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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40.3 90.4 192 it is the complementary color RGB 214.7 164.6 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40.3 90.4 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40.3 90.4 192 shade: RGB 45.3 90.4 187, RGB 62.3 108.4 206, RGB 79.3 126.4 225, RGB 96.3 144.4 244 and RGB 113.3 162.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40.3 90.4 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40.3 90.4 192 shade: RGB 40.3 90.4 192, RGB 23.3 72.4 173, RGB 6.3 54.4 154, RGB 0 36.4 135 and RGB 0 18.4 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40.3 90.4 192 shade: RGB 41 91 194, RGB 41 50 194, RGB 73 41 194, RGB 114 41 194 and RGB 155 41 194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40.3 90.4 192 shade: RGB 41 91 194, RGB 41 50 194 and RGB 41 41 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40.3 90.4 192 shade matches the following richer shades: RGB 41 91 194, RGB 22 85 213 and RGB 3 79 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40.3 90.4 192 shade: RGB 41 91 194, RGB 60 98 175, RGB 79 104 156, RGB 98 111 137 and RGB 117 117 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40.3 90.4 192 shade: RGB 41 173 194, RGB 41 133 194, RGB 41 92 194, RGB 41 51 194 and RGB 72 41 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40.3 90.4 192 shade: RGB 27 59 125, RGB 34 75 160, RGB 41 91 194, RGB 62 112 214 and RGB 96 137 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40.3 90.4 192 shade: RGB 40.3 90.4 192, RGB 173 41 194 and RGB 153 194 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40.3 90.4 192 shade: RGB 40.3 90.4 192, RGB 194 41 92 and RGB 92 194 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40.3 90.4 192 shade: RGB 40.3 90.4 192, RGB 173 41 194, RGB 194 143 41 and RGB 61 194 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40.3 90.4 192 shade: RGB 40.3 90.4 192, RGB 194 41 168, RGB 194 143 41 and RGB 41 194 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 53 / 0 / 25

HEX #285AC0

RGB 40.3 90.4 192

HSL 220.18, 0.65%, 0.46%

LAB 40.64, 20.48, -58.04

 

Complementary color

CMYK 0 / 23 / 71 / 16

HEX #D6A43F

RGB 214.7 164.6 63

HSL 40.18, 0.65%, 0.54%

LAB 70.54, 8.46, 57.52

 

CMYK 76 / 52 / 0 / 27

HEX #2D5ABB

RGB 45.3 90.4 187

HSL 220.9, 0.61%, 0.46%

LAB 40.46, 19.13, -55.41

 

CMYK 70 / 47 / 0 / 19

HEX #3E6CCE

RGB 62.3 108.4 206

HSL 220.75, 0.59%, 0.53%

LAB 47.37, 16.91, -55.23

 

CMYK 65 / 44 / 0 / 12

HEX #4F7EE1

RGB 79.3 126.4 225

HSL 220.6, 0.71%, 0.6%

LAB 54.17, 15.11, -55.03

 

CMYK 61 / 41 / 0 / 4

HEX #6090F4

RGB 96.3 144.4 244

HSL 220.46, 0.87%, 0.67%

LAB 60.87, 13.64, -54.85

 

CMYK 56 / 36 / 0 / 0

HEX #71A2FF

RGB 113.3 162.4 255

HSL 219.21, 1%, 0.72%

LAB 67.08, 9.9, -50.98

 

CMYK 79 / 53 / 0 / 25

HEX #285AC0

RGB 40.3 90.4 192

HSL 220.18, 0.65%, 0.46%

LAB 40.64, 20.48, -58.04

 

CMYK 87 / 58 / 0 / 32

HEX #1748AD

RGB 23.3 72.4 173

HSL 220.32, 0.76%, 0.38%

LAB 33.75, 23.52, -58.08

 

CMYK 96 / 65 / 0 / 40

HEX #06369A

RGB 6.3 54.4 154

HSL 220.46, 0.92%, 0.31%

LAB 26.88, 27.24, -57.88

 

CMYK 100 / 73 / 0 / 47

HEX #002487

RGB 0 36.4 135

HSL 223.82, 1%, 0.26%

LAB 20.19, 31.58, -57.14

 

