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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 155 204 it is the complementary color RGB 215 100 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 155 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 155 204 shade: RGB 45 155 199, RGB 62 173 218, RGB 79 191 237, RGB 96 209 255 and RGB 113 227 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 155 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 155 204 shade: RGB 40 155 204, RGB 23 137 185, RGB 6 119 166, RGB 0 101 147 and RGB 0 83 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 155 204 shade: RGB 40 155 204, RGB 40 111 204, RGB 40 66 204, RGB 58 40 204 and RGB 102 40 204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 155 204 shade: RGB 40 155 204, RGB 40 111 204, RGB 40 66 204 and RGB 40 40 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 155 204 shade matches the following richer shades: RGB 40 155 204, RGB 20 163 224 and RGB 0 171 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 155 204 shade: RGB 40 155 204, RGB 60 147 184, RGB 80 139 164, RGB 99 131 144 and RGB 119 123 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 155 204 shade: RGB 40 204 163, RGB 40 201 204, RGB 40 157 204, RGB 40 114 204 and RGB 40 70 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 155 204 shade: RGB 26 103 135, RGB 33 129 169, RGB 40 155 204, RGB 68 173 218 and RGB 102 188 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 155 204 shade: RGB 40 155 204, RGB 119 40 204 and RGB 204 185 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 155 204 shade: RGB 40 155 204, RGB 204 40 157 and RGB 157 204 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 155 204 shade: RGB 40 155 204, RGB 119 40 204, RGB 204 86 40 and RGB 125 204 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 155 204 shade: RGB 40 155 204, RGB 168 40 204, RGB 204 86 40 and RGB 75 204 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 24 / 0 / 20

HEX #289BCC

RGB 40 155 204

HSL 197.93, 0.67%, 0.48%

LAB 60.12, -14.29, -33.95

 

Complementary color

CMYK 0 / 53 / 76 / 16

HEX #D76433

RGB 215 100 51

HSL 17.93, 0.67%, 0.52%

LAB 55.89, 42.2, 47.93

 

CMYK 77 / 22 / 0 / 22

HEX #2D9BC7

RGB 45 155 199

HSL 197.14, 0.63%, 0.48%

LAB 60, -15.5, -31.32

 

CMYK 72 / 21 / 0 / 15

HEX #3EADDA

RGB 62 173 218

HSL 197.31, 0.68%, 0.55%

LAB 66.5, -16.75, -31.77

 

CMYK 67 / 19 / 0 / 7

HEX #4FBFED

RGB 79 191 237

HSL 197.47, 0.81%, 0.62%

LAB 72.92, -17.72, -32.18

 

CMYK 62 / 18 / 0 / 0

HEX #60D1FF

RGB 96 209 255

HSL 197.36, 1%, 0.69%

LAB 79.22, -18.79, -32.08

 

CMYK 56 / 11 / 0 / 0

HEX #71E3FF

RGB 113 227 255

HSL 191.83, 1%, 0.72%

LAB 84.83, -24.8, -23.46

 

CMYK 80 / 24 / 0 / 20

HEX #289BCC

RGB 40 155 204

HSL 197.93, 0.67%, 0.48%

LAB 60.12, -14.29, -33.95

 

CMYK 88 / 26 / 0 / 27

HEX #1789B9

RGB 23 137 185

HSL 197.78, 0.78%, 0.41%

LAB 53.57, -12.46, -33.43

 

CMYK 96 / 28 / 0 / 35

HEX #0677A6

RGB 6 119 166

HSL 197.63, 0.93%, 0.34%

LAB 46.96, -10.13, -32.82

 

CMYK 100 / 31 / 0 / 42

HEX #006593

RGB 0 101 147

HSL 198.78, 1%, 0.29%

LAB 40.27, -7.13, -32.08

 

CMYK 100 / 35 / 0 / 50

HEX #005380

RGB 0 83 128

HSL 201.09, 1%, 0.25%

LAB 33.45, -3.65, -31.3

 

