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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 136 141 it is the complementary color RGB 213 119 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 136 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 136 141 shade: RGB 47 136 136, RGB 64 154 155, RGB 81 172 174, RGB 98 190 193 and RGB 115 208 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 136 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 136 141 shade: RGB 42 136 141, RGB 25 118 122, RGB 8 100 103, RGB 0 82 84 and RGB 0 64 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 136 141 shade: RGB 42 136 141, RGB 42 109 141, RGB 42 82 141, RGB 42 56 141 and RGB 55 42 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 136 141 shade: RGB 42 136 141, RGB 42 109 141, RGB 42 82 141, RGB 42 56 141 and RGB 42 42 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 136 141 shade matches the following richer shades: RGB 42 136 141, RGB 27 149 156 and RGB 12 163 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 136 141 shade: RGB 42 136 141, RGB 57 123 126, RGB 71 109 111, RGB 86 96 96 and RGB 101 82 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 136 141 shade: RGB 42 141 93, RGB 42 141 119, RGB 42 136 141, RGB 42 109 141 and RGB 42 83 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 136 141 shade: RGB 23 75 77, RGB 32 105 109, RGB 42 136 141, RGB 51 167 173 and RGB 67 192 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 136 141 shade: RGB 42 136 141, RGB 67 42 141 and RGB 141 106 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 136 141 shade: RGB 42 136 141, RGB 141 42 136 and RGB 136 141 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 136 141 shade: RGB 42 136 141, RGB 67 42 141, RGB 141 47 42 and RGB 116 141 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 136 141 shade: RGB 42 136 141, RGB 96 42 141, RGB 141 47 42 and RGB 86 141 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 4 / 0 / 45

HEX #2A888D

RGB 42 136 141

HSL 183.03, 0.54%, 0.36%

LAB 51.86, -24.94, -10.62

 

Complementary color

CMYK 0 / 44 / 46 / 16

HEX #D57772

RGB 213 119 114

HSL 3.03, 0.54%, 0.64%

LAB 60.39, 36.08, 19.01

 

CMYK 65 / 0 / 0 / 47

HEX #2F8888

RGB 47 136 136

HSL 180, 0.49%, 0.36%

LAB 51.83, -25.68, -7.76

 

CMYK 59 / 1 / 0 / 39

HEX #409A9B

RGB 64 154 155

HSL 180.66, 0.42%, 0.43%

LAB 58.57, -26.1, -8.57

 

CMYK 53 / 1 / 0 / 32

HEX #51ACAE

RGB 81 172 174

HSL 181.29, 0.36%, 0.5%

LAB 65.21, -26.35, -9.3

 

CMYK 49 / 2 / 0 / 24

HEX #62BEC1

RGB 98 190 193

HSL 181.89, 0.43%, 0.57%

LAB 71.74, -26.5, -9.97

 

CMYK 46 / 2 / 0 / 17

HEX #73D0D4

RGB 115 208 212

HSL 182.47, 0.53%, 0.64%

LAB 78.18, -26.58, -10.59

 

CMYK 70 / 4 / 0 / 45

HEX #2A888D

RGB 42 136 141

HSL 183.03, 0.54%, 0.36%

LAB 51.86, -24.94, -10.62

 

CMYK 80 / 3 / 0 / 52

HEX #19767A

RGB 25 118 122

HSL 182.47, 0.66%, 0.29%

LAB 45.04, -24, -9.72

 

CMYK 92 / 3 / 0 / 60

HEX #086467

RGB 8 100 103

HSL 181.89, 0.86%, 0.22%

LAB 38.1, -22.57, -8.66

 

CMYK 100 / 2 / 0 / 67

HEX #005254

RGB 0 82 84

HSL 181.43, 1%, 0.16%

LAB 31.05, -20.38, -7.37

 

CMYK 100 / 2 / 0 / 75

HEX #004041

RGB 0 64 65

HSL 180.92, 1%, 0.13%

LAB 23.83, -17.49, -5.86

 

CMYK 70 / 4 / 0 / 45

HEX #2A888D

RGB 42 136 141

HSL 183.03, 0.54%, 0.36%

LAB 51.86, -24.94, -10.62

 

