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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 103 172 it is the complementary color RGB 214 152 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 103 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 103 172 shade: RGB 46 103 167, RGB 63 121 186, RGB 80 139 205, RGB 97 157 224 and RGB 114 175 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 103 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 103 172 shade: RGB 41 103 172, RGB 24 85 153, RGB 7 67 134, RGB 0 49 115 and RGB 0 31 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 103 172 shade: RGB 40 103 173, RGB 40 67 173, RGB 49 40 173, RGB 85 40 173 and RGB 121 40 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 103 172 shade: RGB 40 103 173, RGB 40 67 173 and RGB 40 40 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 103 172 shade matches the following richer shades: RGB 40 103 173, RGB 23 102 190 and RGB 6 101 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 103 172 shade: RGB 40 103 173, RGB 58 104 156, RGB 75 105 138, RGB 92 106 121 and RGB 110 107 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 103 172 shade: RGB 40 173 171, RGB 40 140 173, RGB 40 104 173, RGB 40 69 173 and RGB 47 40 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 103 172 shade: RGB 25 63 106, RGB 32 83 140, RGB 40 103 173, RGB 48 123 206 and RGB 82 144 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 103 172 shade: RGB 41 103 172, RGB 135 40 173 and RGB 158 173 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 103 172 shade: RGB 41 103 172, RGB 173 40 104 and RGB 104 173 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 103 172 shade: RGB 41 103 172, RGB 135 40 173, RGB 173 109 40 and RGB 78 173 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 103 172 shade: RGB 41 103 172, RGB 173 40 171, RGB 173 109 40 and RGB 40 173 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 40 / 0 / 33

HEX #2967AC

RGB 41 103 172

HSL 211.6, 0.62%, 0.42%

LAB 42.99, 4.74, -42.57

 

Complementary color

CMYK 0 / 29 / 61 / 16

HEX #D69853

RGB 214 152 83

HSL 31.6, 0.62%, 0.58%

LAB 67.56, 16.15, 44.93

 

CMYK 72 / 38 / 0 / 35

HEX #2E67A7

RGB 46 103 167

HSL 211.74, 0.57%, 0.42%

LAB 42.87, 3.55, -39.8

 

CMYK 66 / 35 / 0 / 27

HEX #3F79BA

RGB 63 121 186

HSL 211.71, 0.49%, 0.49%

LAB 49.83, 2.05, -39.81

 

CMYK 61 / 32 / 0 / 20

HEX #508BCD

RGB 80 139 205

HSL 211.68, 0.56%, 0.56%

LAB 56.66, 0.89, -39.83

 

CMYK 57 / 30 / 0 / 12

HEX #619DE0

RGB 97 157 224

HSL 211.65, 0.67%, 0.63%

LAB 63.37, -0.03, -39.86

 

CMYK 53 / 28 / 0 / 5

HEX #72AFF3

RGB 114 175 243

HSL 211.63, 0.84%, 0.7%

LAB 69.97, -0.78, -39.9

 

CMYK 76 / 40 / 0 / 33

HEX #2967AC

RGB 41 103 172

HSL 211.6, 0.62%, 0.42%

LAB 42.99, 4.74, -42.57

 

CMYK 84 / 44 / 0 / 40

HEX #185599

RGB 24 85 153

HSL 211.63, 0.73%, 0.35%

LAB 35.97, 7.02, -42.51

 

CMYK 95 / 50 / 0 / 47

HEX #074386

RGB 7 67 134

HSL 211.65, 0.9%, 0.28%

LAB 28.85, 10.06, -42.35

 

CMYK 100 / 57 / 0 / 55

HEX #003173

RGB 0 49 115

HSL 214.43, 1%, 0.23%

LAB 21.71, 14.14, -41.96

 

CMYK 100 / 68 / 0 / 62

HEX #001F60

RGB 0 31 96

HSL 220.63, 1%, 0.19%

LAB 14.54, 19.05, -41.28

 

