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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 53 87 it is the complementary color RGB 214 202 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 53 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 53 87 shade: RGB 46 53 82, RGB 63 71 101, RGB 80 89 120, RGB 97 107 139 and RGB 114 125 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 53 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 53 87 shade: RGB 41 53 87, RGB 24 35 68, RGB 7 17 49, RGB 0 0 30 and RGB 0 0 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 53 87 shade: RGB 41 53 87, RGB 41 41 87, RGB 54 41 87, RGB 66 41 87 and RGB 78 41 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 53 87 shade: RGB 41 53 87 and RGB 41 41 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 53 87 shade matches the following richer shades: RGB 41 53 87, RGB 30 48 97, RGB 20 43 107 and RGB 10 38 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 53 87 shade: RGB 41 53 87, RGB 51 58 76, RGB 61 63 66, RGB 72 68 56 and RGB 82 73 45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 53 87 shade: RGB 41 78 87, RGB 41 65 87, RGB 41 53 87, RGB 41 41 87 and RGB 53 41 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 53 87 shade: RGB 14 19 31, RGB 28 36 59, RGB 41 53 87, RGB 54 70 115 and RGB 67 87 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 53 87 shade: RGB 41 53 87, RGB 84 41 87 and RGB 71 87 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 53 87 shade: RGB 41 53 87, RGB 87 41 53 and RGB 53 87 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 53 87 shade: RGB 41 53 87, RGB 84 41 87, RGB 87 74 41 and RGB 44 87 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 53 87 shade: RGB 41 53 87, RGB 87 41 76, RGB 87 74 41 and RGB 41 87 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 39 / 0 / 66

HEX #293557

RGB 41 53 87

HSL 224.35, 0.36%, 0.25%

LAB 22.67, 5.87, -22.11

 

Complementary color

CMYK 0 / 6 / 21 / 16

HEX #D6CAA8

RGB 214 202 168

HSL 44.35, 0.36%, 0.75%

LAB 81.49, -1.26, 18.5

 

CMYK 44 / 35 / 0 / 68

HEX #2E3552

RGB 46 53 82

HSL 228.33, 0.28%, 0.25%

LAB 22.78, 5.64, -18.61

 

CMYK 38 / 30 / 0 / 60

HEX #3F4765

RGB 63 71 101

HSL 227.37, 0.23%, 0.32%

LAB 30.65, 4.99, -18.6

 

CMYK 33 / 26 / 0 / 53

HEX #505978

RGB 80 89 120

HSL 226.5, 0.2%, 0.39%

LAB 38.21, 4.49, -18.68

 

CMYK 30 / 23 / 0 / 45

HEX #616B8B

RGB 97 107 139

HSL 225.71, 0.18%, 0.46%

LAB 45.53, 4.09, -18.83

 

CMYK 28 / 21 / 0 / 38

HEX #727D9E

RGB 114 125 158

HSL 225, 0.18%, 0.53%

LAB 52.63, 3.75, -19.02

 

CMYK 53 / 39 / 0 / 66

HEX #293557

RGB 41 53 87

HSL 224.35, 0.36%, 0.25%

LAB 22.67, 5.87, -22.11

 

CMYK 65 / 49 / 0 / 73

HEX #182344

RGB 24 35 68

HSL 225, 0.48%, 0.18%

LAB 14.48, 7.16, -22.32

 

CMYK 86 / 65 / 0 / 81

HEX #071131

RGB 7 17 49

HSL 225.71, 0.75%, 0.11%

LAB 6.03, 8.51, -22.35

 

CMYK 100 / 100 / 0 / 88

HEX #00001E

RGB 0 0 30

HSL 240, 1%, 0.06%

LAB 0.85, 5.95, -15.88

 

CMYK 100 / 100 / 0 / 96

HEX #00000B

RGB 0 0 11

HSL 240, 1%, 0.02%

LAB 0.22, 1.53, -4.17

 

