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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 8 188 it is the complementary color RGB 220 247 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 8 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 8 188 shade: RGB 40 8 183, RGB 57 26 202, RGB 74 44 221, RGB 91 62 240 and RGB 108 80 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 8 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 8 188 shade: RGB 35 8 188, RGB 18 0 169, RGB 1 0 150, RGB 0 0 131 and RGB 0 0 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 8 188 shade: RGB 34 7 186, RGB 82 7 186, RGB 130 7 186, RGB 178 7 186 and RGB 186 7 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 8 188 shade: RGB 34 7 186 and RGB 7 7 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 8 188 shade matches the following richer shades: RGB 34 7 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 8 188 shade: RGB 34 7 186, RGB 45 23 170, RGB 56 39 154, RGB 67 54 139 and RGB 78 70 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 8 188 shade: RGB 7 76 186, RGB 7 28 186, RGB 34 7 186, RGB 82 7 186 and RGB 129 7 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 8 188 shade: RGB 19 4 106, RGB 27 6 146, RGB 34 7 186, RGB 41 9 225 and RGB 62 30 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 8 188 shade: RGB 35 8 188, RGB 186 7 123 and RGB 52 186 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 8 188 shade: RGB 35 8 188, RGB 186 34 7 and RGB 7 186 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 8 188 shade: RGB 35 8 188, RGB 186 7 123, RGB 159 186 7 and RGB 7 186 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 8 188 shade: RGB 35 8 188, RGB 186 7 70, RGB 159 186 7 and RGB 7 186 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 96 / 0 / 26

HEX #2308BC

RGB 35 8 188

HSL 249, 0.92%, 0.38%

LAB 24.2, 61.64, -82.76

 

Complementary color

CMYK 11 / 0 / 73 / 3

HEX #DCF743

RGB 220 247 67

HSL 69, 0.92%, 0.62%

LAB 92.64, -30.5, 77.94

 

CMYK 78 / 96 / 0 / 28

HEX #2808B7

RGB 40 8 183

HSL 250.97, 0.92%, 0.37%

LAB 23.82, 60.5, -80.42

 

CMYK 72 / 87 / 0 / 21

HEX #391ACA

RGB 57 26 202

HSL 250.57, 0.77%, 0.45%

LAB 29.09, 61.38, -82.82

 

CMYK 67 / 80 / 0 / 13

HEX #4A2CDD

RGB 74 44 221

HSL 250.17, 0.72%, 0.52%

LAB 34.96, 60.82, -84.06

 

CMYK 62 / 74 / 0 / 6

HEX #5B3EF0

RGB 91 62 240

HSL 249.78, 0.86%, 0.59%

LAB 41.15, 59.55, -84.6

 

CMYK 58 / 69 / 0 / 0

HEX #6C50FF

RGB 108 80 255

HSL 249.6, 1%, 0.66%

LAB 47.16, 56.84, -83.07

 

CMYK 81 / 96 / 0 / 26

HEX #2308BC

RGB 35 8 188

HSL 249, 0.92%, 0.38%

LAB 24.2, 61.64, -82.76

 

CMYK 89 / 100 / 0 / 34

HEX #1200A9

RGB 18 0 169

HSL 246.39, 1%, 0.33%

LAB 20.02, 58.36, -78.37

 

CMYK 99 / 100 / 0 / 41

HEX #010096

RGB 1 0 150

HSL 240.4, 1%, 0.29%

LAB 16.55, 53.32, -72.55

 

CMYK 100 / 100 / 0 / 49

HEX #000083

RGB 0 0 131

HSL 240, 1%, 0.26%

LAB 13.46, 48.31, -65.8

 

CMYK 100 / 100 / 0 / 56

HEX #000070

RGB 0 0 112

HSL 240, 1%, 0.22%

LAB 10.33, 43.18, -58.8

 

CMYK 82 / 96 / 0 / 27

HEX #2207BA

RGB 34 7 186

HSL 249.05, 0.93%, 0.38%

LAB 23.79, 61.31, -82.25

 

CMYK 56 / 96 / 0 / 27

HEX #5207BA

RGB 82 7 186

HSL 265.14, 0.93%, 0.38%

LAB 28.09, 63.67, -74.98

 

CMYK 30 / 96 / 0 / 27

HEX #8207BA

RGB 130 7 186

HSL 281.23, 0.93%, 0.38%

LAB 34.89, 68.55, -63.55

 

CMYK 4 / 96 / 0 / 27

HEX #B207BA

RGB 178 7 186

HSL 297.32, 0.93%, 0.38%

LAB 43.01, 75.55, -50.01

 

CMYK 0 / 96 / 22 / 27

HEX #BA0791

RGB 186 7 145

HSL 313.74, 0.93%, 0.38%

LAB 42.21, 71.31, -26.65

 

CMYK 82 / 96 / 0 / 27

HEX #2207BA

RGB 34 7 186

HSL 249.05, 0.93%, 0.38%

LAB 23.79, 61.31, -82.25

 

CMYK 96 / 96 / 0 / 27

HEX #0707BA

RGB 7 7 186

HSL 240, 0.93%, 0.38%

LAB 22.8, 60.88, -83.93

 

CMYK 82 / 96 / 0 / 27

HEX #2207BA

RGB 34 7 186

HSL 249.05, 0.93%, 0.38%

LAB 23.79, 61.31, -82.25

 

CMYK 82 / 96 / 0 / 27

HEX #2207BA

RGB 34 7 186

HSL 249.05, 0.93%, 0.38%

LAB 23.79, 61.31, -82.25

 

