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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 54.8 92.4 it is the complementary color RGB 214 200.2 162.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 54.8 92.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 54.8 92.4 shade: RGB 46 54.8 87.4, RGB 63 72.8 106.4, RGB 80 90.8 125.4, RGB 97 108.8 144.4 and RGB 114 126.8 163.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 54.8 92.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 54.8 92.4 shade: RGB 41 54.8 92.4, RGB 24 36.8 73.4, RGB 7 18.8 54.4, RGB 0 0.8 35.4 and RGB 0 0 16.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 54.8 92.4 shade: RGB 40 54 92, RGB 41 40 92, RGB 54 40 92, RGB 68 40 92 and RGB 82 40 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 54.8 92.4 shade: RGB 40 54 92 and RGB 40 40 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 54.8 92.4 shade matches the following richer shades: RGB 40 54 92, RGB 30 49 103, RGB 19 44 114 and RGB 8 39 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 54.8 92.4 shade: RGB 40 54 92, RGB 51 59 81, RGB 62 64 71, RGB 73 69 60 and RGB 83 74 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 54.8 92.4 shade: RGB 40 83 92, RGB 40 69 92, RGB 40 55 92, RGB 40 41 92 and RGB 53 40 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 54.8 92.4 shade: RGB 15 21 35, RGB 28 37 63, RGB 40 54 92, RGB 53 71 121 and RGB 66 88 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 54.8 92.4 shade: RGB 41 54.8 92.4, RGB 88 40 92 and RGB 76 92 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 54.8 92.4 shade: RGB 41 54.8 92.4, RGB 92 40 55 and RGB 55 92 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 54.8 92.4 shade: RGB 41 54.8 92.4, RGB 88 40 92, RGB 92 78 40 and RGB 45 92 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 54.8 92.4 shade: RGB 41 54.8 92.4, RGB 92 40 81, RGB 92 78 40 and RGB 40 92 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 41 / 0 / 64

HEX #29365C

RGB 41 54.8 92.4

HSL 223.89, 0.39%, 0.26%

LAB 23.55, 6.56, -24.27

 

Complementary color

CMYK 0 / 6 / 24 / 16

HEX #D6C8A2

RGB 214 200.2 162.6

HSL 43.89, 0.39%, 0.74%

LAB 80.92, -1.09, 20.57

 

CMYK 47 / 37 / 0 / 66

HEX #2E3657

RGB 46 54.8 87.4

HSL 227.25, 0.31%, 0.26%

LAB 23.63, 6.21, -20.83

 

CMYK 41 / 32 / 0 / 58

HEX #3F486A

RGB 63 72.8 106.4

HSL 226.45, 0.26%, 0.33%

LAB 31.45, 5.47, -20.78

 

CMYK 36 / 28 / 0 / 51

HEX #505A7D

RGB 80 90.8 125.4

HSL 225.73, 0.22%, 0.4%

LAB 38.97, 4.91, -20.81

 

CMYK 33 / 25 / 0 / 43

HEX #616C90

RGB 97 108.8 144.4

HSL 225.06, 0.2%, 0.47%

LAB 46.26, 4.46, -20.91

 

CMYK 30 / 22 / 0 / 36

HEX #727EA3

RGB 114 126.8 163.4

HSL 224.45, 0.21%, 0.54%

LAB 53.34, 4.09, -21.06

 

CMYK 56 / 41 / 0 / 64

HEX #29365C

RGB 41 54.8 92.4

HSL 223.89, 0.39%, 0.26%

LAB 23.55, 6.56, -24.27

 

CMYK 67 / 50 / 0 / 71

HEX #182449

RGB 24 36.8 73.4

HSL 224.45, 0.51%, 0.19%

LAB 15.44, 8, -24.51

 

CMYK 87 / 65 / 0 / 79

HEX #071236

RGB 7 18.8 54.4

HSL 225.06, 0.77%, 0.12%

LAB 6.99, 10.17, -24.76

 

CMYK 100 / 98 / 0 / 86

HEX #000023

RGB 0 0.8 35.4

HSL 238.64, 1%, 0.07%

LAB 1.27, 7.53, -19.53

 

