB 65 200.2 247.6

HSL 195.58, 0.93%, 0.61%

LAB 75.62, -20.98, -33.74

 

CMYK 68 / 14 / 0 / 0

HEX #52DAFF

RGB 82 218.2 255

HSL 192.76, 1%, 0.66%

LAB 81.43, -25.56, -28.71

 

CMYK 61 / 7 / 0 / 0

HEX #63ECFF

RGB 99 236.2 255

HSL 187.23, 1%, 0.69%

LAB 86.99, -31.72, -20.22

 

CMYK 55 / 0 / 0 / 0

HEX #74FEFF

RGB 116 254.2 255

HSL 180.35, 1%, 0.73%

LAB 92.55, -37.17, -11.82

 

CMYK 82 / 22 / 0 / 8

HEX #2BB6E9

RGB 43 182.2 233.6

HSL 196.18, 0.82%, 0.54%

LAB 69.45, -18.46, -35.77

 

CMYK 88 / 23 / 0 / 16

HEX #1AA4D6

RGB 26 164.2 214.6

HSL 196.03, 0.78%, 0.47%

LAB 63.12, -16.65, -35.19

 

CMYK 95 / 25 / 0 / 23

HEX #0992C3

RGB 9 146.2 195.6

HSL 195.88, 0.91%, 0.4%

LAB 56.73, -14.41, -34.53

 

CMYK 100 / 27 / 0 / 31

HEX #0080B0

RGB 0 128.2 176.6

HSL 196.44, 1%, 0.35%

LAB 50.27, -11.67, -33.78

 

CMYK 100 / 30 / 0 / 38

HEX #006E9D

RGB 0 110.2 157.6

HSL 198.05, 1%, 0.31%

LAB 43.73, -8.47, -32.95

 

CMYK 82 / 22 / 0 / 8

HEX #2AB6EA

RGB 42 182 234

HSL 196.25, 0.82%, 0.54%

LAB 69.39, -18.3, -36.08

 

CMYK 82 / 44 / 0 / 8

HEX #2A82EA

RGB 42 130 234

HSL 212.5, 0.82%, 0.54%

LAB 54.45, 11.45, -59.69

 

CMYK 82 / 67 / 0 / 8

HEX #2A4EEA

RGB 42 78 234

HSL 228.75, 0.82%, 0.54%

LAB 41.03, 44.12, -81.51

 

CMYK 76 / 82 / 0 / 8

HEX #392AEA

RGB 57 42 234

HSL 244.69, 0.82%, 0.54%

LAB 34.94, 64.17, -91.56

 

CMYK 53 / 82 / 0 / 8

HEX #6D2AEA

RGB 109 42 234

HSL 260.94, 0.82%, 0.54%

LAB 39.32, 68.47, -84.16

 

CMYK 82 / 22 / 0 / 8

HEX #2AB6EA

RGB 42 182 234

HSL 196.25, 0.82%, 0.54%

LAB 69.39, -18.3, -36.08

 

CMYK 82 / 44 / 0 / 8

HEX #2A82EA

RGB 42 130 234

HSL 212.5, 0.82%, 0.54%

LAB 54.45, 11.45, -59.69

 

CMYK 82 / 67 / 0 / 8

HEX #2A4EEA

RGB 42 78 234

HSL 228.75, 0.82%, 0.54%

LAB 41.03, 44.12, -81.51

 

CMYK 82 / 82 / 0 / 8

HEX #2A2AEA

RGB 42 42 234

HSL 240, 0.82%, 0.54%

LAB 34.17, 63.44, -92.86

 

CMYK 82 / 22 / 0 / 8

HEX #2AB6EA

RGB 42 182 234

HSL 196.25, 0.82%, 0.54%

LAB 69.39, -18.3, -36.08

 

CMYK 91 / 25 / 0 / 1

HEX #17BFFD

RGB 23 191 253

HSL 196.17, 0.98%, 0.54%

LAB 72.59, -17.69, -41.41

 

CMYK 82 / 22 / 0 / 8

HEX #2AB6EA

RGB 42 182 234

HSL 196.25, 0.82%, 0.54%

LAB 69.39, -18.3, -36.08

 

CMYK 72 / 20 / 0 / 16

HEX #3CADD7

RGB 60 173 215

HSL 196.26, 0.66%, 0.54%

LAB 66.33, -17.99, -30.38

 

CMYK 60 / 16 / 0 / 23

HEX #4FA5C4

RGB 79 165 196

HSL 195.9, 0.5%, 0.54%

LAB 63.8, -16.74, -23.7

 

CMYK 45 / 12 / 0 / 31

HEX #629CB1

RGB 98 156 177

HSL 195.95, 0.34%, 0.54%

LAB 61.26, -13.26, -16.85

 

CMYK 26 / 7 / 0 / 38

HEX #75939E

RGB 117 147 158

HSL 196.1, 0.17%, 0.54%

LAB 59.08, -7.86, -9.25

 

CMYK 82 / 0 / 22 / 8

HEX #2AEAB7

RGB 42 234 183

HSL 164.06, 0.82%, 0.54%

LAB 83.31, -56.77, 12.08

 

