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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 235 255 it is the complementary color RGB 213 20 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 235 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 235 255 shade: RGB 47 235 250, RGB 64 253 255, RGB 81 255 255, RGB 98 255 255 and RGB 115 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 235 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 235 255 shade: RGB 42 235 255, RGB 25 217 236, RGB 8 199 217, RGB 0 181 198 and RGB 0 163 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 235 255 shade: RGB 40 234 255, RGB 40 177 255, RGB 40 119 255, RGB 40 61 255 and RGB 77 40 255

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 235 255 shade: RGB 40 234 255, RGB 40 177 255, RGB 40 119 255, RGB 40 61 255 and RGB 40 40 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 235 255 shade matches the following richer shades: RGB 40 234 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 235 255 shade: RGB 40 234 255, RGB 58 220 237, RGB 75 206 220, RGB 92 192 203 and RGB 110 178 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 235 255 shade: RGB 40 255 158, RGB 40 255 215, RGB 40 237 255, RGB 40 180 255 and RGB 40 122 255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 235 255 shade: RGB 0 193 213, RGB 0 230 254, RGB 40 234 255, RGB 82 238 255 and RGB 123 242 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 235 255 shade: RGB 42 235 255, RGB 101 40 255 and RGB 255 187 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 235 255 shade: RGB 42 235 255, RGB 255 40 237 and RGB 237 255 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 235 255 shade: RGB 42 235 255, RGB 101 40 255, RGB 255 58 40 and RGB 194 255 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 235 255 shade: RGB 42 235 255, RGB 165 40 255, RGB 255 58 40 and RGB 130 255 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 8 / 0 / 0

HEX #2AEBFF

RGB 42 235 255

HSL 185.63, 1%, 0.58%

LAB 85.57, -37.66, -22.47

 

Complementary color

CMYK 0 / 91 / 100 / 16

HEX #D51400

RGB 213 20 0

HSL 5.63, 1%, 0.42%

LAB 45.15, 67.9, 58.93

 

CMYK 81 / 6 / 0 / 2

HEX #2FEBFA

RGB 47 235 250

HSL 184.43, 0.95%, 0.58%

LAB 85.47, -38.8, -20

 

CMYK 75 / 1 / 0 / 0

HEX #40FDFF

RGB 64 253 255

HSL 180.63, 1%, 0.63%

LAB 91.04, -43.97, -14.21

 

CMYK 68 / 0 / 0 / 0

HEX #51FFFF

RGB 81 255 255

HSL 180, 1%, 0.66%

LAB 91.9, -42.96, -12.88

 

CMYK 62 / 0 / 0 / 0

HEX #62FFFF

RGB 98 255 255

HSL 180, 1%, 0.69%

LAB 92.28, -40.58, -12.28

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 84 / 8 / 0 / 0

HEX #2AEBFF

RGB 42 235 255

HSL 185.63, 1%, 0.58%

LAB 85.57, -37.66, -22.47

 

CMYK 89 / 8 / 0 / 7

HEX #19D9EC

RGB 25 217 236

HSL 185.4, 0.85%, 0.51%

LAB 79.55, -36.06, -21.57

 

CMYK 96 / 8 / 0 / 15

HEX #08C7D9

RGB 8 199 217

HSL 185.17, 0.93%, 0.44%

LAB 73.49, -34.12, -20.57

 

CMYK 100 / 9 / 0 / 22

HEX #00B5C6

RGB 0 181 198

HSL 185.15, 1%, 0.39%

LAB 67.37, -31.83, -19.48

 

CMYK 100 / 9 / 0 / 30

HEX #00A3B3

RGB 0 163 179

HSL 185.36, 1%, 0.35%

LAB 61.18, -29.27, -18.32

 

CMYK 84 / 8 / 0 / 0

HEX #28EAFF

RGB 40 234 255

HSL 185.86, 1%, 0.58%

LAB 85.26, -37.33, -22.95

 

