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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 235 219 it is the complementary color RGB 215 20 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 235 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 235 219 shade: RGB 45 235 214, RGB 62 253 233, RGB 79 255 252, RGB 96 255 255 and RGB 113 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 235 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 235 219 shade: RGB 40 235 219, RGB 23 217 200, RGB 6 199 181, RGB 0 181 162 and RGB 0 163 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 235 219 shade: RGB 40 235 219, RGB 40 235 166, RGB 40 235 114, RGB 40 235 61 and RGB 71 235 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 235 219 shade: RGB 40 235 219, RGB 40 198 235, RGB 40 146 235, RGB 40 93 235 and RGB 40 40 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 235 219 shade matches the following richer shades: RGB 40 235 219 and RGB 21 254 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 235 219 shade: RGB 40 235 219, RGB 59 216 203, RGB 78 197 187, RGB 97 178 171 and RGB 116 159 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 235 219 shade: RGB 40 235 114, RGB 40 235 166, RGB 40 235 218, RGB 40 199 235 and RGB 40 147 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 235 219 shade: RGB 16 176 163, RGB 19 214 198, RGB 40 235 219, RGB 78 238 225 and RGB 115 242 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 235 219 shade: RGB 40 235 219, RGB 63 40 235 and RGB 235 140 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 235 219 shade: RGB 40 235 219, RGB 218 40 235 and RGB 235 218 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 235 219 shade: RGB 40 235 219, RGB 63 40 235, RGB 235 40 56 and RGB 212 235 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 235 219 shade: RGB 40 235 219, RGB 121 40 235, RGB 235 40 56 and RGB 153 235 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 7 / 8

HEX #28EBDB

RGB 40 235 219

HSL 175.08, 0.83%, 0.54%

LAB 84.47, -48.15, -5.17

 

Complementary color

CMYK 0 / 91 / 83 / 16

HEX #D71424

RGB 215 20 36

HSL 355.08, 0.83%, 0.46%

LAB 45.74, 68.92, 45.56

 

CMYK 81 / 0 / 9 / 8

HEX #2DEBD6

RGB 45 235 214

HSL 173.37, 0.83%, 0.55%

LAB 84.4, -49.12, -2.64

 

CMYK 75 / 0 / 8 / 1

HEX #3EFDE9

RGB 62 253 233

HSL 173.72, 0.98%, 0.62%

LAB 90.39, -50.13, -3.74

 

CMYK 69 / 0 / 1 / 0

HEX #4FFFFC

RGB 79 255 252

HSL 178.98, 1%, 0.65%

LAB 91.78, -44.02, -11.51

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 83 / 0 / 7 / 8

HEX #28EBDB

RGB 40 235 219

HSL 175.08, 0.83%, 0.54%

LAB 84.47, -48.15, -5.17

 

CMYK 89 / 0 / 8 / 15

HEX #17D9C8

RGB 23 217 200

HSL 174.74, 0.81%, 0.47%

LAB 78.45, -46.72, -3.98

 

CMYK 97 / 0 / 9 / 22

HEX #06C7B5

RGB 6 199 181

HSL 174.4, 0.94%, 0.4%

LAB 72.38, -44.95, -2.68

 

CMYK 100 / 0 / 10 / 29

HEX #00B5A2

RGB 0 181 162

HSL 173.7, 1%, 0.35%

LAB 66.26, -42.77, -1.24

 

CMYK 100 / 0 / 12 / 36

HEX #00A38F

RGB 0 163 143

HSL 172.64, 1%, 0.32%

LAB 60.05, -40.37, 0.3

 

CMYK 83 / 0 / 7 / 8

HEX #28EBDB

RGB 40 235 219

HSL 175.08, 0.83%, 0.54%

LAB 84.47, -48.15, -5.17

 

CMYK 83 / 0 / 29 / 8

HEX #28EBA6

RGB 40 235 166

HSL 158.77, 0.83%, 0.54%

LAB 83.24, -61.16, 20.83

 

