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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 53 45 it is the complementary color RGB 213 202 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 53 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 53 45 shade: RGB 47 53 40, RGB 64 71 59, RGB 81 89 78, RGB 98 107 97 and RGB 115 125 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 53 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 53 45 shade: RGB 42 53 45, RGB 25 35 26, RGB 8 17 7 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 53 45 shade: RGB 43 54 46, RGB 43 54 43, RGB 46 54 43, RGB 49 54 43 and RGB 52 54 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 53 45 shade: RGB 43 54 46, RGB 43 54 49, RGB 43 54 52, RGB 43 53 54 and RGB 43 50 54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 53 45 shade matches the following richer shades: RGB 43 54 46, RGB 35 62 42, RGB 27 70 39, RGB 19 78 35 and RGB 11 86 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 53 45 shade: RGB 43 54 46, RGB 50 46 49, RGB 58 39 53, RGB 66 31 56 and RGB 74 23 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 53 45 shade: RGB 46 54 43, RGB 43 54 43, RGB 43 54 46, RGB 43 54 49 and RGB 43 54 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 53 45 shade: RGB 6 8 7, RGB 24 31 26, RGB 43 54 46, RGB 61 77 65 and RGB 79 100 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 53 45 shade: RGB 42 53 45, RGB 43 49 54 and RGB 54 43 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 53 45 shade: RGB 42 53 45, RGB 46 43 54 and RGB 54 46 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 53 45 shade: RGB 42 53 45, RGB 43 49 54, RGB 54 43 51 and RGB 54 48 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 53 45 shade: RGB 42 53 45, RGB 43 45 54, RGB 54 43 51 and RGB 54 52 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 15 / 79

HEX #2A352D

RGB 42 53 45

HSL 136.36, 0.12%, 0.19%

LAB 20.93, -6.61, 3.52

 

Complementary color

CMYK 0 / 5 / 1 / 16

HEX #D5CAD2

RGB 213 202 210

HSL 316.36, 0.12%, 0.81%

LAB 82.4, 5.24, -2.61

 

CMYK 11 / 0 / 25 / 79

HEX #2F3528

RGB 47 53 40

HSL 87.69, 0.14%, 0.18%

LAB 21.22, -5.49, 7.36

 

CMYK 10 / 0 / 17 / 72

HEX #40473B

RGB 64 71 59

HSL 95, 0.09%, 0.25%

LAB 29.19, -5.5, 6.26

 

CMYK 9 / 0 / 12 / 65

HEX #51594E

RGB 81 89 78

HSL 103.64, 0.07%, 0.33%

LAB 36.83, -5.51, 5.3

 

CMYK 8 / 0 / 9 / 58

HEX #626B61

RGB 98 107 97

HSL 114, 0.05%, 0.4%

LAB 44.2, -5.52, 4.43

 

CMYK 8 / 0 / 7 / 51

HEX #737D74

RGB 115 125 116

HSL 126, 0.04%, 0.47%

LAB 51.35, -5.55, 3.63

 

CMYK 21 / 0 / 15 / 79

HEX #2A352D

RGB 42 53 45

HSL 136.36, 0.12%, 0.19%

LAB 20.93, -6.61, 3.52

 

CMYK 29 / 0 / 26 / 86

HEX #19231A

RGB 25 35 26

HSL 126, 0.17%, 0.12%

LAB 12.5, -6.8, 4.62

 

CMYK 53 / 0 / 59 / 93

HEX #081107

RGB 8 17 7

HSL 114, 0.42%, 0.05%

LAB 4.23, -4.33, 3.38

 

CMYK 20 / 0 / 15 / 79

HEX #2B362E

RGB 43 54 46

HSL 136.36, 0.11%, 0.19%

LAB 21.39, -6.59, 3.51

 

CMYK 20 / 0 / 20 / 79

HEX #2B362B

RGB 43 54 43

HSL 120, 0.11%, 0.19%

LAB 21.31, -7.28, 5.41

 

CMYK 15 / 0 / 20 / 79

HEX #2E362B

RGB 46 54 43

HSL 103.64, 0.11%, 0.19%

LAB 21.56, -5.96, 5.8

 

