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Color name
RGB 42.1 144.8 91

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42.1 144.8 91 it is the complementary color RGB 212.9 110.2 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42.1 144.8 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42.1 144.8 91 shade: RGB 47.1 144.8 86, RGB 64.1 162.8 105, RGB 81.1 180.8 124, RGB 98.1 198.8 143 and RGB 115.1 216.8 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42.1 144.8 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42.1 144.8 91 shade: RGB 42.1 144.8 91, RGB 25.1 126.8 72, RGB 8.1 108.8 53, RGB 0 90.8 34 and RGB 0 72.8 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42.1 144.8 91 shade: RGB 42 146 92, RGB 42 146 64, RGB 49 146 42, RGB 77 146 42 and RGB 105 146 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42.1 144.8 91 shade: RGB 42 146 92, RGB 42 146 120, RGB 42 145 146, RGB 42 117 146 and RGB 42 89 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42.1 144.8 91 shade matches the following richer shades: RGB 42 146 92, RGB 27 162 91 and RGB 12 177 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42.1 144.8 91 shade: RGB 42 146 92, RGB 58 131 93, RGB 73 116 93, RGB 88 100 94 and RGB 104 85 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42.1 144.8 91 shade: RGB 49 146 42, RGB 42 146 63, RGB 42 146 91, RGB 42 146 119 and RGB 42 146 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42.1 144.8 91 shade: RGB 24 82 52, RGB 33 114 72, RGB 42 146 92, RGB 52 178 112 and RGB 70 201 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42.1 144.8 91 shade: RGB 42.1 144.8 91, RGB 42 77 146 and RGB 146 49 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42.1 144.8 91 shade: RGB 42.1 144.8 91, RGB 91 42 146 and RGB 146 91 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42.1 144.8 91 shade: RGB 42.1 144.8 91, RGB 42 77 146, RGB 146 42 98 and RGB 146 112 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42.1 144.8 91 shade: RGB 42.1 144.8 91, RGB 42 46 146, RGB 146 42 98 and RGB 146 143 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 37 / 43

HEX #2A905B

RGB 42.1 144.8 91

HSL 148.57, 0.55%, 0.37%

LAB 53.43, -42.02, 20.33

 

Complementary color

CMYK 0 / 48 / 23 / 17

HEX #D46EA4

RGB 212.9 110.2 164

HSL 328.57, 0.55%, 0.63%

LAB 59.89, 46.65, -10.49

 

CMYK 67 / 0 / 41 / 43

HEX #2F9056

RGB 47.1 144.8 86

HSL 143.89, 0.51%, 0.38%

LAB 53.46, -42.09, 23.16

 

CMYK 61 / 0 / 36 / 36

HEX #40A269

RGB 64.1 162.8 105

HSL 144.86, 0.43%, 0.44%

LAB 60.1, -42.32, 21.69

 

CMYK 55 / 0 / 31 / 29

HEX #51B47C

RGB 81.1 180.8 124

HSL 145.82, 0.4%, 0.51%

LAB 66.65, -42.34, 20.35

 

CMYK 51 / 0 / 28 / 22

HEX #62C68F

RGB 98.1 198.8 143

HSL 146.75, 0.47%, 0.58%

LAB 73.12, -42.24, 19.12

 

CMYK 47 / 0 / 25 / 15

HEX #73D8A2

RGB 115.1 216.8 162

HSL 147.67, 0.57%, 0.65%

LAB 79.49, -42.07, 17.99

 

CMYK 71 / 0 / 37 / 43

HEX #2A905B

RGB 42.1 144.8 91

HSL 148.57, 0.55%, 0.37%

LAB 53.43, -42.02, 20.33

 

CMYK 80 / 0 / 43 / 50

HEX #197E48

RGB 25.1 126.8 72

HSL 147.67, 0.67%, 0.3%

LAB 46.71, -41.28, 21.99

 

CMYK 93 / 0 / 51 / 57

HEX #086C35

RGB 8.1 108.8 53

HSL 146.75, 0.86%, 0.23%

LAB 39.92, -39.86, 23.83

 

CMYK 100 / 0 / 63 / 64

HEX #005A22

RGB 0 90.8 34

HSL 142.47, 1%, 0.18%

LAB 33.06, -37.35, 25.82

 

