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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 118 142 it is the complementary color RGB 215 137 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 118 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 118 142 shade: RGB 45 118 137, RGB 62 136 156, RGB 79 154 175, RGB 96 172 194 and RGB 113 190 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 118 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 118 142 shade: RGB 40 118 142, RGB 23 100 123, RGB 6 82 104, RGB 0 64 85 and RGB 0 46 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 118 142 shade: RGB 40 119 143, RGB 40 91 143, RGB 40 63 143, RGB 44 40 143 and RGB 72 40 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 118 142 shade: RGB 40 119 143, RGB 40 91 143, RGB 40 63 143 and RGB 40 40 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 118 142 shade matches the following richer shades: RGB 40 119 143, RGB 25 126 158 and RGB 10 134 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 118 142 shade: RGB 40 119 143, RGB 55 111 128, RGB 70 103 113, RGB 84 95 98 and RGB 99 87 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 118 142 shade: RGB 40 143 112, RGB 40 143 139, RGB 40 119 143, RGB 40 91 143 and RGB 40 64 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 118 142 shade: RGB 22 65 78, RGB 31 92 111, RGB 40 119 143, RGB 49 145 175 and RGB 64 169 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 118 142 shade: RGB 40 118 142, RGB 84 40 143 and RGB 143 126 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 118 142 shade: RGB 40 118 142, RGB 143 40 119 and RGB 119 143 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 118 142 shade: RGB 40 118 142, RGB 84 40 143, RGB 143 64 40 and RGB 98 143 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 118 142 shade: RGB 40 118 142, RGB 115 40 143, RGB 143 64 40 and RGB 67 143 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 17 / 0 / 44

HEX #28768E

RGB 40 118 142

HSL 194.12, 0.56%, 0.36%

LAB 46.12, -15.31, -19.94

 

Complementary color

CMYK 0 / 36 / 47 / 16

HEX #D78971

RGB 215 137 113

HSL 14.12, 0.56%, 0.64%

LAB 64.59, 27.18, 25.28

 

CMYK 67 / 14 / 0 / 46

HEX #2D7689

RGB 45 118 137

HSL 192.39, 0.51%, 0.36%

LAB 46.07, -16.18, -17.04

 

CMYK 60 / 13 / 0 / 39

HEX #3E889C

RGB 62 136 156

HSL 192.77, 0.43%, 0.43%

LAB 52.99, -16.79, -17.58

 

CMYK 55 / 12 / 0 / 31

HEX #4F9AAF

RGB 79 154 175

HSL 193.13, 0.38%, 0.5%

LAB 59.77, -17.21, -18.06

 

CMYK 51 / 11 / 0 / 24

HEX #60ACC2

RGB 96 172 194

HSL 193.47, 0.45%, 0.57%

LAB 66.43, -17.5, -18.51

 

CMYK 47 / 11 / 0 / 16

HEX #71BED5

RGB 113 190 213

HSL 193.8, 0.54%, 0.64%

LAB 72.99, -17.71, -18.95

 

CMYK 72 / 17 / 0 / 44

HEX #28768E

RGB 40 118 142

HSL 194.12, 0.56%, 0.36%

LAB 46.12, -15.31, -19.94

 

CMYK 81 / 19 / 0 / 52

HEX #17647B

RGB 23 100 123

HSL 193.8, 0.68%, 0.29%

LAB 39.12, -14.1, -19.34

 

CMYK 94 / 21 / 0 / 59

HEX #065268

RGB 6 82 104

HSL 193.47, 0.89%, 0.22%

LAB 31.97, -12.32, -18.64

 

CMYK 100 / 25 / 0 / 67

HEX #004055

RGB 0 64 85

HSL 194.82, 1%, 0.17%

LAB 24.71, -9.56, -17.72

 

CMYK 100 / 30 / 0 / 74

HEX #002E42

RGB 0 46 66

HSL 198.18, 1%, 0.13%

LAB 17.21, -6.04, -16.68

 