CMYK 77 / 40 / 0 / 32

HEX #2867AD

RGB 40 103 173

HSL 211.58, 0.62%, 0.42%

LAB 43.02, 4.99, -43.11

 

CMYK 77 / 61 / 0 / 32

HEX #2843AD

RGB 40 67 173

HSL 227.82, 0.62%, 0.42%

LAB 32.88, 28.65, -59.47

 

CMYK 72 / 77 / 0 / 32

HEX #3128AD

RGB 49 40 173

HSL 244.06, 0.62%, 0.42%

LAB 27.26, 46.12, -68.69

 

CMYK 51 / 77 / 0 / 32

HEX #5528AD

RGB 85 40 173

HSL 260.3, 0.62%, 0.42%

LAB 30.56, 50.48, -63.14

 

CMYK 30 / 77 / 0 / 32

HEX #7928AD

RGB 121 40 173

HSL 276.54, 0.62%, 0.42%

LAB 35.2, 56.45, -55.37

 

CMYK 77 / 40 / 0 / 32

HEX #2867AD

RGB 40 103 173

HSL 211.58, 0.62%, 0.42%

LAB 43.02, 4.99, -43.11

 

CMYK 77 / 61 / 0 / 32

HEX #2843AD

RGB 40 67 173

HSL 227.82, 0.62%, 0.42%

LAB 32.88, 28.65, -59.47

 

CMYK 77 / 77 / 0 / 32

HEX #2828AD

RGB 40 40 173

HSL 240, 0.62%, 0.42%

LAB 26.69, 45.35, -69.65

 

CMYK 77 / 40 / 0 / 32

HEX #2867AD

RGB 40 103 173

HSL 211.58, 0.62%, 0.42%

LAB 43.02, 4.99, -43.11

 

CMYK 88 / 46 / 0 / 25

HEX #1766BE

RGB 23 102 190

HSL 211.62, 0.78%, 0.42%

LAB 43.36, 10.67, -52.51

 

CMYK 97 / 51 / 0 / 18

HEX #0665D0

RGB 6 101 208

HSL 211.78, 0.94%, 0.42%

LAB 44.09, 17.73, -61.73

 

CMYK 77 / 40 / 0 / 32

HEX #2867AD

RGB 40 103 173

HSL 211.58, 0.62%, 0.42%

LAB 43.02, 4.99, -43.11

 

CMYK 63 / 33 / 0 / 39

HEX #3A689C

RGB 58 104 156

HSL 211.84, 0.46%, 0.42%

LAB 43.06, 1.01, -32.96

 

CMYK 46 / 24 / 0 / 46

HEX #4B698A

RGB 75 105 138

HSL 211.43, 0.3%, 0.42%

LAB 43.41, -1.53, -21.61

 

CMYK 24 / 12 / 0 / 53

HEX #5C6A79

RGB 92 106 121

HSL 211.03, 0.14%, 0.42%

LAB 44.18, -1.66, -10.11

 

CMYK 0 / 3 / 5 / 57

HEX #6E6B68

RGB 110 107 104

HSL 30, 0.03%, 0.42%

LAB 45.4, 0.57, 2.09

 

CMYK 77 / 0 / 1 / 32

HEX #28ADAB

RGB 40 173 171

HSL 179.1, 0.62%, 0.42%

LAB 64.39, -34.15, -8.96

 

CMYK 77 / 19 / 0 / 32

HEX #288CAD

RGB 40 140 173

HSL 194.89, 0.62%, 0.42%

LAB 54.26, -16.82, -25.46

 

CMYK 77 / 40 / 0 / 32

HEX #2868AD

RGB 40 104 173

HSL 211.13, 0.62%, 0.42%

LAB 43.31, 4.36, -42.64

 

CMYK 77 / 60 / 0 / 32

HEX #2845AD

RGB 40 69 173

HSL 226.92, 0.62%, 0.42%

LAB 33.4, 27.32, -58.62

 

CMYK 73 / 77 / 0 / 32

HEX #2F28AD

RGB 47 40 173

HSL 243.16, 0.62%, 0.42%

LAB 27.13, 45.93, -68.92

 