CMYK 83 / 0 / 51 / 8

HEX #28EB72

RGB 40 235 114

HSL 142.77, 0.83%, 0.54%

LAB 82.42, -70.63, 45.71

 

CMYK 83 / 0 / 74 / 8

HEX #28EB3D

RGB 40 235 61

HSL 126.46, 0.83%, 0.54%

LAB 81.95, -76.45, 67.03

 

CMYK 70 / 0 / 83 / 8

HEX #47EB28

RGB 71 235 40

HSL 110.46, 0.83%, 0.54%

LAB 82.33, -73.52, 73.54

 

CMYK 83 / 0 / 7 / 8

HEX #28EBDB

RGB 40 235 219

HSL 175.08, 0.83%, 0.54%

LAB 84.47, -48.15, -5.17

 

CMYK 83 / 16 / 0 / 8

HEX #28C6EB

RGB 40 198 235

HSL 191.38, 0.83%, 0.54%

LAB 74.09, -26.32, -29.37

 

CMYK 83 / 38 / 0 / 8

HEX #2892EB

RGB 40 146 235

HSL 207.38, 0.83%, 0.54%

LAB 58.98, 2, -53

 

CMYK 83 / 60 / 0 / 8

HEX #285DEB

RGB 40 93 235

HSL 223.69, 0.83%, 0.54%

LAB 44.63, 34.99, -76.17

 

CMYK 83 / 83 / 0 / 8

HEX #2828EB

RGB 40 40 235

HSL 240, 0.83%, 0.54%

LAB 33.91, 64.5, -93.85

 

CMYK 83 / 0 / 7 / 8

HEX #28EBDB

RGB 40 235 219

HSL 175.08, 0.83%, 0.54%

LAB 84.47, -48.15, -5.17

 

CMYK 92 / 0 / 8 / 0

HEX #15FEEA

RGB 21 254 234

HSL 174.85, 0.99%, 0.54%

LAB 90.31, -53.01, -4.42

 

CMYK 83 / 0 / 7 / 8

HEX #28EBDB

RGB 40 235 219

HSL 175.08, 0.83%, 0.54%

LAB 84.47, -48.15, -5.17

 

CMYK 73 / 0 / 6 / 15

HEX #3BD8CB

RGB 59 216 203

HSL 175.03, 0.67%, 0.54%

LAB 78.67, -42.51, -5.21

 

CMYK 60 / 0 / 5 / 23

HEX #4EC5BB

RGB 78 197 187

HSL 174.96, 0.51%, 0.54%

LAB 72.98, -35.43, -4.92

 

CMYK 46 / 0 / 4 / 30

HEX #61B2AB

RGB 97 178 171

HSL 174.81, 0.34%, 0.54%

LAB 67.52, -26.51, -4.14

 

CMYK 27 / 0 / 3 / 38

HEX #749F9B

RGB 116 159 155

HSL 174.42, 0.18%, 0.54%

LAB 62.4, -15.39, -2.64

 

CMYK 83 / 0 / 51 / 8

HEX #28EB72

RGB 40 235 114

HSL 142.77, 0.83%, 0.54%

LAB 82.42, -70.63, 45.71

 

CMYK 83 / 0 / 29 / 8

HEX #28EBA6

RGB 40 235 166

HSL 158.77, 0.83%, 0.54%

LAB 83.24, -61.16, 20.83

 

CMYK 83 / 0 / 7 / 8

HEX #28EBDA

RGB 40 235 218

HSL 174.77, 0.83%, 0.54%

LAB 84.45, -48.42, -4.68

 

CMYK 83 / 15 / 0 / 8

HEX #28C7EB

RGB 40 199 235

HSL 191.08, 0.83%, 0.54%

LAB 74.38, -26.82, -28.91

 

CMYK 83 / 37 / 0 / 8

HEX #2893EB

RGB 40 147 235

HSL 207.08, 0.83%, 0.54%

LAB 59.27, 1.41, -52.55

 