CMYK 84 / 31 / 0 / 0

HEX #28B1FF

RGB 40 177 255

HSL 201.77, 1%, 0.58%

LAB 68.83, -8.49, -48.35

 

CMYK 84 / 53 / 0 / 0

HEX #2877FF

RGB 40 119 255

HSL 217.95, 1%, 0.58%

LAB 52.8, 26.02, -74.01

 

CMYK 84 / 76 / 0 / 0

HEX #283DFF

RGB 40 61 255

HSL 234.14, 1%, 0.58%

LAB 39.59, 60.68, -95.69

 

CMYK 70 / 84 / 0 / 0

HEX #4D28FF

RGB 77 40 255

HSL 250.33, 1%, 0.58%

LAB 38.4, 71.89, -97.61

 

CMYK 84 / 8 / 0 / 0

HEX #28EAFF

RGB 40 234 255

HSL 185.86, 1%, 0.58%

LAB 85.26, -37.33, -22.95

 

CMYK 84 / 31 / 0 / 0

HEX #28B1FF

RGB 40 177 255

HSL 201.77, 1%, 0.58%

LAB 68.83, -8.49, -48.35

 

CMYK 84 / 53 / 0 / 0

HEX #2877FF

RGB 40 119 255

HSL 217.95, 1%, 0.58%

LAB 52.8, 26.02, -74.01

 

CMYK 84 / 76 / 0 / 0

HEX #283DFF

RGB 40 61 255

HSL 234.14, 1%, 0.58%

LAB 39.59, 60.68, -95.69

 

CMYK 84 / 84 / 0 / 0

HEX #2828FF

RGB 40 40 255

HSL 240, 1%, 0.58%

LAB 36.35, 70.19, -101.09

 

CMYK 84 / 8 / 0 / 0

HEX #28EAFF

RGB 40 234 255

HSL 185.86, 1%, 0.58%

LAB 85.26, -37.33, -22.95

 

CMYK 84 / 8 / 0 / 0

HEX #28EAFF

RGB 40 234 255

HSL 185.86, 1%, 0.58%

LAB 85.26, -37.33, -22.95

 

CMYK 76 / 7 / 0 / 7

HEX #3ADCED

RGB 58 220 237

HSL 185.7, 0.83%, 0.58%

LAB 80.85, -34.74, -20.09

 

CMYK 66 / 6 / 0 / 14

HEX #4BCEDC

RGB 75 206 220

HSL 185.79, 0.67%, 0.58%

LAB 76.56, -30.98, -17.45

 

CMYK 55 / 5 / 0 / 20

HEX #5CC0CB

RGB 92 192 203

HSL 185.95, 0.52%, 0.58%

LAB 72.42, -26.03, -14.43

 

CMYK 41 / 4 / 0 / 27

HEX #6EB2B9

RGB 110 178 185

HSL 185.6, 0.35%, 0.58%

LAB 68.5, -19.67, -10.36

 

CMYK 84 / 0 / 38 / 0

HEX #28FF9E

RGB 40 255 158

HSL 152.93, 1%, 0.58%

LAB 89.13, -69.89, 32.88

 

CMYK 84 / 0 / 16 / 0

HEX #28FFD7

RGB 40 255 215

HSL 168.84, 1%, 0.58%

LAB 90.27, -57.39, 5.38

 

CMYK 84 / 7 / 0 / 0

HEX #28EDFF

RGB 40 237 255

HSL 185.02, 1%, 0.58%

LAB 86.13, -38.71, -21.63

 

CMYK 84 / 29 / 0 / 0

HEX #28B4FF

RGB 40 180 255

HSL 200.93, 1%, 0.58%

LAB 69.69, -10.14, -47

 

CMYK 84 / 52 / 0 / 0

HEX #287AFF

RGB 40 122 255

HSL 217.12, 1%, 0.58%

LAB 53.59, 24.14, -72.73

 

