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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 202 235 it is the complementary color RGB 215 53 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 202 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 40 202 235: RGB 45 202 230, RGB 62 220 249, RGB 79 238 255, RGB 96 255 255 and RGB 113 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 202 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 40 202 235: RGB 40 202 235, RGB 23 184 216, RGB 6 166 197, RGB 0 148 178 and RGB 0 130 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 14 / 0 / 8

HEX #28CAEB

RGB 40 202 235

HSL 190.15, 0.83%, 0.54%

LAB 75.26, -28.3, -27.57

 

Complementary color

CMYK 0 / 75 / 91 / 16

HEX #D73514

RGB 215 53 20

HSL 10.15, 0.83%, 0.46%

LAB 48.32, 61.02, 54.81

 

CMYK 80 / 12 / 0 / 10

HEX #2DCAE6

RGB 45 202 230

HSL 189.08, 0.79%, 0.54%

LAB 75.15, -29.49, -25.04

 

CMYK 75 / 12 / 0 / 2

HEX #3EDCF9

RGB 62 220 249

HSL 189.3, 0.94%, 0.61%

LAB 81.32, -30.71, -25.75

 

CMYK 69 / 7 / 0 / 0

HEX #4FEEFF

RGB 79 238 255

HSL 185.8, 1%, 0.65%

LAB 87.01, -35.48, -20.23

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 83 / 14 / 0 / 8

HEX #28CAEB

RGB 40 202 235

HSL 190.15, 0.83%, 0.54%

LAB 75.26, -28.3, -27.57

 

CMYK 89 / 15 / 0 / 15

HEX #17B8D8

RGB 23 184 216

HSL 189.95, 0.81%, 0.47%

LAB 69.06, -26.61, -26.78

 

CMYK 97 / 16 / 0 / 23

HEX #06A6C5

RGB 6 166 197

HSL 189.74, 0.94%, 0.4%

LAB 62.8, -24.53, -25.92

 

CMYK 100 / 17 / 0 / 30

HEX #0094B2

RGB 0 148 178

HSL 190.11, 1%, 0.35%

LAB 56.48, -21.99, -24.94

 

CMYK 100 / 18 / 0 / 38

HEX #00829F

RGB 0 130 159

HSL 190.94, 1%, 0.31%

LAB 50.06, -19.18, -23.91

NCS® S3050-B10G

CMYK 83 / 14 / 0 / 8

HEX #28CAEB

RGB 40 202 235

HSL 190.15, 0.83%, 0.54%

LAB 75.26, -28.3, -27.57

 

CMYK 83 / 28 / 0 / 8

HEX #28AAEB

RGB 40 170 235

HSL 200, 0.83%, 0.54%

LAB 65.9, -11.67, -42.07

 

CMYK 83 / 42 / 0 / 8

HEX #2889EB

RGB 40 137 235

HSL 210.15, 0.83%, 0.54%

LAB 56.43, 7.39, -57.08

 

CMYK 83 / 55 / 0 / 8

HEX #2869EB

RGB 40 105 235

HSL 220, 0.83%, 0.54%

LAB 47.69, 27.37, -71.18

 

CMYK 83 / 69 / 0 / 8

HEX #2848EB

RGB 40 72 235

HSL 230.15, 0.83%, 0.54%

LAB 39.72, 47.95, -84.23

 

CMYK 83 / 14 / 0 / 8

HEX #28CAEB

RGB 40 202 235

HSL 190.15, 0.83%, 0.54%

LAB 75.26, -28.3, -27.57

 

CMYK 84 / 13 / 0 / 88

HEX #051B1F

RGB 5 27 31

HSL 189.23, 0.72%, 0.07%

LAB 8.26, -6.87, -5.42

 

CMYK 83 / 15 / 0 / 68

HEX #0E4652

RGB 14 70 82

HSL 190.59, 0.71%, 0.19%

LAB 26.97, -12.84, -12.25

 

CMYK 83 / 14 / 0 / 48

HEX #177285

RGB 23 114 133

HSL 190.36, 0.71%, 0.31%

LAB 44.1, -18.36, -17.71

 

CMYK 83 / 14 / 0 / 28

HEX #1F9EB8

RGB 31 158 184

HSL 190.2, 0.71%, 0.42%

LAB 60.07, -23.52, -22.79

 

CMYK 83 / 14 / 0 / 8

HEX #28CAEB

RGB 40 202 235

HSL 190.15, 0.83%, 0.54%

LAB 75.26, -28.3, -27.57

 

CMYK 53 / 83 / 0 / 8

HEX #6F28EB

RGB 111 40 235

HSL 261.85, 0.83%, 0.54%

LAB 39.4, 69.62, -84.59

 

CMYK 0 / 20 / 83 / 8

HEX #EBBD28

RGB 235 189 40

HSL 45.85, 0.83%, 0.54%

LAB 78.58, 3.44, 73.8

 

CMYK 83 / 14 / 0 / 8

HEX #28CAEB

RGB 40 202 235

HSL 190.15, 0.83%, 0.54%

LAB 75.26, -28.3, -27.57

 

CMYK 0 / 83 / 14 / 8

HEX #EB28CA

RGB 235 40 202

HSL 310.15, 0.83%, 0.54%

LAB 55.53, 83.35, -38.8

 

CMYK 14 / 0 / 83 / 8

HEX #CAEB28

RGB 202 235 40

HSL 70.15, 0.83%, 0.54%

LAB 88.03, -33.14, 80.73

 

CMYK 83 / 14 / 0 / 8

HEX #28CAEB

RGB 40 202 235

HSL 190.15, 0.83%, 0.54%

LAB 75.26, -28.3, -27.57

 

CMYK 53 / 83 / 0 / 8

HEX #6F28EB

RGB 111 40 235

HSL 261.85, 0.83%, 0.54%

LAB 39.4, 69.62, -84.59

 

CMYK 0 / 69 / 83 / 8

HEX #EB4828

RGB 235 72 40

HSL 9.85, 0.83%, 0.54%

LAB 54.5, 61.07, 52.96

 

CMYK 31 / 0 / 83 / 8

HEX #A3EB28

RGB 163 235 40

HSL 82.15, 0.83%, 0.54%

LAB 85.68, -48.03, 77.79

 

CMYK 83 / 14 / 0 / 8

HEX #28CAEB

RGB 40 202 235

HSL 190.15, 0.83%, 0.54%

LAB 75.26, -28.3, -27.57

 

CMYK 28 / 83 / 0 / 8

HEX #AA28EB

RGB 170 40 235

HSL 280, 0.83%, 0.54%

LAB 47.06, 77.24, -71.75

 

CMYK 0 / 69 / 83 / 8

HEX #EB4828

RGB 235 72 40

HSL 9.85, 0.83%, 0.54%

LAB 54.5, 61.07, 52.96

 

CMYK 55 / 0 / 83 / 8

HEX #69EB28

RGB 105 235 40

HSL 100, 0.83%, 0.54%

LAB 83.22, -66.18, 74.67

 

Description

Color code: RGB 40 202 235 | qconv.com Color code: RGB 40 202 235 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 202 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 202 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 14 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 14% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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