CMYK 82 / 0 / 0 / 8

HEX #2AEAEA

RGB 42 234 234

HSL 180, 0.82%, 0.54%

LAB 84.63, -43.38, -12.84

 

CMYK 82 / 22 / 0 / 8

HEX #2AB7EA

RGB 42 183 234

HSL 195.94, 0.82%, 0.54%

LAB 69.68, -18.83, -35.62

 

CMYK 82 / 44 / 0 / 8

HEX #2A83EA

RGB 42 131 234

HSL 212.19, 0.82%, 0.54%

LAB 54.73, 10.84, -59.25

 

CMYK 82 / 66 / 0 / 8

HEX #2A50EA

RGB 42 80 234

HSL 228.13, 0.82%, 0.54%

LAB 41.49, 42.9, -80.76

 

CMYK 90 / 24 / 0 / 31

HEX #1185B0

RGB 17 133 176

HSL 196.23, 0.82%, 0.38%

LAB 51.87, -13.87, -30.93

 

CMYK 90 / 24 / 0 / 16

HEX #15A1D5

RGB 21 161 213

HSL 196.25, 0.82%, 0.46%

LAB 62.04, -15.76, -35.98

 

CMYK 82 / 22 / 0 / 8

HEX #2AB6EA

RGB 42 182 234

HSL 196.25, 0.82%, 0.54%

LAB 69.39, -18.3, -36.08

 

CMYK 67 / 18 / 0 / 7

HEX #4FC3EE

RGB 79 195 238

HSL 196.23, 0.82%, 0.62%

LAB 74.1, -19.48, -30.89

 

CMYK 51 / 14 / 0 / 5

HEX #75D0F1

RGB 117 208 241

HSL 195.97, 0.82%, 0.7%

LAB 79.18, -18.36, -24.61

 

CMYK 82 / 22 / 0 / 8

HEX #2BB6E9

RGB 43 182.2 233.6

HSL 196.18, 0.82%, 0.54%

LAB 69.45, -18.46, -35.77

 

CMYK 44 / 82 / 0 / 8

HEX #832AEA

RGB 131 42 234

HSL 267.81, 0.82%, 0.54%

LAB 41.88, 71.05, -79.86

 

CMYK 0 / 11 / 82 / 8

HEX #EAD02A

RGB 234 208 42

HSL 51.88, 0.82%, 0.54%

LAB 83.32, -6.7, 77.24

 

CMYK 82 / 22 / 0 / 8

HEX #2BB6E9

RGB 43 182.2 233.6

HSL 196.18, 0.82%, 0.54%

LAB 69.45, -18.46, -35.77

 

CMYK 0 / 82 / 22 / 8

HEX #EA2AB7

RGB 234 42 183

HSL 315.94, 0.82%, 0.54%

LAB 54.62, 80.34, -29.25

 

CMYK 22 / 0 / 82 / 8

HEX #B7EA2A

RGB 183 234 42

HSL 75.94, 0.82%, 0.54%

LAB 86.54, -40.08, 78.51

 

CMYK 82 / 22 / 0 / 8

HEX #2BB6E9

RGB 43 182.2 233.6

HSL 196.18, 0.82%, 0.54%

LAB 69.45, -18.46, -35.77

 

CMYK 44 / 82 / 0 / 8

HEX #832AEA

RGB 131 42 234

HSL 267.81, 0.82%, 0.54%

LAB 41.88, 71.05, -79.86

 

CMYK 0 / 60 / 82 / 8

HEX #EA5D2A

RGB 234 93 42

HSL 15.94, 0.82%, 0.54%

LAB 57.55, 52.18, 54.74

 

CMYK 38 / 0 / 82 / 8

HEX #90EA2A

RGB 144 234 42

HSL 88.13, 0.82%, 0.54%

LAB 84.45, -54.15, 75.87

 

CMYK 82 / 22 / 0 / 8

HEX #2BB6E9

RGB 43 182.2 233.6

HSL 196.18, 0.82%, 0.54%

LAB 69.45, -18.46, -35.77

 

CMYK 19 / 82 / 0 / 8

HEX #BD2AEA

RGB 189 42 234

HSL 285.94, 0.82%, 0.54%

LAB 50, 79.51, -66.28

 

CMYK 0 / 60 / 82 / 8

HEX #EA5D2A

RGB 234 93 42

HSL 15.94, 0.82%, 0.54%

LAB 57.55, 52.18, 54.74

 

CMYK 63 / 0 / 82 / 8

HEX #56EA2A

RGB 86 234 42

HSL 106.25, 0.82%, 0.54%

LAB 82.37, -70.21, 73.22

 

Description

Color code: RGB 43 182.2 233.6 | qconv.com Color code: RGB 43 182.2 233.6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 182.2 green and 233.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 182.2 233.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 22 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 22% 0% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - 給湯器やトイレなどの取替・交換工事なら住...
Link: http://jyusetu.com

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Provide designers and agencies with accurate color values.

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