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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42.3 108.4 133 it is the complementary color RGB 212.7 146.6 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42.3 108.4 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42.3 108.4 133 shade: RGB 47.3 108.4 128, RGB 64.3 126.4 147, RGB 81.3 144.4 166, RGB 98.3 162.4 185 and RGB 115.3 180.4 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42.3 108.4 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42.3 108.4 133 shade: RGB 42.3 108.4 133, RGB 25.3 90.4 114, RGB 8.3 72.4 95, RGB 0 54.4 76 and RGB 0 36.4 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42.3 108.4 133 shade: RGB 42 107 132, RGB 42 83 132, RGB 42 59 132, RGB 49 42 132 and RGB 73 42 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42.3 108.4 133 shade: RGB 42 107 132, RGB 42 83 132, RGB 42 59 132 and RGB 42 42 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42.3 108.4 133 shade matches the following richer shades: RGB 42 107 132, RGB 28 114 146 and RGB 14 120 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42.3 108.4 133 shade: RGB 42 107 132, RGB 56 101 118, RGB 70 94 104, RGB 84 88 90 and RGB 98 82 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42.3 108.4 133 shade: RGB 42 132 108, RGB 42 132 132, RGB 42 108 132, RGB 42 84 132 and RGB 42 60 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42.3 108.4 133 shade: RGB 22 56 69, RGB 32 82 100, RGB 42 107 132, RGB 52 133 163 and RGB 62 158 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42.3 108.4 133 shade: RGB 42.3 108.4 133, RGB 84 42 132 and RGB 132 120 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42.3 108.4 133 shade: RGB 42.3 108.4 133, RGB 132 42 108 and RGB 108 132 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42.3 108.4 133 shade: RGB 42.3 108.4 133, RGB 84 42 132, RGB 132 66 42 and RGB 90 132 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42.3 108.4 133 shade: RGB 42.3 108.4 133, RGB 111 42 132, RGB 132 66 42 and RGB 63 132 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 18 / 0 / 48

HEX #2A6C85

RGB 42.3 108.4 133

HSL 196.27, 0.52%, 0.34%

LAB 42.77, -12.59, -19.73

 

Complementary color

CMYK 0 / 31 / 43 / 17

HEX #D4927A

RGB 212.7 146.6 122

HSL 16.27, 0.52%, 0.66%

LAB 66.71, 22.01, 23.09

 

CMYK 63 / 15 / 0 / 50

HEX #2F6C80

RGB 47.3 108.4 128

HSL 194.57, 0.46%, 0.34%

LAB 42.73, -13.34, -16.76

 

CMYK 56 / 14 / 0 / 42

HEX #407E93

RGB 64.3 126.4 147

HSL 194.95, 0.39%, 0.41%

LAB 49.77, -13.84, -17.22

 

CMYK 51 / 13 / 0 / 35

HEX #5190A6

RGB 81.3 144.4 166

HSL 195.3, 0.34%, 0.48%

LAB 56.67, -14.17, -17.65

 

CMYK 47 / 12 / 0 / 27

HEX #62A2B9

RGB 98.3 162.4 185

HSL 195.64, 0.38%, 0.56%

LAB 63.42, -14.4, -18.06

 

CMYK 43 / 12 / 0 / 20

HEX #73B4CC

RGB 115.3 180.4 204

HSL 195.96, 0.47%, 0.63%

LAB 70.06, -14.57, -18.46

 

CMYK 68 / 18 / 0 / 48

HEX #2A6C85

RGB 42.3 108.4 133

HSL 196.27, 0.52%, 0.34%

LAB 42.77, -12.59, -19.73

 

CMYK 78 / 21 / 0 / 55

HEX #195A72

RGB 25.3 90.4 114

HSL 195.96, 0.64%, 0.27%

LAB 35.61, -11.52, -19.23

 

CMYK 91 / 24 / 0 / 63

HEX #08485F

RGB 8.3 72.4 95

HSL 195.64, 0.84%, 0.2%

LAB 28.29, -9.86, -18.62

 

CMYK 100 / 28 / 0 / 70

HEX #00364C

RGB 0 54.4 76

HSL 197.05, 1%, 0.15%

LAB 20.82, -7.23, -17.83

 

