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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 162 142 it is the complementary color RGB 214 93 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 162 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 162 142 shade: RGB 46 162 137, RGB 63 180 156, RGB 80 198 175, RGB 97 216 194 and RGB 114 234 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 162 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 162 142 shade: RGB 41 162 142, RGB 24 144 123, RGB 7 126 104, RGB 0 108 85 and RGB 0 90 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 162 142 shade: RGB 40 163 142, RGB 40 163 109, RGB 40 163 76, RGB 40 163 43 and RGB 70 163 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 162 142 shade: RGB 40 163 142, RGB 40 150 163, RGB 40 117 163, RGB 40 84 163 and RGB 40 51 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 162 142 shade matches the following richer shades: RGB 40 163 142, RGB 24 179 154 and RGB 7 196 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 162 142 shade: RGB 40 163 142, RGB 57 146 131, RGB 73 130 120, RGB 90 113 109 and RGB 106 97 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 162 142 shade: RGB 40 163 77, RGB 40 163 110, RGB 40 163 142, RGB 40 150 163 and RGB 40 118 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 162 142 shade: RGB 24 97 85, RGB 32 130 114, RGB 40 163 142, RGB 49 196 171 and RGB 76 210 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 162 142 shade: RGB 41 162 142, RGB 44 40 163 and RGB 163 93 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 162 142 shade: RGB 41 162 142, RGB 142 40 163 and RGB 163 142 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 162 142 shade: RGB 41 162 142, RGB 44 40 163, RGB 163 40 61 and RGB 159 163 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 162 142 shade: RGB 41 162 142, RGB 81 40 163, RGB 163 40 61 and RGB 122 163 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 12 / 36

HEX #29A28E

RGB 41 162 142

HSL 170.08, 0.6%, 0.4%

LAB 60.13, -37.24, 1.03

 

Complementary color

CMYK 0 / 57 / 47 / 16

HEX #D65D71

RGB 214 93 113

HSL 350.08, 0.6%, 0.6%

LAB 55.4, 49.36, 12.73

 

CMYK 72 / 0 / 15 / 36

HEX #2EA289

RGB 46 162 137

HSL 167.07, 0.56%, 0.41%

LAB 60.09, -37.9, 3.81

 

CMYK 65 / 0 / 13 / 29

HEX #3FB49C

RGB 63 180 156

HSL 167.69, 0.48%, 0.48%

LAB 66.6, -38.36, 2.67

 

CMYK 60 / 0 / 12 / 22

HEX #50C6AF

RGB 80 198 175

HSL 168.31, 0.51%, 0.55%

LAB 73.02, -38.63, 1.65

 

CMYK 55 / 0 / 10 / 15

HEX #61D8C2

RGB 97 216 194

HSL 168.91, 0.6%, 0.61%

LAB 79.36, -38.76, 0.72

 

CMYK 51 / 0 / 9 / 8

HEX #72EAD5

RGB 114 234 213

HSL 169.5, 0.74%, 0.68%

LAB 85.62, -38.81, -0.14

 

CMYK 75 / 0 / 12 / 36

HEX #29A28E

RGB 41 162 142

HSL 170.08, 0.6%, 0.4%

LAB 60.13, -37.24, 1.03

 

CMYK 83 / 0 / 15 / 44

HEX #18907B

RGB 24 144 123

HSL 169.5, 0.71%, 0.33%

LAB 53.57, -36.28, 2.29

 

CMYK 94 / 0 / 17 / 51

HEX #077E68

RGB 7 126 104

HSL 168.91, 0.89%, 0.26%

LAB 46.93, -34.84, 3.74

 

CMYK 100 / 0 / 21 / 58

HEX #006C55

RGB 0 108 85

HSL 167.22, 1%, 0.21%

LAB 40.21, -32.7, 5.43

 

CMYK 100 / 0 / 27 / 65

HEX #005A42

RGB 0 90 66

HSL 164, 1%, 0.18%

LAB 33.36, -30.04, 7.36

 

CMYK 75 / 0 / 13 / 36

HEX #28A38E

RGB 40 163 142

HSL 169.76, 0.61%, 0.4%

LAB 60.43, -37.81, 1.46

 