CMYK 100 / 9 / 0 / 16

HEX #00C1D5

RGB 0 193 213

HSL 185.63, 1%, 0.42%

LAB 71.52, -32.76, -21.39

RGB 0 193 213

CMYK 100 / 9 / 0 / 0

HEX #00E6FE

RGB 0 230 254

HSL 185.67, 1%, 0.5%

LAB 83.84, -37.23, -24.61

RGB 0 230 254

CMYK 84 / 8 / 0 / 0

HEX #28EAFF

RGB 40 234 255

HSL 185.86, 1%, 0.58%

LAB 85.26, -37.33, -22.95

RGB 40 234 255

CMYK 68 / 7 / 0 / 0

HEX #52EEFF

RGB 82 238 255

HSL 185.9, 1%, 0.66%

LAB 87.08, -35.08, -20.13

RGB 82 238 255

CMYK 52 / 5 / 0 / 0

HEX #7BF2FF

RGB 123 242 255

HSL 185.91, 1%, 0.74%

LAB 89.36, -30.12, -16.57

RGB 123 242 255

CMYK 84 / 8 / 0 / 0

HEX #2AEBFF

RGB 42 235 255

HSL 185.63, 1%, 0.58%

LAB 85.57, -37.66, -22.47

 

CMYK 60 / 84 / 0 / 0

HEX #6528FF

RGB 101 40 255

HSL 257.02, 1%, 0.58%

LAB 40.42, 73.62, -94.21

 

CMYK 0 / 27 / 84 / 0

HEX #FFBB28

RGB 255 187 40

HSL 41.02, 1%, 0.58%

LAB 80.15, 13.01, 75.94

 

CMYK 84 / 8 / 0 / 0

HEX #2AEBFF

RGB 42 235 255

HSL 185.63, 1%, 0.58%

LAB 85.57, -37.66, -22.47

 

CMYK 0 / 84 / 7 / 0

HEX #FF28ED

RGB 255 40 237

HSL 305.02, 1%, 0.58%

LAB 60.69, 91.8, -50.24

 

CMYK 7 / 0 / 84 / 0

HEX #EDFF28

RGB 237 255 40

HSL 65.02, 1%, 0.58%

LAB 95.86, -28.35, 88.28

 

CMYK 84 / 8 / 0 / 0

HEX #2AEBFF

RGB 42 235 255

HSL 185.63, 1%, 0.58%

LAB 85.57, -37.66, -22.47

 

CMYK 60 / 84 / 0 / 0

HEX #6528FF

RGB 101 40 255

HSL 257.02, 1%, 0.58%

LAB 40.42, 73.62, -94.21

 

CMYK 0 / 77 / 84 / 0

HEX #FF3A28

RGB 255 58 40

HSL 5.02, 1%, 0.58%

LAB 56.52, 71.63, 56.15

 

CMYK 24 / 0 / 84 / 0

HEX #C2FF28

RGB 194 255 40

HSL 77.02, 1%, 0.58%

LAB 93.08, -45.11, 84.82

 

CMYK 84 / 8 / 0 / 0

HEX #2AEBFF

RGB 42 235 255

HSL 185.63, 1%, 0.58%

LAB 85.57, -37.66, -22.47

 

CMYK 35 / 84 / 0 / 0

HEX #A528FF

RGB 165 40 255

HSL 274.88, 1%, 0.58%

LAB 47.93, 80.52, -81.58

 

CMYK 0 / 77 / 84 / 0

HEX #FF3A28

RGB 255 58 40

HSL 5.02, 1%, 0.58%

LAB 56.52, 71.63, 56.15

 

CMYK 49 / 0 / 84 / 0

HEX #82FF28

RGB 130 255 40

HSL 94.88, 1%, 0.58%

LAB 90.05, -66.42, 81.03

 

Description

Color code: RGB 42 235 255 | qconv.com Color code: RGB 42 235 255 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 235 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 235 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 8 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 8% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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