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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 197 65 it is the complementary color RGB 213 58 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 197 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 42 197 65: RGB 47 197 60, RGB 64 215 79, RGB 81 233 98, RGB 98 251 117 and RGB 115 255 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 197 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 42 197 65: RGB 42 197 65, RGB 25 179 46, RGB 8 161 27, RGB 0 143 8 and RGB 0 125 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 67 / 23

HEX #2AC541

RGB 42 197 65

HSL 128.9, 0.65%, 0.47%

LAB 70.04, -64.45, 53.2

 

Complementary color

CMYK 0 / 73 / 11 / 16

HEX #D53ABE

RGB 213 58 190

HSL 308.9, 0.65%, 0.53%

LAB 52.83, 72.47, -36.38

 

CMYK 76 / 0 / 70 / 23

HEX #2FC53C

RGB 47 197 60

HSL 125.2, 0.61%, 0.48%

LAB 70.08, -64.25, 55.25

 

CMYK 70 / 0 / 63 / 16

HEX #40D74F

RGB 64 215 79

HSL 125.96, 0.65%, 0.55%

LAB 76.23, -65.52, 54.29

 

CMYK 65 / 0 / 58 / 9

HEX #51E962

RGB 81 233 98

HSL 126.71, 0.78%, 0.62%

LAB 82.33, -66.35, 53.1

 

CMYK 61 / 0 / 53 / 2

HEX #62FB75

RGB 98 251 117

HSL 127.45, 0.95%, 0.68%

LAB 88.39, -66.87, 51.83

 

CMYK 55 / 0 / 47 / 0

HEX #73FF88

RGB 115 255 136

HSL 129, 1%, 0.73%

LAB 90.3, -62.01, 45.42

 

CMYK 79 / 0 / 67 / 23

HEX #2AC541

RGB 42 197 65

HSL 128.9, 0.65%, 0.47%

LAB 70.04, -64.45, 53.2

 

CMYK 86 / 0 / 74 / 30

HEX #19B32E

RGB 25 179 46

HSL 128.18, 0.75%, 0.4%

LAB 63.87, -62.48, 53.98

 

CMYK 95 / 0 / 83 / 37

HEX #08A11B

RGB 8 161 27

HSL 127.45, 0.91%, 0.33%

LAB 57.68, -59.67, 54.03

 

CMYK 100 / 0 / 94 / 44

HEX #008F08

RGB 0 143 8

HSL 123.36, 1%, 0.28%

LAB 51.45, -55.76, 52.68

 

CMYK 100 / 0 / 100 / 51

HEX #007D00

RGB 0 125 0

HSL 120, 1%, 0.25%

LAB 45.18, -50.82, 49.05

 

CMYK 79 / 0 / 67 / 23

HEX #2AC541

RGB 42 197 65

HSL 128.9, 0.65%, 0.47%

LAB 70.04, -64.45, 53.2

 

CMYK 79 / 0 / 55 / 23

HEX #29C558

RGB 41 197 88

HSL 138.08, 0.66%, 0.47%

LAB 70.25, -61.82, 43.23

 

CMYK 79 / 0 / 42 / 23

HEX #29C572

RGB 41 197 114

HSL 148.08, 0.66%, 0.47%

LAB 70.61, -57.64, 30.75

 

CMYK 79 / 0 / 29 / 23

HEX #29C58C

RGB 41 197 140

HSL 158.08, 0.66%, 0.47%

LAB 71.08, -52.36, 17.68

 

CMYK 79 / 0 / 16 / 23

HEX #29C5A6

RGB 41 197 166

HSL 168.08, 0.66%, 0.47%

LAB 71.66, -46.1, 4.47

 

CMYK 79 / 0 / 67 / 23

HEX #2AC541

RGB 42 197 65

HSL 128.9, 0.65%, 0.47%

LAB 70.04, -64.45, 53.2

 

CMYK 79 / 0 / 67 / 3

HEX #35F852

RGB 53 248 82

HSL 128.92, 0.93%, 0.59%

LAB 86.26, -77.13, 64

 

CMYK 80 / 0 / 66 / 83

HEX #092C0F

RGB 9 44 15

HSL 130.29, 0.66%, 0.1%

LAB 14.92, -20.19, 14.86

 

CMYK 79 / 0 / 67 / 63

HEX #145F1F

RGB 20 95 31

HSL 128.8, 0.65%, 0.23%

LAB 34.87, -36.67, 29.52

 

CMYK 79 / 0 / 67 / 43

HEX #1F9230

RGB 31 146 48

HSL 128.87, 0.65%, 0.35%

LAB 53.02, -51.07, 41.8

 

CMYK 79 / 0 / 67 / 23

HEX #2AC541

RGB 42 197 65

HSL 128.9, 0.65%, 0.47%

LAB 70.04, -64.45, 53.2

 

CMYK 79 / 26 / 0 / 23

HEX #2991C5

RGB 41 145 197

HSL 200, 0.66%, 0.47%

LAB 56.83, -11.11, -35.13

 

CMYK 0 / 79 / 58 / 23

HEX #C52953

RGB 197 41 83

HSL 343.85, 0.66%, 0.47%

LAB 44.35, 61.85, 15.15

 

CMYK 79 / 0 / 67 / 23

HEX #2AC541

RGB 42 197 65

HSL 128.9, 0.65%, 0.47%

LAB 70.04, -64.45, 53.2

 

CMYK 69 / 79 / 0 / 23

HEX #3E29C5

RGB 62 41 197

HSL 248.08, 0.66%, 0.47%

LAB 30.98, 54.19, -76.76

 

CMYK 0 / 69 / 79 / 23

HEX #C53E29

RGB 197 62 41

HSL 8.08, 0.66%, 0.47%

LAB 46.28, 52.55, 42.25

 

CMYK 79 / 0 / 67 / 23

HEX #2AC541

RGB 42 197 65

HSL 128.9, 0.65%, 0.47%

LAB 70.04, -64.45, 53.2

 

CMYK 79 / 26 / 0 / 23

HEX #2991C5

RGB 41 145 197

HSL 200, 0.66%, 0.47%

LAB 56.83, -11.11, -35.13

 

CMYK 0 / 79 / 11 / 23

HEX #C529B0

RGB 197 41 176

HSL 308.08, 0.66%, 0.47%

LAB 47.74, 71.84, -36.39

 

CMYK 0 / 53 / 79 / 23

HEX #C55D29

RGB 197 93 41

HSL 20, 0.66%, 0.47%

LAB 51.68, 38.35, 47.59

 

CMYK 79 / 0 / 67 / 23

HEX #2AC541

RGB 42 197 65

HSL 128.9, 0.65%, 0.47%

LAB 70.04, -64.45, 53.2

 

CMYK 79 / 50 / 0 / 23

HEX #2963C5

RGB 41 99 197

HSL 217.69, 0.66%, 0.47%

LAB 43.4, 16.87, -56.48

 

CMYK 0 / 79 / 11 / 23

HEX #C529B0

RGB 197 41 176

HSL 308.08, 0.66%, 0.47%

LAB 47.74, 71.84, -36.39

 

CMYK 0 / 29 / 79 / 23

HEX #C58C29

RGB 197 140 41

HSL 38.08, 0.66%, 0.47%

LAB 62.33, 13.11, 57.65

 

Description

Color code: RGB 42 197 65 | qconv.com Color code: RGB 42 197 65 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 197 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 197 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 67 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 67% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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