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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 179 160 it is the complementary color RGB 212 76 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 179 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 43 179 160: RGB 48 179 155, RGB 65 197 174, RGB 82 215 193, RGB 99 233 212 and RGB 116 251 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 179 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 43 179 160: RGB 43 179 160, RGB 26 161 141, RGB 9 143 122, RGB 0 125 103 and RGB 0 107 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 11 / 30

HEX #2BB3A0

RGB 43 179 160

HSL 171.62, 0.61%, 0.44%

LAB 65.98, -39.69, -0.5

 

Complementary color

CMYK 0 / 64 / 55 / 17

HEX #D44C5F

RGB 212 76 95

HSL 351.62, 0.61%, 0.56%

LAB 51.83, 54.75, 18.44

 

CMYK 73 / 0 / 13 / 30

HEX #30B39B

RGB 48 179 155

HSL 169.01, 0.58%, 0.45%

LAB 65.93, -40.43, 2.22

 

CMYK 67 / 0 / 12 / 23

HEX #41C5AE

RGB 65 197 174

HSL 169.55, 0.53%, 0.51%

LAB 72.3, -41, 1.11

 

CMYK 62 / 0 / 10 / 16

HEX #52D7C1

RGB 82 215 193

HSL 170.08, 0.62%, 0.58%

LAB 78.6, -41.37, 0.1

 

CMYK 58 / 0 / 9 / 9

HEX #63E9D4

RGB 99 233 212

HSL 170.6, 0.75%, 0.65%

LAB 84.83, -41.59, -0.82

 

CMYK 54 / 0 / 8 / 2

HEX #74FBE7

RGB 116 251 231

HSL 171.11, 0.94%, 0.72%

LAB 91, -41.72, -1.67

 

CMYK 76 / 0 / 11 / 30

HEX #2BB3A0

RGB 43 179 160

HSL 171.62, 0.61%, 0.44%

LAB 65.98, -39.69, -0.5

 

CMYK 84 / 0 / 12 / 37

HEX #1AA18D

RGB 26 161 141

HSL 171.11, 0.72%, 0.37%

LAB 59.56, -38.65, 0.73

 

CMYK 94 / 0 / 15 / 44

HEX #098F7A

RGB 9 143 122

HSL 170.6, 0.88%, 0.3%

LAB 53.07, -37.16, 2.12

 

CMYK 100 / 0 / 18 / 51

HEX #007D67

RGB 0 125 103

HSL 169.44, 1%, 0.25%

LAB 46.51, -35.11, 3.71

 

CMYK 100 / 0 / 21 / 58

HEX #006B54

RGB 0 107 84

HSL 167.1, 1%, 0.21%

LAB 39.84, -32.54, 5.51

 

CMYK 76 / 0 / 11 / 30

HEX #2BB3A0

RGB 43 179 160

HSL 171.62, 0.61%, 0.44%

LAB 65.98, -39.69, -0.5

 

CMYK 76 / 1 / 0 / 29

HEX #2BB2B4

RGB 43 178 180

HSL 180.88, 0.61%, 0.44%

LAB 66.25, -33.51, -11.18

 

CMYK 76 / 14 / 0 / 29

HEX #2B9BB4

RGB 43 155 180

HSL 190.95, 0.61%, 0.44%

LAB 59.21, -22.11, -21.84

 

CMYK 76 / 27 / 0 / 29

HEX #2B84B4

RGB 43 132 180

HSL 201.02, 0.61%, 0.44%

LAB 52.19, -9.54, -32.7

 

CMYK 76 / 39 / 0 / 29

HEX #2B6DB4

RGB 43 109 180

HSL 211.09, 0.61%, 0.44%

LAB 45.28, 4.25, -43.59

 

CMYK 76 / 0 / 11 / 30

HEX #2BB3A0

RGB 43 179 160

HSL 171.62, 0.61%, 0.44%

LAB 65.98, -39.69, -0.5

 

CMYK 76 / 0 / 10 / 10

HEX #37E6CE

RGB 55 230 206

HSL 171.77, 0.78%, 0.56%

LAB 82.84, -48.2, -0.68

 

CMYK 77 / 0 / 12 / 90

HEX #061A17

RGB 6 26 23

HSL 171, 0.63%, 0.06%

LAB 7.58, -8.14, -0.39

 

CMYK 77 / 0 / 10 / 70

HEX #124D45

RGB 18 77 69

HSL 171.86, 0.62%, 0.19%

LAB 29.07, -20.68, -0.67

 

CMYK 76 / 0 / 11 / 50

HEX #1F8072

RGB 31 128 114

HSL 171.34, 0.61%, 0.31%

LAB 48.19, -30.67, -0.29

 

CMYK 76 / 0 / 11 / 30

HEX #2BB3A0

RGB 43 179 160

HSL 171.62, 0.61%, 0.44%

LAB 65.98, -39.69, -0.5

 

CMYK 72 / 76 / 0 / 29

HEX #322BB4

RGB 50 43 180

HSL 243.07, 0.61%, 0.44%

LAB 28.65, 46.84, -70.59

 

CMYK 0 / 42 / 76 / 29

HEX #B4692B

RGB 180 105 43

HSL 27.15, 0.61%, 0.44%

LAB 51.82, 25.08, 45.97

 

CMYK 76 / 0 / 11 / 30

HEX #2BB3A0

RGB 43 179 160

HSL 171.62, 0.61%, 0.44%

LAB 65.98, -39.69, -0.5

 

CMYK 11 / 76 / 0 / 29

HEX #A02BB4

RGB 160 43 180

HSL 291.24, 0.61%, 0.44%

LAB 41.99, 64.28, -48.26

 

CMYK 0 / 11 / 76 / 29

HEX #B4A02B

RGB 180 160 43

HSL 51.24, 0.61%, 0.44%

LAB 65.76, -5.21, 59.47

 

CMYK 76 / 0 / 11 / 30

HEX #2BB3A0

RGB 43 179 160

HSL 171.62, 0.61%, 0.44%

LAB 65.98, -39.69, -0.5

 

CMYK 72 / 76 / 0 / 29

HEX #322BB4

RGB 50 43 180

HSL 243.07, 0.61%, 0.44%

LAB 28.65, 46.84, -70.59

 

CMYK 0 / 76 / 64 / 29

HEX #B42B40

RGB 180 43 64

HSL 350.8, 0.61%, 0.44%

LAB 40.9, 55.14, 21.82

 

CMYK 4 / 0 / 76 / 29

HEX #ADB42B

RGB 173 180 43

HSL 63.07, 0.61%, 0.44%

LAB 70.66, -18.65, 63.8

 

CMYK 76 / 0 / 11 / 30

HEX #2BB3A0

RGB 43 179 160

HSL 171.62, 0.61%, 0.44%

LAB 65.98, -39.69, -0.5

 

CMYK 49 / 76 / 0 / 29

HEX #5B2BB4

RGB 91 43 180

HSL 261.02, 0.61%, 0.44%

LAB 32.36, 51.88, -64.33

 

CMYK 0 / 76 / 64 / 29

HEX #B42B40

RGB 180 43 64

HSL 350.8, 0.61%, 0.44%

LAB 40.9, 55.14, 21.82

 

CMYK 27 / 0 / 76 / 29

HEX #84B42B

RGB 132 180 43

HSL 81.02, 0.61%, 0.44%

LAB 67.82, -35.57, 60.11

 

Description

Color code: RGB 43 179 160 | qconv.com Color code: RGB 43 179 160 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 179 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 179 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 11 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 11% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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