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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40.5 54 72 it is the complementary color RGB 214.5 201 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40.5 54 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40.5 54 72 shade: RGB 45.5 54 67, RGB 62.5 72 86, RGB 79.5 90 105, RGB 96.5 108 124 and RGB 113.5 126 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40.5 54 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40.5 54 72 shade: RGB 40.5 54 72, RGB 23.5 36 53, RGB 6.5 18 34 and RGB 0 0 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40.5 54 72 shade: RGB 40 54 72, RGB 40 45 72, RGB 44 40 72, RGB 52 40 72 and RGB 61 40 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40.5 54 72 shade: RGB 40 54 72, RGB 40 45 72 and RGB 40 40 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40.5 54 72 shade matches the following richer shades: RGB 40 54 72, RGB 31 53 81, RGB 22 51 90, RGB 13 50 99 and RGB 4 49 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40.5 54 72 shade: RGB 40 54 72, RGB 49 55 63, RGB 59 56 54, RGB 68 58 45 and RGB 77 59 36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40.5 54 72 shade: RGB 40 71 72, RGB 40 62 72, RGB 40 54 72, RGB 40 46 72 and RGB 44 40 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40.5 54 72 shade: RGB 11 14 19, RGB 26 34 45, RGB 40 54 72, RGB 55 74 98 and RGB 70 93 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40.5 54 72 shade: RGB 40.5 54 72, RGB 64 40 72 and RGB 67 72 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40.5 54 72 shade: RGB 40.5 54 72, RGB 72 40 54 and RGB 54 72 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40.5 54 72 shade: RGB 40.5 54 72, RGB 64 40 72, RGB 72 58 40 and RGB 48 72 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40.5 54 72 shade: RGB 40.5 54 72, RGB 72 40 70, RGB 72 58 40 and RGB 40 72 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 25 / 0 / 72

HEX #283648

RGB 40.5 54 72

HSL 214.29, 0.28%, 0.22%

LAB 22.19, -0.12, -12.89

 

Complementary color

CMYK 0 / 6 / 15 / 16

HEX #D6C9B7

RGB 214.5 201 183

HSL 34.29, 0.28%, 0.78%

LAB 81.6, 1.72, 10.68

 

CMYK 32 / 19 / 0 / 74

HEX #2D3643

RGB 45.5 54 67

HSL 216.28, 0.19%, 0.22%

LAB 22.35, 0.04, -9.25

 

CMYK 27 / 16 / 0 / 66

HEX #3E4856

RGB 62.5 72 86

HSL 215.74, 0.16%, 0.29%

LAB 30.27, -0.19, -9.58

 

CMYK 24 / 14 / 0 / 59

HEX #4F5A69

RGB 79.5 90 105

HSL 215.29, 0.14%, 0.36%

LAB 37.87, -0.39, -9.95

 

CMYK 22 / 13 / 0 / 51

HEX #606C7C

RGB 96.5 108 124

HSL 214.91, 0.12%, 0.43%

LAB 45.21, -0.56, -10.33

 

CMYK 21 / 12 / 0 / 44

HEX #717E8F

RGB 113.5 126 143

HSL 214.58, 0.12%, 0.5%

LAB 52.34, -0.72, -10.73

 

CMYK 44 / 25 / 0 / 72

HEX #283648

RGB 40.5 54 72

HSL 214.29, 0.28%, 0.22%

LAB 22.19, -0.12, -12.89

 

CMYK 56 / 32 / 0 / 79

HEX #172435

RGB 23.5 36 53

HSL 214.58, 0.39%, 0.15%

LAB 13.87, 0.42, -12.76

 

CMYK 81 / 47 / 0 / 87

HEX #061222

RGB 6.5 18 34

HSL 214.91, 0.68%, 0.08%

LAB 5.33, 1.05, -12.17

 

CMYK 100 / 100 / 0 / 94

HEX #00000F

RGB 0 0 15

HSL 240, 1%, 0.03%

LAB 0.31, 2.19, -5.96

 

CMYK 44 / 25 / 0 / 72

HEX #283648

RGB 40 54 72

HSL 213.75, 0.29%, 0.22%

LAB 22.15, -0.28, -12.95

 

