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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 36 14 51 it is the complementary color RGB 219 241 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 36 14 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 36 14 51: RGB 41 14 46, RGB 58 32 65, RGB 75 50 84, RGB 92 68 103 and RGB 109 86 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 36 14 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 36 14 51: RGB 36 14 51, RGB 19 0 32, RGB 2 0 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 73 / 0 / 80

HEX #240E33

RGB 36 14 51

HSL 275.68, 0.57%, 0.13%

LAB 8.38, 19.84, -19.9

 

Complementary color

CMYK 9 / 0 / 15 / 5

HEX #DBF1CC

RGB 219 241 204

HSL 95.68, 0.57%, 0.87%

LAB 92.72, -13.74, 15.46

 

CMYK 11 / 70 / 0 / 82

HEX #290E2E

RGB 41 14 46

HSL 290.63, 0.53%, 0.12%

LAB 8.85, 20.09, -15.42

 

CMYK 11 / 51 / 0 / 75

HEX #3A2041

RGB 58 32 65

HSL 287.27, 0.34%, 0.19%

LAB 17.06, 19.23, -15.93

 

CMYK 11 / 40 / 0 / 67

HEX #4B3254

RGB 75 50 84

HSL 284.12, 0.25%, 0.26%

LAB 25.01, 18.3, -16.24

 

CMYK 11 / 34 / 0 / 60

HEX #5C4467

RGB 92 68 103

HSL 281.14, 0.2%, 0.34%

LAB 32.68, 17.48, -16.51

 

CMYK 11 / 30 / 0 / 52

HEX #6D567A

RGB 109 86 122

HSL 278.33, 0.17%, 0.41%

LAB 40.1, 16.77, -16.78

 

CMYK 29 / 73 / 0 / 80

HEX #240E33

RGB 36 14 51

HSL 275.68, 0.57%, 0.13%

LAB 8.38, 19.84, -19.9

 

CMYK 41 / 100 / 0 / 87

HEX #130020

RGB 19 0 32

HSL 275.63, 1%, 0.06%

LAB 2.19, 12.23, -15.33

 

CMYK 85 / 100 / 0 / 95

HEX #02000D

RGB 2 0 13

HSL 249.23, 1%, 0.03%

LAB 0.38, 2.37, -4.83

 

CMYK 29 / 73 / 0 / 80

HEX #240E33

RGB 36 14 51

HSL 275.68, 0.57%, 0.13%

LAB 8.38, 19.84, -19.9

 

CMYK 19 / 73 / 0 / 80

HEX #2A0E34

RGB 42 14 52

HSL 284.21, 0.58%, 0.13%

LAB 9.44, 21.93, -18.88

 

CMYK 8 / 73 / 0 / 80

HEX #300E34

RGB 48 14 52

HSL 293.68, 0.58%, 0.13%

LAB 10.49, 23.78, -17.15

 

CMYK 0 / 73 / 8 / 80

HEX #340E30

RGB 52 14 48

HSL 306.32, 0.58%, 0.13%

LAB 10.98, 24.18, -13.41

 

CMYK 0 / 73 / 19 / 80

HEX #340E2A

RGB 52 14 42

HSL 315.79, 0.58%, 0.13%

LAB 10.64, 23, -9.51

 

CMYK 29 / 73 / 0 / 80

HEX #240E33

RGB 36 14 51

HSL 275.68, 0.57%, 0.13%

LAB 8.38, 19.84, -19.9

 

CMYK 29 / 73 / 0 / 60

HEX #481C66

RGB 72 28 102

HSL 275.68, 0.57%, 0.25%

LAB 20.7, 35.03, -34.93

 

CMYK 29 / 73 / 0 / 40

HEX #6C2A99

RGB 108 42 153

HSL 275.68, 0.57%, 0.38%

LAB 32.13, 48.57, -48.36

 

CMYK 29 / 73 / 0 / 20

HEX #9038CC

RGB 144 56 204

HSL 275.68, 0.59%, 0.51%

LAB 42.94, 61.17, -60.88

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 29 / 73 / 0 / 80

HEX #240E33

RGB 36 14 51

HSL 275.68, 0.57%, 0.13%

LAB 8.38, 19.84, -19.9

 

CMYK 0 / 73 / 58 / 80

HEX #340E16

RGB 52 14 22

HSL 347.37, 0.58%, 0.13%

LAB 9.81, 19.95, 4.32

 

CMYK 73 / 0 / 60 / 80

HEX #0E3415

RGB 14 52 21

HSL 131.05, 0.58%, 0.13%

LAB 18.38, -21.55, 15.64

 

CMYK 29 / 73 / 0 / 80

HEX #240E33

RGB 36 14 51

HSL 275.68, 0.57%, 0.13%

LAB 8.38, 19.84, -19.9

 

CMYK 0 / 31 / 73 / 80

HEX #34240E

RGB 52 36 14

HSL 34.74, 0.58%, 0.13%

LAB 15.61, 4.63, 16.99

 

CMYK 73 / 0 / 31 / 80

HEX #0E3424

RGB 14 52 36

HSL 154.74, 0.58%, 0.13%

LAB 18.7, -18.11, 6.24

 

CMYK 29 / 73 / 0 / 80

HEX #240E33

RGB 36 14 51

HSL 275.68, 0.57%, 0.13%

LAB 8.38, 19.84, -19.9

 

CMYK 0 / 73 / 58 / 80

HEX #340E16

RGB 52 14 22

HSL 347.37, 0.58%, 0.13%

LAB 9.81, 19.95, 4.32

 

CMYK 42 / 0 / 73 / 80

HEX #1E340E

RGB 30 52 14

HSL 94.74, 0.58%, 0.13%

LAB 19.07, -16.85, 20.7

 

CMYK 73 / 0 / 17 / 80

HEX #0E342B

RGB 14 52 43

HSL 165.79, 0.58%, 0.13%

LAB 18.9, -16.06, 1.75

 

CMYK 29 / 73 / 0 / 80

HEX #240E33

RGB 36 14 51

HSL 275.68, 0.57%, 0.13%

LAB 8.38, 19.84, -19.9

 

CMYK 0 / 67 / 73 / 80

HEX #34110E

RGB 52 17 14

HSL 4.74, 0.58%, 0.13%

LAB 10.28, 17.38, 9.85

 

CMYK 42 / 0 / 73 / 80

HEX #1E340E

RGB 30 52 14

HSL 94.74, 0.58%, 0.13%

LAB 19.07, -16.85, 20.7

 

CMYK 73 / 8 / 0 / 80

HEX #0E3034

RGB 14 48 52

HSL 186.32, 0.58%, 0.13%

LAB 17.71, -10.63, -6.21

 

Description

Color code: RGB 36 14 51 | qconv.com Color code: RGB 36 14 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 14 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 14 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 73 magenta, none yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 73% 0% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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