CMYK 100 / 84 / 0 / 55

HEX #001274

RGB 0 18.4 116

HSL 230.48, 1%, 0.23%

LAB 13.87, 35.61, -55.51

 

CMYK 79 / 53 / 0 / 24

HEX #295BC2

RGB 41 91 194

HSL 220.39, 0.65%, 0.46%

LAB 40.97, 20.93, -58.67

 

CMYK 79 / 74 / 0 / 24

HEX #2932C2

RGB 41 50 194

HSL 236.47, 0.65%, 0.46%

LAB 30.99, 46.83, -75.01

 

CMYK 62 / 79 / 0 / 24

HEX #4929C2

RGB 73 41 194

HSL 252.55, 0.65%, 0.46%

LAB 31.57, 54.39, -73.98

 

CMYK 41 / 79 / 0 / 24

HEX #7229C2

RGB 114 41 194

HSL 268.63, 0.65%, 0.46%

LAB 36.1, 59.73, -66.38

 

CMYK 20 / 79 / 0 / 24

HEX #9B29C2

RGB 155 41 194

HSL 284.71, 0.65%, 0.46%

LAB 41.92, 66.58, -56.64

 

CMYK 79 / 53 / 0 / 24

HEX #295BC2

RGB 41 91 194

HSL 220.39, 0.65%, 0.46%

LAB 40.97, 20.93, -58.67

 

CMYK 79 / 74 / 0 / 24

HEX #2932C2

RGB 41 50 194

HSL 236.47, 0.65%, 0.46%

LAB 30.99, 46.83, -75.01

 

CMYK 79 / 79 / 0 / 24

HEX #2929C2

RGB 41 41 194

HSL 240, 0.65%, 0.46%

LAB 29.29, 51.68, -77.82

 

CMYK 79 / 53 / 0 / 24

HEX #295BC2

RGB 41 91 194

HSL 220.39, 0.65%, 0.46%

LAB 40.97, 20.93, -58.67

 

CMYK 90 / 60 / 0 / 16

HEX #1655D5

RGB 22 85 213

HSL 220.21, 0.81%, 0.46%

LAB 40.36, 30.75, -70.65

 

CMYK 99 / 66 / 0 / 9

HEX #034FE8

RGB 3 79 232

HSL 220.09, 0.97%, 0.46%

LAB 40.31, 41.19, -81.59

 

CMYK 79 / 53 / 0 / 24

HEX #295BC2

RGB 41 91 194

HSL 220.39, 0.65%, 0.46%

LAB 40.97, 20.93, -58.67

 

CMYK 66 / 44 / 0 / 31

HEX #3C62AF

RGB 60 98 175

HSL 220.17, 0.49%, 0.46%

LAB 42.45, 11.94, -45.15

 

CMYK 49 / 33 / 0 / 39

HEX #4F689C

RGB 79 104 156

HSL 220.52, 0.33%, 0.46%

LAB 44.18, 5.76, -31.13

 

CMYK 28 / 19 / 0 / 46

HEX #626F89

RGB 98 111 137

HSL 220, 0.17%, 0.46%

LAB 46.67, 1.47, -15.88

 

CMYK 1 / 1 / 0 / 54

HEX #757576

RGB 117 117 118

HSL 240, 0%, 0.46%

LAB 49.27, 0.21, -0.56

 

CMYK 79 / 11 / 0 / 24

HEX #29ADC2

RGB 41 173 194

HSL 188.24, 0.65%, 0.46%

LAB 65.16, -26.96, -20.59

 

CMYK 79 / 31 / 0 / 24

HEX #2985C2

RGB 41 133 194

HSL 203.92, 0.65%, 0.46%

LAB 53.1, -5.31, -39.28

 

CMYK 79 / 53 / 0 / 24

HEX #295CC2

RGB 41 92 194

HSL 220, 0.65%, 0.46%

LAB 41.25, 20.27, -58.22

 

CMYK 79 / 74 / 0 / 24

HEX #2933C2

RGB 41 51 194

HSL 236.08, 0.65%, 0.46%

LAB 31.19, 46.26, -74.68

 

