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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 92.6 158.6 it is the complementary color RGB 220 162.4 96.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 92.6 158.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 92.6 158.6 shade: RGB 40 92.6 153.6, RGB 57 110.6 172.6, RGB 74 128.6 191.6, RGB 91 146.6 210.6 and RGB 108 164.6 229.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 92.6 158.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 92.6 158.6 shade: RGB 35 92.6 158.6, RGB 18 74.6 139.6, RGB 1 56.6 120.6, RGB 0 38.6 101.6 and RGB 0 20.6 82.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 92.6 158.6 shade: RGB 35 93 159, RGB 35 59 159, RGB 44 35 159, RGB 77 35 159 and RGB 111 35 159

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 92.6 158.6 shade: RGB 35 93 159, RGB 35 59 159 and RGB 35 35 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 92.6 158.6 shade matches the following richer shades: RGB 35 93 159, RGB 19 92 175 and RGB 4 91 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 92.6 158.6 shade: RGB 35 93 159, RGB 51 94 143, RGB 66 95 128, RGB 82 96 112 and RGB 98 97 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 92.6 158.6 shade: RGB 35 159 159, RGB 35 126 159, RGB 35 93 159, RGB 35 60 159 and RGB 43 35 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 92.6 158.6 shade: RGB 20 53 91, RGB 27 73 125, RGB 35 93 159, RGB 42 112 193 and RGB 63 133 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 92.6 158.6 shade: RGB 35 92.6 158.6, RGB 126 35 159 and RGB 142 159 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 92.6 158.6 shade: RGB 35 92.6 158.6, RGB 159 35 93 and RGB 93 159 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 92.6 158.6 shade: RGB 35 92.6 158.6, RGB 126 35 159, RGB 159 101 35 and RGB 68 159 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 92.6 158.6 shade: RGB 35 92.6 158.6, RGB 159 35 155, RGB 159 101 35 and RGB 35 159 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 42 / 0 / 38

HEX #235C9E

RGB 35 92.6 158.6

HSL 212.04, 0.64%, 0.38%

LAB 38.91, 5.47, -41.15

 

Complementary color

CMYK 0 / 26 / 56 / 14

HEX #DCA260

RGB 220 162.4 96.4

HSL 32.04, 0.64%, 0.62%

LAB 70.9, 14.05, 42.3

 

CMYK 74 / 40 / 0 / 40

HEX #285C99

RGB 40 92.6 153.6

HSL 212.22, 0.59%, 0.38%

LAB 38.78, 4.22, -38.35

 

CMYK 67 / 36 / 0 / 32

HEX #396EAC

RGB 57 110.6 172.6

HSL 212.18, 0.5%, 0.45%

LAB 45.84, 2.62, -38.35

 

CMYK 61 / 33 / 0 / 25

HEX #4A80BF

RGB 74 128.6 191.6

HSL 212.14, 0.48%, 0.52%

LAB 52.77, 1.41, -38.36

 

CMYK 57 / 30 / 0 / 17

HEX #5B92D2

RGB 91 146.6 210.6

HSL 212.11, 0.57%, 0.59%

LAB 59.57, 0.47, -38.37

 

CMYK 53 / 28 / 0 / 10

HEX #6CA4E5

RGB 108 164.6 229.6

HSL 212.07, 0.71%, 0.66%

LAB 66.25, -0.3, -38.41

 

CMYK 78 / 42 / 0 / 38

HEX #235C9E

RGB 35 92.6 158.6

HSL 212.04, 0.64%, 0.38%

LAB 38.91, 5.47, -41.15

 

CMYK 87 / 47 / 0 / 45

HEX #124A8B

RGB 18 74.6 139.6

HSL 212.07, 0.77%, 0.31%

LAB 31.78, 7.96, -41.08

 

CMYK 99 / 53 / 0 / 53

HEX #013878

RGB 1 56.6 120.6

HSL 212.11, 0.98%, 0.24%

LAB 24.53, 11.19, -40.95

 

CMYK 100 / 62 / 0 / 60

HEX #002665

RGB 0 38.6 101.6

HSL 217.2, 1%, 0.2%

LAB 17.35, 15.85, -40.38

 

