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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 53 76 it is the complementary color RGB 221 202 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 53 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34 53 76 shade: RGB 39 53 71, RGB 56 71 90, RGB 73 89 109, RGB 90 107 128 and RGB 107 125 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 53 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34 53 76 shade: RGB 34 53 76, RGB 17 35 57, RGB 0 17 38, RGB 0 0 19 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34 53 76 shade: RGB 35 54 77, RGB 35 43 77, RGB 38 35 77, RGB 50 35 77 and RGB 61 35 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34 53 76 shade: RGB 35 54 77, RGB 35 43 77 and RGB 35 35 77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34 53 76 shade matches the following richer shades: RGB 35 54 77, RGB 26 53 86, RGB 17 52 96 and RGB 8 51 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34 53 76 shade: RGB 35 54 77, RGB 44 55 68, RGB 53 56 59, RGB 62 57 50 and RGB 71 58 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34 53 76 shade: RGB 35 77 77, RGB 35 66 77, RGB 35 55 77, RGB 35 43 77 and RGB 38 35 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34 53 76 shade: RGB 9 14 20, RGB 22 34 49, RGB 35 54 77, RGB 48 74 106 and RGB 60 94 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34 53 76 shade: RGB 34 53 76, RGB 66 35 77 and RGB 72 77 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34 53 76 shade: RGB 34 53 76, RGB 77 35 55 and RGB 55 77 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34 53 76 shade: RGB 34 53 76, RGB 66 35 77, RGB 77 58 35 and RGB 46 77 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34 53 76 shade: RGB 34 53 76, RGB 77 35 76, RGB 77 58 35 and RGB 35 77 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 30 / 0 / 70

HEX #22354C

RGB 34 53 76

HSL 212.86, 0.38%, 0.22%

LAB 21.61, -0.03, -16.5

 

Complementary color

CMYK 0 / 9 / 19 / 13

HEX #DDCAB3

RGB 221 202 179

HSL 32.86, 0.38%, 0.78%

LAB 82.31, 2.96, 13.89

 

CMYK 45 / 25 / 0 / 72

HEX #273547

RGB 39 53 71

HSL 213.75, 0.29%, 0.22%

LAB 21.7, -0.25, -12.98

 

CMYK 38 / 21 / 0 / 65

HEX #38475A

RGB 56 71 90

HSL 213.53, 0.23%, 0.29%

LAB 29.63, -0.62, -13.18

 

CMYK 33 / 18 / 0 / 57

HEX #49596D

RGB 73 89 109

HSL 213.33, 0.2%, 0.36%

LAB 37.23, -0.89, -13.44

 

CMYK 30 / 16 / 0 / 50

HEX #5A6B80

RGB 90 107 128

HSL 213.16, 0.17%, 0.43%

LAB 44.59, -1.11, -13.73

 

CMYK 27 / 15 / 0 / 42

HEX #6B7D93

RGB 107 125 147

HSL 213, 0.16%, 0.5%

LAB 51.72, -1.29, -14.04

 

CMYK 55 / 30 / 0 / 70

HEX #22354C

RGB 34 53 76

HSL 212.86, 0.38%, 0.22%

LAB 21.61, -0.03, -16.5

 

CMYK 70 / 39 / 0 / 78

HEX #112339

RGB 17 35 57

HSL 213, 0.54%, 0.15%

LAB 13.33, 0.93, -16.47

 

CMYK 100 / 55 / 0 / 85

HEX #001126

RGB 0 17 38

HSL 213.16, 1%, 0.07%

LAB 4.89, 1.48, -15.95

 

CMYK 100 / 100 / 0 / 93

HEX #000013

RGB 0 0 19

HSL 240, 1%, 0.04%

LAB 0.42, 2.98, -8.12

 

CMYK 55 / 30 / 0 / 70

HEX #23364D

RGB 35 54 77

HSL 212.86, 0.38%, 0.22%

LAB 22.06, -0.08, -16.46

 