CMYK 74 / 86 / 0 / 33

HEX #2D17AA

RGB 45 23 170

HSL 248.98, 0.76%, 0.38%

LAB 23.91, 52.82, -72.44

 

CMYK 64 / 75 / 0 / 40

HEX #38279A

RGB 56 39 154

HSL 248.87, 0.6%, 0.38%

LAB 25.64, 41.36, -59.83

 

CMYK 52 / 61 / 0 / 45

HEX #43368B

RGB 67 54 139

HSL 249.18, 0.44%, 0.38%

LAB 28.63, 29.4, -45.66

 

CMYK 37 / 43 / 0 / 52

HEX #4E467B

RGB 78 70 123

HSL 249.06, 0.27%, 0.38%

LAB 32.77, 16.91, -29.04

 

CMYK 96 / 59 / 0 / 27

HEX #074CBA

RGB 7 76 186

HSL 216.87, 0.93%, 0.38%

LAB 35.52, 25.5, -62.9

 

CMYK 96 / 85 / 0 / 27

HEX #071CBA

RGB 7 28 186

HSL 232.96, 0.93%, 0.38%

LAB 25.02, 54.15, -80.23

 

CMYK 82 / 96 / 0 / 27

HEX #2207BA

RGB 34 7 186

HSL 249.05, 0.93%, 0.38%

LAB 23.79, 61.31, -82.25

 

CMYK 56 / 96 / 0 / 27

HEX #5207BA

RGB 82 7 186

HSL 265.14, 0.93%, 0.38%

LAB 28.09, 63.67, -74.98

 

CMYK 31 / 96 / 0 / 27

HEX #8107BA

RGB 129 7 186

HSL 280.89, 0.93%, 0.38%

LAB 34.73, 68.43, -63.81

 

CMYK 82 / 96 / 0 / 58

HEX #13046A

RGB 19 4 106

HSL 248.82, 0.93%, 0.22%

LAB 11.03, 39.95, -53.67

 

CMYK 82 / 96 / 0 / 43

HEX #1B0692

RGB 27 6 146

HSL 249, 0.92%, 0.3%

LAB 17.64, 50.78, -68.22

 

CMYK 82 / 96 / 0 / 27

HEX #2207BA

RGB 34 7 186

HSL 249.05, 0.93%, 0.38%

LAB 23.79, 61.31, -82.25

 

CMYK 82 / 96 / 0 / 12

HEX #2909E1

RGB 41 9 225

HSL 248.89, 0.92%, 0.46%

LAB 29.67, 70.94, -95.21

 

CMYK 75 / 88 / 0 / 4

HEX #3E1EF5

RGB 62 30 245

HSL 248.93, 0.91%, 0.54%

LAB 35.09, 71.78, -97.52

 

CMYK 81 / 96 / 0 / 26

HEX #2308BC

RGB 35 8 188

HSL 249, 0.92%, 0.38%

LAB 24.2, 61.64, -82.76

 

CMYK 0 / 96 / 34 / 27

HEX #BA077B

RGB 186 7 123

HSL 321.12, 0.93%, 0.38%

LAB 41.25, 68.83, -14.6

 

CMYK 72 / 0 / 96 / 27

HEX #34BA07

RGB 52 186 7

HSL 104.92, 0.93%, 0.38%

LAB 66.42, -62.82, 65.48

 

CMYK 81 / 96 / 0 / 26

HEX #2308BC

RGB 35 8 188

HSL 249, 0.92%, 0.38%

LAB 24.2, 61.64, -82.76

 

CMYK 0 / 82 / 96 / 27

HEX #BA2207

RGB 186 34 7

HSL 9.05, 0.93%, 0.38%

LAB 40.57, 57.76, 51.36

 

CMYK 96 / 0 / 82 / 27

HEX #07BA22

RGB 7 186 34

HSL 129.05, 0.93%, 0.38%

LAB 65.96, -66.51, 59.78

 

CMYK 81 / 96 / 0 / 26

HEX #2308BC

RGB 35 8 188

HSL 249, 0.92%, 0.38%

LAB 24.2, 61.64, -82.76

 

CMYK 0 / 96 / 34 / 27

HEX #BA077B

RGB 186 7 123

HSL 321.12, 0.93%, 0.38%

LAB 41.25, 68.83, -14.6

 

CMYK 15 / 0 / 96 / 27

HEX #9FBA07

RGB 159 186 7

HSL 69.05, 0.93%, 0.38%

LAB 71.22, -28.48, 71.32

 

CMYK 96 / 0 / 62 / 27

HEX #07BA46

RGB 7 186 70

HSL 141.12, 0.93%, 0.38%

LAB 66.22, -63.31, 46.73

 

CMYK 81 / 96 / 0 / 26

HEX #2308BC

RGB 35 8 188

HSL 249, 0.92%, 0.38%

LAB 24.2, 61.64, -82.76

 

CMYK 0 / 96 / 62 / 27

HEX #BA0746

RGB 186 7 70

HSL 338.88, 0.93%, 0.38%

LAB 39.64, 64.51, 16.6

 

CMYK 15 / 0 / 96 / 27

HEX #9FBA07

RGB 159 186 7

HSL 69.05, 0.93%, 0.38%

LAB 71.22, -28.48, 71.32

 

CMYK 96 / 0 / 34 / 27

HEX #07BA7B

RGB 7 186 123

HSL 158.88, 0.93%, 0.38%

LAB 66.97, -54.3, 21.1

 

Description

Color code: RGB 35 8 188 | qconv.com Color code: RGB 35 8 188 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 8 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 8 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 96 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 96% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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