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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42.9 110.2 196 it is the complementary color RGB 212.1 144.8 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42.9 110.2 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42.9 110.2 196 shade: RGB 47.9 110.2 191, RGB 64.9 128.2 210, RGB 81.9 146.2 229, RGB 98.9 164.2 248 and RGB 115.9 182.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42.9 110.2 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42.9 110.2 196 shade: RGB 42.9 110.2 196, RGB 25.9 92.2 177, RGB 8.9 74.2 158, RGB 0 56.2 139 and RGB 0 38.2 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42.9 110.2 196 shade: RGB 43 111 197, RGB 43 69 197, RGB 58 43 197, RGB 100 43 197 and RGB 141 43 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42.9 110.2 196 shade: RGB 43 111 197, RGB 43 69 197 and RGB 43 43 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42.9 110.2 196 shade matches the following richer shades: RGB 43 111 197, RGB 24 108 216 and RGB 4 106 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42.9 110.2 196 shade: RGB 43 111 197, RGB 63 113 177, RGB 82 115 158, RGB 101 118 138 and RGB 121 120 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42.9 110.2 196 shade: RGB 43 194 197, RGB 43 153 197, RGB 43 112 197, RGB 43 71 197 and RGB 56 43 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42.9 110.2 196 shade: RGB 28 73 129, RGB 36 92 163, RGB 43 111 197, RGB 67 132 214 and RGB 101 154 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42.9 110.2 196 shade: RGB 42.9 110.2 196, RGB 158 43 197 and RGB 174 197 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42.9 110.2 196 shade: RGB 42.9 110.2 196, RGB 197 43 112 and RGB 112 197 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42.9 110.2 196 shade: RGB 42.9 110.2 196, RGB 158 43 197, RGB 197 128 43 and RGB 81 197 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42.9 110.2 196 shade: RGB 42.9 110.2 196, RGB 197 43 189, RGB 197 128 43 and RGB 43 197 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 44 / 0 / 23

HEX #2A6EC4

RGB 42.9 110.2 196

HSL 213.63, 0.64%, 0.47%

LAB 46.57, 9.54, -50.81

 

Complementary color

CMYK 0 / 32 / 72 / 17

HEX #D4903B

RGB 212.1 144.8 59

HSL 33.63, 0.64%, 0.53%

LAB 65.37, 17.81, 53.84

 

CMYK 75 / 42 / 0 / 25

HEX #2F6EBF

RGB 47.9 110.2 191

HSL 213.88, 0.6%, 0.47%

LAB 46.42, 8.25, -48.15

 

CMYK 69 / 39 / 0 / 18

HEX #4080D2

RGB 64.9 128.2 210

HSL 213.82, 0.62%, 0.54%

LAB 53.24, 6.46, -48.11

 

CMYK 64 / 36 / 0 / 10

HEX #5192E5

RGB 81.9 146.2 229

HSL 213.77, 0.74%, 0.61%

LAB 59.95, 5.03, -48.07

 

CMYK 60 / 34 / 0 / 3

HEX #62A4F8

RGB 98.9 164.2 248

HSL 213.72, 0.91%, 0.68%

LAB 66.56, 3.86, -48.03

 

CMYK 55 / 29 / 0 / 0

HEX #73B6FF

RGB 115.9 182.2 255

HSL 211.4, 1%, 0.73%

LAB 72.54, -0.76, -42.39

 

CMYK 78 / 44 / 0 / 23

HEX #2A6EC4

RGB 42.9 110.2 196

HSL 213.63, 0.64%, 0.47%

LAB 46.57, 9.54, -50.81

 

CMYK 85 / 48 / 0 / 31

HEX #195CB1

RGB 25.9 92.2 177

HSL 213.67, 0.74%, 0.4%

LAB 39.72, 12.08, -50.77

 

CMYK 94 / 53 / 0 / 38

HEX #084A9E

RGB 8.9 74.2 158

HSL 213.72, 0.89%, 0.33%

LAB 32.81, 15.33, -50.63

 

CMYK 100 / 60 / 0 / 45

HEX #00388B

RGB 0 56.2 139

HSL 215.74, 1%, 0.27%

LAB 25.9, 19.42, -50.26

 