CMYK 72 / 17 / 0 / 44

HEX #28778F

RGB 40 119 143

HSL 193.98, 0.56%, 0.36%

LAB 46.48, -15.53, -19.98

 

CMYK 72 / 36 / 0 / 44

HEX #285B8F

RGB 40 91 143

HSL 210.29, 0.56%, 0.36%

LAB 37.69, 1.21, -33.69

 

CMYK 72 / 56 / 0 / 44

HEX #283F8F

RGB 40 63 143

HSL 226.6, 0.56%, 0.36%

LAB 29.39, 19.88, -47

 

CMYK 69 / 72 / 0 / 44

HEX #2C288F

RGB 44 40 143

HSL 242.33, 0.56%, 0.36%

LAB 23.79, 35.6, -56.12

 

CMYK 50 / 72 / 0 / 44

HEX #48288F

RGB 72 40 143

HSL 258.64, 0.56%, 0.36%

LAB 26.39, 39.92, -51.77

 

CMYK 72 / 17 / 0 / 44

HEX #28778F

RGB 40 119 143

HSL 193.98, 0.56%, 0.36%

LAB 46.48, -15.53, -19.98

 

CMYK 72 / 36 / 0 / 44

HEX #285B8F

RGB 40 91 143

HSL 210.29, 0.56%, 0.36%

LAB 37.69, 1.21, -33.69

 

CMYK 72 / 56 / 0 / 44

HEX #283F8F

RGB 40 63 143

HSL 226.6, 0.56%, 0.36%

LAB 29.39, 19.88, -47

 

CMYK 72 / 72 / 0 / 44

HEX #28288F

RGB 40 40 143

HSL 240, 0.56%, 0.36%

LAB 23.51, 35.12, -56.59

 

CMYK 72 / 17 / 0 / 44

HEX #28778F

RGB 40 119 143

HSL 193.98, 0.56%, 0.36%

LAB 46.48, -15.53, -19.98

 

CMYK 84 / 20 / 0 / 38

HEX #197E9E

RGB 25 126 158

HSL 194.44, 0.73%, 0.36%

LAB 49, -15.92, -24.93

 

CMYK 94 / 22 / 0 / 33

HEX #0A86AC

RGB 10 134 172

HSL 194.07, 0.89%, 0.36%

LAB 51.94, -16.22, -28.51

 

CMYK 72 / 17 / 0 / 44

HEX #28778F

RGB 40 119 143

HSL 193.98, 0.56%, 0.36%

LAB 46.48, -15.53, -19.98

 

CMYK 57 / 13 / 0 / 50

HEX #376F80

RGB 55 111 128

HSL 193.97, 0.4%, 0.36%

LAB 43.86, -13.19, -15.02

 

CMYK 38 / 9 / 0 / 56

HEX #466771

RGB 70 103 113

HSL 193.95, 0.23%, 0.36%

LAB 41.52, -9.13, -9.42

 

CMYK 14 / 3 / 0 / 62

HEX #545F62

RGB 84 95 98

HSL 192.86, 0.08%, 0.36%

LAB 39.5, -3.54, -3.16

 

CMYK 0 / 12 / 16 / 61

HEX #635753

RGB 99 87 83

HSL 15, 0.09%, 0.36%

LAB 38.01, 4.14, 4.11

 

CMYK 72 / 0 / 22 / 44

HEX #288F70

RGB 40 143 112

HSL 161.94, 0.56%, 0.36%

LAB 53.24, -36.78, 8.18

 

CMYK 72 / 0 / 3 / 44

HEX #288F8B

RGB 40 143 139

HSL 177.67, 0.56%, 0.36%

LAB 53.98, -29.33, -6.3

 

CMYK 72 / 17 / 0 / 44

HEX #28778F

RGB 40 119 143

HSL 193.98, 0.56%, 0.36%

LAB 46.48, -15.53, -19.98

 

CMYK 72 / 36 / 0 / 44

HEX #285B8F

RGB 40 91 143

HSL 210.29, 0.56%, 0.36%

LAB 37.69, 1.21, -33.69

 