CMYK 44 / 38 / 0 / 72

HEX #282D48

RGB 40 45 72

HSL 230.63, 0.29%, 0.22%

LAB 19.21, 5.97, -17.52

 

CMYK 39 / 44 / 0 / 72

HEX #2C2848

RGB 44 40 72

HSL 247.5, 0.29%, 0.22%

LAB 18.01, 10.83, -19.37

 

CMYK 28 / 44 / 0 / 72

HEX #342848

RGB 52 40 72

HSL 262.5, 0.29%, 0.22%

LAB 18.87, 13.56, -17.97

 

CMYK 15 / 44 / 0 / 72

HEX #3D2848

RGB 61 40 72

HSL 279.38, 0.29%, 0.22%

LAB 19.95, 16.79, -16.19

 

CMYK 44 / 25 / 0 / 72

HEX #283648

RGB 40 54 72

HSL 213.75, 0.29%, 0.22%

LAB 22.15, -0.28, -12.95

 

CMYK 44 / 38 / 0 / 72

HEX #282D48

RGB 40 45 72

HSL 230.63, 0.29%, 0.22%

LAB 19.21, 5.97, -17.52

 

CMYK 44 / 44 / 0 / 72

HEX #282848

RGB 40 40 72

HSL 240, 0.29%, 0.22%

LAB 17.63, 9.53, -20

 

CMYK 44 / 25 / 0 / 72

HEX #283648

RGB 40 54 72

HSL 213.75, 0.29%, 0.22%

LAB 22.15, -0.28, -12.95

 

CMYK 62 / 35 / 0 / 68

HEX #1F3551

RGB 31 53 81

HSL 213.6, 0.45%, 0.22%

LAB 21.7, 1.02, -19.71

 

CMYK 76 / 43 / 0 / 65

HEX #16335A

RGB 22 51 90

HSL 214.41, 0.61%, 0.22%

LAB 21.12, 4.11, -26.62

 

CMYK 87 / 49 / 0 / 61

HEX #0D3263

RGB 13 50 99

HSL 214.19, 0.77%, 0.22%

LAB 21.09, 7.42, -32.6

 

CMYK 96 / 55 / 0 / 58

HEX #04316C

RGB 4 49 108

HSL 214.04, 0.93%, 0.22%

LAB 21.23, 11.33, -38.23

 

CMYK 44 / 25 / 0 / 72

HEX #283648

RGB 40 54 72

HSL 213.75, 0.29%, 0.22%

LAB 22.15, -0.28, -12.95

 

CMYK 22 / 13 / 0 / 75

HEX #31373F

RGB 49 55 63

HSL 214.29, 0.13%, 0.22%

LAB 22.81, -0.45, -5.84

 

CMYK 0 / 5 / 8 / 77

HEX #3B3836

RGB 59 56 54

HSL 24, 0.04%, 0.22%

LAB 23.75, 0.87, 1.71

 

CMYK 0 / 15 / 34 / 73

HEX #443A2D

RGB 68 58 45

HSL 33.91, 0.2%, 0.22%

LAB 25.09, 2.02, 9.71

 

CMYK 0 / 23 / 53 / 70

HEX #4D3B24

RGB 77 59 36

HSL 33.66, 0.36%, 0.22%

LAB 26.25, 4.5, 17.24

 

CMYK 44 / 1 / 0 / 72

HEX #284748

RGB 40 71 72

HSL 181.88, 0.29%, 0.22%

LAB 27.91, -11.15, -4.22

 

CMYK 44 / 14 / 0 / 72

HEX #283E48

RGB 40 62 72

HSL 198.75, 0.29%, 0.22%

LAB 24.84, -5.56, -8.84

 

CMYK 44 / 25 / 0 / 72

HEX #283648

RGB 40 54 72

HSL 213.75, 0.29%, 0.22%

LAB 22.15, -0.28, -12.95

 

CMYK 44 / 36 / 0 / 72

HEX #282E48

RGB 40 46 72

HSL 228.75, 0.29%, 0.22%

LAB 19.53, 5.26, -17.02

 

