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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42.9 110.2 226 it is the complementary color RGB 212.1 144.8 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42.9 110.2 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42.9 110.2 226 shade: RGB 47.9 110.2 221, RGB 64.9 128.2 240, RGB 81.9 146.2 255, RGB 98.9 164.2 255 and RGB 115.9 182.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42.9 110.2 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42.9 110.2 226 shade: RGB 42.9 110.2 226, RGB 25.9 92.2 207, RGB 8.9 74.2 188, RGB 0 56.2 169 and RGB 0 38.2 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42.9 110.2 226 shade: RGB 44 111 226, RGB 44 61 226, RGB 75 44 226, RGB 124 44 226 and RGB 173 44 226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42.9 110.2 226 shade: RGB 44 111 226, RGB 44 61 226 and RGB 44 44 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42.9 110.2 226 shade matches the following richer shades: RGB 44 111 226 and RGB 24 105 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42.9 110.2 226 shade: RGB 44 111 226, RGB 63 116 206, RGB 82 121 187, RGB 102 126 168 and RGB 121 131 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42.9 110.2 226 shade: RGB 44 211 226, RGB 44 162 226, RGB 44 113 226, RGB 44 65 226 and RGB 71 44 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42.9 110.2 226 shade: RGB 22 74 165, RGB 27 91 201, RGB 44 111 226, RGB 80 135 231 and RGB 116 160 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42.9 110.2 226 shade: RGB 42.9 110.2 226, RGB 192 44 226 and RGB 186 226 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42.9 110.2 226 shade: RGB 42.9 110.2 226, RGB 226 44 113 and RGB 113 226 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42.9 110.2 226 shade: RGB 42.9 110.2 226, RGB 192 44 226, RGB 226 156 44 and RGB 77 226 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42.9 110.2 226 shade: RGB 42.9 110.2 226, RGB 226 44 204, RGB 226 156 44 and RGB 44 226 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 51 / 0 / 11

HEX #2A6EE2

RGB 42.9 110.2 226

HSL 217.95, 0.76%, 0.53%

LAB 48.51, 20.91, -64.78

 

Complementary color

CMYK 0 / 32 / 86 / 17

HEX #D4901D

RGB 212.1 144.8 29

HSL 37.95, 0.76%, 0.47%

LAB 65.19, 16.74, 64.71

 

CMYK 78 / 50 / 0 / 13

HEX #2F6EDD

RGB 47.9 110.2 221

HSL 218.41, 0.72%, 0.53%

LAB 48.31, 19.51, -62.26

 

CMYK 73 / 47 / 0 / 6

HEX #4080F0

RGB 64.9 128.2 240

HSL 218.31, 0.85%, 0.6%

LAB 54.97, 17.19, -62.16

 

CMYK 68 / 43 / 0 / 0

HEX #5192FF

RGB 81.9 146.2 255

HSL 217.71, 1%, 0.66%

LAB 61.33, 13.89, -60.19

 

CMYK 61 / 36 / 0 / 0

HEX #62A4FF

RGB 98.9 164.2 255

HSL 214.9, 1%, 0.69%

LAB 66.89, 6.12, -51.31

 

CMYK 55 / 29 / 0 / 0

HEX #73B6FF

RGB 115.9 182.2 255

HSL 211.4, 1%, 0.73%

LAB 72.54, -0.76, -42.39

 

CMYK 81 / 51 / 0 / 11

HEX #2A6EE2

RGB 42.9 110.2 226

HSL 217.95, 0.76%, 0.53%

LAB 48.51, 20.91, -64.78

 

CMYK 87 / 55 / 0 / 19

HEX #195CCF

RGB 25.9 92.2 207

HSL 218.03, 0.78%, 0.46%

LAB 41.86, 23.94, -64.76

 

CMYK 95 / 61 / 0 / 26

HEX #084ABC

RGB 8.9 74.2 188

HSL 218.12, 0.91%, 0.39%

LAB 35.23, 27.57, -64.55

 

CMYK 100 / 67 / 0 / 34

HEX #0038A9

RGB 0 56.2 169

HSL 220.05, 1%, 0.33%

LAB 28.67, 31.78, -64.02

 