CMYK 100 / 68 / 0 / 53

HEX #002678

RGB 0 38.2 120

HSL 220.9, 1%, 0.24%

LAB 19.04, 24.19, -49.53

 

CMYK 78 / 44 / 0 / 23

HEX #2B6FC5

RGB 43 111 197

HSL 213.51, 0.64%, 0.47%

LAB 46.86, 9.42, -50.91

 

CMYK 78 / 65 / 0 / 23

HEX #2B45C5

RGB 43 69 197

HSL 229.87, 0.64%, 0.47%

LAB 35.6, 36.54, -69.18

 

CMYK 71 / 78 / 0 / 23

HEX #3A2BC5

RGB 58 43 197

HSL 245.84, 0.64%, 0.47%

LAB 31.02, 52.87, -76.7

 

CMYK 49 / 78 / 0 / 23

HEX #642BC5

RGB 100 43 197

HSL 262.21, 0.64%, 0.47%

LAB 34.94, 57.64, -70.09

 

CMYK 28 / 78 / 0 / 23

HEX #8D2BC5

RGB 141 43 197

HSL 278.18, 0.64%, 0.47%

LAB 40.28, 64.06, -61.15

 

CMYK 78 / 44 / 0 / 23

HEX #2B6FC5

RGB 43 111 197

HSL 213.51, 0.64%, 0.47%

LAB 46.86, 9.42, -50.91

 

CMYK 78 / 65 / 0 / 23

HEX #2B45C5

RGB 43 69 197

HSL 229.87, 0.64%, 0.47%

LAB 35.6, 36.54, -69.18

 

CMYK 78 / 78 / 0 / 23

HEX #2B2BC5

RGB 43 43 197

HSL 240, 0.64%, 0.47%

LAB 30.09, 51.74, -78.26

 

CMYK 78 / 44 / 0 / 23

HEX #2B6FC5

RGB 43 111 197

HSL 213.51, 0.64%, 0.47%

LAB 46.86, 9.42, -50.91

 

CMYK 89 / 50 / 0 / 15

HEX #186CD8

RGB 24 108 216

HSL 213.75, 0.8%, 0.47%

LAB 46.81, 17.1, -61.88

 

CMYK 98 / 55 / 0 / 8

HEX #046AEB

RGB 4 106 235

HSL 213.51, 0.97%, 0.47%

LAB 47.41, 25.07, -71.66

 

CMYK 78 / 44 / 0 / 23

HEX #2B6FC5

RGB 43 111 197

HSL 213.51, 0.64%, 0.47%

LAB 46.86, 9.42, -50.91

 

CMYK 64 / 36 / 0 / 31

HEX #3F71B1

RGB 63 113 177

HSL 213.68, 0.48%, 0.47%

LAB 47.03, 3.77, -39.03

 

CMYK 48 / 27 / 0 / 38

HEX #52739E

RGB 82 115 158

HSL 213.95, 0.32%, 0.47%

LAB 47.65, 0.44, -26.87

 

CMYK 27 / 14 / 0 / 46

HEX #65768A

RGB 101 118 138

HSL 212.43, 0.15%, 0.47%

LAB 48.96, -1.44, -12.98

 

CMYK 0 / 1 / 2 / 53

HEX #797877

RGB 121 120 119

HSL 30, 0.01%, 0.47%

LAB 50.49, 0.18, 0.68

 

CMYK 78 / 2 / 0 / 23

HEX #2BC2C5

RGB 43 194 197

HSL 181.17, 0.64%, 0.47%

LAB 71.64, -35.96, -12.45

 

CMYK 78 / 22 / 0 / 23

HEX #2B99C5

RGB 43 153 197

HSL 197.14, 0.64%, 0.47%

LAB 59.28, -15.32, -31.32

 

CMYK 78 / 43 / 0 / 23

HEX #2B70C5

RGB 43 112 197

HSL 213.12, 0.64%, 0.47%

LAB 47.15, 8.79, -50.45

 

CMYK 78 / 64 / 0 / 23

HEX #2B47C5

RGB 43 71 197

HSL 229.09, 0.64%, 0.47%

LAB 36.08, 35.27, -68.38

 

