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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42.5 57 72 it is the complementary color RGB 212.5 198 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42.5 57 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42.5 57 72 shade: RGB 47.5 57 67, RGB 64.5 75 86, RGB 81.5 93 105, RGB 98.5 111 124 and RGB 115.5 129 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42.5 57 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42.5 57 72 shade: RGB 42.5 57 72, RGB 25.5 39 53, RGB 8.5 21 34 and RGB 0 3 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42.5 57 72 shade: RGB 42 56 71, RGB 42 48 71, RGB 43 42 71, RGB 51 42 71 and RGB 59 42 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42.5 57 72 shade: RGB 42 56 71, RGB 42 48 71 and RGB 42 42 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42.5 57 72 shade matches the following richer shades: RGB 42 56 71, RGB 32 56 80, RGB 23 56 89, RGB 14 55 98 and RGB 5 55 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42.5 57 72 shade: RGB 42 56 71, RGB 51 56 62, RGB 60 56 53, RGB 69 56 43 and RGB 78 56 34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42.5 57 72 shade: RGB 42 71 70, RGB 42 64 71, RGB 42 56 71, RGB 42 48 71 and RGB 42 42 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42.5 57 72 shade: RGB 11 15 19, RGB 26 35 45, RGB 42 56 71, RGB 57 76 97 and RGB 72 97 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42.5 57 72 shade: RGB 42.5 57 72, RGB 62 42 71 and RGB 68 71 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42.5 57 72 shade: RGB 42.5 57 72, RGB 71 42 56 and RGB 56 71 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42.5 57 72 shade: RGB 42.5 57 72, RGB 62 42 71, RGB 71 56 42 and RGB 50 71 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42.5 57 72 shade: RGB 42.5 57 72, RGB 71 42 71, RGB 71 56 42 and RGB 42 71 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 21 / 0 / 72

HEX #2A3948

RGB 42.5 57 72

HSL 210.51, 0.26%, 0.22%

LAB 23.33, -1.47, -11.12

 

Complementary color

CMYK 0 / 7 / 14 / 17

HEX #D4C6B7

RGB 212.5 198 183

HSL 30.51, 0.26%, 0.78%

LAB 80.67, 2.57, 9.33

 

CMYK 29 / 15 / 0 / 74

HEX #2F3943

RGB 47.5 57 67

HSL 210.77, 0.17%, 0.22%

LAB 23.5, -1.23, -7.49

 

CMYK 25 / 13 / 0 / 66

HEX #404B56

RGB 64.5 75 86

HSL 210.7, 0.14%, 0.3%

LAB 31.37, -1.38, -7.91

 

CMYK 22 / 11 / 0 / 59

HEX #515D69

RGB 81.5 93 105

HSL 210.64, 0.13%, 0.37%

LAB 38.93, -1.52, -8.33

 

CMYK 21 / 10 / 0 / 51

HEX #626F7C

RGB 98.5 111 124

HSL 210.59, 0.11%, 0.44%

LAB 46.24, -1.65, -8.77

 

CMYK 19 / 10 / 0 / 44

HEX #73818F

RGB 115.5 129 143

HSL 210.55, 0.11%, 0.51%

LAB 53.34, -1.78, -9.21

 

CMYK 41 / 21 / 0 / 72

HEX #2A3948

RGB 42.5 57 72

HSL 210.51, 0.26%, 0.22%

LAB 23.33, -1.47, -11.12

 

CMYK 52 / 26 / 0 / 79

HEX #192735

RGB 25.5 39 53

HSL 210.55, 0.35%, 0.15%

LAB 15.07, -1.1, -10.89

 

CMYK 75 / 38 / 0 / 87

HEX #081522

RGB 8.5 21 34

HSL 210.59, 0.6%, 0.08%

LAB 6.38, -0.34, -10.55

 

CMYK 100 / 80 / 0 / 94

HEX #00030F

RGB 0 3 15

HSL 228, 1%, 0.03%

LAB 0.9, 0.99, -5.1

 

CMYK 41 / 21 / 0 / 72

HEX #2A3847

RGB 42 56 71

HSL 211.03, 0.26%, 0.22%

LAB 22.91, -1.29, -11.09

 