CMYK 75 / 0 / 33 / 36

HEX #28A36D

RGB 40 163 109

HSL 153.66, 0.61%, 0.4%

LAB 59.66, -45.9, 18.8

 

CMYK 75 / 0 / 53 / 36

HEX #28A34C

RGB 40 163 76

HSL 137.56, 0.61%, 0.4%

LAB 59.13, -51.98, 35.61

 

CMYK 75 / 0 / 74 / 36

HEX #28A32B

RGB 40 163 43

HSL 121.46, 0.61%, 0.4%

LAB 58.81, -55.84, 50.01

 

CMYK 57 / 0 / 75 / 36

HEX #46A328

RGB 70 163 40

HSL 105.37, 0.61%, 0.4%

LAB 59.57, -49.63, 52.13

 

CMYK 75 / 0 / 13 / 36

HEX #28A38E

RGB 40 163 142

HSL 169.76, 0.61%, 0.4%

LAB 60.43, -37.81, 1.46

 

CMYK 75 / 8 / 0 / 36

HEX #2896A3

RGB 40 150 163

HSL 186.34, 0.61%, 0.4%

LAB 56.99, -25.39, -15.57

 

CMYK 75 / 28 / 0 / 36

HEX #2875A3

RGB 40 117 163

HSL 202.44, 0.61%, 0.4%

LAB 46.73, -7.31, -31.37

 

CMYK 75 / 48 / 0 / 36

HEX #2854A3

RGB 40 84 163

HSL 218.54, 0.61%, 0.4%

LAB 36.81, 13.46, -47.13

 

CMYK 75 / 69 / 0 / 36

HEX #2833A3

RGB 40 51 163

HSL 234.63, 0.61%, 0.4%

LAB 28.02, 35.35, -61.44

 

CMYK 75 / 0 / 13 / 36

HEX #28A38E

RGB 40 163 142

HSL 169.76, 0.61%, 0.4%

LAB 60.43, -37.81, 1.46

 

CMYK 87 / 0 / 14 / 30

HEX #18B39A

RGB 24 179 154

HSL 170.32, 0.76%, 0.4%

LAB 65.57, -43.06, 2.2

 

CMYK 96 / 0 / 16 / 23

HEX #07C4A5

RGB 7 196 165

HSL 170.16, 0.93%, 0.4%

LAB 71.04, -48.03, 4.08

 

CMYK 75 / 0 / 13 / 36

HEX #28A38E

RGB 40 163 142

HSL 169.76, 0.61%, 0.4%

LAB 60.43, -37.81, 1.46

 

CMYK 61 / 0 / 10 / 43

HEX #399283

RGB 57 146 131

HSL 169.89, 0.44%, 0.4%

LAB 55.14, -30.2, 0.06

 

CMYK 44 / 0 / 8 / 49

HEX #498278

RGB 73 130 120

HSL 169.47, 0.28%, 0.4%

LAB 50.38, -21.3, -0.45

 

CMYK 20 / 0 / 4 / 56

HEX #5A716D

RGB 90 113 109

HSL 169.57, 0.11%, 0.4%

LAB 45.75, -9.35, -0.59

 

CMYK 0 / 8 / 8 / 58

HEX #6A6162

RGB 106 97 98

HSL 353.33, 0.04%, 0.4%

LAB 41.99, 3.78, 0.72

 

CMYK 75 / 0 / 53 / 36

HEX #28A34D

RGB 40 163 77

HSL 138.05, 0.61%, 0.4%

LAB 59.14, -51.83, 35.12

 

CMYK 75 / 0 / 33 / 36

HEX #28A36E

RGB 40 163 110

HSL 154.15, 0.61%, 0.4%

LAB 59.68, -45.68, 18.28

 

CMYK 75 / 0 / 13 / 36

HEX #28A38E

RGB 40 163 142

HSL 169.76, 0.61%, 0.4%

LAB 60.43, -37.81, 1.46

 

CMYK 75 / 8 / 0 / 36

HEX #2896A3

RGB 40 150 163

HSL 186.34, 0.61%, 0.4%

LAB 56.99, -25.39, -15.57

 