CMYK 100 / 36 / 0 / 78

HEX #002439

RGB 0 36.4 57

HSL 201.68, 1%, 0.11%

LAB 13.12, -3.48, -16.85

 

CMYK 68 / 19 / 0 / 48

HEX #2A6B84

RGB 42 107 132

HSL 196.67, 0.52%, 0.34%

LAB 42.27, -12.18, -19.9

 

CMYK 68 / 37 / 0 / 48

HEX #2A5384

RGB 42 83 132

HSL 212.67, 0.52%, 0.34%

LAB 34.69, 2.56, -31.73

 

CMYK 68 / 55 / 0 / 48

HEX #2A3B84

RGB 42 59 132

HSL 228.67, 0.52%, 0.34%

LAB 27.53, 18.73, -43.18

 

CMYK 63 / 68 / 0 / 48

HEX #312A84

RGB 49 42 132

HSL 244.67, 0.52%, 0.34%

LAB 23.59, 31.28, -49.58

 

CMYK 45 / 68 / 0 / 48

HEX #492A84

RGB 73 42 132

HSL 260.67, 0.52%, 0.34%

LAB 25.98, 35.8, -45.58

 

CMYK 68 / 19 / 0 / 48

HEX #2A6B84

RGB 42 107 132

HSL 196.67, 0.52%, 0.34%

LAB 42.27, -12.18, -19.9

 

CMYK 68 / 37 / 0 / 48

HEX #2A5384

RGB 42 83 132

HSL 212.67, 0.52%, 0.34%

LAB 34.69, 2.56, -31.73

 

CMYK 68 / 55 / 0 / 48

HEX #2A3B84

RGB 42 59 132

HSL 228.67, 0.52%, 0.34%

LAB 27.53, 18.73, -43.18

 

CMYK 68 / 68 / 0 / 48

HEX #2A2A84

RGB 42 42 132

HSL 240, 0.52%, 0.34%

LAB 23.05, 30.2, -50.48

 

CMYK 68 / 19 / 0 / 48

HEX #2A6B84

RGB 42 107 132

HSL 196.67, 0.52%, 0.34%

LAB 42.27, -12.18, -19.9

 

CMYK 81 / 22 / 0 / 43

HEX #1C7292

RGB 28 114 146

HSL 196.27, 0.68%, 0.34%

LAB 44.74, -13.2, -24.47

 

CMYK 91 / 25 / 0 / 37

HEX #0E78A0

RGB 14 120 160

HSL 196.44, 0.84%, 0.34%

LAB 47.06, -12.6, -29.14

 

CMYK 68 / 19 / 0 / 48

HEX #2A6B84

RGB 42 107 132

HSL 196.67, 0.52%, 0.34%

LAB 42.27, -12.18, -19.9

 

CMYK 53 / 14 / 0 / 54

HEX #386576

RGB 56 101 118

HSL 196.45, 0.36%, 0.34%

LAB 40.34, -10.35, -14.33

 

CMYK 33 / 10 / 0 / 59

HEX #465E68

RGB 70 94 104

HSL 197.65, 0.2%, 0.34%

LAB 38.39, -6.3, -8.62

 

CMYK 7 / 2 / 0 / 65

HEX #54585A

RGB 84 88 90

HSL 200, 0.03%, 0.34%

LAB 37.12, -1.14, -1.71

RGB 84 88 90

CMYK 0 / 16 / 22 / 62

HEX #62524C

RGB 98 82 76

HSL 16.36, 0.13%, 0.34%

LAB 36.28, 5.55, 5.98

RGB 98 82 76

CMYK 68 / 0 / 18 / 48

HEX #2A846C

RGB 42 132 108

HSL 164, 0.52%, 0.34%

LAB 49.59, -32.49, 5.29

 

CMYK 68 / 0 / 0 / 48

HEX #2A8484

RGB 42 132 132

HSL 180, 0.52%, 0.34%

LAB 50.29, -25.68, -7.73

 

CMYK 68 / 18 / 0 / 48

HEX #2A6C84

RGB 42 108 132

HSL 196, 0.52%, 0.34%

LAB 42.59, -12.75, -19.4

 