CMYK 80 / 24 / 0 / 20

HEX #289BCC

RGB 40 155 204

HSL 197.93, 0.67%, 0.48%

LAB 60.12, -14.29, -33.95

 

CMYK 80 / 46 / 0 / 20

HEX #286FCC

RGB 40 111 204

HSL 214.02, 0.67%, 0.48%

LAB 47.21, 11.77, -54.37

 

CMYK 80 / 68 / 0 / 20

HEX #2842CC

RGB 40 66 204

HSL 230.49, 0.67%, 0.48%

LAB 35.41, 40.69, -73.56

 

CMYK 72 / 80 / 0 / 20

HEX #3A28CC

RGB 58 40 204

HSL 246.59, 0.67%, 0.48%

LAB 31.29, 56.4, -80.33

 

CMYK 50 / 80 / 0 / 20

HEX #6628CC

RGB 102 40 204

HSL 262.68, 0.67%, 0.48%

LAB 35.4, 60.9, -73.41

 

CMYK 80 / 24 / 0 / 20

HEX #289BCC

RGB 40 155 204

HSL 197.93, 0.67%, 0.48%

LAB 60.12, -14.29, -33.95

 

CMYK 80 / 46 / 0 / 20

HEX #286FCC

RGB 40 111 204

HSL 214.02, 0.67%, 0.48%

LAB 47.21, 11.77, -54.37

 

CMYK 80 / 68 / 0 / 20

HEX #2842CC

RGB 40 66 204

HSL 230.49, 0.67%, 0.48%

LAB 35.41, 40.69, -73.56

 

CMYK 80 / 80 / 0 / 20

HEX #2828CC

RGB 40 40 204

HSL 240, 0.67%, 0.48%

LAB 30.23, 55.24, -82.13

 

CMYK 80 / 24 / 0 / 20

HEX #289BCC

RGB 40 155 204

HSL 197.93, 0.67%, 0.48%

LAB 60.12, -14.29, -33.95

 

CMYK 91 / 27 / 0 / 12

HEX #14A3E0

RGB 20 163 224

HSL 197.94, 0.84%, 0.48%

LAB 63.11, -12.98, -40.41

 

CMYK 100 / 30 / 0 / 4

HEX #00ABF4

RGB 0 171 244

HSL 197.95, 1%, 0.48%

LAB 66.26, -10.78, -46.46

 

CMYK 80 / 24 / 0 / 20

HEX #289BCC

RGB 40 155 204

HSL 197.93, 0.67%, 0.48%

LAB 60.12, -14.29, -33.95

 

CMYK 67 / 20 / 0 / 28

HEX #3C93B8

RGB 60 147 184

HSL 197.9, 0.51%, 0.48%

LAB 57.36, -14.16, -26.92

 

CMYK 51 / 15 / 0 / 36

HEX #508BA4

RGB 80 139 164

HSL 197.86, 0.34%, 0.48%

LAB 54.92, -12.1, -19.18

 

CMYK 31 / 9 / 0 / 44

HEX #638390

RGB 99 131 144

HSL 197.33, 0.19%, 0.48%

LAB 52.84, -8.02, -10.66

 

CMYK 5 / 2 / 0 / 51

HEX #777B7D

RGB 119 123 125

HSL 200, 0.02%, 0.48%

LAB 51.35, -1.08, -1.62

 

CMYK 80 / 0 / 20 / 20

HEX #28CCA3

RGB 40 204 163

HSL 165, 0.67%, 0.48%

LAB 73.73, -49.85, 9.06

 

CMYK 80 / 1 / 0 / 20

HEX #28C9CC

RGB 40 201 204

HSL 181.1, 0.67%, 0.48%

LAB 73.92, -37.39, -12.84

 

CMYK 80 / 23 / 0 / 20

HEX #289DCC

RGB 40 157 204

HSL 197.2, 0.67%, 0.48%

LAB 60.72, -15.38, -33.01

 

CMYK 80 / 44 / 0 / 20

HEX #2872CC

RGB 40 114 204

HSL 212.93, 0.67%, 0.48%

LAB 48.06, 9.88, -53

 