CMYK 100 / 75 / 0 / 68

HEX #001452

RGB 0 20.6 82.6

HSL 225.04, 1%, 0.16%

LAB 10.11, 20.91, -39.54

 

CMYK 78 / 42 / 0 / 38

HEX #235D9F

RGB 35 93 159

HSL 211.94, 0.64%, 0.38%

LAB 39.05, 5.37, -41.16

 

CMYK 78 / 63 / 0 / 38

HEX #233B9F

RGB 35 59 159

HSL 228.39, 0.64%, 0.38%

LAB 29.38, 28.11, -56.78

 

CMYK 72 / 78 / 0 / 38

HEX #2C239F

RGB 44 35 159

HSL 244.35, 0.64%, 0.38%

LAB 24.45, 43.82, -64.87

 

CMYK 52 / 78 / 0 / 38

HEX #4D239F

RGB 77 35 159

HSL 260.32, 0.64%, 0.38%

LAB 27.53, 47.79, -59.7

 

CMYK 30 / 78 / 0 / 38

HEX #6F239F

RGB 111 35 159

HSL 276.77, 0.64%, 0.38%

LAB 32, 53.43, -52.21

 

CMYK 78 / 42 / 0 / 38

HEX #235D9F

RGB 35 93 159

HSL 211.94, 0.64%, 0.38%

LAB 39.05, 5.37, -41.16

 

CMYK 78 / 63 / 0 / 38

HEX #233B9F

RGB 35 59 159

HSL 228.39, 0.64%, 0.38%

LAB 29.38, 28.11, -56.78

 

CMYK 78 / 78 / 0 / 38

HEX #23239F

RGB 35 35 159

HSL 240, 0.64%, 0.38%

LAB 23.88, 43.07, -65.84

 

CMYK 78 / 42 / 0 / 38

HEX #235D9F

RGB 35 93 159

HSL 211.94, 0.64%, 0.38%

LAB 39.05, 5.37, -41.16

 

CMYK 89 / 47 / 0 / 31

HEX #135CAF

RGB 19 92 175

HSL 211.92, 0.8%, 0.38%

LAB 39.39, 10.91, -50.13

 

CMYK 98 / 52 / 0 / 25

HEX #045BBE

RGB 4 91 190

HSL 211.94, 0.96%, 0.38%

LAB 39.96, 16.98, -58.02

 

CMYK 78 / 42 / 0 / 38

HEX #235D9F

RGB 35 93 159

HSL 211.94, 0.64%, 0.38%

LAB 39.05, 5.37, -41.16

 

CMYK 64 / 34 / 0 / 44

HEX #335E8F

RGB 51 94 143

HSL 211.96, 0.47%, 0.38%

LAB 39.06, 1.26, -31.5

 

CMYK 48 / 26 / 0 / 50

HEX #425F80

RGB 66 95 128

HSL 211.94, 0.32%, 0.38%

LAB 39.41, -0.97, -21.8

 

CMYK 27 / 14 / 0 / 56

HEX #526070

RGB 82 96 112

HSL 212, 0.15%, 0.38%

LAB 40.13, -1.36, -10.83

 

CMYK 0 / 1 / 2 / 62

HEX #626160

RGB 98 97 96

HSL 30, 0.01%, 0.38%

LAB 41.2, 0.19, 0.7

 

CMYK 78 / 0 / 0 / 38

HEX #239F9F

RGB 35 159 159

HSL 180, 0.64%, 0.38%

LAB 59.58, -31.63, -9.41

 

CMYK 78 / 21 / 0 / 38

HEX #237E9F

RGB 35 126 159

HSL 195.97, 0.64%, 0.38%

LAB 49.23, -14.54, -25.15

 

CMYK 78 / 42 / 0 / 38

HEX #235D9F

RGB 35 93 159

HSL 211.94, 0.64%, 0.38%

LAB 39.05, 5.37, -41.16

 

CMYK 78 / 62 / 0 / 38

HEX #233C9F

RGB 35 60 159

HSL 227.9, 0.64%, 0.38%

LAB 29.64, 27.44, -56.36

 