CMYK 100 / 75 / 0 / 41

HEX #002696

RGB 0 38.2 150

HSL 224.72, 1%, 0.29%

LAB 22.31, 36.21, -62.96

 

CMYK 81 / 51 / 0 / 11

HEX #2C6FE2

RGB 44 111 226

HSL 217.91, 0.76%, 0.53%

LAB 48.75, 20.5, -64.38

 

CMYK 81 / 73 / 0 / 11

HEX #2C3DE2

RGB 44 61 226

HSL 234.4, 0.76%, 0.53%

LAB 36.68, 51.51, -84.14

 

CMYK 67 / 81 / 0 / 11

HEX #4B2CE2

RGB 75 44 226

HSL 250.22, 0.76%, 0.53%

LAB 35.57, 62.31, -85.91

 

CMYK 45 / 81 / 0 / 11

HEX #7C2CE2

RGB 124 44 226

HSL 266.37, 0.76%, 0.53%

LAB 40.54, 67.62, -77.55

 

CMYK 23 / 81 / 0 / 11

HEX #AD2CE2

RGB 173 44 226

HSL 282.53, 0.76%, 0.53%

LAB 47.21, 74.9, -66.39

 

CMYK 81 / 51 / 0 / 11

HEX #2C6FE2

RGB 44 111 226

HSL 217.91, 0.76%, 0.53%

LAB 48.75, 20.5, -64.38

 

CMYK 81 / 73 / 0 / 11

HEX #2C3DE2

RGB 44 61 226

HSL 234.4, 0.76%, 0.53%

LAB 36.68, 51.51, -84.14

 

CMYK 81 / 81 / 0 / 11

HEX #2C2CE2

RGB 44 44 226

HSL 240, 0.76%, 0.53%

LAB 33.62, 60.26, -89.2

 

CMYK 81 / 51 / 0 / 11

HEX #2C6FE2

RGB 44 111 226

HSL 217.91, 0.76%, 0.53%

LAB 48.75, 20.5, -64.38

 

CMYK 90 / 57 / 0 / 4

HEX #1869F5

RGB 24 105 245

HSL 218.01, 0.92%, 0.53%

LAB 48.12, 30.19, -76.09

 

CMYK 81 / 51 / 0 / 11

HEX #2C6FE2

RGB 44 111 226

HSL 217.91, 0.76%, 0.53%

LAB 48.75, 20.5, -64.38

 

CMYK 69 / 44 / 0 / 19

HEX #3F74CE

RGB 63 116 206

HSL 217.76, 0.59%, 0.53%

LAB 49.5, 12.24, -51.8

 

CMYK 56 / 35 / 0 / 27

HEX #5279BB

RGB 82 121 187

HSL 217.71, 0.44%, 0.53%

LAB 50.75, 6.09, -38.87

 

CMYK 39 / 25 / 0 / 34

HEX #667EA8

RGB 102 126 168

HSL 218.18, 0.28%, 0.53%

LAB 52.48, 2.26, -25.13

 

CMYK 18 / 11 / 0 / 42

HEX #798394

RGB 121 131 148

HSL 217.78, 0.11%, 0.53%

LAB 54.49, 0.11, -10.36

 

CMYK 81 / 7 / 0 / 11

HEX #2CD3E2

RGB 44 211 226

HSL 184.95, 0.76%, 0.53%

LAB 77.65, -35.11, -19.09

 

CMYK 81 / 28 / 0 / 11

HEX #2CA2E2

RGB 44 162 226

HSL 201.1, 0.76%, 0.53%

LAB 63.23, -10.07, -41.3

 

CMYK 81 / 50 / 0 / 11

HEX #2C71E2

RGB 44 113 226

HSL 217.25, 0.76%, 0.53%

LAB 49.3, 19.23, -63.5

 

CMYK 81 / 71 / 0 / 11

HEX #2C41E2

RGB 44 65 226

HSL 233.08, 0.76%, 0.53%

LAB 37.49, 49.23, -82.79

 