CMYK 100 / 0 / 79 / 71

HEX #00480F

RGB 0 72.8 15

HSL 132.36, 1%, 0.14%

LAB 26.08, -33.56, 27.51

 

CMYK 71 / 0 / 37 / 43

HEX #2A925C

RGB 42 146 92

HSL 148.85, 0.55%, 0.37%

LAB 53.84, -42.32, 20.33

 

CMYK 71 / 0 / 56 / 43

HEX #2A9240

RGB 42 146 64

HSL 132.69, 0.55%, 0.37%

LAB 53.41, -47.23, 34.71

 

CMYK 66 / 0 / 71 / 43

HEX #31922A

RGB 49 146 42

HSL 115.96, 0.55%, 0.37%

LAB 53.36, -48.39, 44.83

 

CMYK 47 / 0 / 71 / 43

HEX #4D922A

RGB 77 146 42

HSL 99.81, 0.55%, 0.37%

LAB 54.35, -40.69, 46.16

 

CMYK 28 / 0 / 71 / 43

HEX #69922A

RGB 105 146 42

HSL 83.65, 0.55%, 0.37%

LAB 55.81, -30.5, 48.14

 

CMYK 71 / 0 / 37 / 43

HEX #2A925C

RGB 42 146 92

HSL 148.85, 0.55%, 0.37%

LAB 53.84, -42.32, 20.33

 

CMYK 71 / 0 / 18 / 43

HEX #2A9278

RGB 42 146 120

HSL 165, 0.55%, 0.37%

LAB 54.46, -35.76, 5.33

 

CMYK 71 / 1 / 0 / 43

HEX #2A9192

RGB 42 145 146

HSL 180.58, 0.55%, 0.37%

LAB 54.88, -27.92, -8.99

 

CMYK 71 / 20 / 0 / 43

HEX #2A7592

RGB 42 117 146

HSL 196.73, 0.55%, 0.37%

LAB 46.03, -13.07, -22.45

 

CMYK 71 / 39 / 0 / 43

HEX #2A5992

RGB 42 89 146

HSL 212.88, 0.55%, 0.37%

LAB 37.32, 3.95, -36.09

 

CMYK 71 / 0 / 37 / 43

HEX #2A925C

RGB 42 146 92

HSL 148.85, 0.55%, 0.37%

LAB 53.84, -42.32, 20.33

 

CMYK 83 / 0 / 44 / 36

HEX #1BA25B

RGB 27 162 91

HSL 148.44, 0.71%, 0.37%

LAB 58.82, -50.72, 27.4

 

CMYK 93 / 0 / 49 / 31

HEX #0CB15A

RGB 12 177 90

HSL 148.36, 0.87%, 0.37%

LAB 63.56, -57.29, 33.95

 

CMYK 71 / 0 / 37 / 43

HEX #2A925C

RGB 42 146 92

HSL 148.85, 0.55%, 0.37%

LAB 53.84, -42.32, 20.33

 

CMYK 56 / 0 / 29 / 49

HEX #3A835D

RGB 58 131 93

HSL 148.77, 0.39%, 0.37%

LAB 49.4, -32.21, 13.8

 

CMYK 37 / 0 / 20 / 55

HEX #49745D

RGB 73 116 93

HSL 147.91, 0.23%, 0.37%

LAB 45.22, -20.44, 8.05

 

CMYK 12 / 0 / 6 / 61

HEX #58645E

RGB 88 100 94

HSL 150, 0.06%, 0.37%

LAB 41.21, -5.91, 1.84

 

CMYK 0 / 18 / 9 / 59

HEX #68555F

RGB 104 85 95

HSL 328.42, 0.1%, 0.37%

LAB 38.32, 9.71, -2.84

 

CMYK 66 / 0 / 71 / 43

HEX #31922A

RGB 49 146 42

HSL 115.96, 0.55%, 0.37%

LAB 53.36, -48.39, 44.83

 

CMYK 71 / 0 / 57 / 43

HEX #2A923F

RGB 42 146 63

HSL 132.12, 0.55%, 0.37%

LAB 53.39, -47.37, 35.2

 

CMYK 71 / 0 / 38 / 43

HEX #2A925B

RGB 42 146 91

HSL 148.27, 0.55%, 0.37%

LAB 53.82, -42.53, 20.86

 

