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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 3 203 1 it is the complementary color RGB 252 52 254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 3 203 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 3 203 1 shade: RGB 8 203 0, RGB 25 221 15, RGB 42 239 34, RGB 59 255 53 and RGB 76 255 72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 3 203 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 3 203 1 shade: RGB 3 203 1, RGB 0 185 0, RGB 0 167 0, RGB 0 149 0 and RGB 0 131 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 3 203 1 shade: RGB 3 202 1, RGB 57 202 1, RGB 111 202 1, RGB 166 202 1 and RGB 202 185 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 3 203 1 shade: RGB 3 202 1, RGB 1 202 53, RGB 1 202 107, RGB 1 202 162 and RGB 1 189 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 3 203 1 shade matches the following richer shades: RGB 3 202 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 3 203 1 shade: RGB 3 202 1, RGB 19 186 17, RGB 35 169 34, RGB 51 153 50 and RGB 67 136 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 3 203 1 shade: RGB 112 202 1, RGB 58 202 1, RGB 4 202 1, RGB 1 202 51 and RGB 1 202 105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 3 203 1 shade: RGB 1 120 0, RGB 2 161 0, RGB 3 202 1, RGB 3 244 1 and RGB 34 253 32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 3 203 1 shade: RGB 3 203 1, RGB 1 165 202 and RGB 202 1 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 3 203 1 shade: RGB 3 203 1, RGB 1 4 202 and RGB 202 1 4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 3 203 1 shade: RGB 3 203 1, RGB 1 165 202, RGB 199 1 202 and RGB 202 38 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 3 203 1 shade: RGB 3 203 1, RGB 1 105 202, RGB 199 1 202 and RGB 202 98 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 100 / 20

HEX #03CB01

RGB 3 203 1

HSL 119.41, 0.99%, 0.4%

LAB 71.37, -72.44, 69.96

 

Complementary color

CMYK 1 / 80 / 0 / 0

HEX #FC34FE

RGB 252 52 254

HSL 299.41, 0.99%, 0.6%

LAB 61.92, 91.3, -57.76

 

CMYK 96 / 0 / 100 / 20

HEX #08CB00

RGB 8 203 0

HSL 117.64, 1%, 0.4%

LAB 71.39, -72.26, 70.09

 

CMYK 89 / 0 / 93 / 13

HEX #19DD0F

RGB 25 221 15

HSL 117.09, 0.87%, 0.46%

LAB 77.25, -75.96, 73.37

 

CMYK 82 / 0 / 86 / 6

HEX #2AEF22

RGB 42 239 34

HSL 117.66, 0.86%, 0.54%

LAB 83.09, -78.9, 75.35

 

CMYK 77 / 0 / 79 / 0

HEX #3BFF35

RGB 59 255 53

HSL 118.22, 1%, 0.6%

LAB 88.31, -80.59, 75.66

 

CMYK 70 / 0 / 72 / 0

HEX #4CFF48

RGB 76 255 72

HSL 118.69, 1%, 0.64%

LAB 88.7, -76.87, 70.3

 

CMYK 99 / 0 / 100 / 20

HEX #03CB01

RGB 3 203 1

HSL 119.41, 0.99%, 0.4%

LAB 71.37, -72.44, 69.96

 

CMYK 100 / 0 / 100 / 27

HEX #00B900

RGB 0 185 0

HSL 120, 1%, 0.36%

LAB 65.51, -67.72, 65.36

 

CMYK 100 / 0 / 100 / 35

HEX #00A700

RGB 0 167 0

HSL 120, 1%, 0.33%

LAB 59.56, -62.77, 60.59

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 99 / 0 / 100 / 21

HEX #03CA01

RGB 3 202 1

HSL 119.4, 0.99%, 0.4%

LAB 71.05, -72.17, 69.7

 

CMYK 72 / 0 / 100 / 21

HEX #39CA01

RGB 57 202 1

HSL 103.28, 0.99%, 0.4%

LAB 71.63, -66.99, 70.41

 

CMYK 45 / 0 / 100 / 21

HEX #6FCA01

RGB 111 202 1

HSL 87.16, 0.99%, 0.4%

LAB 73.3, -53.49, 72.44

 

CMYK 18 / 0 / 100 / 21

HEX #A6CA01

RGB 166 202 1

HSL 70.75, 0.99%, 0.4%

LAB 76.28, -33.18, 76.03

 

CMYK 0 / 8 / 100 / 21

HEX #CAB901

RGB 202 185 1

HSL 54.93, 0.99%, 0.4%

LAB 74.35, -9.49, 75.85

 

CMYK 99 / 0 / 100 / 21

HEX #03CA01

RGB 3 202 1

HSL 119.4, 0.99%, 0.4%

LAB 71.05, -72.17, 69.7

 

CMYK 100 / 0 / 74 / 21

HEX #01CA35

RGB 1 202 53

HSL 135.52, 0.99%, 0.4%

LAB 71.22, -69.99, 58.88

 

CMYK 100 / 0 / 47 / 21

HEX #01CA6B

RGB 1 202 107

HSL 151.64, 0.99%, 0.4%

LAB 71.76, -63.2, 35.74

 

CMYK 100 / 0 / 20 / 21

HEX #01CAA2

RGB 1 202 162

HSL 168.06, 0.99%, 0.4%

LAB 72.8, -51.43, 8.23

 

CMYK 100 / 6 / 0 / 21

HEX #01BDCA

RGB 1 189 202

HSL 183.88, 0.99%, 0.4%

LAB 69.94, -34.33, -17.78

 

CMYK 99 / 0 / 100 / 21

HEX #03CA01

RGB 3 202 1

HSL 119.4, 0.99%, 0.4%

LAB 71.05, -72.17, 69.7

 

