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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 8 37 it is the complementary color RGB 214 247 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 8 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 8 37 shade: RGB 46 8 32, RGB 63 26 51, RGB 80 44 70, RGB 97 62 89 and RGB 114 80 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 8 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 8 37 shade: RGB 41 8 37, RGB 24 0 18, RGB 7 0 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 8 37 shade: RGB 43 8 38, RGB 43 8 29, RGB 43 8 20, RGB 43 8 11 and RGB 43 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 8 37 shade: RGB 43 8 38, RGB 38 8 43, RGB 28 8 43, RGB 19 8 43 and RGB 10 8 43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 8 37 shade matches the following richer shades: RGB 43 8 38, RGB 47 4 42 and RGB 51 0 45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 8 37 shade: RGB 43 8 38, RGB 38 13 35, RGB 34 17 32, RGB 30 21 29 and RGB 26 25 26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 8 37 shade: RGB 28 8 43, RGB 37 8 43, RGB 43 8 39, RGB 43 8 29 and RGB 43 8 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 8 37 shade: RGB 0 0 0, RGB 8 2 7, RGB 43 8 38, RGB 77 15 70 and RGB 111 22 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 8 37 shade: RGB 41 8 37, RGB 43 19 8 and RGB 8 43 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 8 37 shade: RGB 41 8 37, RGB 39 43 8 and RGB 8 39 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 8 37 shade: RGB 41 8 37, RGB 43 19 8, RGB 8 43 12 and RGB 8 32 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 8 37 shade: RGB 41 8 37, RGB 43 29 8, RGB 8 43 12 and RGB 8 22 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 10 / 84

HEX #290825

RGB 41 8 37

HSL 307.27, 0.67%, 0.1%

LAB 7.03, 21.36, -11.52

 

Complementary color

CMYK 13 / 0 / 12 / 3

HEX #D6F7DA

RGB 214 247 218

HSL 127.27, 0.67%, 0.9%

LAB 94.26, -16.02, 10.37

 

CMYK 0 / 83 / 30 / 82

HEX #2E0820

RGB 46 8 32

HSL 322.11, 0.7%, 0.11%

LAB 7.76, 22.29, -6.49

 

CMYK 0 / 59 / 19 / 75

HEX #3F1A33

RGB 63 26 51

HSL 319.46, 0.42%, 0.17%

LAB 15.67, 21.81, -8.17

 

CMYK 0 / 45 / 13 / 69

HEX #502C46

RGB 80 44 70

HSL 316.67, 0.29%, 0.24%

LAB 23.5, 20.93, -9.15

 

CMYK 0 / 36 / 8 / 62

HEX #613E59

RGB 97 62 89

HSL 313.71, 0.22%, 0.31%

LAB 31.13, 20.05, -9.87

 

CMYK 0 / 30 / 5 / 55

HEX #72506C

RGB 114 80 108

HSL 310.59, 0.18%, 0.38%

LAB 38.55, 19.26, -10.46

 

CMYK 0 / 80 / 10 / 84

HEX #290825

RGB 41 8 37

HSL 307.27, 0.67%, 0.1%

LAB 7.03, 21.36, -11.52

 

CMYK 0 / 100 / 25 / 91

HEX #180012

RGB 24 0 18

HSL 315, 1%, 0.05%

LAB 2.15, 10.64, -4.77

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 81 / 12 / 83

HEX #2B0826

RGB 43 8 38

HSL 308.57, 0.69%, 0.1%

LAB 7.47, 22.35, -11.57

 

CMYK 0 / 81 / 33 / 83

HEX #2B081D

RGB 43 8 29

HSL 324, 0.69%, 0.1%

LAB 7.01, 20.55, -5.37

 

CMYK 0 / 81 / 53 / 83

HEX #2B0814

RGB 43 8 20

HSL 339.43, 0.69%, 0.1%

LAB 6.66, 19.04, 0.9

 

CMYK 0 / 81 / 74 / 83

HEX #2B080B

RGB 43 8 11

HSL 354.86, 0.69%, 0.1%

LAB 6.43, 17.9, 5.45

 

CMYK 0 / 81 / 81 / 83

HEX #2B0808

RGB 43 8 8

HSL 0, 0.69%, 0.1%

LAB 6.37, 17.61, 6.59

 

CMYK 0 / 81 / 12 / 83

HEX #2B0826

RGB 43 8 38

HSL 308.57, 0.69%, 0.1%

LAB 7.47, 22.35, -11.57

 

CMYK 12 / 81 / 0 / 83

HEX #26082B

RGB 38 8 43

HSL 291.43, 0.69%, 0.1%

LAB 6.87, 21.69, -16.36

 

CMYK 35 / 81 / 0 / 83

HEX #1C082B

RGB 28 8 43

HSL 274.29, 0.69%, 0.1%

LAB 5.37, 17.5, -18.81

 

CMYK 56 / 81 / 0 / 83

HEX #13082B

RGB 19 8 43

HSL 258.86, 0.69%, 0.1%

LAB 4.39, 13.48, -20.42

 

CMYK 77 / 81 / 0 / 83

HEX #0A082B

RGB 10 8 43

HSL 243.43, 0.69%, 0.1%

LAB 3.73, 10.48, -21.52

 

CMYK 0 / 81 / 12 / 83

HEX #2B0826

RGB 43 8 38

HSL 308.57, 0.69%, 0.1%

LAB 7.47, 22.35, -11.57

 

CMYK 0 / 91 / 11 / 82

HEX #2F042A

RGB 47 4 42

HSL 306.98, 0.84%, 0.1%

LAB 7.75, 26.65, -14.09

 

