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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 171 207 it is the complementary color RGB 220 84 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 171 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 35 171 207: RGB 40 171 202, RGB 57 189 221, RGB 74 207 240, RGB 91 225 255 and RGB 108 243 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 171 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 35 171 207: RGB 35 171 207, RGB 18 153 188, RGB 1 135 169, RGB 0 117 150 and RGB 0 99 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 17 / 0 / 19

HEX #23ABCF

RGB 35 171 207

HSL 192.56, 0.71%, 0.47%

LAB 64.95, -22.22, -28.13

 

Complementary color

CMYK 0 / 62 / 78 / 14

HEX #DC5430

RGB 220 84 48

HSL 12.56, 0.71%, 0.53%

LAB 53.78, 51.41, 47.53

 

CMYK 80 / 15 / 0 / 21

HEX #28ABCA

RGB 40 171 202

HSL 191.48, 0.67%, 0.47%

LAB 64.84, -23.45, -25.53

 

CMYK 74 / 14 / 0 / 13

HEX #39BDDD

RGB 57 189 221

HSL 191.71, 0.71%, 0.55%

LAB 71.2, -24.69, -26.18

 

CMYK 69 / 14 / 0 / 6

HEX #4ACFF0

RGB 74 207 240

HSL 191.93, 0.85%, 0.62%

LAB 77.5, -25.65, -26.76

 

CMYK 64 / 12 / 0 / 0

HEX #5BE1FF

RGB 91 225 255

HSL 190.98, 1%, 0.68%

LAB 83.6, -27.59, -25.39

 

CMYK 58 / 5 / 0 / 0

HEX #6CF3FF

RGB 108 243 255

HSL 184.9, 1%, 0.71%

LAB 89.16, -33.41, -16.92

 

CMYK 83 / 17 / 0 / 19

HEX #23ABCF

RGB 35 171 207

HSL 192.56, 0.71%, 0.47%

LAB 64.95, -22.22, -28.13

 

CMYK 90 / 19 / 0 / 26

HEX #1299BC

RGB 18 153 188

HSL 192.35, 0.83%, 0.4%

LAB 58.55, -20.42, -27.41

 

CMYK 99 / 20 / 0 / 34

HEX #0187A9

RGB 1 135 169

HSL 192.14, 0.99%, 0.33%

LAB 52.06, -18.23, -26.61

 

CMYK 100 / 22 / 0 / 41

HEX #007596

RGB 0 117 150

HSL 193.2, 1%, 0.29%

LAB 45.53, -15.32, -25.64

 

CMYK 100 / 24 / 0 / 49

HEX #006383

RGB 0 99 131

HSL 194.66, 1%, 0.26%

LAB 38.83, -12.24, -24.68

 

CMYK 83 / 17 / 0 / 19

HEX #23ABCF

RGB 35 171 207

HSL 192.56, 0.71%, 0.47%

LAB 64.95, -22.22, -28.13

 

CMYK 83 / 30 / 0 / 20

HEX #228ECC

RGB 34 142 204

HSL 201.88, 0.71%, 0.47%

LAB 56.13, -7.54, -40.19

 

CMYK 83 / 44 / 0 / 20

HEX #2272CC

RGB 34 114 204

HSL 211.76, 0.71%, 0.47%

LAB 47.92, 9.33, -53.23

 

CMYK 83 / 58 / 0 / 20

HEX #2255CC

RGB 34 85 204

HSL 222, 0.71%, 0.47%

LAB 39.91, 28.05, -66.2

 

CMYK 83 / 72 / 0 / 20

HEX #2239CC

RGB 34 57 204

HSL 231.88, 0.71%, 0.47%

LAB 33.19, 45.73, -77.23

 

CMYK 83 / 17 / 0 / 19

HEX #23ABCF

RGB 35 171 207

HSL 192.56, 0.71%, 0.47%

LAB 64.95, -22.22, -28.13

 

CMYK 67 / 33 / 0 / 99

HEX #010203

RGB 1 2 3

HSL 210, 0.5%, 0.01%

LAB 0.51, -0.12, -0.47

 

CMYK 83 / 17 / 0 / 79

HEX #092D36

RGB 9 45 54

HSL 192, 0.71%, 0.12%

LAB 16.51, -8.94, -9.45

 

CMYK 83 / 17 / 0 / 59

HEX #125769

RGB 18 87 105

HSL 192.41, 0.71%, 0.24%

LAB 33.91, -13.77, -16.26

 

CMYK 83 / 17 / 0 / 39

HEX #1A819C

RGB 26 129 156

HSL 192.46, 0.71%, 0.36%

LAB 49.88, -18.19, -22.41

 

CMYK 83 / 17 / 0 / 19

HEX #23ABCF

RGB 35 171 207

HSL 192.56, 0.71%, 0.47%

LAB 64.95, -22.22, -28.13

 

CMYK 50 / 83 / 0 / 20

HEX #6622CC

RGB 102 34 204

HSL 264, 0.71%, 0.47%

LAB 34.66, 63.09, -74.64

 

CMYK 0 / 17 / 83 / 20

HEX #CCAA22

RGB 204 170 34

HSL 48, 0.71%, 0.47%

LAB 70.67, -0.22, 67.52

 

CMYK 83 / 17 / 0 / 19

HEX #23ABCF

RGB 35 171 207

HSL 192.56, 0.71%, 0.47%

LAB 64.95, -22.22, -28.13

 

CMYK 0 / 83 / 17 / 20

HEX #CC22AA

RGB 204 34 170

HSL 312, 0.71%, 0.47%

LAB 48.11, 74.11, -32.18

 

CMYK 17 / 0 / 83 / 20

HEX #AACC22

RGB 170 204 34

HSL 72, 0.71%, 0.47%

LAB 77.19, -31.86, 71.98

 

CMYK 83 / 17 / 0 / 19

HEX #23ABCF

RGB 35 171 207

HSL 192.56, 0.71%, 0.47%

LAB 64.95, -22.22, -28.13

 

CMYK 50 / 83 / 0 / 20

HEX #6622CC

RGB 102 34 204

HSL 264, 0.71%, 0.47%

LAB 34.66, 63.09, -74.64

 

CMYK 0 / 67 / 83 / 20

HEX #CC4422

RGB 204 68 34

HSL 12, 0.71%, 0.47%

LAB 48.37, 52.27, 48.16

 

CMYK 33 / 0 / 83 / 20

HEX #88CC22

RGB 136 204 34

HSL 84, 0.71%, 0.47%

LAB 75.16, -44.98, 69.43

 

CMYK 83 / 17 / 0 / 19

HEX #23ABCF

RGB 35 171 207

HSL 192.56, 0.71%, 0.47%

LAB 64.95, -22.22, -28.13

 

CMYK 25 / 83 / 0 / 20

HEX #9922CC

RGB 153 34 204

HSL 282, 0.71%, 0.47%

LAB 41.65, 70.18, -62.91

 

CMYK 0 / 67 / 83 / 20

HEX #CC4422

RGB 204 68 34

HSL 12, 0.71%, 0.47%

LAB 48.37, 52.27, 48.16

 

CMYK 58 / 0 / 83 / 20

HEX #55CC22

RGB 85 204 34

HSL 102, 0.71%, 0.47%

LAB 73.04, -60.79, 66.75

 

Description

Color code: RGB 35 171 207 | qconv.com Color code: RGB 35 171 207 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 171 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 171 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 17 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 17% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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