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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 185 179 it is the complementary color RGB 213 70 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 185 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 185 179 shade: RGB 47 185 174, RGB 64 203 193, RGB 81 221 212, RGB 98 239 231 and RGB 115 255 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 185 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 185 179 shade: RGB 42 185 179, RGB 25 167 160, RGB 8 149 141, RGB 0 131 122 and RGB 0 113 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 185 179 shade: RGB 42 187 180, RGB 42 187 141, RGB 42 187 102, RGB 42 187 64 and RGB 59 187 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 185 179 shade: RGB 42 187 180, RGB 42 154 187, RGB 42 115 187, RGB 42 76 187 and RGB 42 42 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 185 179 shade matches the following richer shades: RGB 42 187 180, RGB 23 205 197 and RGB 5 224 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 185 179 shade: RGB 42 187 180, RGB 61 168 163, RGB 79 149 146, RGB 98 131 129 and RGB 116 112 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 185 179 shade: RGB 42 187 102, RGB 42 187 141, RGB 42 187 179, RGB 42 155 187 and RGB 42 117 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 185 179 shade: RGB 27 119 115, RGB 34 153 148, RGB 42 187 180, RGB 60 210 204 and RGB 93 218 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 185 179 shade: RGB 42 185 179, RGB 64 42 187 and RGB 187 121 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 185 179 shade: RGB 42 185 179, RGB 179 42 187 and RGB 187 179 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 185 179 shade: RGB 42 185 179, RGB 64 42 187, RGB 187 42 49 and RGB 165 187 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 185 179 shade: RGB 42 185 179, RGB 107 42 187, RGB 187 42 49 and RGB 121 187 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 3 / 27

HEX #2AB9B3

RGB 42 185 179

HSL 177.48, 0.63%, 0.45%

LAB 68.35, -37.17, -7.5

 

Complementary color

CMYK 0 / 67 / 64 / 16

HEX #D5464C

RGB 213 70 76

HSL 357.48, 0.63%, 0.55%

LAB 50.74, 56.25, 28.33

 

CMYK 75 / 0 / 6 / 27

HEX #2FB9AE

RGB 47 185 174

HSL 175.22, 0.59%, 0.45%

LAB 68.28, -38.05, -4.83

 

CMYK 68 / 0 / 5 / 20

HEX #40CBC1

RGB 64 203 193

HSL 175.68, 0.57%, 0.52%

LAB 74.6, -38.78, -5.82

 

CMYK 63 / 0 / 4 / 13

HEX #51DDD4

RGB 81 221 212

HSL 176.14, 0.67%, 0.59%

LAB 80.86, -39.29, -6.72

 

CMYK 59 / 0 / 3 / 6

HEX #62EFE7

RGB 98 239 231

HSL 176.6, 0.82%, 0.66%

LAB 87.05, -39.66, -7.55

 

CMYK 55 / 0 / 2 / 0

HEX #73FFFA

RGB 115 255 250

HSL 177.86, 1%, 0.73%

LAB 92.6, -39, -9.16

 

CMYK 77 / 0 / 3 / 27

HEX #2AB9B3

RGB 42 185 179

HSL 177.48, 0.63%, 0.45%

LAB 68.35, -37.17, -7.5

 

CMYK 85 / 0 / 4 / 35

HEX #19A7A0

RGB 25 167 160

HSL 177.04, 0.74%, 0.38%

LAB 61.98, -35.96, -6.41

 

CMYK 95 / 0 / 5 / 42

HEX #08958D

RGB 8 149 141

HSL 176.6, 0.9%, 0.31%

LAB 55.55, -34.34, -5.17

 

CMYK 100 / 0 / 7 / 49

HEX #00837A

RGB 0 131 122

HSL 175.88, 1%, 0.26%

LAB 49.05, -32.18, -3.76

 

CMYK 100 / 0 / 9 / 56

HEX #007167

RGB 0 113 103

HSL 174.69, 1%, 0.22%

LAB 42.44, -29.61, -2.21

 

CMYK 78 / 0 / 4 / 27

HEX #2ABBB4

RGB 42 187 180

HSL 177.1, 0.63%, 0.45%

LAB 68.99, -37.79, -7.1

 