CMYK 55 / 44 / 0 / 70

HEX #232B4D

RGB 35 43 77

HSL 228.57, 0.38%, 0.22%

LAB 18.46, 7.66, -22.12

 

CMYK 51 / 55 / 0 / 70

HEX #26234D

RGB 38 35 77

HSL 244.29, 0.38%, 0.22%

LAB 16.26, 14.28, -25.61

 

CMYK 35 / 55 / 0 / 70

HEX #32234D

RGB 50 35 77

HSL 261.43, 0.38%, 0.22%

LAB 17.53, 17.84, -23.49

 

CMYK 21 / 55 / 0 / 70

HEX #3D234D

RGB 61 35 77

HSL 277.14, 0.38%, 0.22%

LAB 18.93, 21.39, -21.19

 

CMYK 55 / 30 / 0 / 70

HEX #23364D

RGB 35 54 77

HSL 212.86, 0.38%, 0.22%

LAB 22.06, -0.08, -16.46

 

CMYK 55 / 44 / 0 / 70

HEX #232B4D

RGB 35 43 77

HSL 228.57, 0.38%, 0.22%

LAB 18.46, 7.66, -22.12

 

CMYK 55 / 55 / 0 / 70

HEX #23234D

RGB 35 35 77

HSL 240, 0.38%, 0.22%

LAB 15.98, 13.46, -26.06

 

CMYK 55 / 30 / 0 / 70

HEX #23364D

RGB 35 54 77

HSL 212.86, 0.38%, 0.22%

LAB 22.06, -0.08, -16.46

 

CMYK 70 / 38 / 0 / 66

HEX #1A3556

RGB 26 53 86

HSL 213, 0.54%, 0.22%

LAB 21.72, 1.83, -23.01

 

CMYK 82 / 46 / 0 / 62

HEX #113460

RGB 17 52 96

HSL 213.42, 0.7%, 0.22%

LAB 21.65, 5.16, -29.73

 

CMYK 92 / 51 / 0 / 59

HEX #083369

RGB 8 51 105

HSL 213.4, 0.86%, 0.22%

LAB 21.72, 8.87, -35.49

 

CMYK 55 / 30 / 0 / 70

HEX #23364D

RGB 35 54 77

HSL 212.86, 0.38%, 0.22%

LAB 22.06, -0.08, -16.46

 

CMYK 35 / 19 / 0 / 73

HEX #2C3744

RGB 44 55 68

HSL 212.5, 0.21%, 0.22%

LAB 22.6, -0.87, -9.55

 

CMYK 10 / 5 / 0 / 77

HEX #35383B

RGB 53 56 59

HSL 210, 0.05%, 0.22%

LAB 23.34, -0.55, -2.31

 

CMYK 0 / 8 / 19 / 76

HEX #3E3932

RGB 62 57 50

HSL 35, 0.11%, 0.22%

LAB 24.26, 0.75, 5.15

 

CMYK 0 / 18 / 42 / 72

HEX #473A29

RGB 71 58 41

HSL 34, 0.27%, 0.22%

LAB 25.34, 2.86, 12.71

 

CMYK 55 / 0 / 0 / 70

HEX #234D4D

RGB 35 77 77

HSL 180, 0.38%, 0.22%

LAB 29.91, -14.56, -4.5

 

CMYK 55 / 14 / 0 / 70

HEX #23424D

RGB 35 66 77

HSL 195.71, 0.38%, 0.22%

LAB 26.13, -7.94, -10.2

 

CMYK 55 / 29 / 0 / 70

HEX #23374D

RGB 35 55 77

HSL 211.43, 0.38%, 0.22%

LAB 22.39, -0.76, -15.94

 

CMYK 55 / 44 / 0 / 70

HEX #232B4D

RGB 35 43 77

HSL 228.57, 0.38%, 0.22%

LAB 18.46, 7.66, -22.12

 