CMYK 63 / 79 / 0 / 24

HEX #4829C2

RGB 72 41 194

HSL 252.16, 0.65%, 0.46%

LAB 31.48, 54.28, -74.13

 

CMYK 78 / 53 / 0 / 51

HEX #1B3B7D

RGB 27 59 125

HSL 220.41, 0.64%, 0.3%

LAB 26.28, 13.68, -40.86

 

CMYK 79 / 53 / 0 / 37

HEX #224BA0

RGB 34 75 160

HSL 220.48, 0.65%, 0.38%

LAB 33.8, 17.58, -50.21

 

CMYK 79 / 53 / 0 / 24

HEX #295BC2

RGB 41 91 194

HSL 220.39, 0.65%, 0.46%

LAB 40.97, 20.93, -58.67

 

CMYK 71 / 48 / 0 / 16

HEX #3E70D6

RGB 62 112 214

HSL 220.26, 0.65%, 0.54%

LAB 48.84, 17.49, -57.41

 

CMYK 57 / 38 / 0 / 13

HEX #6089DD

RGB 96 137 221

HSL 220.32, 0.65%, 0.62%

LAB 57.65, 10.48, -47.2

 

CMYK 79 / 53 / 0 / 25

HEX #285AC0

RGB 40.3 90.4 192

HSL 220.18, 0.65%, 0.46%

LAB 40.64, 20.48, -58.04

 

CMYK 11 / 79 / 0 / 24

HEX #AD29C2

RGB 173 41 194

HSL 291.76, 0.65%, 0.46%

LAB 44.75, 69.89, -51.93

 

CMYK 21 / 0 / 79 / 24

HEX #99C229

RGB 153 194 41

HSL 76.08, 0.65%, 0.46%

LAB 73.23, -33.8, 66.23

 

CMYK 79 / 53 / 0 / 25

HEX #285AC0

RGB 40.3 90.4 192

HSL 220.18, 0.65%, 0.46%

LAB 40.64, 20.48, -58.04

 

CMYK 0 / 79 / 53 / 24

HEX #C2295C

RGB 194 41 92

HSL 340, 0.65%, 0.46%

LAB 43.99, 61.69, 8.94

 

CMYK 53 / 0 / 79 / 24

HEX #5CC229

RGB 92 194 41

HSL 100, 0.65%, 0.46%

LAB 70.19, -55.01, 62.31

 

CMYK 79 / 53 / 0 / 25

HEX #285AC0

RGB 40.3 90.4 192

HSL 220.18, 0.65%, 0.46%

LAB 40.64, 20.48, -58.04

 

CMYK 11 / 79 / 0 / 24

HEX #AD29C2

RGB 173 41 194

HSL 291.76, 0.65%, 0.46%

LAB 44.75, 69.89, -51.93

 

CMYK 0 / 26 / 79 / 24

HEX #C28F29

RGB 194 143 41

HSL 40, 0.65%, 0.46%

LAB 62.74, 10.14, 57.9

 

CMYK 69 / 0 / 79 / 24

HEX #3DC229

RGB 61 194 41

HSL 112.16, 0.65%, 0.46%

LAB 69.28, -62.39, 61.13

 

CMYK 79 / 53 / 0 / 25

HEX #285AC0

RGB 40.3 90.4 192

HSL 220.18, 0.65%, 0.46%

LAB 40.64, 20.48, -58.04

 

CMYK 0 / 79 / 13 / 24

HEX #C229A8

RGB 194 41 168

HSL 310.2, 0.65%, 0.46%

LAB 46.82, 70.07, -33.15

 

CMYK 0 / 26 / 79 / 24

HEX #C28F29

RGB 194 143 41

HSL 40, 0.65%, 0.46%

LAB 62.74, 10.14, 57.9

 

CMYK 79 / 0 / 66 / 24

HEX #29C242

RGB 41 194 66

HSL 129.8, 0.65%, 0.46%

LAB 69.07, -63.52, 51.73

 

Description

Color code: RGB 40.3 90.4 192 | qconv.com Color code: RGB 40.3 90.4 192 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40.3 red, 90.4 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40.3 90.4 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 53 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 53% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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