CMYK 99 / 0 / 100 / 21

HEX #03CA01

RGB 3 202 1

HSL 119.4, 0.99%, 0.4%

LAB 71.05, -72.17, 69.7

 

CMYK 90 / 0 / 91 / 27

HEX #13BA11

RGB 19 186 17

HSL 119.29, 0.83%, 0.4%

LAB 65.98, -66.61, 63.59

 

CMYK 79 / 0 / 80 / 34

HEX #23A922

RGB 35 169 34

HSL 119.56, 0.67%, 0.4%

LAB 60.65, -59.16, 54.87

 

CMYK 67 / 0 / 67 / 40

HEX #339932

RGB 51 153 50

HSL 119.42, 0.51%, 0.4%

LAB 55.8, -49.7, 44.09

 

CMYK 51 / 0 / 51 / 47

HEX #438843

RGB 67 136 67

HSL 120, 0.34%, 0.4%

LAB 50.93, -36.73, 30.33

 

CMYK 45 / 0 / 100 / 21

HEX #70CA01

RGB 112 202 1

HSL 86.87, 0.99%, 0.4%

LAB 73.34, -53.17, 72.49

 

CMYK 71 / 0 / 100 / 21

HEX #3ACA01

RGB 58 202 1

HSL 102.99, 0.99%, 0.4%

LAB 71.65, -66.82, 70.43

 

CMYK 98 / 0 / 100 / 21

HEX #04CA01

RGB 4 202 1

HSL 119.1, 0.99%, 0.4%

LAB 71.06, -72.13, 69.7

 

CMYK 100 / 0 / 75 / 21

HEX #01CA33

RGB 1 202 51

HSL 134.93, 0.99%, 0.4%

LAB 71.21, -70.15, 59.56

 

CMYK 100 / 0 / 48 / 21

HEX #01CA69

RGB 1 202 105

HSL 151.04, 0.99%, 0.4%

LAB 71.74, -63.54, 36.7

 

CMYK 99 / 0 / 100 / 53

HEX #017800

RGB 1 120 0

HSL 119.5, 1%, 0.24%

LAB 43.42, -49.27, 47.65

 

CMYK 99 / 0 / 100 / 37

HEX #02A100

RGB 2 161 0

HSL 119.25, 1%, 0.32%

LAB 57.56, -60.99, 58.99

 

CMYK 99 / 0 / 100 / 21

HEX #03CA01

RGB 3 202 1

HSL 119.4, 0.99%, 0.4%

LAB 71.05, -72.17, 69.7

 

CMYK 99 / 0 / 100 / 4

HEX #03F401

RGB 3 244 1

HSL 119.51, 0.99%, 0.48%

LAB 84.34, -83.25, 80.38

 

CMYK 87 / 0 / 87 / 1

HEX #22FD20

RGB 34 253 32

HSL 119.46, 0.98%, 0.56%

LAB 87.34, -83.5, 79.4

 

CMYK 99 / 0 / 100 / 20

HEX #03CB01

RGB 3 203 1

HSL 119.41, 0.99%, 0.4%

LAB 71.37, -72.44, 69.96

 

CMYK 100 / 18 / 0 / 21

HEX #01A5CA

RGB 1 165 202

HSL 191.04, 0.99%, 0.4%

LAB 62.66, -22.46, -28.91

 

CMYK 0 / 100 / 58 / 21

HEX #CA0155

RGB 202 1 85

HSL 334.93, 0.99%, 0.4%

LAB 43.11, 69.81, 12.36

 

CMYK 99 / 0 / 100 / 20

HEX #03CB01

RGB 3 203 1

HSL 119.41, 0.99%, 0.4%

LAB 71.37, -72.44, 69.96

 

CMYK 100 / 98 / 0 / 21

HEX #0104CA

RGB 1 4 202

HSL 239.1, 0.99%, 0.4%

LAB 24.82, 65.6, -90.01

 

CMYK 0 / 100 / 98 / 21

HEX #CA0104

RGB 202 1 4

HSL 359.1, 0.99%, 0.4%

LAB 42.13, 67.15, 55.01

 

CMYK 99 / 0 / 100 / 20

HEX #03CB01

RGB 3 203 1

HSL 119.41, 0.99%, 0.4%

LAB 71.37, -72.44, 69.96

 

CMYK 100 / 18 / 0 / 21

HEX #01A5CA

RGB 1 165 202

HSL 191.04, 0.99%, 0.4%

LAB 62.66, -22.46, -28.91

 

CMYK 1 / 100 / 0 / 21

HEX #C701CA

RGB 199 1 202

HSL 299.1, 0.99%, 0.4%

LAB 47.53, 81.87, -51.88

 

CMYK 0 / 81 / 100 / 21

HEX #CA2601

RGB 202 38 1

HSL 11.04, 0.99%, 0.4%

LAB 44.15, 61.31, 56.86

 

CMYK 99 / 0 / 100 / 20

HEX #03CB01

RGB 3 203 1

HSL 119.41, 0.99%, 0.4%

LAB 71.37, -72.44, 69.96

 

CMYK 100 / 48 / 0 / 21

HEX #0169CA

RGB 1 105 202

HSL 208.96, 0.99%, 0.4%

LAB 44.76, 12.57, -57.19

 

CMYK 1 / 100 / 0 / 21

HEX #C701CA

RGB 199 1 202

HSL 299.1, 0.99%, 0.4%

LAB 47.53, 81.87, -51.88

 

CMYK 0 / 51 / 100 / 21

HEX #CA6201

RGB 202 98 1

HSL 28.96, 0.99%, 0.4%

LAB 53.27, 36.98, 61.66

 

Description

Color code: RGB 3 203 1 | qconv.com Color code: RGB 3 203 1 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 203 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 203 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 100 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 100% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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