CMYK 71 / 0 / 18 / 43

HEX #2A9277

RGB 42 146 119

HSL 164.42, 0.55%, 0.37%

LAB 54.43, -36.02, 5.87

 

CMYK 71 / 0 / 0 / 43

HEX #2A9292

RGB 42 146 146

HSL 180, 0.55%, 0.37%

LAB 55.2, -28.42, -8.52

 

CMYK 71 / 0 / 37 / 68

HEX #185234

RGB 24 82 52

HSL 148.97, 0.55%, 0.21%

LAB 30.58, -26.68, 12.28

 

CMYK 71 / 0 / 37 / 55

HEX #217248

RGB 33 114 72

HSL 148.89, 0.55%, 0.29%

LAB 42.5, -34.74, 16.42

 

CMYK 71 / 0 / 37 / 43

HEX #2A925C

RGB 42 146 92

HSL 148.85, 0.55%, 0.37%

LAB 53.84, -42.32, 20.33

 

CMYK 71 / 0 / 37 / 30

HEX #34B270

RGB 52 178 112

HSL 148.57, 0.55%, 0.45%

LAB 64.76, -49.4, 24.1

 

CMYK 65 / 0 / 34 / 21

HEX #46C984

RGB 70 201 132

HSL 148.4, 0.55%, 0.53%

LAB 72.72, -51.41, 24.27

 

CMYK 71 / 0 / 37 / 43

HEX #2A905B

RGB 42.1 144.8 91

HSL 148.57, 0.55%, 0.37%

LAB 53.43, -42.02, 20.33

 

CMYK 71 / 47 / 0 / 43

HEX #2A4D92

RGB 42 77 146

HSL 219.81, 0.55%, 0.37%

LAB 33.72, 11.85, -41.83

 

CMYK 0 / 66 / 71 / 43

HEX #92312A

RGB 146 49 42

HSL 4.04, 0.55%, 0.37%

LAB 34.95, 40.41, 26.64

 

CMYK 71 / 0 / 37 / 43

HEX #2A905B

RGB 42.1 144.8 91

HSL 148.57, 0.55%, 0.37%

LAB 53.43, -42.02, 20.33

 

CMYK 38 / 71 / 0 / 43

HEX #5B2A92

RGB 91 42 146

HSL 268.27, 0.55%, 0.37%

LAB 29.3, 43.36, -48.78

 

CMYK 0 / 38 / 71 / 43

HEX #925B2A

RGB 146 91 42

HSL 28.27, 0.55%, 0.37%

LAB 43.89, 18.02, 36.75

 

CMYK 71 / 0 / 37 / 43

HEX #2A905B

RGB 42.1 144.8 91

HSL 148.57, 0.55%, 0.37%

LAB 53.43, -42.02, 20.33

 

CMYK 71 / 47 / 0 / 43

HEX #2A4D92

RGB 42 77 146

HSL 219.81, 0.55%, 0.37%

LAB 33.72, 11.85, -41.83

 

CMYK 0 / 71 / 33 / 43

HEX #922A62

RGB 146 42 98

HSL 327.69, 0.55%, 0.37%

LAB 35.3, 48.4, -8.6

 

CMYK 0 / 23 / 71 / 43

HEX #92702A

RGB 146 112 42

HSL 40.38, 0.55%, 0.37%

LAB 49.33, 5.87, 42.55

 

CMYK 71 / 0 / 37 / 43

HEX #2A905B

RGB 42.1 144.8 91

HSL 148.57, 0.55%, 0.37%

LAB 53.43, -42.02, 20.33

 

CMYK 71 / 68 / 0 / 43

HEX #2A2E92

RGB 42 46 146

HSL 237.69, 0.55%, 0.37%

LAB 25.33, 32.65, -55.46

 

CMYK 0 / 71 / 33 / 43

HEX #922A62

RGB 146 42 98

HSL 327.69, 0.55%, 0.37%

LAB 35.3, 48.4, -8.6

 

CMYK 0 / 2 / 71 / 43

HEX #928F2A

RGB 146 143 42

HSL 58.27, 0.55%, 0.37%

LAB 57.96, -11.38, 51.29

 

Description

Color code: RGB 42.1 144.8 91 | qconv.com Color code: RGB 42.1 144.8 91 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42.1 red, 144.8 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42.1 144.8 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 37 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 37% 43% C M Y K

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