CMYK 70 / 23 / 0 / 45

HEX #2A6D8D

RGB 42 109 141

HSL 199.39, 0.54%, 0.36%

LAB 43.29, -10.2, -23.71

 

CMYK 70 / 42 / 0 / 45

HEX #2A528D

RGB 42 82 141

HSL 215.76, 0.54%, 0.36%

LAB 34.9, 6.61, -36.9

 

CMYK 70 / 60 / 0 / 45

HEX #2A388D

RGB 42 56 141

HSL 231.52, 0.54%, 0.36%

LAB 27.42, 24.19, -48.96

 

CMYK 61 / 70 / 0 / 45

HEX #372A8D

RGB 55 42 141

HSL 247.88, 0.54%, 0.36%

LAB 24.92, 35.27, -52.99

 

CMYK 70 / 4 / 0 / 45

HEX #2A888D

RGB 42 136 141

HSL 183.03, 0.54%, 0.36%

LAB 51.86, -24.94, -10.62

 

CMYK 70 / 23 / 0 / 45

HEX #2A6D8D

RGB 42 109 141

HSL 199.39, 0.54%, 0.36%

LAB 43.29, -10.2, -23.71

 

CMYK 70 / 42 / 0 / 45

HEX #2A528D

RGB 42 82 141

HSL 215.76, 0.54%, 0.36%

LAB 34.9, 6.61, -36.9

 

CMYK 70 / 60 / 0 / 45

HEX #2A388D

RGB 42 56 141

HSL 231.52, 0.54%, 0.36%

LAB 27.42, 24.19, -48.96

 

CMYK 70 / 70 / 0 / 45

HEX #2A2A8D

RGB 42 42 141

HSL 240, 0.54%, 0.36%

LAB 23.91, 33.41, -54.7

 

CMYK 70 / 4 / 0 / 45

HEX #2A888D

RGB 42 136 141

HSL 183.03, 0.54%, 0.36%

LAB 51.86, -24.94, -10.62

 

CMYK 83 / 4 / 0 / 39

HEX #1B959C

RGB 27 149 156

HSL 183.26, 0.7%, 0.36%

LAB 56.22, -28.46, -12.76

 

CMYK 93 / 5 / 0 / 33

HEX #0CA3AB

RGB 12 163 171

HSL 183.02, 0.87%, 0.36%

LAB 60.97, -31.43, -14.12

 

CMYK 70 / 4 / 0 / 45

HEX #2A888D

RGB 42 136 141

HSL 183.03, 0.54%, 0.36%

LAB 51.86, -24.94, -10.62

 

CMYK 55 / 2 / 0 / 51

HEX #397B7E

RGB 57 123 126

HSL 182.61, 0.38%, 0.36%

LAB 47.68, -19.96, -8.05

 

CMYK 36 / 2 / 0 / 56

HEX #476D6F

RGB 71 109 111

HSL 183, 0.22%, 0.36%

LAB 43.4, -12.83, -5.4

 

CMYK 10 / 0 / 0 / 62

HEX #566060

RGB 86 96 96

HSL 180, 0.05%, 0.36%

LAB 39.9, -3.86, -1.32

 

CMYK 0 / 19 / 20 / 60

HEX #655251

RGB 101 82 81

HSL 3, 0.11%, 0.36%

LAB 36.73, 7.71, 3.55

 

CMYK 70 / 0 / 34 / 45

HEX #2A8D5D

RGB 42 141 93

HSL 150.91, 0.54%, 0.36%

LAB 52.21, -40.05, 17.57

 

CMYK 70 / 0 / 16 / 45

HEX #2A8D77

RGB 42 141 119

HSL 166.67, 0.54%, 0.36%

LAB 52.81, -33.74, 3.54

 

CMYK 70 / 4 / 0 / 45

HEX #2A888D

RGB 42 136 141

HSL 183.03, 0.54%, 0.36%

LAB 51.86, -24.94, -10.62

 

CMYK 70 / 23 / 0 / 45

HEX #2A6D8D

RGB 42 109 141

HSL 199.39, 0.54%, 0.36%

LAB 43.29, -10.2, -23.71

 