CMYK 9 / 0 / 20 / 79

HEX #31362B

RGB 49 54 43

HSL 87.27, 0.11%, 0.19%

LAB 21.82, -4.62, 6.21

 

CMYK 4 / 0 / 20 / 79

HEX #34362B

RGB 52 54 43

HSL 70.91, 0.11%, 0.19%

LAB 22.1, -3.25, 6.64

 

CMYK 20 / 0 / 15 / 79

HEX #2B362E

RGB 43 54 46

HSL 136.36, 0.11%, 0.19%

LAB 21.39, -6.59, 3.51

 

CMYK 20 / 0 / 9 / 79

HEX #2B3631

RGB 43 54 49

HSL 152.73, 0.11%, 0.19%

LAB 21.48, -5.87, 1.61

 

CMYK 20 / 0 / 4 / 79

HEX #2B3634

RGB 43 54 52

HSL 169.09, 0.11%, 0.19%

LAB 21.58, -5.11, -0.28

 

CMYK 20 / 2 / 0 / 79

HEX #2B3536

RGB 43 53 54

HSL 185.45, 0.11%, 0.19%

LAB 21.31, -3.93, -2.04

 

CMYK 20 / 7 / 0 / 79

HEX #2B3236

RGB 43 50 54

HSL 201.82, 0.11%, 0.19%

LAB 20.29, -1.94, -3.55

 

CMYK 20 / 0 / 15 / 79

HEX #2B362E

RGB 43 54 46

HSL 136.36, 0.11%, 0.19%

LAB 21.39, -6.59, 3.51

 

CMYK 44 / 0 / 32 / 76

HEX #233E2A

RGB 35 62 42

HSL 135.56, 0.28%, 0.19%

LAB 23.57, -15.53, 9.14

 

CMYK 61 / 0 / 44 / 73

HEX #1B4627

RGB 27 70 39

HSL 136.74, 0.44%, 0.19%

LAB 26.04, -23.04, 14.31

 

CMYK 76 / 0 / 55 / 69

HEX #134E23

RGB 19 78 35

HSL 136.27, 0.61%, 0.19%

LAB 28.66, -29.47, 20.03

 

CMYK 87 / 0 / 63 / 66

HEX #0B5620

RGB 11 86 32

HSL 136.8, 0.77%, 0.19%

LAB 31.42, -34.53, 25

 

CMYK 20 / 0 / 15 / 79

HEX #2B362E

RGB 43 54 46

HSL 136.36, 0.11%, 0.19%

LAB 21.39, -6.59, 3.51

 

CMYK 0 / 8 / 2 / 80

HEX #322E31

RGB 50 46 49

HSL 315, 0.04%, 0.19%

LAB 19.45, 2.48, -1.28

 

CMYK 0 / 33 / 9 / 77

HEX #3A2735

RGB 58 39 53

HSL 315.79, 0.2%, 0.19%

LAB 18.4, 11.71, -5.52

 

CMYK 0 / 53 / 15 / 74

HEX #421F38

RGB 66 31 56

HSL 317.14, 0.36%, 0.19%

LAB 17.57, 20.86, -8.76

 

CMYK 0 / 69 / 19 / 71

HEX #4A173C

RGB 74 23 60

HSL 316.47, 0.53%, 0.19%

LAB 17.44, 29.01, -11.65

 

CMYK 15 / 0 / 20 / 79

HEX #2E362B

RGB 46 54 43

HSL 103.64, 0.11%, 0.19%

LAB 21.56, -5.96, 5.8

 

CMYK 20 / 0 / 20 / 79

HEX #2B362B

RGB 43 54 43

HSL 120, 0.11%, 0.19%

LAB 21.31, -7.28, 5.41

 

CMYK 20 / 0 / 15 / 79

HEX #2B362E

RGB 43 54 46

HSL 136.36, 0.11%, 0.19%

LAB 21.39, -6.59, 3.51

 

CMYK 20 / 0 / 9 / 79

HEX #2B3631

RGB 43 54 49

HSL 152.73, 0.11%, 0.19%

LAB 21.48, -5.87, 1.61

 