CMYK 80 / 66 / 0 / 20

HEX #2846CC

RGB 40 70 204

HSL 229.02, 0.67%, 0.48%

LAB 36.35, 38.19, -72.02

 

CMYK 81 / 24 / 0 / 47

HEX #1A6787

RGB 26 103 135

HSL 197.61, 0.68%, 0.32%

LAB 40.69, -11.08, -24.19

 

CMYK 80 / 24 / 0 / 34

HEX #2181A9

RGB 33 129 169

HSL 197.65, 0.67%, 0.4%

LAB 50.56, -12.9, -28.91

 

CMYK 80 / 24 / 0 / 20

HEX #289BCC

RGB 40 155 204

HSL 197.93, 0.67%, 0.48%

LAB 60.12, -14.29, -33.95

 

CMYK 69 / 21 / 0 / 15

HEX #44ADDA

RGB 68 173 218

HSL 198, 0.67%, 0.56%

LAB 66.66, -15.91, -31.52

 

CMYK 54 / 16 / 0 / 12

HEX #66BCE0

RGB 102 188 224

HSL 197.7, 0.66%, 0.64%

LAB 72.34, -15.98, -25.95

 

CMYK 80 / 24 / 0 / 20

HEX #289BCC

RGB 40 155 204

HSL 197.93, 0.67%, 0.48%

LAB 60.12, -14.29, -33.95

 

CMYK 42 / 80 / 0 / 20

HEX #7728CC

RGB 119 40 204

HSL 268.9, 0.67%, 0.48%

LAB 37.48, 63.19, -69.92

 

CMYK 0 / 9 / 80 / 20

HEX #CCB928

RGB 204 185 40

HSL 53.05, 0.67%, 0.48%

LAB 74.63, -7.89, 69.25

 

CMYK 80 / 24 / 0 / 20

HEX #289BCC

RGB 40 155 204

HSL 197.93, 0.67%, 0.48%

LAB 60.12, -14.29, -33.95

 

CMYK 0 / 80 / 23 / 20

HEX #CC289D

RGB 204 40 157

HSL 317.2, 0.67%, 0.48%

LAB 47.99, 71.08, -24.64

 

CMYK 23 / 0 / 80 / 20

HEX #9DCC28

RGB 157 204 40

HSL 77.2, 0.67%, 0.48%

LAB 76.38, -36.82, 69.45

 

CMYK 80 / 24 / 0 / 20

HEX #289BCC

RGB 40 155 204

HSL 197.93, 0.67%, 0.48%

LAB 60.12, -14.29, -33.95

 

CMYK 42 / 80 / 0 / 20

HEX #7728CC

RGB 119 40 204

HSL 268.9, 0.67%, 0.48%

LAB 37.48, 63.19, -69.92

 

CMYK 0 / 58 / 80 / 20

HEX #CC5628

RGB 204 86 40

HSL 16.83, 0.67%, 0.48%

LAB 51.43, 44.43, 48.2

 

CMYK 39 / 0 / 80 / 20

HEX #7DCC28

RGB 125 204 40

HSL 88.9, 0.67%, 0.48%

LAB 74.63, -48.6, 67.22

 

CMYK 80 / 24 / 0 / 20

HEX #289BCC

RGB 40 155 204

HSL 197.93, 0.67%, 0.48%

LAB 60.12, -14.29, -33.95

 

CMYK 18 / 80 / 0 / 20

HEX #A828CC

RGB 168 40 204

HSL 286.83, 0.67%, 0.48%

LAB 44.52, 71.06, -58.15

 

CMYK 0 / 58 / 80 / 20

HEX #CC5628

RGB 204 86 40

HSL 16.83, 0.67%, 0.48%

LAB 51.43, 44.43, 48.2

 

CMYK 63 / 0 / 80 / 20

HEX #4BCC28

RGB 75 204 40

HSL 107.2, 0.67%, 0.48%

LAB 72.78, -62.85, 64.84

 

Description

Color code: RGB 40 155 204 | qconv.com Color code: RGB 40 155 204 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 155 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 155 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 24 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 24% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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