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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 3 162 232 it is the complementary color RGB 252 93 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 3 162 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 3 162 232 shade: RGB 8 162 227, RGB 25 180 246, RGB 42 198 255, RGB 59 216 255 and RGB 76 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 3 162 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 3 162 232 shade: RGB 3 162 232, RGB 0 144 213, RGB 0 126 194, RGB 0 108 175 and RGB 0 90 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 3 162 232 shade: RGB 3 161 231, RGB 3 100 231, RGB 3 38 231, RGB 29 3 231 and RGB 90 3 231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 3 162 232 shade: RGB 3 161 231, RGB 3 100 231, RGB 3 38 231 and RGB 3 3 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 3 162 232 shade matches the following richer shades: RGB 3 161 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 3 162 232 shade: RGB 3 161 231, RGB 22 154 212, RGB 41 146 193, RGB 60 139 174 and RGB 79 132 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 3 162 232 shade: RGB 3 231 177, RGB 3 223 231, RGB 3 162 231, RGB 3 102 231 and RGB 3 41 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 3 162 232 shade: RGB 2 104 149, RGB 2 133 190, RGB 3 161 231, RGB 24 182 251 and RGB 65 194 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 3 162 232 shade: RGB 3 162 232, RGB 117 3 231 and RGB 231 208 3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 3 162 232 shade: RGB 3 162 232, RGB 231 3 162 and RGB 162 231 3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 3 162 232 shade: RGB 3 162 232, RGB 117 3 231, RGB 231 71 3 and RGB 117 231 3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 3 162 232 shade: RGB 3 162 232, RGB 185 3 231, RGB 231 71 3 and RGB 49 231 3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 30 / 0 / 9

HEX #03A2E8

RGB 3 162 232

HSL 198.34, 0.97%, 0.46%

LAB 63.08, -10.08, -44.88

 

Complementary color

CMYK 0 / 63 / 91 / 1

HEX #FC5D17

RGB 252 93 23

HSL 18.34, 0.97%, 0.54%

LAB 60.41, 58.04, 65.27

 

CMYK 96 / 29 / 0 / 11

HEX #08A2E3

RGB 8 162 227

HSL 197.81, 0.93%, 0.46%

LAB 62.88, -11.76, -42.44

 

CMYK 90 / 27 / 0 / 4

HEX #19B4F6

RGB 25 180 246

HSL 197.92, 0.92%, 0.53%

LAB 69.11, -14.19, -43.05

 

CMYK 84 / 22 / 0 / 0

HEX #2AC6FF

RGB 42 198 255

HSL 196.06, 1%, 0.58%

LAB 74.89, -19.58, -38.88

 

CMYK 77 / 15 / 0 / 0

HEX #3BD8FF

RGB 59 216 255

HSL 191.94, 1%, 0.62%

LAB 80.33, -27.21, -30.45

 

CMYK 70 / 8 / 0 / 0

HEX #4CEAFF

RGB 76 234 255

HSL 187.04, 1%, 0.65%

LAB 85.81, -33.98, -22.06

 

CMYK 99 / 30 / 0 / 9

HEX #03A2E8

RGB 3 162 232

HSL 198.34, 0.97%, 0.46%

LAB 63.08, -10.08, -44.88

 

CMYK 100 / 32 / 0 / 16

HEX #0090D5

RGB 0 144 213

HSL 199.44, 1%, 0.42%

LAB 56.83, -7.01, -44.18

 

CMYK 100 / 35 / 0 / 24

HEX #007EC2

RGB 0 126 194

HSL 201.03, 1%, 0.38%

LAB 50.47, -3.71, -43.47

 

CMYK 100 / 38 / 0 / 31

HEX #006CAF

RGB 0 108 175

HSL 202.97, 1%, 0.34%

LAB 43.97, -0.23, -42.8

 

CMYK 100 / 42 / 0 / 39

HEX #005A9C

RGB 0 90 156

HSL 205.38, 1%, 0.31%

LAB 37.32, 3.48, -42.16

 

