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Color name
RGB 36 198 141

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 36 198 141 it is the complementary color RGB 219 57 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 36 198 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 36 198 141 shade: RGB 41 198 136, RGB 58 216 155, RGB 75 234 174, RGB 92 252 193 and RGB 109 255 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 36 198 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 36 198 141 shade: RGB 36 198 141, RGB 19 180 122, RGB 2 162 103, RGB 0 144 84 and RGB 0 126 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 36 198 141 shade: RGB 36 198 141, RGB 36 198 97, RGB 36 198 53, RGB 62 198 36 and RGB 106 198 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 36 198 141 shade: RGB 36 198 141, RGB 36 198 184, RGB 36 167 198, RGB 36 124 198 and RGB 36 80 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 36 198 141 shade matches the following richer shades: RGB 36 198 141 and RGB 17 217 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 36 198 141 shade: RGB 36 198 141, RGB 55 179 135, RGB 74 160 130, RGB 93 141 124 and RGB 112 122 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 36 198 141 shade: RGB 36 198 52, RGB 36 198 95, RGB 36 198 138, RGB 36 198 182 and RGB 36 171 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 36 198 141 shade: RGB 23 128 91, RGB 29 163 116, RGB 36 198 141, RGB 57 218 161 and RGB 92 225 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 36 198 141 shade: RGB 36 198 141, RGB 36 63 198 and RGB 198 74 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 36 198 141 shade: RGB 36 198 141, RGB 138 36 198 and RGB 198 138 36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 36 198 141 shade: RGB 36 198 141, RGB 36 63 198, RGB 198 36 95 and RGB 198 171 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 36 198 141 shade: RGB 36 198 141, RGB 57 36 198, RGB 198 36 95 and RGB 176 198 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 29 / 22

HEX #24C68D

RGB 36 198 141

HSL 158.89, 0.69%, 0.46%

LAB 71.34, -53.03, 17.5

 

Complementary color

CMYK 0 / 74 / 48 / 14

HEX #DB3972

RGB 219 57 114

HSL 338.89, 0.69%, 0.54%

LAB 50.92, 65.48, 5.92

 

CMYK 79 / 0 / 31 / 22

HEX #29C688

RGB 41 198 136

HSL 156.31, 0.66%, 0.47%

LAB 71.31, -53.63, 20.14

 

CMYK 73 / 0 / 28 / 15

HEX #3AD89B

RGB 58 216 155

HSL 156.84, 0.67%, 0.54%

LAB 77.51, -54.42, 18.67

 

CMYK 68 / 0 / 26 / 8

HEX #4BEAAE

RGB 75 234 174

HSL 157.36, 0.79%, 0.61%

LAB 83.65, -54.95, 17.33

 

CMYK 63 / 0 / 23 / 1

HEX #5CFCC1

RGB 92 252 193

HSL 157.88, 0.96%, 0.67%

LAB 89.74, -55.27, 16.1

 

CMYK 57 / 0 / 17 / 0

HEX #6DFFD4

RGB 109 255 212

HSL 162.33, 1%, 0.71%

LAB 91.47, -49.25, 8.83

 

CMYK 82 / 0 / 29 / 22

HEX #24C68D

RGB 36 198 141

HSL 158.89, 0.69%, 0.46%

LAB 71.34, -53.03, 17.5

 

CMYK 89 / 0 / 32 / 29

HEX #13B47A

RGB 19 180 122

HSL 158.39, 0.81%, 0.39%

LAB 65.11, -51.71, 19.11

 

CMYK 99 / 0 / 36 / 36

HEX #02A267

RGB 2 162 103

HSL 157.88, 0.98%, 0.32%

LAB 58.82, -49.95, 20.88

 

CMYK 100 / 0 / 42 / 44

HEX #009054

RGB 0 144 84

HSL 155, 1%, 0.28%

LAB 52.49, -47.41, 22.87

 

CMYK 100 / 0 / 48 / 51

HEX #007E41

RGB 0 126 65

HSL 150.95, 1%, 0.25%

LAB 46.05, -44.6, 24.95

 