CMYK 69 / 81 / 0 / 11

HEX #472CE2

RGB 71 44 226

HSL 248.9, 0.76%, 0.53%

LAB 35.27, 61.99, -86.42

 

CMYK 87 / 55 / 0 / 35

HEX #164AA5

RGB 22 74 165

HSL 218.18, 0.76%, 0.37%

LAB 33.53, 19.13, -53.66

 

CMYK 87 / 55 / 0 / 21

HEX #1B5BC9

RGB 27 91 201

HSL 217.93, 0.76%, 0.45%

LAB 41.11, 22.45, -62.52

 

CMYK 81 / 51 / 0 / 11

HEX #2C6FE2

RGB 44 111 226

HSL 217.91, 0.76%, 0.53%

LAB 48.75, 20.5, -64.38

 

CMYK 65 / 42 / 0 / 9

HEX #5087E7

RGB 80 135 231

HSL 218.15, 0.76%, 0.61%

LAB 56.88, 12.06, -54.05

 

CMYK 51 / 32 / 0 / 7

HEX #74A0EC

RGB 116 160 236

HSL 218, 0.76%, 0.69%

LAB 65.68, 6.02, -42.79

 

CMYK 81 / 51 / 0 / 11

HEX #2A6EE2

RGB 42.9 110.2 226

HSL 217.95, 0.76%, 0.53%

LAB 48.51, 20.91, -64.78

 

CMYK 15 / 81 / 0 / 11

HEX #C02CE2

RGB 192 44 226

HSL 288.79, 0.76%, 0.53%

LAB 50.1, 78.09, -61.57

 

CMYK 18 / 0 / 81 / 11

HEX #BAE22C

RGB 186 226 44

HSL 73.19, 0.76%, 0.53%

LAB 84.49, -35.25, 76.3

 

CMYK 81 / 51 / 0 / 11

HEX #2A6EE2

RGB 42.9 110.2 226

HSL 217.95, 0.76%, 0.53%

LAB 48.51, 20.91, -64.78

 

CMYK 0 / 81 / 50 / 11

HEX #E22C71

RGB 226 44 113

HSL 337.25, 0.76%, 0.53%

LAB 50.88, 70.96, 6.64

 

CMYK 50 / 0 / 81 / 11

HEX #71E22C

RGB 113 226 44

HSL 97.25, 0.76%, 0.53%

LAB 80.79, -60.65, 71.58

 

CMYK 81 / 51 / 0 / 11

HEX #2A6EE2

RGB 42.9 110.2 226

HSL 217.95, 0.76%, 0.53%

LAB 48.51, 20.91, -64.78

 

CMYK 15 / 81 / 0 / 11

HEX #C02CE2

RGB 192 44 226

HSL 288.79, 0.76%, 0.53%

LAB 50.1, 78.09, -61.57

 

CMYK 0 / 31 / 81 / 11

HEX #E29C2C

RGB 226 156 44

HSL 36.92, 0.76%, 0.53%

LAB 69.56, 17.14, 64.37

 

CMYK 66 / 0 / 81 / 11

HEX #4DE22C

RGB 77 226 44

HSL 109.12, 0.76%, 0.53%

LAB 79.7, -69.4, 70.18

 

CMYK 81 / 51 / 0 / 11

HEX #2A6EE2

RGB 42.9 110.2 226

HSL 217.95, 0.76%, 0.53%

LAB 48.51, 20.91, -64.78

 

CMYK 0 / 81 / 10 / 11

HEX #E22CCC

RGB 226 44 204

HSL 307.25, 0.76%, 0.53%

LAB 54.38, 80.98, -41.86

 

CMYK 0 / 31 / 81 / 11

HEX #E29C2C

RGB 226 156 44

HSL 36.92, 0.76%, 0.53%

LAB 69.56, 17.14, 64.37

 

CMYK 81 / 0 / 71 / 11

HEX #2CE241

RGB 44 226 65

HSL 126.92, 0.76%, 0.53%

LAB 79.22, -73.09, 62.89

 

Description

Color code: RGB 42.9 110.2 226 | qconv.com Color code: RGB 42.9 110.2 226 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42.9 red, 110.2 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42.9 110.2 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 51 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 51% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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