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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39.7 74.6 106 it is the complementary color RGB 215.3 180.4 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39.7 74.6 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 39.7 74.6 106 shade: RGB 44.7 74.6 101, RGB 61.7 92.6 120, RGB 78.7 110.6 139, RGB 95.7 128.6 158 and RGB 112.7 146.6 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39.7 74.6 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 39.7 74.6 106 shade: RGB 39.7 74.6 106, RGB 22.7 56.6 87, RGB 5.7 38.6 68, RGB 0 20.6 49 and RGB 0 2.6 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 39.7 74.6 106 shade: RGB 40 76 108, RGB 40 57 108, RGB 41 40 108, RGB 59 40 108 and RGB 78 40 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 39.7 74.6 106 shade: RGB 40 76 108, RGB 40 57 108 and RGB 40 40 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 39.7 74.6 106 shade matches the following richer shades: RGB 40 76 108, RGB 28 76 120, RGB 16 77 132 and RGB 4 78 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 39.7 74.6 106 shade: RGB 40 76 108, RGB 52 75 96, RGB 64 74 84, RGB 76 74 72 and RGB 88 73 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 39.7 74.6 106 shade: RGB 40 108 103, RGB 40 94 108, RGB 40 76 108, RGB 40 58 108 and RGB 40 40 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 39.7 74.6 106 shade: RGB 18 33 48, RGB 29 55 78, RGB 40 76 108, RGB 51 97 138 and RGB 62 118 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 39.7 74.6 106 shade: RGB 39.7 74.6 106, RGB 85 40 108 and RGB 103 108 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 39.7 74.6 106 shade: RGB 39.7 74.6 106, RGB 108 40 76 and RGB 76 108 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 39.7 74.6 106 shade: RGB 39.7 74.6 106, RGB 85 40 108, RGB 108 72 40 and RGB 63 108 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 39.7 74.6 106 shade: RGB 39.7 74.6 106, RGB 106 40 108, RGB 108 72 40 and RGB 42 108 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 30 / 0 / 58

HEX #274A6A

RGB 39.7 74.6 106

HSL 208.42, 0.46%, 0.29%

LAB 30.55, -2.09, -22.03

 

Complementary color

CMYK 0 / 16 / 31 / 16

HEX #D7B495

RGB 215.3 180.4 149

HSL 28.42, 0.46%, 0.71%

LAB 75.74, 8.03, 20.72

 

CMYK 56 / 26 / 0 / 60

HEX #2C4A65

RGB 44.7 74.6 101

HSL 208.13, 0.39%, 0.29%

LAB 30.57, -2.66, -18.82

 

CMYK 49 / 23 / 0 / 53

HEX #3D5C78

RGB 61.7 92.6 120

HSL 208.2, 0.32%, 0.36%

LAB 38.07, -3.19, -19

 

CMYK 43 / 20 / 0 / 45

HEX #4E6E8B

RGB 78.7 110.6 139

HSL 208.26, 0.28%, 0.43%

LAB 45.35, -3.57, -19.2

 

CMYK 39 / 19 / 0 / 38

HEX #5F809E

RGB 95.7 128.6 158

HSL 208.31, 0.25%, 0.5%

LAB 52.44, -3.86, -19.43

 

CMYK 36 / 17 / 0 / 31

HEX #7092B1

RGB 112.7 146.6 177

HSL 208.37, 0.29%, 0.57%

LAB 59.35, -4.09, -19.68

 

CMYK 63 / 30 / 0 / 58

HEX #274A6A

RGB 39.7 74.6 106

HSL 208.42, 0.46%, 0.29%

LAB 30.55, -2.09, -22.03

 

CMYK 74 / 35 / 0 / 66

HEX #163857

RGB 22.7 56.6 87

HSL 208.37, 0.59%, 0.22%

LAB 22.84, -0.9, -21.92

 

CMYK 92 / 43 / 0 / 73

HEX #052644

RGB 5.7 38.6 68

HSL 208.31, 0.85%, 0.14%

LAB 14.84, 1.01, -21.8

 

CMYK 100 / 58 / 0 / 81

HEX #001431

RGB 0 20.6 49

HSL 214.78, 1%, 0.1%

LAB 6.72, 4.45, -21.28

 

