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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34.7 74.6 213 it is the complementary color RGB 220.3 180.4 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34.7 74.6 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34.7 74.6 213 shade: RGB 39.7 74.6 208, RGB 56.7 92.6 227, RGB 73.7 110.6 246, RGB 90.7 128.6 255 and RGB 107.7 146.6 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34.7 74.6 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34.7 74.6 213 shade: RGB 34.7 74.6 213, RGB 17.7 56.6 194, RGB 0.7 38.6 175, RGB 0 20.6 156 and RGB 0 2.6 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34.7 74.6 213 shade: RGB 35 75 215, RGB 43 35 215, RGB 92 35 215, RGB 140 35 215 and RGB 189 35 215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34.7 74.6 213 shade: RGB 35 75 215 and RGB 35 35 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34.7 74.6 213 shade matches the following richer shades: RGB 35 75 215 and RGB 15 64 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34.7 74.6 213 shade: RGB 35 75 215, RGB 55 86 195, RGB 75 98 174, RGB 96 109 154 and RGB 116 120 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34.7 74.6 213 shade: RGB 35 173 215, RGB 35 125 215, RGB 35 77 215, RGB 41 35 215 and RGB 89 35 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34.7 74.6 213 shade: RGB 23 50 144, RGB 29 63 179, RGB 35 75 215, RGB 67 102 224 and RGB 102 131 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34.7 74.6 213 shade: RGB 34.7 74.6 213, RGB 209 35 215 and RGB 149 215 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34.7 74.6 213 shade: RGB 34.7 74.6 213, RGB 215 35 77 and RGB 77 215 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34.7 74.6 213 shade: RGB 34.7 74.6 213, RGB 209 35 215, RGB 215 173 35 and RGB 41 215 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34.7 74.6 213 shade: RGB 34.7 74.6 213, RGB 215 35 167, RGB 215 173 35 and RGB 35 215 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 65 / 0 / 16

HEX #224AD5

RGB 34.7 74.6 213

HSL 226.57, 0.72%, 0.49%

LAB 38.08, 38.18, -74.38

 

Complementary color

CMYK 0 / 18 / 81 / 14

HEX #DCB42A

RGB 220.3 180.4 42

HSL 46.57, 0.72%, 0.51%

LAB 74.97, 1.65, 69.55

 

CMYK 81 / 64 / 0 / 18

HEX #274AD0

RGB 39.7 74.6 208

HSL 227.56, 0.68%, 0.49%

LAB 37.8, 36.71, -71.95

 

CMYK 75 / 59 / 0 / 11

HEX #385CE3

RGB 56.7 92.6 227

HSL 227.35, 0.75%, 0.56%

LAB 44.47, 33.82, -71.89

 

CMYK 70 / 55 / 0 / 4

HEX #496EF6

RGB 73.7 110.6 246

HSL 227.15, 0.91%, 0.63%

LAB 51.13, 31.34, -71.69

 

CMYK 64 / 50 / 0 / 0

HEX #5A80FF

RGB 90.7 128.6 255

HSL 226.16, 1%, 0.68%

LAB 57.1, 25.85, -66.97

 

CMYK 58 / 43 / 0 / 0

HEX #6B92FF

RGB 107.7 146.6 255

HSL 224.15, 1%, 0.71%

LAB 62.62, 18.03, -58.07

 

CMYK 84 / 65 / 0 / 16

HEX #224AD5

RGB 34.7 74.6 213

HSL 226.57, 0.72%, 0.49%

LAB 38.08, 38.18, -74.38

 

CMYK 91 / 71 / 0 / 24

HEX #1138C2

RGB 17.7 56.6 194

HSL 226.76, 0.83%, 0.42%

LAB 31.6, 41.61, -74.04

 

CMYK 100 / 78 / 0 / 31

HEX #0026AF

RGB 0.7 38.6 175

HSL 226.95, 0.99%, 0.34%

LAB 25.33, 45.07, -73.14

 