CMYK 82 / 0 / 29 / 22

HEX #24C68D

RGB 36 198 141

HSL 158.89, 0.69%, 0.46%

LAB 71.34, -53.03, 17.5

 

CMYK 82 / 0 / 51 / 22

HEX #24C661

RGB 36 198 97

HSL 142.59, 0.69%, 0.46%

LAB 70.61, -61.39, 39.31

 

CMYK 82 / 0 / 73 / 22

HEX #24C635

RGB 36 198 53

HSL 126.3, 0.69%, 0.46%

LAB 70.19, -66.55, 57.92

 

CMYK 69 / 0 / 82 / 22

HEX #3EC624

RGB 62 198 36

HSL 110.37, 0.69%, 0.46%

LAB 70.55, -63.77, 63.75

 

CMYK 46 / 0 / 82 / 22

HEX #6AC624

RGB 106 198 36

HSL 94.07, 0.69%, 0.46%

LAB 71.95, -52.62, 65.53

 

CMYK 82 / 0 / 29 / 22

HEX #24C68D

RGB 36 198 141

HSL 158.89, 0.69%, 0.46%

LAB 71.34, -53.03, 17.5

 

CMYK 82 / 0 / 7 / 22

HEX #24C6B8

RGB 36 198 184

HSL 174.81, 0.69%, 0.46%

LAB 72.38, -42.13, -4.28

 

CMYK 82 / 16 / 0 / 22

HEX #24A7C6

RGB 36 167 198

HSL 191.48, 0.69%, 0.46%

LAB 63.42, -23.07, -25.49

 

CMYK 82 / 37 / 0 / 22

HEX #247CC6

RGB 36 124 198

HSL 207.41, 0.69%, 0.46%

LAB 50.53, 1.04, -45.64

 

CMYK 82 / 60 / 0 / 22

HEX #2450C6

RGB 36 80 198

HSL 223.7, 0.69%, 0.46%

LAB 38.18, 29.19, -65.54

 

CMYK 82 / 0 / 29 / 22

HEX #24C68D

RGB 36 198 141

HSL 158.89, 0.69%, 0.46%

LAB 71.34, -53.03, 17.5

 

CMYK 92 / 0 / 33 / 15

HEX #11D992

RGB 17 217 146

HSL 158.7, 0.85%, 0.46%

LAB 77.17, -60.3, 22.86

 

CMYK 82 / 0 / 29 / 22

HEX #24C68D

RGB 36 198 141

HSL 158.89, 0.69%, 0.46%

LAB 71.34, -53.03, 17.5

 

CMYK 69 / 0 / 25 / 30

HEX #37B387

RGB 55 179 135

HSL 158.71, 0.53%, 0.46%

LAB 65.59, -44.38, 12.78

 

CMYK 54 / 0 / 19 / 37

HEX #4AA082

RGB 74 160 130

HSL 159.07, 0.37%, 0.46%

LAB 60.08, -33.41, 7.82

 

CMYK 34 / 0 / 12 / 45

HEX #5D8D7C

RGB 93 141 124

HSL 158.75, 0.21%, 0.46%

LAB 54.9, -20.19, 3.92

 

CMYK 8 / 0 / 3 / 52

HEX #707A76

RGB 112 122 118

HSL 156, 0.04%, 0.46%

LAB 50.3, -4.56, 0.9

 

CMYK 82 / 0 / 74 / 22

HEX #24C634

RGB 36 198 52

HSL 125.93, 0.69%, 0.46%

LAB 70.18, -66.63, 58.27

 

CMYK 82 / 0 / 52 / 22

HEX #24C65F

RGB 36 198 95

HSL 141.85, 0.69%, 0.46%

LAB 70.59, -61.7, 40.25

 

CMYK 82 / 0 / 30 / 22

HEX #24C68A

RGB 36 198 138

HSL 157.78, 0.69%, 0.46%

LAB 71.28, -53.69, 19.02

 

CMYK 82 / 0 / 8 / 22

HEX #24C6B6

RGB 36 198 182

HSL 174.07, 0.69%, 0.46%

LAB 72.32, -42.69, -3.27

 