CMYK 100 / 91 / 0 / 88

HEX #00021E

RGB 0 2.6 30

HSL 234.8, 1%, 0.06%

LAB 1.36, 4.91, -15.11

 

CMYK 63 / 30 / 0 / 58

HEX #284C6C

RGB 40 76 108

HSL 208.24, 0.46%, 0.29%

LAB 31.12, -2.2, -22.41

 

CMYK 63 / 47 / 0 / 58

HEX #28396C

RGB 40 57 108

HSL 225, 0.46%, 0.29%

LAB 25.14, 10.59, -31.86

 

CMYK 62 / 63 / 0 / 58

HEX #29286C

RGB 41 40 108

HSL 240.88, 0.46%, 0.29%

LAB 20.33, 22.67, -39.61

 

CMYK 45 / 63 / 0 / 58

HEX #3B286C

RGB 59 40 108

HSL 256.76, 0.46%, 0.29%

LAB 22.05, 26.63, -36.74

 

CMYK 28 / 63 / 0 / 58

HEX #4E286C

RGB 78 40 108

HSL 273.53, 0.46%, 0.29%

LAB 24.39, 31.51, -32.86

 

CMYK 63 / 30 / 0 / 58

HEX #284C6C

RGB 40 76 108

HSL 208.24, 0.46%, 0.29%

LAB 31.12, -2.2, -22.41

 

CMYK 63 / 47 / 0 / 58

HEX #28396C

RGB 40 57 108

HSL 225, 0.46%, 0.29%

LAB 25.14, 10.59, -31.86

 

CMYK 63 / 63 / 0 / 58

HEX #28286C

RGB 40 40 108

HSL 240, 0.46%, 0.29%

LAB 20.25, 22.48, -39.75

 

CMYK 63 / 30 / 0 / 58

HEX #284C6C

RGB 40 76 108

HSL 208.24, 0.46%, 0.29%

LAB 31.12, -2.2, -22.41

 

CMYK 77 / 37 / 0 / 53

HEX #1C4C78

RGB 28 76 120

HSL 208.7, 0.62%, 0.29%

LAB 31.28, 0.18, -29.72

 

CMYK 88 / 42 / 0 / 48

HEX #104D84

RGB 16 77 132

HSL 208.45, 0.78%, 0.29%

LAB 32, 3.02, -36.06

 

CMYK 97 / 46 / 0 / 44

HEX #044E90

RGB 4 78 144

HSL 208.29, 0.95%, 0.29%

LAB 32.89, 6.61, -42

 

CMYK 63 / 30 / 0 / 58

HEX #284C6C

RGB 40 76 108

HSL 208.24, 0.46%, 0.29%

LAB 31.12, -2.2, -22.41

 

CMYK 46 / 22 / 0 / 62

HEX #344B60

RGB 52 75 96

HSL 208.64, 0.3%, 0.29%

LAB 30.89, -2.56, -15.1

 

CMYK 24 / 12 / 0 / 67

HEX #404A54

RGB 64 74 84

HSL 210, 0.14%, 0.29%

LAB 30.94, -1.47, -7.27

 

CMYK 0 / 3 / 5 / 70

HEX #4C4A48

RGB 76 74 72

HSL 30, 0.03%, 0.29%

LAB 31.58, 0.4, 1.48

 

CMYK 0 / 17 / 32 / 65

HEX #58493C

RGB 88 73 60

HSL 27.86, 0.19%, 0.29%

LAB 32.18, 4.1, 10.15

 

CMYK 63 / 0 / 5 / 58

HEX #286C67

RGB 40 108 103

HSL 175.59, 0.46%, 0.29%

LAB 41.46, -22.47, -3.58

 

CMYK 63 / 13 / 0 / 58

HEX #285E6C

RGB 40 94 108

HSL 192.35, 0.46%, 0.29%

LAB 37, -13.2, -13.33

 

CMYK 63 / 30 / 0 / 58

HEX #284C6C

RGB 40 76 108

HSL 208.24, 0.46%, 0.29%

LAB 31.12, -2.2, -22.41

 

CMYK 63 / 46 / 0 / 58

HEX #283A6C

RGB 40 58 108

HSL 224.12, 0.46%, 0.29%

LAB 25.44, 9.89, -31.38

 