CMYK 100 / 87 / 0 / 39

HEX #00149C

RGB 0 20.6 156

HSL 232.08, 1%, 0.31%

LAB 19.73, 47.93, -70.93

 

CMYK 100 / 98 / 0 / 46

HEX #000289

RGB 0 2.6 137

HSL 238.86, 1%, 0.27%

LAB 14.75, 48.93, -67.44

 

CMYK 84 / 65 / 0 / 16

HEX #234BD7

RGB 35 75 215

HSL 226.67, 0.72%, 0.49%

LAB 38.37, 38.68, -75.06

 

CMYK 80 / 84 / 0 / 16

HEX #2B23D7

RGB 43 35 215

HSL 242.67, 0.72%, 0.49%

LAB 30.93, 60.91, -87.35

 

CMYK 57 / 84 / 0 / 16

HEX #5C23D7

RGB 92 35 215

HSL 259, 0.72%, 0.49%

LAB 34.77, 64.42, -80.87

 

CMYK 35 / 84 / 0 / 16

HEX #8C23D7

RGB 140 35 215

HSL 275, 0.72%, 0.49%

LAB 40.71, 70.19, -70.88

 

CMYK 12 / 84 / 0 / 16

HEX #BD23D7

RGB 189 35 215

HSL 291.33, 0.72%, 0.49%

LAB 48.17, 77.84, -58.43

 

CMYK 84 / 65 / 0 / 16

HEX #234BD7

RGB 35 75 215

HSL 226.67, 0.72%, 0.49%

LAB 38.37, 38.68, -75.06

 

CMYK 84 / 84 / 0 / 16

HEX #2323D7

RGB 35 35 215

HSL 240, 0.72%, 0.49%

LAB 30.56, 60.58, -87.98

 

CMYK 84 / 65 / 0 / 16

HEX #234BD7

RGB 35 75 215

HSL 226.67, 0.72%, 0.49%

LAB 38.37, 38.68, -75.06

 

CMYK 94 / 73 / 0 / 8

HEX #0F40EB

RGB 15 64 235

HSL 226.64, 0.88%, 0.49%

LAB 37.42, 51.6, -88.05

 

CMYK 84 / 65 / 0 / 16

HEX #234BD7

RGB 35 75 215

HSL 226.67, 0.72%, 0.49%

LAB 38.37, 38.68, -75.06

 

CMYK 72 / 56 / 0 / 24

HEX #3756C3

RGB 55 86 195

HSL 226.71, 0.56%, 0.49%

LAB 40.26, 26.22, -60.38

 

CMYK 57 / 44 / 0 / 32

HEX #4B62AE

RGB 75 98 174

HSL 226.06, 0.4%, 0.49%

LAB 43.19, 14.51, -43.33

 

CMYK 38 / 29 / 0 / 40

HEX #606D9A

RGB 96 109 154

HSL 226.55, 0.23%, 0.49%

LAB 46.65, 6.73, -26

 

CMYK 13 / 10 / 0 / 47

HEX #747886

RGB 116 120 134

HSL 226.67, 0.07%, 0.49%

LAB 50.53, 1.53, -8.14

 

CMYK 84 / 20 / 0 / 16

HEX #23ADD7

RGB 35 173 215

HSL 194, 0.72%, 0.49%

LAB 65.87, -20.56, -31.14

 

CMYK 84 / 42 / 0 / 16

HEX #237DD7

RGB 35 125 215

HSL 210, 0.72%, 0.49%

LAB 51.76, 6.77, -53.34

 

CMYK 84 / 64 / 0 / 16

HEX #234DD7

RGB 35 77 215

HSL 226, 0.72%, 0.49%

LAB 38.85, 37.41, -74.27

 

CMYK 81 / 84 / 0 / 16

HEX #2923D7

RGB 41 35 215

HSL 242, 0.72%, 0.49%

LAB 30.83, 60.82, -87.52

 

CMYK 59 / 84 / 0 / 16

HEX #5923D7

RGB 89 35 215

HSL 258, 0.72%, 0.49%

LAB 34.46, 64.13, -81.38

 