CMYK 72 / 78 / 0 / 23

HEX #382BC5

RGB 56 43 197

HSL 245.06, 0.64%, 0.47%

LAB 30.88, 52.7, -76.93

 

CMYK 78 / 43 / 0 / 49

HEX #1C4981

RGB 28 73 129

HSL 213.27, 0.64%, 0.31%

LAB 30.87, 5.78, -35.98

 

CMYK 78 / 44 / 0 / 36

HEX #245CA3

RGB 36 92 163

HSL 213.54, 0.64%, 0.39%

LAB 39.03, 7.7, -43.58

 

CMYK 78 / 44 / 0 / 23

HEX #2B6FC5

RGB 43 111 197

HSL 213.51, 0.64%, 0.47%

LAB 46.86, 9.42, -50.91

 

CMYK 69 / 38 / 0 / 16

HEX #4384D6

RGB 67 132 214

HSL 213.47, 0.64%, 0.55%

LAB 54.61, 5.89, -48.19

 

CMYK 54 / 30 / 0 / 13

HEX #659ADD

RGB 101 154 221

HSL 213.5, 0.64%, 0.63%

LAB 62.59, 1.58, -39.41

 

CMYK 78 / 44 / 0 / 23

HEX #2A6EC4

RGB 42.9 110.2 196

HSL 213.63, 0.64%, 0.47%

LAB 46.57, 9.54, -50.81

 

CMYK 20 / 78 / 0 / 23

HEX #9E2BC5

RGB 158 43 197

HSL 284.81, 0.64%, 0.47%

LAB 42.81, 67.07, -56.94

 

CMYK 12 / 0 / 78 / 23

HEX #AEC52B

RGB 174 197 43

HSL 68.96, 0.64%, 0.47%

LAB 75.52, -26.59, 68.25

 

CMYK 78 / 44 / 0 / 23

HEX #2A6EC4

RGB 42.9 110.2 196

HSL 213.63, 0.64%, 0.47%

LAB 46.57, 9.54, -50.81

 

CMYK 0 / 78 / 43 / 23

HEX #C52B70

RGB 197 43 112

HSL 333.12, 0.64%, 0.47%

LAB 45.31, 63.64, -1.48

 

CMYK 43 / 0 / 78 / 23

HEX #70C52B

RGB 112 197 43

HSL 93.12, 0.64%, 0.47%

LAB 71.93, -49.97, 63.63

 

CMYK 78 / 44 / 0 / 23

HEX #2A6EC4

RGB 42.9 110.2 196

HSL 213.63, 0.64%, 0.47%

LAB 46.57, 9.54, -50.81

 

CMYK 20 / 78 / 0 / 23

HEX #9E2BC5

RGB 158 43 197

HSL 284.81, 0.64%, 0.47%

LAB 42.81, 67.07, -56.94

 

CMYK 0 / 35 / 78 / 23

HEX #C5802B

RGB 197 128 43

HSL 33.12, 0.64%, 0.47%

LAB 59.42, 19.76, 54.15

 

CMYK 59 / 0 / 78 / 23

HEX #51C52B

RGB 81 197 43

HSL 105.19, 0.64%, 0.47%

LAB 70.77, -58.89, 62.13

 

CMYK 78 / 44 / 0 / 23

HEX #2A6EC4

RGB 42.9 110.2 196

HSL 213.63, 0.64%, 0.47%

LAB 46.57, 9.54, -50.81

 

CMYK 0 / 78 / 4 / 23

HEX #C52BBD

RGB 197 43 189

HSL 303.12, 0.64%, 0.47%

LAB 48.6, 73.23, -42.65

 

CMYK 0 / 35 / 78 / 23

HEX #C5802B

RGB 197 128 43

HSL 33.12, 0.64%, 0.47%

LAB 59.42, 19.76, 54.15

 

CMYK 78 / 0 / 74 / 23

HEX #2BC533

RGB 43 197 51

HSL 123.12, 0.64%, 0.47%

LAB 69.95, -65.56, 58.42

 

Description

Color code: RGB 42.9 110.2 196 | qconv.com Color code: RGB 42.9 110.2 196 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42.9 red, 110.2 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42.9 110.2 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 44 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 44% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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