CMYK 20 / 0 / 4 / 79

HEX #2B3634

RGB 43 54 52

HSL 169.09, 0.11%, 0.19%

LAB 21.58, -5.11, -0.28

 

CMYK 25 / 0 / 13 / 97

HEX #060807

RGB 6 8 7

HSL 150, 0.14%, 0.03%

LAB 2.06, -0.66, 0.19

 

CMYK 23 / 0 / 16 / 88

HEX #181F1A

RGB 24 31 26

HSL 137.14, 0.13%, 0.11%

LAB 10.91, -4.53, 2.36

 

CMYK 20 / 0 / 15 / 79

HEX #2B362E

RGB 43 54 46

HSL 136.36, 0.11%, 0.19%

LAB 21.39, -6.59, 3.51

 

CMYK 21 / 0 / 16 / 70

HEX #3D4D41

RGB 61 77 65

HSL 135, 0.12%, 0.27%

LAB 31.07, -9.12, 5.05

 

CMYK 21 / 0 / 15 / 61

HEX #4F6455

RGB 79 100 85

HSL 137.14, 0.12%, 0.35%

LAB 40.3, -11.27, 5.93

 

CMYK 21 / 0 / 15 / 79

HEX #2A352D

RGB 42 53 45

HSL 136.36, 0.12%, 0.19%

LAB 20.93, -6.61, 3.52

 

CMYK 20 / 9 / 0 / 79

HEX #2B3136

RGB 43 49 54

HSL 207.27, 0.11%, 0.19%

LAB 19.95, -1.26, -4.05

 

CMYK 0 / 20 / 19 / 79

HEX #362B2C

RGB 54 43 44

HSL 354.55, 0.11%, 0.19%

LAB 18.77, 5.26, 1.25

 

CMYK 21 / 0 / 15 / 79

HEX #2A352D

RGB 42 53 45

HSL 136.36, 0.12%, 0.19%

LAB 20.93, -6.61, 3.52

 

CMYK 15 / 20 / 0 / 79

HEX #2E2B36

RGB 46 43 54

HSL 256.36, 0.11%, 0.19%

LAB 18.25, 4.09, -6.57

 

CMYK 0 / 15 / 20 / 79

HEX #362E2B

RGB 54 46 43

HSL 16.36, 0.11%, 0.19%

LAB 19.69, 3.01, 3.26

 

CMYK 21 / 0 / 15 / 79

HEX #2A352D

RGB 42 53 45

HSL 136.36, 0.12%, 0.19%

LAB 20.93, -6.61, 3.52

 

CMYK 20 / 9 / 0 / 79

HEX #2B3136

RGB 43 49 54

HSL 207.27, 0.11%, 0.19%

LAB 19.95, -1.26, -4.05

 

CMYK 0 / 20 / 6 / 79

HEX #362B33

RGB 54 43 51

HSL 316.36, 0.11%, 0.19%

LAB 19.02, 6.77, -3.25

 

CMYK 0 / 11 / 20 / 79

HEX #36302B

RGB 54 48 43

HSL 27.27, 0.11%, 0.19%

LAB 20.33, 1.66, 4.18

 

CMYK 21 / 0 / 15 / 79

HEX #2A352D

RGB 42 53 45

HSL 136.36, 0.12%, 0.19%

LAB 20.93, -6.61, 3.52

 

CMYK 20 / 17 / 0 / 79

HEX #2B2D36

RGB 43 45 54

HSL 229.09, 0.11%, 0.19%

LAB 18.61, 1.47, -6.06

 

CMYK 0 / 20 / 6 / 79

HEX #362B33

RGB 54 43 51

HSL 316.36, 0.11%, 0.19%

LAB 19.02, 6.77, -3.25

 

CMYK 0 / 4 / 20 / 79

HEX #36342B

RGB 54 52 43

HSL 49.09, 0.11%, 0.19%

LAB 21.63, -1.01, 6.02

 

Description

Color code: RGB 42 53 45 | qconv.com Color code: RGB 42 53 45 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 53 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 53 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 15 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 15% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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