CMYK 63 / 63 / 0 / 58

HEX #28286C

RGB 40 40 108

HSL 240, 0.46%, 0.29%

LAB 20.25, 22.48, -39.75

 

CMYK 63 / 31 / 0 / 81

HEX #122130

RGB 18 33 48

HSL 210, 0.45%, 0.13%

LAB 12.15, -0.96, -11.88

 

CMYK 63 / 29 / 0 / 69

HEX #1D374E

RGB 29 55 78

HSL 208.16, 0.46%, 0.21%

LAB 22.1, -1.98, -17.09

 

CMYK 63 / 30 / 0 / 58

HEX #284C6C

RGB 40 76 108

HSL 208.24, 0.46%, 0.29%

LAB 31.12, -2.2, -22.41

 

CMYK 63 / 30 / 0 / 46

HEX #33618A

RGB 51 97 138

HSL 208.28, 0.46%, 0.37%

LAB 39.73, -2.39, -27.43

 

CMYK 63 / 30 / 0 / 34

HEX #3E76A8

RGB 62 118 168

HSL 208.3, 0.46%, 0.45%

LAB 48.02, -2.57, -32.23

 

CMYK 63 / 30 / 0 / 58

HEX #274A6A

RGB 39.7 74.6 106

HSL 208.42, 0.46%, 0.29%

LAB 30.55, -2.09, -22.03

 

CMYK 21 / 63 / 0 / 58

HEX #55286C

RGB 85 40 108

HSL 279.71, 0.46%, 0.29%

LAB 25.36, 33.42, -31.25

 

CMYK 5 / 0 / 63 / 58

HEX #676C28

RGB 103 108 40

HSL 64.41, 0.46%, 0.29%

LAB 43.89, -12, 36.41

 

CMYK 63 / 30 / 0 / 58

HEX #274A6A

RGB 39.7 74.6 106

HSL 208.42, 0.46%, 0.29%

LAB 30.55, -2.09, -22.03

 

CMYK 0 / 63 / 30 / 58

HEX #6C284C

RGB 108 40 76

HSL 328.24, 0.46%, 0.29%

LAB 27.37, 34.41, -6.88

 

CMYK 30 / 0 / 63 / 58

HEX #4C6C28

RGB 76 108 40

HSL 88.24, 0.46%, 0.29%

LAB 41.87, -23.87, 33.6

 

CMYK 63 / 30 / 0 / 58

HEX #274A6A

RGB 39.7 74.6 106

HSL 208.42, 0.46%, 0.29%

LAB 30.55, -2.09, -22.03

 

CMYK 21 / 63 / 0 / 58

HEX #55286C

RGB 85 40 108

HSL 279.71, 0.46%, 0.29%

LAB 25.36, 33.42, -31.25

 

CMYK 0 / 33 / 63 / 58

HEX #6C4828

RGB 108 72 40

HSL 28.24, 0.46%, 0.29%

LAB 33.93, 11.69, 25.16

 

CMYK 42 / 0 / 63 / 58

HEX #3F6C28

RGB 63 108 40

HSL 99.71, 0.46%, 0.29%

LAB 41.11, -28.94, 32.54

 

CMYK 63 / 30 / 0 / 58

HEX #274A6A

RGB 39.7 74.6 106

HSL 208.42, 0.46%, 0.29%

LAB 30.55, -2.09, -22.03

 

CMYK 2 / 63 / 0 / 58

HEX #6A286C

RGB 106 40 108

HSL 298.24, 0.46%, 0.29%

LAB 28.55, 39.28, -25.99

 

CMYK 0 / 33 / 63 / 58

HEX #6C4828

RGB 108 72 40

HSL 28.24, 0.46%, 0.29%

LAB 33.93, 11.69, 25.16

 

CMYK 61 / 0 / 63 / 58

HEX #2A6C28

RGB 42 108 40

HSL 118.24, 0.46%, 0.29%

LAB 40.2, -35.68, 31.25

 

Description

Color code: RGB 39.7 74.6 106 | qconv.com Color code: RGB 39.7 74.6 106 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39.7 red, 74.6 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39.7 74.6 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 30 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 30% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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