CMYK 78 / 0 / 25 / 27

HEX #2ABB8D

RGB 42 187 141

HSL 160.97, 0.63%, 0.45%

LAB 67.99, -48.05, 12.83

 

CMYK 78 / 0 / 45 / 27

HEX #2ABB66

RGB 42 187 102

HSL 144.83, 0.63%, 0.45%

LAB 67.27, -56.07, 32.6

 

CMYK 78 / 0 / 66 / 27

HEX #2ABB40

RGB 42 187 64

HSL 129.1, 0.63%, 0.45%

LAB 66.83, -61.36, 50.11

 

CMYK 68 / 0 / 78 / 27

HEX #3BBB2A

RGB 59 187 42

HSL 112.97, 0.63%, 0.45%

LAB 67, -60.42, 58.62

 

CMYK 78 / 0 / 4 / 27

HEX #2ABBB4

RGB 42 187 180

HSL 177.1, 0.63%, 0.45%

LAB 68.99, -37.79, -7.1

 

CMYK 78 / 18 / 0 / 27

HEX #2A9ABB

RGB 42 154 187

HSL 193.66, 0.63%, 0.45%

LAB 59.15, -19.37, -25.88

 

CMYK 78 / 39 / 0 / 27

HEX #2A73BB

RGB 42 115 187

HSL 209.79, 0.63%, 0.45%

LAB 47.42, 3.03, -44.26

 

CMYK 78 / 59 / 0 / 27

HEX #2A4CBB

RGB 42 76 187

HSL 225.93, 0.63%, 0.45%

LAB 36.46, 28.21, -61.92

 

CMYK 78 / 78 / 0 / 27

HEX #2A2ABB

RGB 42 42 187

HSL 240, 0.63%, 0.45%

LAB 28.74, 48.99, -74.61

 

CMYK 78 / 0 / 4 / 27

HEX #2ABBB4

RGB 42 187 180

HSL 177.1, 0.63%, 0.45%

LAB 68.99, -37.79, -7.1

 

CMYK 89 / 0 / 4 / 20

HEX #17CDC5

RGB 23 205 197

HSL 177.36, 0.8%, 0.45%

LAB 74.75, -42.36, -7.84

 

CMYK 98 / 0 / 4 / 12

HEX #05E0D6

RGB 5 224 214

HSL 177.26, 0.96%, 0.45%

LAB 80.85, -46.37, -7.91

 

CMYK 78 / 0 / 4 / 27

HEX #2ABBB4

RGB 42 187 180

HSL 177.1, 0.63%, 0.45%

LAB 68.99, -37.79, -7.1

 

CMYK 64 / 0 / 3 / 34

HEX #3DA8A3

RGB 61 168 163

HSL 177.2, 0.47%, 0.45%

LAB 63.05, -31.24, -6.44

 

CMYK 47 / 0 / 2 / 42

HEX #4F9592

RGB 79 149 146

HSL 177.43, 0.31%, 0.45%

LAB 57.3, -22.78, -5.27

 

CMYK 25 / 0 / 2 / 49

HEX #628381

RGB 98 131 129

HSL 176.36, 0.14%, 0.45%

LAB 52.3, -12.06, -2.73

 

CMYK 0 / 3 / 3 / 55

HEX #747070

RGB 116 112 112

HSL 0, 0.02%, 0.45%

LAB 47.59, 1.54, 0.54

 

CMYK 78 / 0 / 45 / 27

HEX #2ABB66

RGB 42 187 102

HSL 144.83, 0.63%, 0.45%

LAB 67.27, -56.07, 32.6

 

CMYK 78 / 0 / 25 / 27

HEX #2ABB8D

RGB 42 187 141

HSL 160.97, 0.63%, 0.45%

LAB 67.99, -48.05, 12.83

 

CMYK 78 / 0 / 4 / 27

HEX #2ABBB3

RGB 42 187 179

HSL 176.69, 0.63%, 0.45%

LAB 68.96, -38.08, -6.59

 

CMYK 78 / 17 / 0 / 27

HEX #2A9BBB

RGB 42 155 187

HSL 193.24, 0.63%, 0.45%

LAB 59.46, -19.9, -25.41

 