CMYK 84 / 65 / 0 / 44

HEX #173290

RGB 23 50 144

HSL 226.61, 0.72%, 0.33%

LAB 25.19, 27.22, -54.49

 

CMYK 84 / 65 / 0 / 30

HEX #1D3FB3

RGB 29 63 179

HSL 226.4, 0.72%, 0.41%

LAB 31.97, 32.55, -64.56

 

CMYK 84 / 65 / 0 / 16

HEX #234BD7

RGB 35 75 215

HSL 226.67, 0.72%, 0.49%

LAB 38.37, 38.68, -75.06

 

CMYK 70 / 54 / 0 / 12

HEX #4366E0

RGB 67 102 224

HSL 226.62, 0.72%, 0.57%

LAB 47.08, 28.07, -65.93

 

CMYK 56 / 43 / 0 / 10

HEX #6683E6

RGB 102 131 230

HSL 226.41, 0.72%, 0.65%

LAB 56.85, 18.2, -53.48

 

CMYK 84 / 65 / 0 / 16

HEX #224AD5

RGB 34.7 74.6 213

HSL 226.57, 0.72%, 0.49%

LAB 38.08, 38.18, -74.38

 

CMYK 3 / 84 / 0 / 16

HEX #D123D7

RGB 209 35 215

HSL 298, 0.72%, 0.49%

LAB 51.45, 81.3, -52.98

 

CMYK 31 / 0 / 84 / 16

HEX #95D723

RGB 149 215 35

HSL 82, 0.72%, 0.49%

LAB 79.11, -44.86, 72.91

 

CMYK 84 / 65 / 0 / 16

HEX #224AD5

RGB 34.7 74.6 213

HSL 226.57, 0.72%, 0.49%

LAB 38.08, 38.18, -74.38

 

CMYK 0 / 84 / 64 / 16

HEX #D7234D

RGB 215 35 77

HSL 346, 0.72%, 0.49%

LAB 47.22, 67.82, 23.3

 

CMYK 64 / 0 / 84 / 16

HEX #4DD723

RGB 77 215 35

HSL 106, 0.72%, 0.49%

LAB 76.25, -66.28, 69.3

 

CMYK 84 / 65 / 0 / 16

HEX #224AD5

RGB 34.7 74.6 213

HSL 226.57, 0.72%, 0.49%

LAB 38.08, 38.18, -74.38

 

CMYK 3 / 84 / 0 / 16

HEX #D123D7

RGB 209 35 215

HSL 298, 0.72%, 0.49%

LAB 51.45, 81.3, -52.98

 

CMYK 0 / 20 / 84 / 16

HEX #D7AD23

RGB 215 173 35

HSL 46, 0.72%, 0.49%

LAB 72.53, 3.04, 69.26

 

CMYK 81 / 0 / 84 / 16

HEX #29D723

RGB 41 215 35

HSL 118, 0.72%, 0.49%

LAB 75.57, -72.15, 68.43

 

CMYK 84 / 65 / 0 / 16

HEX #224AD5

RGB 34.7 74.6 213

HSL 226.57, 0.72%, 0.49%

LAB 38.08, 38.18, -74.38

 

CMYK 0 / 84 / 22 / 16

HEX #D723A7

RGB 215 35 167

HSL 316, 0.72%, 0.49%

LAB 50.02, 75.83, -27.27

 

CMYK 0 / 20 / 84 / 16

HEX #D7AD23

RGB 215 173 35

HSL 46, 0.72%, 0.49%

LAB 72.53, 3.04, 69.26

 

CMYK 84 / 0 / 61 / 16

HEX #23D753

RGB 35 215 83

HSL 136, 0.72%, 0.49%

LAB 75.81, -68.88, 51.98

 

Description

Color code: RGB 34.7 74.6 213 | qconv.com Color code: RGB 34.7 74.6 213 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34.7 red, 74.6 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34.7 74.6 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 65 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 65% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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