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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43.3 72.4 174 it is the complementary color RGB 211.7 182.6 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43.3 72.4 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43.3 72.4 174 shade: RGB 48.3 72.4 169, RGB 65.3 90.4 188, RGB 82.3 108.4 207, RGB 99.3 126.4 226 and RGB 116.3 144.4 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43.3 72.4 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43.3 72.4 174 shade: RGB 43.3 72.4 174, RGB 26.3 54.4 155, RGB 9.3 36.4 136, RGB 0 18.4 117 and RGB 0 0.40000000000001 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43.3 72.4 174 shade: RGB 44 73 175, RGB 50 44 175, RGB 86 44 175, RGB 121 44 175 and RGB 156 44 175

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43.3 72.4 174 shade: RGB 44 73 175 and RGB 44 44 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43.3 72.4 174 shade matches the following richer shades: RGB 44 73 175, RGB 26 63 193 and RGB 8 53 211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43.3 72.4 174 shade: RGB 44 73 175, RGB 62 83 158, RGB 79 93 140, RGB 97 103 122 and RGB 115 113 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43.3 72.4 174 shade: RGB 44 145 175, RGB 44 110 175, RGB 44 75 175, RGB 48 44 175 and RGB 83 44 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43.3 72.4 174 shade: RGB 27 46 109, RGB 36 59 142, RGB 44 73 175, RGB 55 89 205 and RGB 88 116 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43.3 72.4 174 shade: RGB 43.3 72.4 174, RGB 171 44 175 and RGB 127 175 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43.3 72.4 174 shade: RGB 43.3 72.4 174, RGB 175 44 75 and RGB 75 175 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43.3 72.4 174 shade: RGB 43.3 72.4 174, RGB 171 44 175, RGB 175 145 44 and RGB 48 175 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43.3 72.4 174 shade: RGB 43.3 72.4 174, RGB 175 44 140, RGB 175 145 44 and RGB 44 175 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 58 / 0 / 32

HEX #2B48AE

RGB 43.3 72.4 174

HSL 226.64, 0.6%, 0.43%

LAB 34.52, 25.83, -57.38

 

Complementary color

CMYK 0 / 14 / 62 / 17

HEX #D3B651

RGB 211.7 182.6 81

HSL 46.64, 0.6%, 0.57%

LAB 74.98, -1.31, 54.25

 

CMYK 71 / 57 / 0 / 34

HEX #3048A9

RGB 48.3 72.4 169

HSL 228.02, 0.56%, 0.43%

LAB 34.37, 24.6, -54.64

 

CMYK 65 / 52 / 0 / 26

HEX #415ABC

RGB 65.3 90.4 188

HSL 227.73, 0.48%, 0.5%

LAB 41.45, 22.39, -54.36

 

CMYK 60 / 48 / 0 / 19

HEX #526CCF

RGB 82.3 108.4 207

HSL 227.44, 0.57%, 0.57%

LAB 48.41, 20.61, -54.06

 

CMYK 56 / 44 / 0 / 11

HEX #637EE2

RGB 99.3 126.4 226

HSL 227.17, 0.69%, 0.64%

LAB 55.26, 19.14, -53.79

 

CMYK 53 / 41 / 0 / 4

HEX #7490F5

RGB 116.3 144.4 245

HSL 226.9, 0.87%, 0.71%

LAB 61.99, 17.92, -53.56

 

CMYK 75 / 58 / 0 / 32

HEX #2B48AE

RGB 43.3 72.4 174

HSL 226.64, 0.6%, 0.43%

LAB 34.52, 25.83, -57.38

 

CMYK 83 / 65 / 0 / 39

HEX #1A369B

RGB 26.3 54.4 155

HSL 226.9, 0.71%, 0.36%

LAB 27.48, 28.83, -57.48

 

CMYK 93 / 73 / 0 / 47

HEX #092488

RGB 9.3 36.4 136

HSL 227.17, 0.87%, 0.28%

LAB 20.53, 32.39, -57.19

 

CMYK 100 / 84 / 0 / 54

HEX #001275

RGB 0 18.4 117

HSL 230.56, 1%, 0.23%

LAB 14, 35.97, -55.93

 

