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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43.3 72.4 214 it is the complementary color RGB 211.7 182.6 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43.3 72.4 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43.3 72.4 214 shade: RGB 48.3 72.4 209, RGB 65.3 90.4 228, RGB 82.3 108.4 247, RGB 99.3 126.4 255 and RGB 116.3 144.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43.3 72.4 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43.3 72.4 214 shade: RGB 43.3 72.4 214, RGB 26.3 54.4 195, RGB 9.3 36.4 176, RGB 0 18.4 157 and RGB 0 0.40000000000001 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43.3 72.4 214 shade: RGB 41 70 214, RGB 58 41 214, RGB 105 41 214, RGB 152 41 214 and RGB 198 41 214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43.3 72.4 214 shade: RGB 41 70 214 and RGB 41 41 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43.3 72.4 214 shade matches the following richer shades: RGB 41 70 214 and RGB 20 57 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43.3 72.4 214 shade: RGB 41 70 214, RGB 61 84 194, RGB 82 98 173, RGB 103 111 152 and RGB 123 125 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43.3 72.4 214 shade: RGB 41 165 214, RGB 41 119 214, RGB 41 73 214, RGB 55 41 214 and RGB 101 41 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43.3 72.4 214 shade: RGB 28 48 145, RGB 34 59 180, RGB 41 70 214, RGB 75 100 221 and RGB 110 130 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43.3 72.4 214 shade: RGB 43.3 72.4 214, RGB 214 41 211 and RGB 142 214 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43.3 72.4 214 shade: RGB 43.3 72.4 214, RGB 214 41 73 and RGB 73 214 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43.3 72.4 214 shade: RGB 43.3 72.4 214, RGB 214 41 211, RGB 214 182 41 and RGB 41 214 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43.3 72.4 214 shade: RGB 43.3 72.4 214, RGB 214 41 159, RGB 214 182 41 and RGB 41 214 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 66 / 0 / 16

HEX #2B48D6

RGB 43.3 72.4 214

HSL 229.77, 0.68%, 0.5%

LAB 37.95, 40.55, -75.16

 

Complementary color

CMYK 0 / 14 / 81 / 17

HEX #D3B629

RGB 211.7 182.6 41

HSL 49.77, 0.68%, 0.5%

LAB 74.71, -3.27, 69.3

 

CMYK 77 / 65 / 0 / 18

HEX #3048D1

RGB 48.3 72.4 209

HSL 231, 0.64%, 0.5%

LAB 37.71, 39.21, -72.67

 

CMYK 71 / 60 / 0 / 11

HEX #415AE4

RGB 65.3 90.4 228

HSL 230.74, 0.75%, 0.58%

LAB 44.4, 36.53, -72.55

 

CMYK 67 / 56 / 0 / 3

HEX #526CF7

RGB 82.3 108.4 247

HSL 230.49, 0.91%, 0.65%

LAB 51.07, 34.21, -72.31

 

CMYK 61 / 50 / 0 / 0

HEX #637EFF

RGB 99.3 126.4 255

HSL 229.56, 1%, 0.69%

LAB 56.99, 28.59, -67.12

 

CMYK 54 / 43 / 0 / 0

HEX #7490FF

RGB 116.3 144.4 255

HSL 227.84, 1%, 0.73%

LAB 62.53, 21.02, -58.19

 

CMYK 80 / 66 / 0 / 16

HEX #2B48D6

RGB 43.3 72.4 214

HSL 229.77, 0.68%, 0.5%

LAB 37.95, 40.55, -75.16

 

CMYK 87 / 72 / 0 / 24

HEX #1A36C3

RGB 26.3 54.4 195

HSL 230.01, 0.76%, 0.43%

LAB 31.44, 43.69, -74.88

 

CMYK 95 / 79 / 0 / 31

HEX #0924B0

RGB 9.3 36.4 176

HSL 230.25, 0.9%, 0.36%

LAB 25.2, 46.84, -73.96

 