CMYK 41 / 32 / 0 / 72

HEX #2A3047

RGB 42 48 71

HSL 227.59, 0.26%, 0.22%

LAB 20.29, 4.18, -15.14

 

CMYK 39 / 41 / 0 / 72

HEX #2B2A47

RGB 43 42 71

HSL 242.07, 0.26%, 0.22%

LAB 18.47, 8.75, -17.97

 

CMYK 28 / 41 / 0 / 72

HEX #332A47

RGB 51 42 71

HSL 258.62, 0.26%, 0.22%

LAB 19.29, 11.52, -16.64

 

CMYK 17 / 41 / 0 / 72

HEX #3B2A47

RGB 59 42 71

HSL 275.17, 0.26%, 0.22%

LAB 20.21, 14.44, -15.13

 

CMYK 41 / 21 / 0 / 72

HEX #2A3847

RGB 42 56 71

HSL 211.03, 0.26%, 0.22%

LAB 22.91, -1.29, -11.09

 

CMYK 41 / 32 / 0 / 72

HEX #2A3047

RGB 42 48 71

HSL 227.59, 0.26%, 0.22%

LAB 20.29, 4.18, -15.14

 

CMYK 41 / 41 / 0 / 72

HEX #2A2A47

RGB 42 42 71

HSL 240, 0.26%, 0.22%

LAB 18.38, 8.42, -18.12

 

CMYK 41 / 21 / 0 / 72

HEX #2A3847

RGB 42 56 71

HSL 211.03, 0.26%, 0.22%

LAB 22.91, -1.29, -11.09

 

CMYK 60 / 30 / 0 / 69

HEX #203850

RGB 32 56 80

HSL 210, 0.43%, 0.22%

LAB 22.7, -1.15, -17.47

 

CMYK 74 / 37 / 0 / 65

HEX #173859

RGB 23 56 89

HSL 210, 0.59%, 0.22%

LAB 22.76, 0.37, -23.35

 

CMYK 86 / 44 / 0 / 62

HEX #0E3762

RGB 14 55 98

HSL 210.71, 0.75%, 0.22%

LAB 22.68, 3.52, -29.39

 

CMYK 95 / 49 / 0 / 58

HEX #05376B

RGB 5 55 107

HSL 210.59, 0.91%, 0.22%

LAB 23.09, 6.62, -34.58

 

CMYK 41 / 21 / 0 / 72

HEX #2A3847

RGB 42 56 71

HSL 211.03, 0.26%, 0.22%

LAB 22.91, -1.29, -11.09

 

CMYK 18 / 10 / 0 / 76

HEX #33383E

RGB 51 56 62

HSL 212.73, 0.1%, 0.22%

LAB 23.27, -0.6, -4.45

 

CMYK 0 / 7 / 12 / 76

HEX #3C3835

RGB 60 56 53

HSL 25.71, 0.06%, 0.22%

LAB 23.82, 1.1, 2.49

 

CMYK 0 / 19 / 38 / 73

HEX #45382B

RGB 69 56 43

HSL 30, 0.23%, 0.22%

LAB 24.54, 3.49, 10.29

 

CMYK 0 / 28 / 56 / 69

HEX #4E3822

RGB 78 56 34

HSL 30, 0.39%, 0.22%

LAB 25.45, 6.71, 17.51

 

CMYK 41 / 0 / 1 / 72

HEX #2A4746

RGB 42 71 70

HSL 177.93, 0.26%, 0.22%

LAB 27.96, -11.12, -2.85

 

CMYK 41 / 10 / 0 / 72

HEX #2A4047

RGB 42 64 71

HSL 194.48, 0.26%, 0.22%

LAB 25.61, -6.5, -7.01

 

CMYK 41 / 21 / 0 / 72

HEX #2A3847

RGB 42 56 71

HSL 211.03, 0.26%, 0.22%

LAB 22.91, -1.29, -11.09

 

CMYK 41 / 32 / 0 / 72

HEX #2A3047

RGB 42 48 71

HSL 227.59, 0.26%, 0.22%

LAB 20.29, 4.18, -15.14

 