CMYK 72 / 55 / 0 / 44

HEX #28408F

RGB 40 64 143

HSL 226.02, 0.56%, 0.36%

LAB 29.67, 19.2, -46.54

 

CMYK 72 / 17 / 0 / 69

HEX #16414E

RGB 22 65 78

HSL 193.93, 0.56%, 0.2%

LAB 25.26, -10, -12.23

 

CMYK 72 / 17 / 0 / 56

HEX #1F5C6F

RGB 31 92 111

HSL 194.25, 0.56%, 0.28%

LAB 36.16, -12.68, -16.5

 

CMYK 72 / 17 / 0 / 44

HEX #28778F

RGB 40 119 143

HSL 193.98, 0.56%, 0.36%

LAB 46.48, -15.53, -19.98

 

CMYK 72 / 17 / 0 / 31

HEX #3191AF

RGB 49 145 175

HSL 194.29, 0.56%, 0.44%

LAB 56.09, -17.7, -23.78

 

CMYK 68 / 16 / 0 / 21

HEX #40A9C9

RGB 64 169 201

HSL 194.01, 0.56%, 0.52%

LAB 64.71, -19.84, -25.13

 

CMYK 72 / 17 / 0 / 44

HEX #28768E

RGB 40 118 142

HSL 194.12, 0.56%, 0.36%

LAB 46.12, -15.31, -19.94

 

CMYK 41 / 72 / 0 / 44

HEX #54288F

RGB 84 40 143

HSL 265.63, 0.56%, 0.36%

LAB 27.81, 42.18, -49.39

 

CMYK 0 / 12 / 72 / 44

HEX #8F7E28

RGB 143 126 40

HSL 50.1, 0.56%, 0.36%

LAB 52.86, -3.56, 46.94

 

CMYK 72 / 17 / 0 / 44

HEX #28768E

RGB 40 118 142

HSL 194.12, 0.56%, 0.36%

LAB 46.12, -15.31, -19.94

 

CMYK 0 / 72 / 17 / 44

HEX #8F2877

RGB 143 40 119

HSL 313.98, 0.56%, 0.36%

LAB 35.38, 51.22, -21.82

 

CMYK 17 / 0 / 72 / 44

HEX #778F28

RGB 119 143 40

HSL 73.98, 0.56%, 0.36%

LAB 55.81, -23.38, 49.22

 

CMYK 72 / 17 / 0 / 44

HEX #28768E

RGB 40 118 142

HSL 194.12, 0.56%, 0.36%

LAB 46.12, -15.31, -19.94

 

CMYK 41 / 72 / 0 / 44

HEX #54288F

RGB 84 40 143

HSL 265.63, 0.56%, 0.36%

LAB 27.81, 42.18, -49.39

 

CMYK 0 / 55 / 72 / 44

HEX #8F4028

RGB 143 64 40

HSL 13.98, 0.56%, 0.36%

LAB 37.22, 31.74, 30.32

 

CMYK 31 / 0 / 72 / 44

HEX #628F28

RGB 98 143 40

HSL 86.21, 0.56%, 0.36%

LAB 54.44, -31.99, 47.4

 

CMYK 72 / 17 / 0 / 44

HEX #28768E

RGB 40 118 142

HSL 194.12, 0.56%, 0.36%

LAB 46.12, -15.31, -19.94

 

CMYK 20 / 72 / 0 / 44

HEX #73288F

RGB 115 40 143

HSL 283.69, 0.56%, 0.36%

LAB 32.14, 48.72, -42.18

 

CMYK 0 / 55 / 72 / 44

HEX #8F4028

RGB 143 64 40

HSL 13.98, 0.56%, 0.36%

LAB 37.22, 31.74, 30.32

 

CMYK 53 / 0 / 72 / 44

HEX #438F28

RGB 67 143 40

HSL 104.27, 0.56%, 0.36%

LAB 52.94, -42.75, 45.38

 

Description

Color code: RGB 40 118 142 | qconv.com Color code: RGB 40 118 142 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 118 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 118 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 17 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 17% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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