CMYK 100 / 100 / 0 / 62

HEX #000062

RGB 0 0.40000000000001 98

HSL 239.76, 1%, 0.19%

LAB 8.04, 39.05, -53.39

 

CMYK 75 / 58 / 0 / 31

HEX #2C49AF

RGB 44 73 175

HSL 226.72, 0.6%, 0.43%

LAB 34.79, 25.89, -57.54

 

CMYK 71 / 75 / 0 / 31

HEX #322CAF

RGB 50 44 175

HSL 242.75, 0.6%, 0.43%

LAB 28.31, 44.68, -68.15

 

CMYK 51 / 75 / 0 / 31

HEX #562CAF

RGB 86 44 175

HSL 259.24, 0.6%, 0.43%

LAB 31.52, 49.28, -62.76

 

CMYK 31 / 75 / 0 / 31

HEX #792CAF

RGB 121 44 175

HSL 275.27, 0.6%, 0.43%

LAB 35.91, 55.31, -55.41

 

CMYK 11 / 75 / 0 / 31

HEX #9C2CAF

RGB 156 44 175

HSL 291.3, 0.6%, 0.43%

LAB 41.16, 62.23, -46.68

 

CMYK 75 / 58 / 0 / 31

HEX #2C49AF

RGB 44 73 175

HSL 226.72, 0.6%, 0.43%

LAB 34.79, 25.89, -57.54

 

CMYK 75 / 75 / 0 / 31

HEX #2C2CAF

RGB 44 44 175

HSL 240, 0.6%, 0.43%

LAB 27.93, 44.11, -68.79

 

CMYK 75 / 58 / 0 / 31

HEX #2C49AF

RGB 44 73 175

HSL 226.72, 0.6%, 0.43%

LAB 34.79, 25.89, -57.54

 

CMYK 87 / 67 / 0 / 24

HEX #1A3FC1

RGB 26 63 193

HSL 226.71, 0.76%, 0.43%

LAB 33.19, 37.61, -70.82

 

CMYK 96 / 75 / 0 / 17

HEX #0835D3

RGB 8 53 211

HSL 226.7, 0.93%, 0.43%

LAB 32.48, 49.5, -82.49

 

CMYK 75 / 58 / 0 / 31

HEX #2C49AF

RGB 44 73 175

HSL 226.72, 0.6%, 0.43%

LAB 34.79, 25.89, -57.54

 

CMYK 61 / 47 / 0 / 38

HEX #3E539E

RGB 62 83 158

HSL 226.88, 0.44%, 0.43%

LAB 37.26, 15.93, -43.35

 

CMYK 44 / 34 / 0 / 45

HEX #4F5D8C

RGB 79 93 140

HSL 226.23, 0.28%, 0.43%

LAB 40.22, 7.61, -27.75

 

CMYK 20 / 16 / 0 / 52

HEX #61677A

RGB 97 103 122

HSL 225.6, 0.11%, 0.43%

LAB 43.72, 2.11, -11.37

 

CMYK 0 / 2 / 10 / 55

HEX #737168

RGB 115 113 104

HSL 49.09, 0.05%, 0.43%

LAB 47.57, -0.97, 5.26

 

CMYK 75 / 17 / 0 / 31

HEX #2C91AF

RGB 44 145 175

HSL 193.74, 0.6%, 0.43%

LAB 55.97, -18.36, -23.97

 

CMYK 75 / 37 / 0 / 31

HEX #2C6EAF

RGB 44 110 175

HSL 209.77, 0.6%, 0.43%

LAB 45.33, 1.88, -40.59

 

CMYK 75 / 57 / 0 / 31

HEX #2C4BAF

RGB 44 75 175

HSL 225.8, 0.6%, 0.43%

LAB 35.33, 24.57, -56.67

 

CMYK 73 / 75 / 0 / 31

HEX #302CAF

RGB 48 44 175

HSL 241.83, 0.6%, 0.43%

LAB 28.18, 44.48, -68.37

 