CMYK 100 / 88 / 0 / 38

HEX #00129D

RGB 0 18.4 157

HSL 232.97, 1%, 0.31%

LAB 19.56, 49.18, -71.84

 

CMYK 100 / 100 / 0 / 46

HEX #00008A

RGB 0 0.40000000000001 138

HSL 239.83, 1%, 0.27%

LAB 14.64, 50.02, -68.24

 

CMYK 81 / 67 / 0 / 16

HEX #2946D6

RGB 41 70 214

HSL 229.94, 0.68%, 0.5%

LAB 37.31, 41.86, -76.22

 

CMYK 73 / 81 / 0 / 16

HEX #3A29D6

RGB 58 41 214

HSL 245.9, 0.68%, 0.5%

LAB 32.57, 58.89, -84.02

 

CMYK 51 / 81 / 0 / 16

HEX #6929D6

RGB 105 41 214

HSL 262.2, 0.68%, 0.5%

LAB 36.83, 63.4, -76.85

 

CMYK 29 / 81 / 0 / 16

HEX #9829D6

RGB 152 41 214

HSL 278.5, 0.68%, 0.5%

LAB 42.94, 70.03, -66.6

 

CMYK 7 / 81 / 0 / 16

HEX #C629D6

RGB 198 41 214

HSL 294.45, 0.68%, 0.5%

LAB 50.03, 77.87, -54.78

 

CMYK 81 / 67 / 0 / 16

HEX #2946D6

RGB 41 70 214

HSL 229.94, 0.68%, 0.5%

LAB 37.31, 41.86, -76.22

 

CMYK 81 / 81 / 0 / 16

HEX #2929D6

RGB 41 41 214

HSL 240, 0.68%, 0.5%

LAB 31.61, 57.88, -85.65

 

CMYK 81 / 67 / 0 / 16

HEX #2946D6

RGB 41 70 214

HSL 229.94, 0.68%, 0.5%

LAB 37.31, 41.86, -76.22

 

CMYK 91 / 76 / 0 / 8

HEX #1439EB

RGB 20 57 235

HSL 229.67, 0.84%, 0.5%

LAB 36.12, 55.63, -90.2

 

CMYK 81 / 67 / 0 / 16

HEX #2946D6

RGB 41 70 214

HSL 229.94, 0.68%, 0.5%

LAB 37.31, 41.86, -76.22

 

CMYK 69 / 57 / 0 / 24

HEX #3D54C2

RGB 61 84 194

HSL 229.62, 0.52%, 0.5%

LAB 39.96, 27.98, -60.27

 

CMYK 53 / 43 / 0 / 32

HEX #5262AD

RGB 82 98 173

HSL 229.45, 0.36%, 0.5%

LAB 43.58, 15.73, -42.1

 

CMYK 32 / 27 / 0 / 40

HEX #676F98

RGB 103 111 152

HSL 230.2, 0.19%, 0.5%

LAB 47.65, 7.06, -23.23

 

CMYK 7 / 5 / 0 / 48

HEX #7B7D84

RGB 123 125 132

HSL 226.67, 0.04%, 0.5%

LAB 52.45, 0.7, -4.06

 

CMYK 81 / 23 / 0 / 16

HEX #29A5D6

RGB 41 165 214

HSL 196.99, 0.68%, 0.5%

LAB 63.54, -16.16, -34.19

 

CMYK 81 / 44 / 0 / 16

HEX #2977D6

RGB 41 119 214

HSL 212.95, 0.68%, 0.5%

LAB 50.12, 10.64, -55.39

 

CMYK 81 / 66 / 0 / 16

HEX #2949D6

RGB 41 73 214

HSL 228.9, 0.68%, 0.5%

LAB 38.01, 40, -75.07

 

CMYK 74 / 81 / 0 / 16

HEX #3729D6

RGB 55 41 214

HSL 244.86, 0.68%, 0.5%

LAB 32.38, 58.68, -84.35

 

CMYK 53 / 81 / 0 / 16

HEX #6529D6

RGB 101 41 214

HSL 260.81, 0.68%, 0.5%

LAB 36.38, 62.92, -77.6

 