CMYK 53 / 39 / 0 / 66

HEX #293557

RGB 41 53 87

HSL 224.35, 0.36%, 0.25%

LAB 22.67, 5.87, -22.11

 

CMYK 53 / 53 / 0 / 66

HEX #292957

RGB 41 41 87

HSL 240, 0.36%, 0.25%

LAB 18.99, 14.36, -27.95

 

CMYK 38 / 53 / 0 / 66

HEX #362957

RGB 54 41 87

HSL 256.96, 0.36%, 0.25%

LAB 20.28, 18.06, -25.83

 

CMYK 24 / 53 / 0 / 66

HEX #422957

RGB 66 41 87

HSL 272.61, 0.36%, 0.25%

LAB 21.7, 21.81, -23.49

 

CMYK 10 / 53 / 0 / 66

HEX #4E2957

RGB 78 41 87

HSL 288.26, 0.36%, 0.25%

LAB 23.32, 25.73, -20.83

 

CMYK 53 / 39 / 0 / 66

HEX #293557

RGB 41 53 87

HSL 224.35, 0.36%, 0.25%

LAB 22.67, 5.87, -22.11

 

CMYK 53 / 53 / 0 / 66

HEX #292957

RGB 41 41 87

HSL 240, 0.36%, 0.25%

LAB 18.99, 14.36, -27.95

 

CMYK 53 / 39 / 0 / 66

HEX #293557

RGB 41 53 87

HSL 224.35, 0.36%, 0.25%

LAB 22.67, 5.87, -22.11

 

CMYK 69 / 51 / 0 / 62

HEX #1E3061

RGB 30 48 97

HSL 223.88, 0.53%, 0.25%

LAB 21.03, 10.61, -31.35

 

CMYK 81 / 60 / 0 / 58

HEX #142B6B

RGB 20 43 107

HSL 224.14, 0.69%, 0.25%

LAB 19.79, 16.78, -39.89

 

CMYK 92 / 68 / 0 / 54

HEX #0A2676

RGB 10 38 118

HSL 224.44, 0.84%, 0.25%

LAB 19.05, 24.11, -48.22

 

CMYK 53 / 39 / 0 / 66

HEX #293557

RGB 41 53 87

HSL 224.35, 0.36%, 0.25%

LAB 22.67, 5.87, -22.11

 

CMYK 33 / 24 / 0 / 70

HEX #333A4C

RGB 51 58 76

HSL 223.2, 0.2%, 0.25%

LAB 24.49, 2.02, -11.95

 

CMYK 8 / 5 / 0 / 74

HEX #3D3F42

RGB 61 63 66

HSL 216, 0.04%, 0.25%

LAB 26.56, -0.14, -2.13

 

CMYK 0 / 6 / 22 / 72

HEX #484438

RGB 72 68 56

HSL 45, 0.13%, 0.25%

LAB 28.9, -0.67, 7.89

 

CMYK 0 / 11 / 45 / 68

HEX #52492D

RGB 82 73 45

HSL 45.41, 0.29%, 0.25%

LAB 31.23, -0.83, 18.13

 

CMYK 53 / 10 / 0 / 66

HEX #294E57

RGB 41 78 87

HSL 191.74, 0.36%, 0.25%

LAB 30.9, -10.42, -9.41

 

CMYK 53 / 25 / 0 / 66

HEX #294157

RGB 41 65 87

HSL 208.7, 0.36%, 0.25%

LAB 26.56, -2.25, -16.04

 

CMYK 53 / 39 / 0 / 66

HEX #293557

RGB 41 53 87

HSL 224.35, 0.36%, 0.25%

LAB 22.67, 5.87, -22.11

 

CMYK 53 / 53 / 0 / 66

HEX #292957

RGB 41 41 87

HSL 240, 0.36%, 0.25%

LAB 18.99, 14.36, -27.95

 