CMYK 78 / 37 / 0 / 27

HEX #2A75BB

RGB 42 117 187

HSL 208.97, 0.63%, 0.45%

LAB 48.01, 1.8, -43.32

 

CMYK 77 / 0 / 3 / 53

HEX #1B7773

RGB 27 119 115

HSL 177.39, 0.63%, 0.29%

LAB 45.17, -26.5, -5.34

 

CMYK 78 / 0 / 3 / 40

HEX #229994

RGB 34 153 148

HSL 177.48, 0.64%, 0.37%

LAB 57.33, -32.19, -6.51

 

CMYK 78 / 0 / 4 / 27

HEX #2ABBB4

RGB 42 187 180

HSL 177.1, 0.63%, 0.45%

LAB 68.99, -37.79, -7.1

 

CMYK 71 / 0 / 3 / 18

HEX #3CD2CC

RGB 60 210 204

HSL 177.6, 0.63%, 0.53%

LAB 76.93, -39.43, -8.32

 

CMYK 57 / 0 / 2 / 15

HEX #5DDAD5

RGB 93 218 213

HSL 177.6, 0.63%, 0.61%

LAB 80.33, -35.62, -8

 

CMYK 77 / 0 / 3 / 27

HEX #2AB9B3

RGB 42 185 179

HSL 177.48, 0.63%, 0.45%

LAB 68.35, -37.17, -7.5

 

CMYK 66 / 78 / 0 / 27

HEX #402ABB

RGB 64 42 187

HSL 249.1, 0.63%, 0.45%

LAB 30.24, 50.91, -72.08

 

CMYK 0 / 35 / 78 / 27

HEX #BB792A

RGB 187 121 42

HSL 32.69, 0.63%, 0.45%

LAB 56.49, 19.23, 51.33

 

CMYK 77 / 0 / 3 / 27

HEX #2AB9B3

RGB 42 185 179

HSL 177.48, 0.63%, 0.45%

LAB 68.35, -37.17, -7.5

 

CMYK 4 / 78 / 0 / 27

HEX #B32ABB

RGB 179 42 187

HSL 296.69, 0.63%, 0.45%

LAB 45.4, 69.58, -46.76

 

CMYK 0 / 4 / 78 / 27

HEX #BBB32A

RGB 187 179 42

HSL 56.69, 0.63%, 0.45%

LAB 71.54, -12.12, 65.34

 

CMYK 77 / 0 / 3 / 27

HEX #2AB9B3

RGB 42 185 179

HSL 177.48, 0.63%, 0.45%

LAB 68.35, -37.17, -7.5

 

CMYK 66 / 78 / 0 / 27

HEX #402ABB

RGB 64 42 187

HSL 249.1, 0.63%, 0.45%

LAB 30.24, 50.91, -72.08

 

CMYK 0 / 78 / 74 / 27

HEX #BB2A31

RGB 187 42 49

HSL 357.1, 0.63%, 0.45%

LAB 41.91, 56.8, 32.52

 

CMYK 12 / 0 / 78 / 27

HEX #A5BB2A

RGB 165 187 42

HSL 69.1, 0.63%, 0.45%

LAB 72.03, -25.54, 65.14

 

CMYK 77 / 0 / 3 / 27

HEX #2AB9B3

RGB 42 185 179

HSL 177.48, 0.63%, 0.45%

LAB 68.35, -37.17, -7.5

 

CMYK 43 / 78 / 0 / 27

HEX #6B2ABB

RGB 107 42 187

HSL 266.9, 0.63%, 0.45%

LAB 34.74, 56.56, -64.51

 

CMYK 0 / 78 / 74 / 27

HEX #BB2A31

RGB 187 42 49

HSL 357.1, 0.63%, 0.45%

LAB 41.91, 56.8, 32.52

 

CMYK 35 / 0 / 78 / 27

HEX #79BB2A

RGB 121 187 42

HSL 87.31, 0.63%, 0.45%

LAB 69.31, -42.82, 61.63

 

Description

Color code: RGB 42 185 179 | qconv.com Color code: RGB 42 185 179 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 185 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 185 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 3 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 3% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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