CMYK 82 / 14 / 0 / 22

HEX #24ABC6

RGB 36 171 198

HSL 190, 0.69%, 0.46%

LAB 64.63, -25.12, -23.64

 

CMYK 82 / 0 / 29 / 50

HEX #17805B

RGB 23 128 91

HSL 158.86, 0.7%, 0.3%

LAB 47.46, -37.82, 12.13

 

CMYK 82 / 0 / 29 / 36

HEX #1DA374

RGB 29 163 116

HSL 158.96, 0.7%, 0.38%

LAB 59.63, -45.64, 14.87

 

CMYK 82 / 0 / 29 / 22

HEX #24C68D

RGB 36 198 141

HSL 158.89, 0.69%, 0.46%

LAB 71.34, -53.03, 17.5

 

CMYK 74 / 0 / 26 / 15

HEX #39DAA1

RGB 57 218 161

HSL 158.76, 0.69%, 0.54%

LAB 78.22, -54.02, 16.5

 

CMYK 59 / 0 / 21 / 12

HEX #5CE1B2

RGB 92 225 178

HSL 158.8, 0.69%, 0.62%

LAB 81.48, -47.43, 12.24

 

CMYK 82 / 0 / 29 / 22

HEX #24C68D

RGB 36 198 141

HSL 158.89, 0.69%, 0.46%

LAB 71.34, -53.03, 17.5

 

CMYK 82 / 68 / 0 / 22

HEX #243FC6

RGB 36 63 198

HSL 230, 0.69%, 0.46%

LAB 34, 40.1, -72.4

 

CMYK 0 / 63 / 82 / 22

HEX #C64A24

RGB 198 74 36

HSL 14.07, 0.69%, 0.46%

LAB 48.3, 47.66, 46.77

 

CMYK 82 / 0 / 29 / 22

HEX #24C68D

RGB 36 198 141

HSL 158.89, 0.69%, 0.46%

LAB 71.34, -53.03, 17.5

 

CMYK 30 / 82 / 0 / 22

HEX #8A24C6

RGB 138 36 198

HSL 277.78, 0.69%, 0.46%

LAB 39.14, 66.04, -63.6

 

CMYK 0 / 30 / 82 / 22

HEX #C68A24

RGB 198 138 36

HSL 37.78, 0.69%, 0.46%

LAB 61.92, 14.47, 59.11

 

CMYK 82 / 0 / 29 / 22

HEX #24C68D

RGB 36 198 141

HSL 158.89, 0.69%, 0.46%

LAB 71.34, -53.03, 17.5

 

CMYK 82 / 68 / 0 / 22

HEX #243FC6

RGB 36 63 198

HSL 230, 0.69%, 0.46%

LAB 34, 40.1, -72.4

 

CMYK 0 / 82 / 52 / 22

HEX #C6245F

RGB 198 36 95

HSL 338.15, 0.69%, 0.46%

LAB 44.37, 64.31, 7.72

 

CMYK 0 / 14 / 82 / 22

HEX #C6AB24

RGB 198 171 36

HSL 50, 0.69%, 0.46%

LAB 70.36, -3.34, 66.47

 

CMYK 82 / 0 / 29 / 22

HEX #24C68D

RGB 36 198 141

HSL 158.89, 0.69%, 0.46%

LAB 71.34, -53.03, 17.5

 

CMYK 71 / 82 / 0 / 22

HEX #3924C6

RGB 57 36 198

HSL 247.78, 0.69%, 0.46%

LAB 29.93, 56.36, -79.08

 

CMYK 0 / 82 / 52 / 22

HEX #C6245F

RGB 198 36 95

HSL 338.15, 0.69%, 0.46%

LAB 44.37, 64.31, 7.72

 

CMYK 11 / 0 / 82 / 22

HEX #B0C624

RGB 176 198 36

HSL 68.15, 0.69%, 0.46%

LAB 75.91, -26.49, 70.56

 

Description

Color code: RGB 36 198 141 | qconv.com Color code: RGB 36 198 141 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 198 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 198 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 29 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 29% 22% C M Y K

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Provide designers and agencies with accurate color values.

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