CMYK 51 / 55 / 0 / 70

HEX #26234D

RGB 38 35 77

HSL 244.29, 0.38%, 0.22%

LAB 16.26, 14.28, -25.61

 

CMYK 55 / 30 / 0 / 92

HEX #090E14

RGB 9 14 20

HSL 212.73, 0.38%, 0.06%

LAB 3.82, -0.24, -3.75

 

CMYK 55 / 31 / 0 / 81

HEX #162231

RGB 22 34 49

HSL 213.33, 0.38%, 0.14%

LAB 12.84, -0.09, -11.52

 

CMYK 55 / 30 / 0 / 70

HEX #23364D

RGB 35 54 77

HSL 212.86, 0.38%, 0.22%

LAB 22.06, -0.08, -16.46

 

CMYK 55 / 30 / 0 / 58

HEX #304A6A

RGB 48 74 106

HSL 213.1, 0.38%, 0.3%

LAB 30.8, 0.3, -21.62

 

CMYK 55 / 30 / 0 / 47

HEX #3C5E86

RGB 60 94 134

HSL 212.43, 0.38%, 0.38%

LAB 39.05, 0.09, -26.04

 

CMYK 55 / 30 / 0 / 70

HEX #22354C

RGB 34 53 76

HSL 212.86, 0.38%, 0.22%

LAB 21.61, -0.03, -16.5

 

CMYK 14 / 55 / 0 / 70

HEX #42234D

RGB 66 35 77

HSL 284.29, 0.38%, 0.22%

LAB 19.62, 23.04, -20.05

 

CMYK 6 / 0 / 55 / 70

HEX #484D23

RGB 72 77 35

HSL 67.14, 0.38%, 0.22%

LAB 31.36, -9.25, 24.01

 

CMYK 55 / 30 / 0 / 70

HEX #22354C

RGB 34 53 76

HSL 212.86, 0.38%, 0.22%

LAB 21.61, -0.03, -16.5

 

CMYK 0 / 55 / 29 / 70

HEX #4D2337

RGB 77 35 55

HSL 331.43, 0.38%, 0.22%

LAB 20.27, 22.55, -3.82

 

CMYK 29 / 0 / 55 / 70

HEX #374D23

RGB 55 77 35

HSL 91.43, 0.38%, 0.22%

LAB 30.01, -17.01, 22.07

 

CMYK 55 / 30 / 0 / 70

HEX #22354C

RGB 34 53 76

HSL 212.86, 0.38%, 0.22%

LAB 21.61, -0.03, -16.5

 

CMYK 14 / 55 / 0 / 70

HEX #42234D

RGB 66 35 77

HSL 284.29, 0.38%, 0.22%

LAB 19.62, 23.04, -20.05

 

CMYK 0 / 25 / 55 / 70

HEX #4D3A23

RGB 77 58 35

HSL 32.86, 0.38%, 0.22%

LAB 25.94, 5.03, 17.46

 

CMYK 40 / 0 / 55 / 70

HEX #2E4D23

RGB 46 77 35

HSL 104.29, 0.38%, 0.22%

LAB 29.44, -20.73, 21.23

 

CMYK 55 / 30 / 0 / 70

HEX #22354C

RGB 34 53 76

HSL 212.86, 0.38%, 0.22%

LAB 21.61, -0.03, -16.5

 

CMYK 0 / 55 / 1 / 70

HEX #4D234C

RGB 77 35 76

HSL 301.43, 0.38%, 0.22%

LAB 21.21, 26.52, -16.76

 

CMYK 0 / 25 / 55 / 70

HEX #4D3A23

RGB 77 58 35

HSL 32.86, 0.38%, 0.22%

LAB 25.94, 5.03, 17.46

 

CMYK 55 / 0 / 53 / 70

HEX #234D24

RGB 35 77 36

HSL 121.43, 0.38%, 0.22%

LAB 28.88, -24.53, 19.84

 

Description

Color code: RGB 34 53 76 | qconv.com Color code: RGB 34 53 76 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 53 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 53 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 30 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 30% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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