CMYK 70 / 41 / 0 / 45

HEX #2A538D

RGB 42 83 141

HSL 215.15, 0.54%, 0.36%

LAB 35.21, 5.96, -36.42

 

CMYK 70 / 3 / 0 / 70

HEX #174B4D

RGB 23 75 77

HSL 182.22, 0.54%, 0.2%

LAB 28.77, -16.09, -6.25

 

CMYK 71 / 4 / 0 / 57

HEX #20696D

RGB 32 105 109

HSL 183.12, 0.55%, 0.28%

LAB 40.43, -20.47, -8.78

 

CMYK 70 / 4 / 0 / 45

HEX #2A888D

RGB 42 136 141

HSL 183.03, 0.54%, 0.36%

LAB 51.86, -24.94, -10.62

 

CMYK 71 / 3 / 0 / 32

HEX #33A7AD

RGB 51 167 173

HSL 182.95, 0.54%, 0.44%

LAB 62.81, -29.35, -12.42

 

CMYK 66 / 3 / 0 / 22

HEX #43C0C6

RGB 67 192 198

HSL 182.75, 0.53%, 0.52%

LAB 71.53, -31.81, -13.11

 

CMYK 70 / 4 / 0 / 45

HEX #2A888D

RGB 42 136 141

HSL 183.03, 0.54%, 0.36%

LAB 51.86, -24.94, -10.62

 

CMYK 52 / 70 / 0 / 45

HEX #432A8D

RGB 67 42 141

HSL 255.15, 0.54%, 0.36%

LAB 26.08, 37.31, -51.06

 

CMYK 0 / 25 / 70 / 45

HEX #8D6A2A

RGB 141 106 42

HSL 38.79, 0.54%, 0.36%

LAB 47.15, 7.02, 40.09

 

CMYK 70 / 4 / 0 / 45

HEX #2A888D

RGB 42 136 141

HSL 183.03, 0.54%, 0.36%

LAB 51.86, -24.94, -10.62

 

CMYK 0 / 70 / 4 / 45

HEX #8D2A88

RGB 141 42 136

HSL 303.03, 0.54%, 0.36%

LAB 36.17, 52.68, -31.19

 

CMYK 4 / 0 / 70 / 45

HEX #888D2A

RGB 136 141 42

HSL 63.03, 0.54%, 0.36%

LAB 56.54, -14.79, 49.59

 

CMYK 70 / 4 / 0 / 45

HEX #2A888D

RGB 42 136 141

HSL 183.03, 0.54%, 0.36%

LAB 51.86, -24.94, -10.62

 

CMYK 52 / 70 / 0 / 45

HEX #432A8D

RGB 67 42 141

HSL 255.15, 0.54%, 0.36%

LAB 26.08, 37.31, -51.06

 

CMYK 0 / 67 / 70 / 45

HEX #8D2F2A

RGB 141 47 42

HSL 3.03, 0.54%, 0.36%

LAB 33.7, 39.51, 24.92

 

CMYK 18 / 0 / 70 / 45

HEX #748D2A

RGB 116 141 42

HSL 75.15, 0.54%, 0.36%

LAB 55, -23.52, 47.54

 

CMYK 70 / 4 / 0 / 45

HEX #2A888D

RGB 42 136 141

HSL 183.03, 0.54%, 0.36%

LAB 51.86, -24.94, -10.62

 

CMYK 32 / 70 / 0 / 45

HEX #602A8D

RGB 96 42 141

HSL 272.73, 0.54%, 0.36%

LAB 29.58, 43.15, -45.21

 

CMYK 0 / 67 / 70 / 45

HEX #8D2F2A

RGB 141 47 42

HSL 3.03, 0.54%, 0.36%

LAB 33.7, 39.51, 24.92

 

CMYK 39 / 0 / 70 / 45

HEX #568D2A

RGB 86 141 42

HSL 93.33, 0.54%, 0.36%

LAB 53.16, -35.44, 45.07

 

Description

Color code: RGB 42 136 141 | qconv.com Color code: RGB 42 136 141 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 136 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 136 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 4 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 4% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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