CMYK 39 / 53 / 0 / 66

HEX #352957

RGB 53 41 87

HSL 255.65, 0.36%, 0.25%

LAB 20.17, 17.76, -26.01

 

CMYK 55 / 39 / 0 / 88

HEX #0E131F

RGB 14 19 31

HSL 222.35, 0.38%, 0.09%

LAB 5.94, 1.47, -8.89

 

CMYK 53 / 39 / 0 / 77

HEX #1C243B

RGB 28 36 59

HSL 224.52, 0.36%, 0.17%

LAB 14.54, 4.05, -15.93

 

CMYK 53 / 39 / 0 / 66

HEX #293557

RGB 41 53 87

HSL 224.35, 0.36%, 0.25%

LAB 22.67, 5.87, -22.11

 

CMYK 53 / 39 / 0 / 55

HEX #364673

RGB 54 70 115

HSL 224.26, 0.36%, 0.33%

LAB 30.41, 7.6, -27.89

 

CMYK 53 / 39 / 0 / 44

HEX #43578F

RGB 67 87 143

HSL 224.21, 0.36%, 0.41%

LAB 37.83, 9.26, -33.39

 

CMYK 53 / 39 / 0 / 66

HEX #293557

RGB 41 53 87

HSL 224.35, 0.36%, 0.25%

LAB 22.67, 5.87, -22.11

 

CMYK 3 / 53 / 0 / 66

HEX #542957

RGB 84 41 87

HSL 296.09, 0.36%, 0.25%

LAB 24.19, 27.71, -19.4

 

CMYK 18 / 0 / 53 / 66

HEX #475729

RGB 71 87 41

HSL 80.87, 0.36%, 0.25%

LAB 34.63, -14.76, 24.53

 

CMYK 53 / 39 / 0 / 66

HEX #293557

RGB 41 53 87

HSL 224.35, 0.36%, 0.25%

LAB 22.67, 5.87, -22.11

 

CMYK 0 / 53 / 39 / 66

HEX #572935

RGB 87 41 53

HSL 344.35, 0.36%, 0.25%

LAB 23.23, 22.7, 2.1

 

CMYK 39 / 0 / 53 / 66

HEX #355729

RGB 53 87 41

HSL 104.35, 0.36%, 0.25%

LAB 33.42, -22.28, 22.77

 

CMYK 53 / 39 / 0 / 66

HEX #293557

RGB 41 53 87

HSL 224.35, 0.36%, 0.25%

LAB 22.67, 5.87, -22.11

 

CMYK 3 / 53 / 0 / 66

HEX #542957

RGB 84 41 87

HSL 296.09, 0.36%, 0.25%

LAB 24.19, 27.71, -19.4

 

CMYK 0 / 15 / 53 / 66

HEX #574A29

RGB 87 74 41

HSL 43.04, 0.36%, 0.25%

LAB 32, 0.47, 21.63

 

CMYK 49 / 0 / 53 / 66

HEX #2C5729

RGB 44 87 41

HSL 116.09, 0.36%, 0.25%

LAB 32.95, -25.55, 22.08

 

CMYK 53 / 39 / 0 / 66

HEX #293557

RGB 41 53 87

HSL 224.35, 0.36%, 0.25%

LAB 22.67, 5.87, -22.11

 

CMYK 0 / 53 / 13 / 66

HEX #57294C

RGB 87 41 76

HSL 314.35, 0.36%, 0.25%

LAB 24.11, 26.51, -12.16

 

CMYK 0 / 15 / 53 / 66

HEX #574A29

RGB 87 74 41

HSL 43.04, 0.36%, 0.25%

LAB 32, 0.47, 21.63

 

CMYK 53 / 0 / 40 / 66

HEX #295734

RGB 41 87 52

HSL 134.35, 0.36%, 0.25%

LAB 33, -24.57, 15.62

 

Description

Color code: RGB 41 53 87 | qconv.com Color code: RGB 41 53 87 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 53 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 53 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 39 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 39% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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