CMYK 81 / 67 / 0 / 43

HEX #1C3091

RGB 28 48 145

HSL 229.74, 0.68%, 0.34%

LAB 24.97, 29.41, -55.46

 

CMYK 81 / 67 / 0 / 29

HEX #223BB4

RGB 34 59 180

HSL 229.73, 0.68%, 0.42%

LAB 31.26, 35.91, -66.3

 

CMYK 81 / 67 / 0 / 16

HEX #2946D6

RGB 41 70 214

HSL 229.94, 0.68%, 0.5%

LAB 37.31, 41.86, -76.22

 

CMYK 66 / 55 / 0 / 13

HEX #4B64DD

RGB 75 100 221

HSL 229.73, 0.68%, 0.58%

LAB 46.75, 29.42, -64.73

 

CMYK 52 / 43 / 0 / 11

HEX #6E82E3

RGB 110 130 227

HSL 229.74, 0.68%, 0.66%

LAB 56.91, 19.54, -51.69

 

CMYK 80 / 66 / 0 / 16

HEX #2B48D6

RGB 43.3 72.4 214

HSL 229.77, 0.68%, 0.5%

LAB 37.95, 40.55, -75.16

 

CMYK 0 / 81 / 1 / 16

HEX #D629D3

RGB 214 41 211

HSL 301.04, 0.68%, 0.5%

LAB 52.49, 80.35, -48.99

 

CMYK 34 / 0 / 81 / 16

HEX #8ED629

RGB 142 214 41

HSL 84.97, 0.68%, 0.5%

LAB 78.46, -46.75, 70.73

 

CMYK 80 / 66 / 0 / 16

HEX #2B48D6

RGB 43.3 72.4 214

HSL 229.77, 0.68%, 0.5%

LAB 37.95, 40.55, -75.16

 

CMYK 0 / 81 / 66 / 16

HEX #D62949

RGB 214 41 73

HSL 348.9, 0.68%, 0.5%

LAB 47.45, 65.92, 25.99

 

CMYK 66 / 0 / 81 / 16

HEX #49D629

RGB 73 214 41

HSL 108.9, 0.68%, 0.5%

LAB 75.87, -66.5, 67.4

 

CMYK 80 / 66 / 0 / 16

HEX #2B48D6

RGB 43.3 72.4 214

HSL 229.77, 0.68%, 0.5%

LAB 37.95, 40.55, -75.16

 

CMYK 0 / 81 / 1 / 16

HEX #D629D3

RGB 214 41 211

HSL 301.04, 0.68%, 0.5%

LAB 52.49, 80.35, -48.99

 

CMYK 0 / 15 / 81 / 16

HEX #D6B629

RGB 214 182 41

HSL 48.9, 0.68%, 0.5%

LAB 74.77, -1.96, 69.44

 

CMYK 81 / 0 / 79 / 16

HEX #29D62C

RGB 41 214 44

HSL 121.04, 0.68%, 0.5%

LAB 75.29, -71.38, 65.83

 

CMYK 80 / 66 / 0 / 16

HEX #2B48D6

RGB 43.3 72.4 214

HSL 229.77, 0.68%, 0.5%

LAB 37.95, 40.55, -75.16

 

CMYK 0 / 81 / 26 / 16

HEX #D6299F

RGB 214 41 159

HSL 319.08, 0.68%, 0.5%

LAB 49.96, 73.33, -22.65

 

CMYK 0 / 15 / 81 / 16

HEX #D6B629

RGB 214 182 41

HSL 48.9, 0.68%, 0.5%

LAB 74.77, -1.96, 69.44

 

CMYK 81 / 0 / 55 / 16

HEX #29D660

RGB 41 214 96

HSL 139.08, 0.68%, 0.5%

LAB 75.71, -66.3, 46.01

 

Description

Color code: RGB 43.3 72.4 214 | qconv.com Color code: RGB 43.3 72.4 214 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43.3 red, 72.4 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43.3 72.4 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 66 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 66% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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