CMYK 53 / 75 / 0 / 31

HEX #532CAF

RGB 83 44 175

HSL 257.86, 0.6%, 0.43%

LAB 31.2, 48.82, -63.3

 

CMYK 75 / 58 / 0 / 57

HEX #1B2E6D

RGB 27 46 109

HSL 226.1, 0.6%, 0.27%

LAB 21.17, 16.39, -38.93

 

CMYK 75 / 58 / 0 / 44

HEX #243B8E

RGB 36 59 142

HSL 226.98, 0.6%, 0.35%

LAB 28, 21.67, -48.65

 

CMYK 75 / 58 / 0 / 31

HEX #2C49AF

RGB 44 73 175

HSL 226.72, 0.6%, 0.43%

LAB 34.79, 25.89, -57.54

 

CMYK 73 / 57 / 0 / 20

HEX #3759CD

RGB 55 89 205

HSL 226.4, 0.6%, 0.51%

LAB 41.79, 27.94, -63.68

 

CMYK 59 / 46 / 0 / 16

HEX #5874D5

RGB 88 116 213

HSL 226.56, 0.6%, 0.59%

LAB 51.12, 19, -53.13

 

CMYK 75 / 58 / 0 / 32

HEX #2B48AE

RGB 43.3 72.4 174

HSL 226.64, 0.6%, 0.43%

LAB 34.52, 25.83, -57.38

 

CMYK 2 / 75 / 0 / 31

HEX #AB2CAF

RGB 171 44 175

HSL 298.17, 0.6%, 0.43%

LAB 43.59, 65.36, -42.66

 

CMYK 27 / 0 / 75 / 31

HEX #7FAF2C

RGB 127 175 44

HSL 81.98, 0.6%, 0.43%

LAB 66.02, -35.18, 57.95

 

CMYK 75 / 58 / 0 / 32

HEX #2B48AE

RGB 43.3 72.4 174

HSL 226.64, 0.6%, 0.43%

LAB 34.52, 25.83, -57.38

 

CMYK 0 / 75 / 57 / 31

HEX #AF2C4B

RGB 175 44 75

HSL 345.8, 0.6%, 0.43%

LAB 40.28, 54.04, 13.92

 

CMYK 57 / 0 / 75 / 31

HEX #4BAF2C

RGB 75 175 44

HSL 105.8, 0.6%, 0.43%

LAB 63.62, -52.46, 54.79

 

CMYK 75 / 58 / 0 / 32

HEX #2B48AE

RGB 43.3 72.4 174

HSL 226.64, 0.6%, 0.43%

LAB 34.52, 25.83, -57.38

 

CMYK 2 / 75 / 0 / 31

HEX #AB2CAF

RGB 171 44 175

HSL 298.17, 0.6%, 0.43%

LAB 43.59, 65.36, -42.66

 

CMYK 0 / 17 / 75 / 31

HEX #AF912C

RGB 175 145 44

HSL 46.26, 0.6%, 0.43%

LAB 61.26, 0.69, 54.66

 

CMYK 73 / 0 / 75 / 31

HEX #30AF2C

RGB 48 175 44

HSL 118.17, 0.6%, 0.43%

LAB 62.9, -58.36, 53.83

 

CMYK 75 / 58 / 0 / 32

HEX #2B48AE

RGB 43.3 72.4 174

HSL 226.64, 0.6%, 0.43%

LAB 34.52, 25.83, -57.38

 

CMYK 0 / 75 / 20 / 31

HEX #AF2C8C

RGB 175 44 140

HSL 316.03, 0.6%, 0.43%

LAB 42.47, 60.95, -23.35

 

CMYK 0 / 17 / 75 / 31

HEX #AF912C

RGB 175 145 44

HSL 46.26, 0.6%, 0.43%

LAB 61.26, 0.69, 54.66

 

CMYK 75 / 0 / 55 / 31

HEX #2CAF4F

RGB 44 175 79

HSL 136.03, 0.6%, 0.43%

LAB 63.14, -55.18, 39.02

 

Description

Color code: RGB 43.3 72.4 174 | qconv.com Color code: RGB 43.3 72.4 174 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43.3 red, 72.4 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43.3 72.4 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 58 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 58% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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