CMYK 39 / 44 / 0 / 72

HEX #2C2848

RGB 44 40 72

HSL 247.5, 0.29%, 0.22%

LAB 18.01, 10.83, -19.37

 

CMYK 42 / 26 / 0 / 93

HEX #0B0E13

RGB 11 14 19

HSL 217.5, 0.27%, 0.06%

LAB 3.9, 0.07, -2.96

 

CMYK 42 / 24 / 0 / 82

HEX #1A222D

RGB 26 34 45

HSL 214.74, 0.27%, 0.14%

LAB 12.94, -0.13, -8.46

 

CMYK 44 / 25 / 0 / 72

HEX #283648

RGB 40 54 72

HSL 213.75, 0.29%, 0.22%

LAB 22.15, -0.28, -12.95

 

CMYK 44 / 24 / 0 / 62

HEX #374A62

RGB 55 74 98

HSL 213.49, 0.28%, 0.3%

LAB 30.86, -0.39, -16.41

 

CMYK 44 / 26 / 0 / 51

HEX #465D7D

RGB 70 93 125

HSL 214.91, 0.28%, 0.38%

LAB 38.92, 0.44, -20.71

 

CMYK 44 / 25 / 0 / 72

HEX #283648

RGB 40.5 54 72

HSL 214.29, 0.28%, 0.22%

LAB 22.19, -0.12, -12.89

 

CMYK 11 / 44 / 0 / 72

HEX #402848

RGB 64 40 72

HSL 285, 0.29%, 0.22%

LAB 20.34, 17.88, -15.55

 

CMYK 7 / 0 / 44 / 72

HEX #434828

RGB 67 72 40

HSL 69.38, 0.29%, 0.22%

LAB 29.37, -8, 18.5

 

CMYK 44 / 25 / 0 / 72

HEX #283648

RGB 40.5 54 72

HSL 214.29, 0.28%, 0.22%

LAB 22.19, -0.12, -12.89

 

CMYK 0 / 44 / 25 / 72

HEX #482836

RGB 72 40 54

HSL 333.75, 0.29%, 0.22%

LAB 20.68, 17.21, -2.6

 

CMYK 25 / 0 / 44 / 72

HEX #364828

RGB 54 72 40

HSL 93.75, 0.29%, 0.22%

LAB 28.31, -13.9, 16.93

 

CMYK 44 / 25 / 0 / 72

HEX #283648

RGB 40.5 54 72

HSL 214.29, 0.28%, 0.22%

LAB 22.19, -0.12, -12.89

 

CMYK 11 / 44 / 0 / 72

HEX #402848

RGB 64 40 72

HSL 285, 0.29%, 0.22%

LAB 20.34, 17.88, -15.55

 

CMYK 0 / 19 / 44 / 72

HEX #483A28

RGB 72 58 40

HSL 33.75, 0.29%, 0.22%

LAB 25.43, 3.2, 13.5

 

CMYK 33 / 0 / 44 / 72

HEX #304828

RGB 48 72 40

HSL 105, 0.29%, 0.22%

LAB 27.89, -16.44, 16.31

 

CMYK 44 / 25 / 0 / 72

HEX #283648

RGB 40.5 54 72

HSL 214.29, 0.28%, 0.22%

LAB 22.19, -0.12, -12.89

 

CMYK 0 / 44 / 3 / 72

HEX #482846

RGB 72 40 70

HSL 303.75, 0.29%, 0.22%

LAB 21.35, 20.39, -12.55

 

CMYK 0 / 19 / 44 / 72

HEX #483A28

RGB 72 58 40

HSL 33.75, 0.29%, 0.22%

LAB 25.43, 3.2, 13.5

 

CMYK 44 / 0 / 42 / 72

HEX #28482A

RGB 40 72 42

HSL 123.75, 0.29%, 0.22%

LAB 27.44, -19.18, 14.4

 

Description

Color code: RGB 40.5 54 72 | qconv.com Color code: RGB 40.5 54 72 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40.5 red, 54 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40.5 54 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 25 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 25% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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