CMYK 99 / 30 / 0 / 9

HEX #03A1E7

RGB 3 161 231

HSL 198.42, 0.97%, 0.46%

LAB 62.74, -9.89, -44.86

 

CMYK 99 / 57 / 0 / 9

HEX #0364E7

RGB 3 100 231

HSL 214.47, 0.97%, 0.46%

LAB 45.5, 27.36, -72.52

 

CMYK 99 / 84 / 0 / 9

HEX #0326E7

RGB 3 38 231

HSL 230.79, 0.97%, 0.46%

LAB 32.2, 63.36, -94.45

 

CMYK 87 / 99 / 0 / 9

HEX #1D03E7

RGB 29 3 231

HSL 246.84, 0.97%, 0.46%

LAB 29.65, 73.2, -98.69

 

CMYK 61 / 99 / 0 / 9

HEX #5A03E7

RGB 90 3 231

HSL 262.89, 0.97%, 0.46%

LAB 34, 75.15, -91.33

 

CMYK 99 / 30 / 0 / 9

HEX #03A1E7

RGB 3 161 231

HSL 198.42, 0.97%, 0.46%

LAB 62.74, -9.89, -44.86

 

CMYK 99 / 57 / 0 / 9

HEX #0364E7

RGB 3 100 231

HSL 214.47, 0.97%, 0.46%

LAB 45.5, 27.36, -72.52

 

CMYK 99 / 84 / 0 / 9

HEX #0326E7

RGB 3 38 231

HSL 230.79, 0.97%, 0.46%

LAB 32.2, 63.36, -94.45

 

CMYK 99 / 99 / 0 / 9

HEX #0303E7

RGB 3 3 231

HSL 240, 0.97%, 0.46%

LAB 29.04, 72.99, -99.73

 

CMYK 99 / 30 / 0 / 9

HEX #03A1E7

RGB 3 161 231

HSL 198.42, 0.97%, 0.46%

LAB 62.74, -9.89, -44.86

 

CMYK 99 / 30 / 0 / 9

HEX #03A1E7

RGB 3 161 231

HSL 198.42, 0.97%, 0.46%

LAB 62.74, -9.89, -44.86

 

CMYK 90 / 27 / 0 / 17

HEX #169AD4

RGB 22 154 212

HSL 198.32, 0.81%, 0.46%

LAB 59.92, -12.23, -38.74

 

CMYK 79 / 24 / 0 / 24

HEX #2992C1

RGB 41 146 193

HSL 198.55, 0.65%, 0.46%

LAB 56.96, -13.07, -32.67

 

CMYK 66 / 20 / 0 / 32

HEX #3C8BAE

RGB 60 139 174

HSL 198.42, 0.49%, 0.46%

LAB 54.53, -13.03, -25.57

 

CMYK 49 / 15 / 0 / 39

HEX #4F849B

RGB 79 132 155

HSL 198.16, 0.32%, 0.46%

LAB 52.43, -11.11, -17.77

 

CMYK 99 / 0 / 23 / 9

HEX #03E7B1

RGB 3 231 177

HSL 165.79, 0.97%, 0.46%

LAB 82.03, -58.93, 13.37

 

CMYK 99 / 3 / 0 / 9

HEX #03DFE7

RGB 3 223 231

HSL 182.11, 0.97%, 0.46%

LAB 81.05, -41, -16.65

 

CMYK 99 / 30 / 0 / 9

HEX #03A2E7

RGB 3 162 231

HSL 198.16, 0.97%, 0.46%

LAB 63.04, -10.44, -44.4

 

CMYK 99 / 56 / 0 / 9

HEX #0366E7

RGB 3 102 231

HSL 213.95, 0.97%, 0.46%

LAB 46.03, 26.07, -71.65

 

CMYK 99 / 82 / 0 / 9

HEX #0329E7

RGB 3 41 231

HSL 230, 0.97%, 0.46%

LAB 32.65, 62.04, -93.71

 