CMYK 100 / 100 / 0 / 94

HEX #000010

RGB 0 0 16.4

HSL 240, 1%, 0.03%

LAB 0.35, 2.45, -6.67

 

CMYK 57 / 41 / 0 / 64

HEX #28365C

RGB 40 54 92

HSL 223.85, 0.39%, 0.26%

LAB 23.21, 6.71, -24.55

 

CMYK 55 / 57 / 0 / 64

HEX #29285C

RGB 41 40 92

HSL 241.15, 0.39%, 0.26%

LAB 19.06, 16.86, -31.17

 

CMYK 41 / 57 / 0 / 64

HEX #36285C

RGB 54 40 92

HSL 256.15, 0.39%, 0.26%

LAB 20.34, 20.3, -29.05

 

CMYK 26 / 57 / 0 / 64

HEX #44285C

RGB 68 40 92

HSL 272.31, 0.39%, 0.26%

LAB 22.01, 24.42, -26.28

 

CMYK 11 / 57 / 0 / 64

HEX #52285C

RGB 82 40 92

HSL 288.46, 0.39%, 0.26%

LAB 23.95, 28.76, -23.1

 

CMYK 57 / 41 / 0 / 64

HEX #28365C

RGB 40 54 92

HSL 223.85, 0.39%, 0.26%

LAB 23.21, 6.71, -24.55

 

CMYK 57 / 57 / 0 / 64

HEX #28285C

RGB 40 40 92

HSL 240, 0.39%, 0.26%

LAB 18.98, 16.62, -31.31

 

CMYK 57 / 41 / 0 / 64

HEX #28365C

RGB 40 54 92

HSL 223.85, 0.39%, 0.26%

LAB 23.21, 6.71, -24.55

 

CMYK 71 / 52 / 0 / 60

HEX #1E3167

RGB 30 49 103

HSL 224.38, 0.55%, 0.26%

LAB 21.77, 12.3, -34.07

 

CMYK 83 / 61 / 0 / 55

HEX #132C72

RGB 19 44 114

HSL 224.21, 0.71%, 0.26%

LAB 20.65, 18.87, -43.02

 

CMYK 94 / 69 / 0 / 51

HEX #08277C

RGB 8 39 124

HSL 223.97, 0.88%, 0.26%

LAB 19.87, 25.76, -50.7

 

CMYK 57 / 41 / 0 / 64

HEX #28365C

RGB 40 54 92

HSL 223.85, 0.39%, 0.26%

LAB 23.21, 6.71, -24.55

 

CMYK 37 / 27 / 0 / 68

HEX #333B51

RGB 51 59 81

HSL 224, 0.23%, 0.26%

LAB 25.03, 2.87, -14.42

 

CMYK 13 / 10 / 0 / 72

HEX #3E4047

RGB 62 64 71

HSL 226.67, 0.07%, 0.26%

LAB 27.15, 0.84, -4.54

 

CMYK 0 / 5 / 18 / 71

HEX #49453C

RGB 73 69 60

HSL 41.54, 0.1%, 0.26%

LAB 29.41, -0.12, 6.04

 

CMYK 0 / 11 / 41 / 67

HEX #534A31

RGB 83 74 49

HSL 44.12, 0.26%, 0.26%

LAB 31.71, -0.45, 16.32

 

CMYK 57 / 10 / 0 / 64

HEX #28535C

RGB 40 83 92

HSL 190.38, 0.39%, 0.26%

LAB 32.72, -12.04, -9.83

 

CMYK 57 / 25 / 0 / 64

HEX #28455C

RGB 40 69 92

HSL 206.54, 0.39%, 0.26%

LAB 28.06, -3.39, -16.96

 

CMYK 57 / 40 / 0 / 64

HEX #28375C

RGB 40 55 92

HSL 222.69, 0.39%, 0.26%

LAB 23.53, 6.02, -24.06

 

CMYK 57 / 55 / 0 / 64

HEX #28295C

RGB 40 41 92

HSL 238.85, 0.39%, 0.26%

LAB 19.27, 15.91, -30.85

 