CMYK 76 / 41 / 0 / 58

HEX #193F6A

RGB 25 63 106

HSL 211.85, 0.62%, 0.26%

LAB 26.16, 2.82, -28.99

 

CMYK 77 / 41 / 0 / 45

HEX #20538C

RGB 32 83 140

HSL 211.67, 0.63%, 0.34%

LAB 34.78, 4.05, -36.51

 

CMYK 77 / 40 / 0 / 32

HEX #2867AD

RGB 40 103 173

HSL 211.58, 0.62%, 0.42%

LAB 43.02, 4.99, -43.11

 

CMYK 77 / 40 / 0 / 19

HEX #307BCE

RGB 48 123 206

HSL 211.52, 0.62%, 0.5%

LAB 50.98, 5.9, -49.47

 

CMYK 62 / 33 / 0 / 16

HEX #5290D6

RGB 82 144 214

HSL 211.82, 0.62%, 0.58%

LAB 58.6, 1.32, -41.84

 

CMYK 76 / 40 / 0 / 33

HEX #2967AC

RGB 41 103 172

HSL 211.6, 0.62%, 0.42%

LAB 42.99, 4.74, -42.57

 

CMYK 22 / 77 / 0 / 32

HEX #8728AD

RGB 135 40 173

HSL 282.86, 0.62%, 0.42%

LAB 37.27, 59.06, -51.92

 

CMYK 9 / 0 / 77 / 32

HEX #9EAD28

RGB 158 173 40

HSL 66.77, 0.62%, 0.42%

LAB 67.51, -21.7, 61.42

 

CMYK 76 / 40 / 0 / 33

HEX #2967AC

RGB 41 103 172

HSL 211.6, 0.62%, 0.42%

LAB 42.99, 4.74, -42.57

 

CMYK 0 / 77 / 40 / 32

HEX #AD2868

RGB 173 40 104

HSL 331.13, 0.62%, 0.42%

LAB 40.25, 57.36, -4.49

 

CMYK 40 / 0 / 77 / 32

HEX #68AD28

RGB 104 173 40

HSL 91.13, 0.62%, 0.42%

LAB 64.15, -43.02, 57.07

 

CMYK 76 / 40 / 0 / 33

HEX #2967AC

RGB 41 103 172

HSL 211.6, 0.62%, 0.42%

LAB 42.99, 4.74, -42.57

 

CMYK 22 / 77 / 0 / 32

HEX #8728AD

RGB 135 40 173

HSL 282.86, 0.62%, 0.42%

LAB 37.27, 59.06, -51.92

 

CMYK 0 / 37 / 77 / 32

HEX #AD6D28

RGB 173 109 40

HSL 31.13, 0.62%, 0.42%

LAB 51.81, 19.68, 47.02

 

CMYK 55 / 0 / 77 / 32

HEX #4EAD28

RGB 78 173 40

HSL 102.86, 0.62%, 0.42%

LAB 63.06, -51.18, 55.64

 

CMYK 76 / 40 / 0 / 33

HEX #2967AC

RGB 41 103 172

HSL 211.6, 0.62%, 0.42%

LAB 42.99, 4.74, -42.57

 

CMYK 0 / 77 / 1 / 32

HEX #AD28AB

RGB 173 40 171

HSL 300.9, 0.62%, 0.42%

LAB 43.27, 66.33, -40.76

 

CMYK 0 / 37 / 77 / 32

HEX #AD6D28

RGB 173 109 40

HSL 31.13, 0.62%, 0.42%

LAB 51.81, 19.68, 47.02

 

CMYK 77 / 0 / 76 / 32

HEX #28AD2A

RGB 40 173 42

HSL 120.9, 0.62%, 0.42%

LAB 62.09, -59.15, 53.67

 

Description

Color code: RGB 41 103 172 | qconv.com Color code: RGB 41 103 172 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 103 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 103 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 40 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 40% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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