CMYK 75 / 28 / 0 / 36

HEX #2876A3

RGB 40 118 163

HSL 201.95, 0.61%, 0.4%

LAB 47.04, -7.9, -30.89

 

CMYK 75 / 0 / 12 / 62

HEX #186155

RGB 24 97 85

HSL 170.14, 0.6%, 0.24%

LAB 36.74, -25.08, 0.47

 

CMYK 75 / 0 / 12 / 49

HEX #208272

RGB 32 130 114

HSL 170.2, 0.6%, 0.32%

LAB 48.87, -31.48, 0.71

 

CMYK 75 / 0 / 13 / 36

HEX #28A38E

RGB 40 163 142

HSL 169.76, 0.61%, 0.4%

LAB 60.43, -37.81, 1.46

 

CMYK 75 / 0 / 13 / 23

HEX #31C4AB

RGB 49 196 171

HSL 169.8, 0.6%, 0.48%

LAB 71.6, -43.5, 1.68

 

CMYK 64 / 0 / 10 / 18

HEX #4CD2BC

RGB 76 210 188

HSL 170.15, 0.6%, 0.56%

LAB 76.84, -41.42, 0.18

 

CMYK 75 / 0 / 12 / 36

HEX #29A28E

RGB 41 162 142

HSL 170.08, 0.6%, 0.4%

LAB 60.13, -37.24, 1.03

 

CMYK 73 / 75 / 0 / 36

HEX #2C28A3

RGB 44 40 163

HSL 241.95, 0.61%, 0.4%

LAB 25.85, 42.38, -64.99

 

CMYK 0 / 43 / 75 / 36

HEX #A35D28

RGB 163 93 40

HSL 25.85, 0.61%, 0.4%

LAB 46.67, 24.27, 41.41

 

CMYK 75 / 0 / 12 / 36

HEX #29A28E

RGB 41 162 142

HSL 170.08, 0.6%, 0.4%

LAB 60.13, -37.24, 1.03

 

CMYK 13 / 75 / 0 / 36

HEX #8E28A3

RGB 142 40 163

HSL 289.76, 0.61%, 0.4%

LAB 37.69, 58.49, -45.2

 

CMYK 0 / 13 / 75 / 36

HEX #A38E28

RGB 163 142 40

HSL 49.76, 0.61%, 0.4%

LAB 59.24, -3.26, 53.83

 

CMYK 75 / 0 / 12 / 36

HEX #29A28E

RGB 41 162 142

HSL 170.08, 0.6%, 0.4%

LAB 60.13, -37.24, 1.03

 

CMYK 73 / 75 / 0 / 36

HEX #2C28A3

RGB 44 40 163

HSL 241.95, 0.61%, 0.4%

LAB 25.85, 42.38, -64.99

 

CMYK 0 / 75 / 63 / 36

HEX #A3283D

RGB 163 40 61

HSL 349.76, 0.61%, 0.4%

LAB 37.19, 50.81, 18.25

 

CMYK 2 / 0 / 75 / 36

HEX #9FA328

RGB 159 163 40

HSL 61.95, 0.61%, 0.4%

LAB 64.74, -16.2, 58.89

 

CMYK 75 / 0 / 12 / 36

HEX #29A28E

RGB 41 162 142

HSL 170.08, 0.6%, 0.4%

LAB 60.13, -37.24, 1.03

 

CMYK 50 / 75 / 0 / 36

HEX #5128A3

RGB 81 40 163

HSL 260, 0.61%, 0.4%

LAB 29.19, 47.13, -59.39

 

CMYK 0 / 75 / 63 / 36

HEX #A3283D

RGB 163 40 61

HSL 349.76, 0.61%, 0.4%

LAB 37.19, 50.81, 18.25

 

CMYK 25 / 0 / 75 / 36

HEX #7AA328

RGB 122 163 40

HSL 80, 0.61%, 0.4%

LAB 62.07, -31.83, 55.42

 

Description

Color code: RGB 41 162 142 | qconv.com Color code: RGB 41 162 142 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 162 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 162 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 12 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 12% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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