CMYK 42 / 57 / 0 / 64

HEX #35285C

RGB 53 40 92

HSL 255, 0.39%, 0.26%

LAB 20.23, 20.02, -29.23

 

CMYK 57 / 40 / 0 / 86

HEX #0F1523

RGB 15 21 35

HSL 222, 0.4%, 0.1%

LAB 6.86, 1.92, -10.54

 

CMYK 56 / 41 / 0 / 75

HEX #1C253F

RGB 28 37 63

HSL 224.57, 0.38%, 0.18%

LAB 15.11, 4.81, -17.83

 

CMYK 57 / 41 / 0 / 64

HEX #28365C

RGB 40 54 92

HSL 223.85, 0.39%, 0.26%

LAB 23.21, 6.71, -24.55

 

CMYK 56 / 41 / 0 / 53

HEX #354779

RGB 53 71 121

HSL 224.12, 0.39%, 0.34%

LAB 30.98, 8.78, -30.75

 

CMYK 56 / 41 / 0 / 41

HEX #425896

RGB 66 88 150

HSL 224.29, 0.39%, 0.42%

LAB 38.45, 10.75, -36.64

 

CMYK 56 / 41 / 0 / 64

HEX #29365C

RGB 41 54.8 92.4

HSL 223.89, 0.39%, 0.26%

LAB 23.55, 6.56, -24.27

 

CMYK 4 / 57 / 0 / 64

HEX #58285C

RGB 88 40 92

HSL 295.38, 0.39%, 0.26%

LAB 24.84, 30.65, -21.63

 

CMYK 17 / 0 / 57 / 64

HEX #4C5C28

RGB 76 92 40

HSL 78.46, 0.39%, 0.26%

LAB 36.64, -15.42, 27.58

 

CMYK 56 / 41 / 0 / 64

HEX #29365C

RGB 41 54.8 92.4

HSL 223.89, 0.39%, 0.26%

LAB 23.55, 6.56, -24.27

 

CMYK 0 / 57 / 40 / 64

HEX #5C2837

RGB 92 40 55

HSL 342.69, 0.39%, 0.26%

LAB 23.9, 25.58, 1.8

 

CMYK 40 / 0 / 57 / 64

HEX #375C28

RGB 55 92 40

HSL 102.69, 0.39%, 0.26%

LAB 35.24, -24.18, 25.58

 

CMYK 56 / 41 / 0 / 64

HEX #29365C

RGB 41 54.8 92.4

HSL 223.89, 0.39%, 0.26%

LAB 23.55, 6.56, -24.27

 

CMYK 4 / 57 / 0 / 64

HEX #58285C

RGB 88 40 92

HSL 295.38, 0.39%, 0.26%

LAB 24.84, 30.65, -21.63

 

CMYK 0 / 15 / 57 / 64

HEX #5C4E28

RGB 92 78 40

HSL 43.85, 0.39%, 0.26%

LAB 33.73, 0.32, 24.46

 

CMYK 51 / 0 / 57 / 64

HEX #2D5C28

RGB 45 92 40

HSL 114.23, 0.39%, 0.26%

LAB 34.73, -27.75, 24.84

 

CMYK 56 / 41 / 0 / 64

HEX #29365C

RGB 41 54.8 92.4

HSL 223.89, 0.39%, 0.26%

LAB 23.55, 6.56, -24.27

 

CMYK 0 / 57 / 12 / 64

HEX #5C2851

RGB 92 40 81

HSL 312.69, 0.39%, 0.26%

LAB 24.91, 29.77, -14.2

 

CMYK 0 / 15 / 57 / 64

HEX #5C4E28

RGB 92 78 40

HSL 43.85, 0.39%, 0.26%

LAB 33.73, 0.32, 24.46

 

CMYK 57 / 0 / 43 / 64

HEX #285C34

RGB 40 92 52

HSL 133.85, 0.39%, 0.26%

LAB 34.71, -27.28, 17.87

 

Description

Color code: RGB 41 54.8 92.4 | qconv.com Color code: RGB 41 54.8 92.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 54.8 green and 92.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 54.8 92.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 41 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 41% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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