CMYK 41 / 41 / 0 / 72

HEX #2A2A47

RGB 42 42 71

HSL 240, 0.26%, 0.22%

LAB 18.38, 8.42, -18.12

 

CMYK 42 / 21 / 0 / 93

HEX #0B0F13

RGB 11 15 19

HSL 210, 0.27%, 0.06%

LAB 4.15, -0.44, -2.6

 

CMYK 42 / 22 / 0 / 82

HEX #1A232D

RGB 26 35 45

HSL 211.58, 0.27%, 0.14%

LAB 13.3, -0.85, -7.91

 

CMYK 41 / 21 / 0 / 72

HEX #2A3847

RGB 42 56 71

HSL 211.03, 0.26%, 0.22%

LAB 22.91, -1.29, -11.09

 

CMYK 41 / 22 / 0 / 62

HEX #394C61

RGB 57 76 97

HSL 211.5, 0.26%, 0.3%

LAB 31.58, -1.37, -14.65

 

CMYK 41 / 21 / 0 / 52

HEX #48617B

RGB 72 97 123

HSL 210.59, 0.26%, 0.38%

LAB 40.18, -2.05, -17.54

 

CMYK 41 / 21 / 0 / 72

HEX #2A3948

RGB 42.5 57 72

HSL 210.51, 0.26%, 0.22%

LAB 23.33, -1.47, -11.12

 

CMYK 13 / 41 / 0 / 72

HEX #3E2A47

RGB 62 42 71

HSL 281.38, 0.26%, 0.22%

LAB 20.58, 15.56, -14.53

 

CMYK 4 / 0 / 41 / 72

HEX #44472A

RGB 68 71 42

HSL 66.21, 0.26%, 0.22%

LAB 29.17, -6.65, 17.04

 

CMYK 41 / 21 / 0 / 72

HEX #2A3948

RGB 42.5 57 72

HSL 210.51, 0.26%, 0.22%

LAB 23.33, -1.47, -11.12

 

CMYK 0 / 41 / 21 / 72

HEX #472A38

RGB 71 42 56

HSL 331.03, 0.26%, 0.22%

LAB 21.14, 15.86, -3.31

 

CMYK 21 / 0 / 41 / 72

HEX #38472A

RGB 56 71 42

HSL 91.03, 0.26%, 0.22%

LAB 28.15, -12.12, 15.53

 

CMYK 41 / 21 / 0 / 72

HEX #2A3948

RGB 42.5 57 72

HSL 210.51, 0.26%, 0.22%

LAB 23.33, -1.47, -11.12

 

CMYK 13 / 41 / 0 / 72

HEX #3E2A47

RGB 62 42 71

HSL 281.38, 0.26%, 0.22%

LAB 20.58, 15.56, -14.53

 

CMYK 0 / 21 / 41 / 72

HEX #47382A

RGB 71 56 42

HSL 28.97, 0.26%, 0.22%

LAB 24.75, 4.3, 11.27

 

CMYK 30 / 0 / 41 / 72

HEX #32472A

RGB 50 71 42

HSL 103.45, 0.26%, 0.22%

LAB 27.71, -14.7, 14.87

 

CMYK 41 / 21 / 0 / 72

HEX #2A3948

RGB 42.5 57 72

HSL 210.51, 0.26%, 0.22%

LAB 23.33, -1.47, -11.12

 

CMYK 0 / 41 / 0 / 72

HEX #472A47

RGB 71 42 71

HSL 300, 0.26%, 0.22%

LAB 21.76, 18.96, -12.6

 

CMYK 0 / 21 / 41 / 72

HEX #47382A

RGB 71 56 42

HSL 28.97, 0.26%, 0.22%

LAB 24.75, 4.3, 11.27

 

CMYK 41 / 0 / 41 / 72

HEX #2A472A

RGB 42 71 42

HSL 120, 0.26%, 0.22%

LAB 27.2, -17.9, 14.1

 

Description

Color code: RGB 42.5 57 72 | qconv.com Color code: RGB 42.5 57 72 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42.5 red, 57 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42.5 57 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 21 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 21% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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