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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 217 188 it is the complementary color RGB 213 38 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 217 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 42 217 188: RGB 47 217 183, RGB 64 235 202, RGB 81 253 221, RGB 98 255 240 and RGB 115 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 217 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 42 217 188: RGB 42 217 188, RGB 25 199 169, RGB 8 181 150, RGB 0 163 131 and RGB 0 145 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 13 / 15

HEX #2AD9BC

RGB 42 217 188

HSL 170.06, 0.7%, 0.51%

LAB 78.32, -48.68, 2.26

 

Complementary color

CMYK 0 / 82 / 69 / 16

HEX #D52643

RGB 213 38 67

HSL 350.06, 0.7%, 0.49%

LAB 46.89, 66.09, 28.89

 

CMYK 78 / 0 / 16 / 15

HEX #2FD9B7

RGB 47 217 183

HSL 168, 0.69%, 0.52%

LAB 78.26, -49.5, 4.85

 

CMYK 73 / 0 / 14 / 8

HEX #40EBCA

RGB 64 235 202

HSL 168.42, 0.81%, 0.59%

LAB 84.37, -50.32, 3.66

 

CMYK 68 / 0 / 13 / 1

HEX #51FDDD

RGB 81 253 221

HSL 168.84, 0.98%, 0.65%

LAB 90.42, -50.91, 2.57

 

CMYK 62 / 0 / 6 / 0

HEX #62FFF0

RGB 98 255 240

HSL 174.27, 1%, 0.69%

LAB 91.87, -44.47, -5.12

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 81 / 0 / 13 / 15

HEX #2AD9BC

RGB 42 217 188

HSL 170.06, 0.7%, 0.51%

LAB 78.32, -48.68, 2.26

 

CMYK 87 / 0 / 15 / 22

HEX #19C7A9

RGB 25 199 169

HSL 169.66, 0.78%, 0.44%

LAB 72.17, -47.42, 3.56

 

CMYK 96 / 0 / 17 / 29

HEX #08B596

RGB 8 181 150

HSL 169.25, 0.92%, 0.37%

LAB 65.98, -45.78, 5

 

CMYK 100 / 0 / 20 / 36

HEX #00A383

RGB 0 163 131

HSL 168.22, 1%, 0.32%

LAB 59.74, -43.68, 6.6

 

CMYK 100 / 0 / 23 / 43

HEX #009170

RGB 0 145 112

HSL 166.34, 1%, 0.28%

LAB 53.41, -41.22, 8.35

 

CMYK 81 / 0 / 13 / 15

HEX #2AD9BC

RGB 42 217 188

HSL 170.06, 0.7%, 0.51%

LAB 78.32, -48.68, 2.26

 

CMYK 81 / 0 / 0 / 15

HEX #2AD9D9

RGB 42 217 217

HSL 180, 0.7%, 0.51%

LAB 79.11, -40.69, -12.06

 

CMYK 81 / 13 / 0 / 15

HEX #2ABCD9

RGB 42 188 217

HSL 189.94, 0.7%, 0.51%

LAB 70.5, -26.98, -25.09

 

CMYK 81 / 27 / 0 / 15

HEX #2A9FD9

RGB 42 159 217

HSL 199.89, 0.7%, 0.51%

LAB 61.91, -11.76, -38.39

 

CMYK 81 / 40 / 0 / 15

HEX #2A82D9

RGB 42 130 217

HSL 209.83, 0.7%, 0.51%

LAB 53.46, 5.09, -51.75

 

CMYK 81 / 0 / 13 / 15

HEX #2AD9BC

RGB 42 217 188

HSL 170.06, 0.7%, 0.51%

LAB 78.32, -48.68, 2.26

 

CMYK 77 / 0 / 15 / 95

HEX #030D0B

RGB 3 13 11

HSL 168, 0.63%, 0.03%

LAB 2.99, -2.99, -0.1

 

CMYK 81 / 0 / 14 / 75

HEX #0C4037

RGB 12 64 55

HSL 169.62, 0.68%, 0.15%

LAB 23.74, -19.21, 0.68

 

CMYK 81 / 0 / 13 / 55

HEX #167364

RGB 22 115 100

HSL 170.32, 0.68%, 0.27%

LAB 43.29, -29.69, 0.87

 

CMYK 81 / 0 / 13 / 35

HEX #20A690

RGB 32 166 144

HSL 170.15, 0.68%, 0.39%

LAB 61.3, -39.49, 1.59

 

CMYK 81 / 0 / 13 / 15

HEX #2AD9BC

RGB 42 217 188

HSL 170.06, 0.7%, 0.51%

LAB 78.32, -48.68, 2.26

 

CMYK 78 / 81 / 0 / 15

HEX #302AD9

RGB 48 42 217

HSL 242.06, 0.7%, 0.51%

LAB 32.47, 58.69, -85.94

 

CMYK 0 / 46 / 81 / 15

HEX #D9762A

RGB 217 118 42

HSL 26.06, 0.7%, 0.51%

LAB 59.78, 33.5, 55.83

 

CMYK 81 / 0 / 13 / 15

HEX #2AD9BC

RGB 42 217 188

HSL 170.06, 0.7%, 0.51%

LAB 78.32, -48.68, 2.26

 

CMYK 13 / 81 / 0 / 15

HEX #BC2AD9

RGB 188 42 217

HSL 290.06, 0.7%, 0.51%

LAB 48.71, 76.35, -58.72

 

CMYK 0 / 13 / 81 / 15

HEX #D9BC2A

RGB 217 188 42

HSL 50.06, 0.7%, 0.51%

LAB 76.61, -3.75, 70.86

 

CMYK 81 / 0 / 13 / 15

HEX #2AD9BC

RGB 42 217 188

HSL 170.06, 0.7%, 0.51%

LAB 78.32, -48.68, 2.26

 

CMYK 78 / 81 / 0 / 15

HEX #302AD9

RGB 48 42 217

HSL 242.06, 0.7%, 0.51%

LAB 32.47, 58.69, -85.94

 

CMYK 0 / 81 / 67 / 15

HEX #D92A47

RGB 217 42 71

HSL 350.06, 0.7%, 0.51%

LAB 48.09, 66.38, 28.13

 

CMYK 3 / 0 / 81 / 15

HEX #D3D92A

RGB 211 217 42

HSL 62.06, 0.7%, 0.51%

LAB 83.78, -20.89, 76.87

 

CMYK 81 / 0 / 13 / 15

HEX #2AD9BC

RGB 42 217 188

HSL 170.06, 0.7%, 0.51%

LAB 78.32, -48.68, 2.26

 

CMYK 54 / 81 / 0 / 15

HEX #642AD9

RGB 100 42 217

HSL 259.89, 0.7%, 0.51%

LAB 36.7, 63.19, -78.81

 

CMYK 0 / 81 / 67 / 15

HEX #D92A47

RGB 217 42 71

HSL 350.06, 0.7%, 0.51%

LAB 48.09, 66.38, 28.13

 

CMYK 27 / 0 / 81 / 15

HEX #9FD92A

RGB 159 217 42

HSL 79.89, 0.7%, 0.51%

LAB 80.27, -41.75, 72.44

 

Description

Color code: RGB 42 217 188 | qconv.com Color code: RGB 42 217 188 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 217 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 217 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 13 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 13% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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