CMYK 0 / 100 / 12 / 80

HEX #33002D

RGB 51 0 45

HSL 307.06, 1%, 0.1%

LAB 8.07, 30.48, -15.78

 

CMYK 0 / 81 / 12 / 83

HEX #2B0826

RGB 43 8 38

HSL 308.57, 0.69%, 0.1%

LAB 7.47, 22.35, -11.57

 

CMYK 0 / 66 / 8 / 85

HEX #260D23

RGB 38 13 35

HSL 307.2, 0.49%, 0.1%

LAB 7.42, 16.97, -9.44

 

CMYK 0 / 50 / 6 / 87

HEX #221120

RGB 34 17 32

HSL 307.06, 0.33%, 0.1%

LAB 7.64, 11.93, -6.88

 

CMYK 0 / 30 / 3 / 88

HEX #1E151D

RGB 30 21 29

HSL 306.67, 0.18%, 0.1%

LAB 8.14, 6.43, -3.88

 

CMYK 0 / 4 / 0 / 90

HEX #1A191A

RGB 26 25 26

HSL 300, 0.02%, 0.1%

LAB 8.9, 0.74, -0.53

 

CMYK 35 / 81 / 0 / 83

HEX #1C082B

RGB 28 8 43

HSL 274.29, 0.69%, 0.1%

LAB 5.37, 17.5, -18.81

 

CMYK 14 / 81 / 0 / 83

HEX #25082B

RGB 37 8 43

HSL 289.71, 0.69%, 0.1%

LAB 6.7, 21.31, -16.64

 

CMYK 0 / 81 / 9 / 83

HEX #2B0827

RGB 43 8 39

HSL 306.86, 0.69%, 0.1%

LAB 7.53, 22.56, -12.23

 

CMYK 0 / 81 / 33 / 83

HEX #2B081D

RGB 43 8 29

HSL 324, 0.69%, 0.1%

LAB 7.01, 20.55, -5.37

 

CMYK 0 / 81 / 53 / 83

HEX #2B0814

RGB 43 8 20

HSL 339.43, 0.69%, 0.1%

LAB 6.66, 19.04, 0.9

 

CMYK 0 / 75 / 13 / 97

HEX #080207

RGB 8 2 7

HSL 310, 0.6%, 0.02%

LAB 1, 2.26, -1.34

 

CMYK 0 / 81 / 12 / 83

HEX #2B0826

RGB 43 8 38

HSL 308.57, 0.69%, 0.1%

LAB 7.47, 22.35, -11.57

 

CMYK 0 / 81 / 9 / 70

HEX #4D0F46

RGB 77 15 70

HSL 306.77, 0.67%, 0.18%

LAB 17.28, 35.22, -18.82

 

CMYK 0 / 80 / 9 / 56

HEX #6F1665

RGB 111 22 101

HSL 306.74, 0.67%, 0.26%

LAB 26.43, 46.62, -24.75

 

CMYK 0 / 80 / 10 / 84

HEX #290825

RGB 41 8 37

HSL 307.27, 0.67%, 0.1%

LAB 7.03, 21.36, -11.52

 

CMYK 0 / 56 / 81 / 83

HEX #2B1308

RGB 43 19 8

HSL 18.86, 0.69%, 0.1%

LAB 8.97, 11.13, 10.38

 

CMYK 81 / 0 / 23 / 83

HEX #082B21

RGB 8 43 33

HSL 162.86, 0.69%, 0.1%

LAB 14.89, -15.51, 2.91

 

CMYK 0 / 80 / 10 / 84

HEX #290825

RGB 41 8 37

HSL 307.27, 0.67%, 0.1%

LAB 7.03, 21.36, -11.52

 

CMYK 9 / 0 / 81 / 83

HEX #272B08

RGB 39 43 8

HSL 66.86, 0.69%, 0.1%

LAB 16.39, -7.72, 20.28

 

CMYK 81 / 9 / 0 / 83

HEX #08272B

RGB 8 39 43

HSL 186.86, 0.69%, 0.1%

LAB 13.69, -9.6, -5.97

 

CMYK 0 / 80 / 10 / 84

HEX #290825

RGB 41 8 37

HSL 307.27, 0.67%, 0.1%

LAB 7.03, 21.36, -11.52

 

CMYK 0 / 56 / 81 / 83

HEX #2B1308

RGB 43 19 8

HSL 18.86, 0.69%, 0.1%

LAB 8.97, 11.13, 10.38

 

CMYK 81 / 0 / 72 / 83

HEX #082B0C

RGB 8 43 12

HSL 126.86, 0.69%, 0.1%

LAB 14.43, -20.52, 15.7

 

CMYK 81 / 26 / 0 / 83

HEX #08202B

RGB 8 32 43

HSL 198.86, 0.69%, 0.1%

LAB 10.99, -4.87, -10.11

 

CMYK 0 / 80 / 10 / 84

HEX #290825

RGB 41 8 37

HSL 307.27, 0.67%, 0.1%

LAB 7.03, 21.36, -11.52

 

CMYK 0 / 33 / 81 / 83

HEX #2B1D08

RGB 43 29 8

HSL 36, 0.69%, 0.1%

LAB 12.02, 4.05, 14.67

 

CMYK 81 / 0 / 72 / 83

HEX #082B0C

RGB 8 43 12

HSL 126.86, 0.69%, 0.1%

LAB 14.43, -20.52, 15.7

 

CMYK 81 / 49 / 0 / 83

HEX #08162B

RGB 8 22 43

HSL 216, 0.69%, 0.1%

LAB 7.23, 2.57, -16.01

 

Description

Color code: RGB 41 8 37 | qconv.com Color code: RGB 41 8 37 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 8 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 8 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 10 yellow and 84 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 10% 84% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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