CMYK 73 / 78 / 0 / 38

HEX #2B239F

RGB 43 35 159

HSL 243.87, 0.64%, 0.38%

LAB 24.38, 43.73, -64.99

 

CMYK 78 / 42 / 0 / 64

HEX #14355B

RGB 20 53 91

HSL 212.11, 0.64%, 0.22%

LAB 21.76, 2.77, -26.26

 

CMYK 78 / 42 / 0 / 51

HEX #1B497D

RGB 27 73 125

HSL 211.84, 0.64%, 0.3%

LAB 30.59, 4.03, -33.94

 

CMYK 78 / 42 / 0 / 38

HEX #235D9F

RGB 35 93 159

HSL 211.94, 0.64%, 0.38%

LAB 39.05, 5.37, -41.16

 

CMYK 78 / 42 / 0 / 24

HEX #2A70C1

RGB 42 112 193

HSL 212.19, 0.64%, 0.46%

LAB 46.88, 7.17, -48.57

 

CMYK 70 / 38 / 0 / 16

HEX #3F85D5

RGB 63 133 213

HSL 212, 0.64%, 0.54%

LAB 54.7, 4.34, -47.49

 

CMYK 78 / 42 / 0 / 38

HEX #235C9E

RGB 35 92.6 158.6

HSL 212.04, 0.64%, 0.38%

LAB 38.91, 5.47, -41.15

 

CMYK 21 / 78 / 0 / 38

HEX #7E239F

RGB 126 35 159

HSL 284.03, 0.64%, 0.38%

LAB 34.27, 56.25, -48.41

 

CMYK 11 / 0 / 78 / 38

HEX #8E9F23

RGB 142 159 35

HSL 68.23, 0.64%, 0.38%

LAB 62.23, -21.78, 57.71

 

CMYK 78 / 42 / 0 / 38

HEX #235C9E

RGB 35 92.6 158.6

HSL 212.04, 0.64%, 0.38%

LAB 38.91, 5.47, -41.15

 

CMYK 0 / 78 / 42 / 38

HEX #9F235D

RGB 159 35 93

HSL 331.94, 0.64%, 0.38%

LAB 36.67, 53.97, -3.1

 

CMYK 42 / 0 / 78 / 38

HEX #5D9F23

RGB 93 159 35

HSL 91.94, 0.64%, 0.38%

LAB 59.2, -41.24, 53.8

 

CMYK 78 / 42 / 0 / 38

HEX #235C9E

RGB 35 92.6 158.6

HSL 212.04, 0.64%, 0.38%

LAB 38.91, 5.47, -41.15

 

CMYK 21 / 78 / 0 / 38

HEX #7E239F

RGB 126 35 159

HSL 284.03, 0.64%, 0.38%

LAB 34.27, 56.25, -48.41

 

CMYK 0 / 36 / 78 / 38

HEX #9F6523

RGB 159 101 35

HSL 31.94, 0.64%, 0.38%

LAB 48.01, 17.77, 44.89

 

CMYK 57 / 0 / 78 / 38

HEX #449F23

RGB 68 159 35

HSL 104.03, 0.64%, 0.38%

LAB 58.18, -49.01, 52.46

 

CMYK 78 / 42 / 0 / 38

HEX #235C9E

RGB 35 92.6 158.6

HSL 212.04, 0.64%, 0.38%

LAB 38.91, 5.47, -41.15

 

CMYK 0 / 78 / 3 / 38

HEX #9F239B

RGB 159 35 155

HSL 301.94, 0.64%, 0.38%

LAB 39.48, 62.25, -37.35

 

CMYK 0 / 36 / 78 / 38

HEX #9F6523

RGB 159 101 35

HSL 31.94, 0.64%, 0.38%

LAB 48.01, 17.77, 44.89

 

CMYK 78 / 0 / 75 / 38

HEX #239F27

RGB 35 159 39

HSL 121.94, 0.64%, 0.38%

LAB 57.37, -55.63, 49.99

 

Description

Color code: RGB 35 92.6 158.6 | qconv.com Color code: RGB 35 92.6 158.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 92.6 green and 158.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 92.6 158.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 42 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 42% 0% 38% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

47% - SegelSoft - Blog de ...
Link: http://www.segelsoft.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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