CMYK 99 / 30 / 0 / 42

HEX #026895

RGB 2 104 149

HSL 198.37, 0.97%, 0.3%

LAB 41.35, -8.04, -31.58

 

CMYK 99 / 30 / 0 / 25

HEX #0285BE

RGB 2 133 190

HSL 198.19, 0.98%, 0.38%

LAB 52.4, -9.28, -38.13

 

CMYK 99 / 30 / 0 / 9

HEX #03A1E7

RGB 3 161 231

HSL 198.42, 0.97%, 0.46%

LAB 62.74, -9.89, -44.86

 

CMYK 90 / 27 / 0 / 2

HEX #18B6FB

RGB 24 182 251

HSL 198.24, 0.97%, 0.54%

LAB 69.91, -13.56, -44.52

 

CMYK 74 / 23 / 0 / 1

HEX #41C2FC

RGB 65 194 252

HSL 198.61, 0.97%, 0.62%

LAB 74.02, -16.34, -38.59

 

CMYK 99 / 30 / 0 / 9

HEX #03A2E8

RGB 3 162 232

HSL 198.34, 0.97%, 0.46%

LAB 63.08, -10.08, -44.88

 

CMYK 49 / 99 / 0 / 9

HEX #7503E7

RGB 117 3 231

HSL 270, 0.97%, 0.46%

LAB 37.15, 76.95, -86.02

 

CMYK 0 / 10 / 99 / 9

HEX #E7D003

RGB 231 208 3

HSL 53.95, 0.97%, 0.46%

LAB 82.97, -8.61, 83.04

 

CMYK 99 / 30 / 0 / 9

HEX #03A2E8

RGB 3 162 232

HSL 198.34, 0.97%, 0.46%

LAB 63.08, -10.08, -44.88

 

CMYK 0 / 99 / 30 / 9

HEX #E703A2

RGB 231 3 162

HSL 318.16, 0.97%, 0.46%

LAB 51.45, 82.41, -21.86

 

CMYK 30 / 0 / 99 / 9

HEX #A2E703

RGB 162 231 3

HSL 78.16, 0.97%, 0.46%

LAB 84.4, -47.47, 81.95

 

CMYK 99 / 30 / 0 / 9

HEX #03A2E8

RGB 3 162 232

HSL 198.34, 0.97%, 0.46%

LAB 63.08, -10.08, -44.88

 

CMYK 49 / 99 / 0 / 9

HEX #7503E7

RGB 117 3 231

HSL 270, 0.97%, 0.46%

LAB 37.15, 76.95, -86.02

 

CMYK 0 / 69 / 99 / 9

HEX #E74703

RGB 231 71 3

HSL 17.89, 0.97%, 0.46%

LAB 53.49, 59.6, 63.9

 

CMYK 49 / 0 / 99 / 9

HEX #75E703

RGB 117 231 3

HSL 90, 0.97%, 0.46%

LAB 82.35, -62.38, 79.46

 

CMYK 99 / 30 / 0 / 9

HEX #03A2E8

RGB 3 162 232

HSL 198.34, 0.97%, 0.46%

LAB 63.08, -10.08, -44.88

 

CMYK 20 / 99 / 0 / 9

HEX #B903E7

RGB 185 3 231

HSL 287.89, 0.97%, 0.46%

LAB 47.17, 84.26, -69.2

 

CMYK 0 / 69 / 99 / 9

HEX #E74703

RGB 231 71 3

HSL 17.89, 0.97%, 0.46%

LAB 53.49, 59.6, 63.9

 

CMYK 79 / 0 / 99 / 9

HEX #31E703

RGB 49 231 3

HSL 107.89, 0.97%, 0.46%

LAB 80.63, -76.63, 77.37

 

Description

Color code: RGB 3 162 232 | qconv.com Color code: RGB 3 162 232 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 162 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 162 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 30 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 30% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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