CMYK 68 / 36 / 0 / 48

HEX #2A5484

RGB 42 84 132

HSL 212, 0.52%, 0.34%

LAB 35, 1.91, -31.24

 

CMYK 68 / 55 / 0 / 48

HEX #2A3C84

RGB 42 60 132

HSL 228, 0.52%, 0.34%

LAB 27.82, 18.04, -42.72

 

CMYK 68 / 19 / 0 / 73

HEX #163845

RGB 22 56 69

HSL 196.6, 0.52%, 0.18%

LAB 21.68, -7.66, -11.74

 

CMYK 68 / 18 / 0 / 61

HEX #205264

RGB 32 82 100

HSL 195.88, 0.52%, 0.26%

LAB 32.4, -10.48, -15.41

 

CMYK 68 / 19 / 0 / 48

HEX #2A6B84

RGB 42 107 132

HSL 196.67, 0.52%, 0.34%

LAB 42.27, -12.18, -19.9

 

CMYK 68 / 18 / 0 / 36

HEX #3485A3

RGB 52 133 163

HSL 196.22, 0.52%, 0.42%

LAB 52.01, -14.69, -23.16

 

CMYK 68 / 19 / 0 / 24

HEX #3E9EC2

RGB 62 158 194

HSL 196.36, 0.52%, 0.5%

LAB 61.11, -16.55, -26.76

 

CMYK 68 / 18 / 0 / 48

HEX #2A6C85

RGB 42.3 108.4 133

HSL 196.27, 0.52%, 0.34%

LAB 42.77, -12.59, -19.73

 

CMYK 36 / 68 / 0 / 48

HEX #542A84

RGB 84 42 132

HSL 268, 0.52%, 0.34%

LAB 27.32, 38.19, -43.35

 

CMYK 0 / 9 / 68 / 48

HEX #84782A

RGB 132 120 42

HSL 52, 0.52%, 0.34%

LAB 50.1, -5.16, 42.91

 

CMYK 68 / 18 / 0 / 48

HEX #2A6C85

RGB 42.3 108.4 133

HSL 196.27, 0.52%, 0.34%

LAB 42.77, -12.59, -19.73

 

CMYK 0 / 68 / 18 / 48

HEX #842A6C

RGB 132 42 108

HSL 316, 0.52%, 0.34%

LAB 33.23, 45.75, -18.36

 

CMYK 18 / 0 / 68 / 48

HEX #6C842A

RGB 108 132 42

HSL 76, 0.52%, 0.34%

LAB 51.68, -22.39, 43.93

 

CMYK 68 / 18 / 0 / 48

HEX #2A6C85

RGB 42.3 108.4 133

HSL 196.27, 0.52%, 0.34%

LAB 42.77, -12.59, -19.73

 

CMYK 36 / 68 / 0 / 48

HEX #542A84

RGB 84 42 132

HSL 268, 0.52%, 0.34%

LAB 27.32, 38.19, -43.35

 

CMYK 0 / 50 / 68 / 48

HEX #84422A

RGB 132 66 42

HSL 16, 0.52%, 0.34%

LAB 35.92, 26.19, 27.2

 

CMYK 32 / 0 / 68 / 48

HEX #5A842A

RGB 90 132 42

HSL 88, 0.52%, 0.34%

LAB 50.5, -29.8, 42.34

 

CMYK 68 / 18 / 0 / 48

HEX #2A6C85

RGB 42.3 108.4 133

HSL 196.27, 0.52%, 0.34%

LAB 42.77, -12.59, -19.73

 

CMYK 16 / 68 / 0 / 48

HEX #6F2A84

RGB 111 42 132

HSL 286, 0.52%, 0.34%

LAB 31.12, 44.55, -37.03

 

CMYK 0 / 50 / 68 / 48

HEX #84422A

RGB 132 66 42

HSL 16, 0.52%, 0.34%

LAB 35.92, 26.19, 27.2

 

CMYK 52 / 0 / 68 / 48

HEX #3F842A

RGB 63 132 42

HSL 106, 0.52%, 0.34%

LAB 49.16, -39.3, 40.51

 

Description

Color code: RGB 42.3 108.4 133 | qconv.com Color code: RGB 42.3 108.4 133 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42.3 red, 108.4 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42.3 108.4 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 18 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 18% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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