CMYK 91 / 0 / 7 / 31

HEX #10B0A3

RGB 16 176 163

HSL 175.13, 0.83%, 0.38%

LAB 64.81, -39.69, -3.91

 

CMYK 91 / 0 / 7 / 16

HEX #13D6C6

RGB 19 214 198

HSL 175.08, 0.84%, 0.46%

LAB 77.47, -46.17, -4.36

 

CMYK 83 / 0 / 7 / 8

HEX #28EBDB

RGB 40 235 219

HSL 175.08, 0.83%, 0.54%

LAB 84.47, -48.15, -5.17

 

CMYK 67 / 0 / 5 / 7

HEX #4EEEE1

RGB 78 238 225

HSL 175.13, 0.82%, 0.62%

LAB 86.11, -43.88, -5.84

 

CMYK 52 / 0 / 5 / 5

HEX #73F2E7

RGB 115 242 231

HSL 174.8, 0.83%, 0.7%

LAB 88.41, -37.86, -5.48

 

CMYK 83 / 0 / 7 / 8

HEX #28EBDB

RGB 40 235 219

HSL 175.08, 0.83%, 0.54%

LAB 84.47, -48.15, -5.17

 

CMYK 73 / 83 / 0 / 8

HEX #3F28EB

RGB 63 40 235

HSL 247.08, 0.83%, 0.54%

LAB 35.15, 65.62, -91.77

 

CMYK 0 / 40 / 83 / 8

HEX #EB8C28

RGB 235 140 40

HSL 30.77, 0.83%, 0.54%

LAB 66.95, 29.29, 63.88

 

CMYK 83 / 0 / 7 / 8

HEX #28EBDB

RGB 40 235 219

HSL 175.08, 0.83%, 0.54%

LAB 84.47, -48.15, -5.17

 

CMYK 7 / 83 / 0 / 8

HEX #DA28EB

RGB 218 40 235

HSL 294.77, 0.83%, 0.54%

LAB 54.47, 84.98, -59.4

 

CMYK 0 / 7 / 83 / 8

HEX #EBDA28

RGB 235 218 40

HSL 54.77, 0.83%, 0.54%

LAB 85.99, -11.35, 80.01

 

CMYK 83 / 0 / 7 / 8

HEX #28EBDB

RGB 40 235 219

HSL 175.08, 0.83%, 0.54%

LAB 84.47, -48.15, -5.17

 

CMYK 73 / 83 / 0 / 8

HEX #3F28EB

RGB 63 40 235

HSL 247.08, 0.83%, 0.54%

LAB 35.15, 65.62, -91.77

 

CMYK 0 / 83 / 76 / 8

HEX #EB2838

RGB 235 40 56

HSL 355.08, 0.83%, 0.54%

LAB 51.23, 71.1, 41.46

 

CMYK 10 / 0 / 83 / 8

HEX #D4EB28

RGB 212 235 40

HSL 67.08, 0.83%, 0.54%

LAB 88.72, -29.12, 81.59

 

CMYK 83 / 0 / 7 / 8

HEX #28EBDB

RGB 40 235 219

HSL 175.08, 0.83%, 0.54%

LAB 84.47, -48.15, -5.17

 

CMYK 49 / 83 / 0 / 8

HEX #7928EB

RGB 121 40 235

HSL 264.92, 0.83%, 0.54%

LAB 40.54, 70.72, -82.67

 

CMYK 0 / 83 / 76 / 8

HEX #EB2838

RGB 235 40 56

HSL 355.08, 0.83%, 0.54%

LAB 51.23, 71.1, 41.46

 

CMYK 35 / 0 / 83 / 8

HEX #99EB28

RGB 153 235 40

HSL 85.23, 0.83%, 0.54%

LAB 85.17, -51.57, 77.14

 

Description

Color code: RGB 40 235 219 | qconv.com Color code: RGB 40 235 219 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 235 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 235 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 7 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 7% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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